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#BaiJingTing: When we first engaged this project (#TheFirstFrost), it posed a great challenge to me. I did some homework and preparation, and (read) the novel. One major helpful factor is that, before our drama adaptation, there have already been other excellent interpretations of this novel, which gave me great...

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jov ☀️

25,270 subscribers

79,126 Aufrufe • vor 1 Jahr •via X (Twitter)

BildungComedyKunst#BaiJingTing#TheFirstFrost
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6 Kommentare

Profilbild von Nha
Nhavor 1 Jahr

How I wish every actor involved with drama adaptation have this kind of mindset and approach, be respectful towards the OG and its fans, try to understand the OG in order to bring the character alive through his acting. So it can be enjoyable for both OG fans & drama audience.

Profilbild von Alexander Boldizar
Alexander Boldizarvor 2 Jahren

"Made me think of early Pynchon and of Neal Stephenson at his best. The most interesting novel I’ve read in a long time."

Profilbild von 🌸🍀🪴🎐💮
🌸🍀🪴🎐💮vor 1 Jahr

What a greatly articulate answer by him 👏 I look forward to watching this adaptation 😊

Profilbild von yali⁷
yali⁷vor 1 Jahr

He read all versions!!!

Profilbild von AKA124
AKA124vor 1 Jahr

that's the way xiaobai works... his not just acting. he becomes the character itself. that is why his an Alist C-actor👏👏👏

Profilbild von e
evor 1 Jahr

Could you tell me where i can watch the animation? Thank youuu.

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#BaiJingTing's Message to 难哄 #TheFirstFrost IP Source Novel fans 🫶🏻 "I recommend all of you to try and watch our drama. If you really find that our adaptation does not match how you envisioned the story to be. I won't force you all. But I still hope that all of you will give us a chance to at least try it and see how we've interpreted this novel based on our understanding."
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#BaiJingTing's Message to 难哄 #TheFirstFrost IP Source Novel fans 🫶🏻 "I recommend all of you to try and watch our drama. If you really find that our adaptation does not match how you envisioned the story to be. I won't force you all. But I still hope that all of you will give us a chance to at least try it and see how we've interpreted this novel based on our understanding."

jov

42,596 Aufrufe • vor 1 Jahr

Béla Tarr on how the concept of time works in "Sátántangó" (1994): "Interviewer: Did you have any problems when you first wanted to make the film in the ‘80s? How did you start work on the film? Tarr: It was mostly a political problem. We couldn't start in the ‘80s because of censorship from the communist government at the time, but by the early ‘90s it became possible to do it and it took four years to do, from 1990 to 1994. You have to understand. This man [Lázsló] was living in the Hungarian lowlands, and he saw a lot of things in the reality of how people were living, and of course he transformed it and created this beautiful novel. I understood when I started working on this project that I cannot do any kind of adaptation. I had to go back to the Hungarian lowlands, like him. I had to see how life is going on out there, and I had to find the film language, I had to figure out how I can get the same stuff that he did in the novel. By the end, I spent two years in the Hungarian lowlands filming, I can tell you I know all the houses, I know all f***ing roads, I know everything in this part of the country. By the end of my time there I could find the way to film and afterwards we could use the dramaturgical structure of the novel, and of course we did not have a script, we had only the novel and my vision. That's all we had. Interviewer: What about the sense of time that you found in that place? Tarr: Hey man, if you are sitting in the Hungarian lowlands, I'm sure it's the same in the desert in, let's say, Arizona, when you are out there: there is no time, no distance anymore, you can go hours, weeks, and you don't see anything. You are out of time; you have a different sense of time then when you are living in a town. And so, the slowness of the drama came from this. You know, you have to understand that first you have to know the life of the places and then afterwards you have a feeling for how you have to film it." ("I Am Interested in the World, Not Just in Filming It": Béla Tarr on "Sátántangó", David Perrin, MUBI, 2019) P.S: Remembering the great Hungarian filmmaker, Béla Tarr, on his 71st birthday!
1:36

Béla Tarr on how the concept of time works in "Sátántangó" (1994): "Interviewer: Did you have any problems when you first wanted to make the film in the ‘80s? How did you start work on the film? Tarr: It was mostly a political problem. We couldn't start in the ‘80s because of censorship from the communist government at the time, but by the early ‘90s it became possible to do it and it took four years to do, from 1990 to 1994. You have to understand. This man [Lázsló] was living in the Hungarian lowlands, and he saw a lot of things in the reality of how people were living, and of course he transformed it and created this beautiful novel. I understood when I started working on this project that I cannot do any kind of adaptation. I had to go back to the Hungarian lowlands, like him. I had to see how life is going on out there, and I had to find the film language, I had to figure out how I can get the same stuff that he did in the novel. By the end, I spent two years in the Hungarian lowlands filming, I can tell you I know all the houses, I know all f***ing roads, I know everything in this part of the country. By the end of my time there I could find the way to film and afterwards we could use the dramaturgical structure of the novel, and of course we did not have a script, we had only the novel and my vision. That's all we had. Interviewer: What about the sense of time that you found in that place? Tarr: Hey man, if you are sitting in the Hungarian lowlands, I'm sure it's the same in the desert in, let's say, Arizona, when you are out there: there is no time, no distance anymore, you can go hours, weeks, and you don't see anything. You are out of time; you have a different sense of time then when you are living in a town. And so, the slowness of the drama came from this. You know, you have to understand that first you have to know the life of the places and then afterwards you have a feeling for how you have to film it." ("I Am Interested in the World, Not Just in Filming It": Béla Tarr on "Sátántangó", David Perrin, MUBI, 2019) P.S: Remembering the great Hungarian filmmaker, Béla Tarr, on his 71st birthday!

DepressedBergman

12,439 Aufrufe • vor 1 Monat

"I'm very grateful towards everyone. when I first saw the script, as an actress, there were definitely heart palpitations... I might be criticised very badly (because of how xu yan might be perceived as a scheming evil woman) but when I read the script, I was really very moved... my heart aches a lot for xu yan. at that moment, I felt a strong sense of empathy for that character. I also feel that there was an assimilation (of the character and myself) I was just thinking, that even if xu yan weren't the first female lead of the drama... if she were the second or third female lead, I would've still been willing to portray her role. she's able to convey the message that I hope to express. so irregardless of how "major" or "minor" her character is, I would've still wanted to bring this character, xu yan, to the audience. it was just something I hoped to do what I didn't expect was that everyone quite like this character and many people actually support her. so I've actually dispelled my (worries). it was just like cheng shaoshang (love like the galaxy) from the past... when I used to be the only one who really pitied her. but of course, it's been more than 2 years now and everyone is now able to stand for women. so I'm very grateful and happy that my character is gaining love beyond the screen" 🩷 #ZhaoLusi #LovesAmbition
1:35

"I'm very grateful towards everyone. when I first saw the script, as an actress, there were definitely heart palpitations... I might be criticised very badly (because of how xu yan might be perceived as a scheming evil woman) but when I read the script, I was really very moved... my heart aches a lot for xu yan. at that moment, I felt a strong sense of empathy for that character. I also feel that there was an assimilation (of the character and myself) I was just thinking, that even if xu yan weren't the first female lead of the drama... if she were the second or third female lead, I would've still been willing to portray her role. she's able to convey the message that I hope to express. so irregardless of how "major" or "minor" her character is, I would've still wanted to bring this character, xu yan, to the audience. it was just something I hoped to do what I didn't expect was that everyone quite like this character and many people actually support her. so I've actually dispelled my (worries). it was just like cheng shaoshang (love like the galaxy) from the past... when I used to be the only one who really pitied her. but of course, it's been more than 2 years now and everyone is now able to stand for women. so I'm very grateful and happy that my character is gaining love beyond the screen" 🩷 #ZhaoLusi #LovesAmbition

jov ☀️

24,012 Aufrufe • vor 11 Monaten

ZEENUNEW ERA ASCENDS #ซีนุนิวไลน์อัพ2026 DMD THE RISE CONTINUES #DMDLINEUP2026 NuNew #NuNew [ROUGH] 🗣️: You've watched this series and also read the novel, right? 🐱: Yes. 🗣️: How do you feel? Because this novel is a work that fans have very high expectations for. 🐱: I'm very happy, very happy to be part of this series. At the same time, I feel that there are many fans of the novel who have high expectations for this work. So I feel pressured as well. But I will do my best within my abilities. Before filming officially begins, I will prepare and study it as thoroughly as possible. Another feeling I have is that I'm very happy to be acting in a feel-good series like this. In the past, I haven't really had many opportunities to act in lighthearted and cute series like this. It feels like I've been away from this kind of genre for quite a long time. Now I get to come back to it once again. 🗣️: This time, we'll also get to see NuNew wearing a flight attendant uniform. 🎤: So cute. 🐱: I've never worn one before. 🗣️: You've never worn one before, right? 🐱: Yes, it's my first time. 🗣️: Your first time.
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ZEENUNEW ERA ASCENDS #ซีนุนิวไลน์อัพ2026 DMD THE RISE CONTINUES #DMDLINEUP2026 NuNew #NuNew [ROUGH] 🗣️: You've watched this series and also read the novel, right? 🐱: Yes. 🗣️: How do you feel? Because this novel is a work that fans have very high expectations for. 🐱: I'm very happy, very happy to be part of this series. At the same time, I feel that there are many fans of the novel who have high expectations for this work. So I feel pressured as well. But I will do my best within my abilities. Before filming officially begins, I will prepare and study it as thoroughly as possible. Another feeling I have is that I'm very happy to be acting in a feel-good series like this. In the past, I haven't really had many opportunities to act in lighthearted and cute series like this. It feels like I've been away from this kind of genre for quite a long time. Now I get to come back to it once again. 🗣️: This time, we'll also get to see NuNew wearing a flight attendant uniform. 🎤: So cute. 🐱: I've never worn one before. 🗣️: You've never worn one before, right? 🐱: Yes, it's my first time. 🗣️: Your first time.

NuNew Chawarin Vietnam 🇻🇳 (rest)

11,742 Aufrufe • vor 2 Monaten

Based on the novel by _DavidMorrell , BROTHERHOOD OF THE ROSE aired following the Super Bowl in 1989. If you have followed me for more than a minute you know how much respect I have for David Morrell and what an impact THE BROTHERHOOD OF THE ROSE had on me in my youth. I can still remember the feeling of anticipation leading up to watching the miniseries and how much I loved this adaptation. I’d go back and watch it for the first time in a heartbeat!
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Based on the novel by _DavidMorrell , BROTHERHOOD OF THE ROSE aired following the Super Bowl in 1989. If you have followed me for more than a minute you know how much respect I have for David Morrell and what an impact THE BROTHERHOOD OF THE ROSE had on me in my youth. I can still remember the feeling of anticipation leading up to watching the miniseries and how much I loved this adaptation. I’d go back and watch it for the first time in a heartbeat!

Jack Carr

15,550 Aufrufe • vor 6 Monaten

#BaiJingTing's Acceptance Speech for People's Choice Award, representing #TheFirstFrost at the 2025 Global OTT Awards "Hello everybody, I am Actor Bai Jingting. Thank you to everyone who has given me this great honour. The First Frost is a novel that given me a lot of strength and warmth through its writing. I'm very honoured to have been able to share this strength and warmth to everyone through my acting performance. I'm very thankful towards all of the audience who has liked The First Frost. Due to The First Frost, I have received a lot of love, I hope that in your own lives, you'll also love yourselves. You deserve all the greater things."
1:28

#BaiJingTing's Acceptance Speech for People's Choice Award, representing #TheFirstFrost at the 2025 Global OTT Awards "Hello everybody, I am Actor Bai Jingting. Thank you to everyone who has given me this great honour. The First Frost is a novel that given me a lot of strength and warmth through its writing. I'm very honoured to have been able to share this strength and warmth to everyone through my acting performance. I'm very thankful towards all of the audience who has liked The First Frost. Due to The First Frost, I have received a lot of love, I hope that in your own lives, you'll also love yourselves. You deserve all the greater things."

jov

114,238 Aufrufe • vor 1 Jahr

I treasure this moment of holding my first novel in my hands. And it's wonderful to know that it's out in the world - making its way into the hands of so many readers! #WolfRoad
0:51

I treasure this moment of holding my first novel in my hands. And it's wonderful to know that it's out in the world - making its way into the hands of so many readers! #WolfRoad

Prof Alice Roberts💙

258,904 Aufrufe • vor 3 Jahren

My friends, I would like to report a true breakthrough in my life and career - the nomination of our 31st developmental candidate that is very special. Novel Mechanism, Novel Target, Novel Oral Brain-penetrant Multi-parameter Optimized Molecule for... Pain. The target is undisclosed and carries the first letter of my family name - Target Z. This is also our AI Eureka! Moment - the combination of Luck, AI, and curious human experts. I will post the press release and my blog story behind this drug separately but for this special moment, I recorded the video for you. My goal is to solve aging. But if in the process we solve pain - this life was also worth living. The beauty of Target Z is that it is also implicated in aging (and no, it is not our brain-penetrant NLRP3).
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My friends, I would like to report a true breakthrough in my life and career - the nomination of our 31st developmental candidate that is very special. Novel Mechanism, Novel Target, Novel Oral Brain-penetrant Multi-parameter Optimized Molecule for... Pain. The target is undisclosed and carries the first letter of my family name - Target Z. This is also our AI Eureka! Moment - the combination of Luck, AI, and curious human experts. I will post the press release and my blog story behind this drug separately but for this special moment, I recorded the video for you. My goal is to solve aging. But if in the process we solve pain - this life was also worth living. The beauty of Target Z is that it is also implicated in aging (and no, it is not our brain-penetrant NLRP3).

Alex Zhavoronkov, PhD (aka Aleksandrs Zavoronkovs)

60,640 Aufrufe • vor 1 Monat

#リチャアヤ Happy Qixi! On this traditional Chinese festival, my friend and I have prepared this fan video, and we hope you enjoy it. BGM: ALONE to ALONE (feat. lasah)-sasakure.UK Illustrations: torimomo Video: Mist Since Mist-sensei's account ran into some issues, I'm relaying and attaching both of our creative notes here. Mist： The initial storyboards for this fan-made video were drawn by me, and I had been thinking about how to present it ever since the first season of the anime ended. The BD novel also gave me a lot of inspiration afterward. Before formally starting this project, I kept asking myself over and over: "Is my interpretation good enough?" "Will our understanding conflict with the original novel?" What changed my mind and gave me encouragement was precisely what Dumas said in the FGO×FSF collab—if your creation can bring people true joy and emotion, then even if it is "Fake," it still has value in existing. So, in a sense, wouldn't fan-made derivative works based on Narita-sensei's "Fake" original all count as "Fake of Fake"? In this year of 2026, I witnessed with my own eyes the novel I had followed for ten years finally receive an anime adaptation. I also came to know a warm and passionate community of fellow fans who speak different languages. And it is precisely because of this that I was able to meet torimomo-sensei and other friends. Sometimes I wonder—are these the friendships that could only bloom and bear fruit after ten years of waiting? And in the novel, Richard and Ayaka have likewise been by each other's side for ten years, and are now about to welcome the final chapter of their story. In my eyes, the two of them were once lonely children of the stars, but after a long passage of time, those two stars welcomed their Fate in Snowfield. No matter how many times I revisit their first meeting, it stirs in me much the same emotion. Allright! At that moment, I thought: "I've finally found the courage to take this first step into creating derivative works for Fake. Come on—now that my skills have matured enough, let me pour my heart and talent into them!" This is a fan work created together by torimomo-sensei and me, dedicated to Fate/strange Fake and to our beloved Richaya. Although it is likewise only "Fake," if this fan video can bring "True" emotions to friends who love Richaya—then, for me, that would be an incomparable honor. Torimomo: From first receiving the storyboards and drawing a few pages on and off, to finally mustering all my energy and drawing in earnest from the beginning of July—during this past month and a half, almost all of my thoughts, energy, and passion were poured into the illustrations for this PV. It was only partway through drawing that I realized, "Wait, it seems Mist's storyboards weren't meant to be fully colored after all..." (laughs). But since I had already come this far, and both the art style and rhythm had already become second nature, I decided to see it through to the end according to my own interpretation. I also changed quite a few of the storyboards along the way, and I am truly grateful to Mist for being so accepting of these modifications and creative liberties. To me, Richaya is a beam of light. I love the relationship between them, bound by the pull of fate; I love how they encourage and support each other; and I also love the perfect amount of negative space in Fate/strange Fake. It is precisely because of that negative space that different people can give rise to different imaginations and expectations—and that, in itself, is the greatest joy of derivative creation. I have so many imaginings of Richaya born from the wish that "they can be happy." Ever since I met Richaya this year, I have been drawing without pause. I don't hold back from pouring every image and story I can think of that suits them into my art. And it was precisely because of this that I was able to form a connection with Mist—through exchange after exchange of inspiration, each of us went on to create even more wonderful works about Richaya. This animated PV is one of them. For me, simply being able to see it through to the end was already more than enough to make me happy. And after Mist-sensei's post-production polish and editing, it ultimately came together as such a complete video. I'm truly satisfied. Lastly, thank you to everyone who was willing to take the time to watch this video through to the end.
4:25

#リチャアヤ Happy Qixi! On this traditional Chinese festival, my friend and I have prepared this fan video, and we hope you enjoy it. BGM: ALONE to ALONE (feat. lasah)-sasakure.UK Illustrations: torimomo Video: Mist Since Mist-sensei's account ran into some issues, I'm relaying and attaching both of our creative notes here. Mist： The initial storyboards for this fan-made video were drawn by me, and I had been thinking about how to present it ever since the first season of the anime ended. The BD novel also gave me a lot of inspiration afterward. Before formally starting this project, I kept asking myself over and over: "Is my interpretation good enough?" "Will our understanding conflict with the original novel?" What changed my mind and gave me encouragement was precisely what Dumas said in the FGO×FSF collab—if your creation can bring people true joy and emotion, then even if it is "Fake," it still has value in existing. So, in a sense, wouldn't fan-made derivative works based on Narita-sensei's "Fake" original all count as "Fake of Fake"? In this year of 2026, I witnessed with my own eyes the novel I had followed for ten years finally receive an anime adaptation. I also came to know a warm and passionate community of fellow fans who speak different languages. And it is precisely because of this that I was able to meet torimomo-sensei and other friends. Sometimes I wonder—are these the friendships that could only bloom and bear fruit after ten years of waiting? And in the novel, Richard and Ayaka have likewise been by each other's side for ten years, and are now about to welcome the final chapter of their story. In my eyes, the two of them were once lonely children of the stars, but after a long passage of time, those two stars welcomed their Fate in Snowfield. No matter how many times I revisit their first meeting, it stirs in me much the same emotion. Allright! At that moment, I thought: "I've finally found the courage to take this first step into creating derivative works for Fake. Come on—now that my skills have matured enough, let me pour my heart and talent into them!" This is a fan work created together by torimomo-sensei and me, dedicated to Fate/strange Fake and to our beloved Richaya. Although it is likewise only "Fake," if this fan video can bring "True" emotions to friends who love Richaya—then, for me, that would be an incomparable honor. Torimomo: From first receiving the storyboards and drawing a few pages on and off, to finally mustering all my energy and drawing in earnest from the beginning of July—during this past month and a half, almost all of my thoughts, energy, and passion were poured into the illustrations for this PV. It was only partway through drawing that I realized, "Wait, it seems Mist's storyboards weren't meant to be fully colored after all..." (laughs). But since I had already come this far, and both the art style and rhythm had already become second nature, I decided to see it through to the end according to my own interpretation. I also changed quite a few of the storyboards along the way, and I am truly grateful to Mist for being so accepting of these modifications and creative liberties. To me, Richaya is a beam of light. I love the relationship between them, bound by the pull of fate; I love how they encourage and support each other; and I also love the perfect amount of negative space in Fate/strange Fake. It is precisely because of that negative space that different people can give rise to different imaginations and expectations—and that, in itself, is the greatest joy of derivative creation. I have so many imaginings of Richaya born from the wish that "they can be happy." Ever since I met Richaya this year, I have been drawing without pause. I don't hold back from pouring every image and story I can think of that suits them into my art. And it was precisely because of this that I was able to form a connection with Mist—through exchange after exchange of inspiration, each of us went on to create even more wonderful works about Richaya. This animated PV is one of them. For me, simply being able to see it through to the end was already more than enough to make me happy. And after Mist-sensei's post-production polish and editing, it ultimately came together as such a complete video. I'm truly satisfied. Lastly, thank you to everyone who was willing to take the time to watch this video through to the end.

torimomo

13,466 Aufrufe • vor 14 Tagen

Prior to shooting of "The Story of Temple Drake" (1933), the Hays Office objected to any filmed adaptation of William Faulkner's novel 'Sanctuary', and later forbade any reference to the novel in advertising for the film. Joseph I. Breen, in charge of public relations for the Hays Office, admitted that he had not read the novel but was convinced that people would say that the filmmakers had adapted for the screen "the vilest book of the present years." It was Breen's opinion, however, that the picture was so tame in comparison to the novel that readers of the book who saw the picture would "charge us with fraud." The movie was so controversial upon release because of its subject matter. After only a few few screenings, the film was quickly shelved by the Production Code Administration, never to be seen again until decades later. (AFI Catalog & "Out of the Vaults and onto the Screen", Katie Trainor, MOMA, 2010) P.S: On this day, 93 years ago, "The Story of Temple Drake" (1933) premiered in New York City, USA.
0:45

Prior to shooting of "The Story of Temple Drake" (1933), the Hays Office objected to any filmed adaptation of William Faulkner's novel 'Sanctuary', and later forbade any reference to the novel in advertising for the film. Joseph I. Breen, in charge of public relations for the Hays Office, admitted that he had not read the novel but was convinced that people would say that the filmmakers had adapted for the screen "the vilest book of the present years." It was Breen's opinion, however, that the picture was so tame in comparison to the novel that readers of the book who saw the picture would "charge us with fraud." The movie was so controversial upon release because of its subject matter. After only a few few screenings, the film was quickly shelved by the Production Code Administration, never to be seen again until decades later. (AFI Catalog & "Out of the Vaults and onto the Screen", Katie Trainor, MOMA, 2010) P.S: On this day, 93 years ago, "The Story of Temple Drake" (1933) premiered in New York City, USA.

DepressedBergman

19,301 Aufrufe • vor 3 Monaten

Tom Clancy novels have always been ripe for Cinema adaptations. You may not know it, but Clancy is responsible for so many stories that have made it to the big screen. I wrote about The Hunt for Red October last week after the heart-breaking passing of Sam Neill. I think this is the best of film adaptation of any Clancy novel. This is an exceptional spy thriller.
1:44

Tom Clancy novels have always been ripe for Cinema adaptations. You may not know it, but Clancy is responsible for so many stories that have made it to the big screen. I wrote about The Hunt for Red October last week after the heart-breaking passing of Sam Neill. I think this is the best of film adaptation of any Clancy novel. This is an exceptional spy thriller.

Cinema Tweets

94,556 Aufrufe • vor 1 Monat

An army shared their story of how Blue & Grey by Taehyung gave them strength to go on! 👤 The tattoo says ‘where's my angel?’, which is the first line of the song Blue and Grey by BTS. And the reason why I got it is because I was going through a mental breakdown. And then at 4 in the morning, I was listening to BTS, and this is like three weeks into me being a fan of BTS. Then I read the lyrics, and it was the first time I ever heard the song ever in life. And then I read the lyrics, and then this lyric really stuck out to me, so I put it on my chest, under my collarbone. So that's what my tattoo says, it's just a lyric from Blue and Grey because that song means a lot to me. So thank you, Mr. Kim Taehyung, for writing it, because you really saved my life with that one. So I've been good. ( Taehyung’s songs and lyrics have given so many of us comfort. Thank you so much.
1:03

An army shared their story of how Blue & Grey by Taehyung gave them strength to go on! 👤 The tattoo says ‘where's my angel?’, which is the first line of the song Blue and Grey by BTS. And the reason why I got it is because I was going through a mental breakdown. And then at 4 in the morning, I was listening to BTS, and this is like three weeks into me being a fan of BTS. Then I read the lyrics, and it was the first time I ever heard the song ever in life. And then I read the lyrics, and then this lyric really stuck out to me, so I put it on my chest, under my collarbone. So that's what my tattoo says, it's just a lyric from Blue and Grey because that song means a lot to me. So thank you, Mr. Kim Taehyung, for writing it, because you really saved my life with that one. So I've been good. ( Taehyung’s songs and lyrics have given so many of us comfort. Thank you so much.

Taehyung Naver

32,689 Aufrufe • vor 3 Monaten

JOONG LEGEND100 NEW FACE #100ListSocialClub2026 #จุงอาเชน #JoongArchen 🌞as for this year i recently wrapped filming for “Loveless Heroine” . it took around 40 to almost 50 shooting days. i feel that the whole team put so much effort into it. it’s a very big project so everyone can definitely look forward to it. it’s going to be fun 🌞: in this series i play Plew Kham. it’s a role many people have been waiting for because the character already has fans from the novel and is quite well-known. that made me feel quite pressured, wondering whether i could portray the character well enough. but i want everyone to believe that i truly put my heart into everything. please look forward to and support Plew Kham as well. everyone might see me shirtless throughout most of the series but i believe the number of my mom fans definitely won’t decrease—it’ll only increase … 🌞i eat 3 boiled eggs in the morning chicken at noon and eggs again at night : just because you have to take off your shirt? 🌞no i mean i have to take care of myself too. after wrapping filming i feel like i can finally fly. i’m really becoming jub chicken now. anyway please look forward to it and support us …. 🌞i feel that the hardest thing about taking on a period drama like this is actually doing my homework on the script and dialogue. cause as an actor, there are some things we can’t just improvise based on our own feelings. since it uses an ancient form of language i have to really study and absorb the script a lot. that part is quite difficult. it’s the dialogue. i feel like it really is old language. words and phrases like feel quite distant from my everyday life
2:23

JOONG LEGEND100 NEW FACE #100ListSocialClub2026 #จุงอาเชน #JoongArchen 🌞as for this year i recently wrapped filming for “Loveless Heroine” . it took around 40 to almost 50 shooting days. i feel that the whole team put so much effort into it. it’s a very big project so everyone can definitely look forward to it. it’s going to be fun 🌞: in this series i play Plew Kham. it’s a role many people have been waiting for because the character already has fans from the novel and is quite well-known. that made me feel quite pressured, wondering whether i could portray the character well enough. but i want everyone to believe that i truly put my heart into everything. please look forward to and support Plew Kham as well. everyone might see me shirtless throughout most of the series but i believe the number of my mom fans definitely won’t decrease—it’ll only increase … 🌞i eat 3 boiled eggs in the morning chicken at noon and eggs again at night : just because you have to take off your shirt? 🌞no i mean i have to take care of myself too. after wrapping filming i feel like i can finally fly. i’m really becoming jub chicken now. anyway please look forward to it and support us …. 🌞i feel that the hardest thing about taking on a period drama like this is actually doing my homework on the script and dialogue. cause as an actor, there are some things we can’t just improvise based on our own feelings. since it uses an ancient form of language i have to really study and absorb the script a lot. that part is quite difficult. it’s the dialogue. i feel like it really is old language. words and phrases like feel quite distant from my everyday life

🇻🇳Jaidee’s aunt Bamnie🐣

16,714 Aufrufe • vor 1 Monat

Hello, my dear friends, we have some breaking news today! Our rentosertib (novel target that has never been in clinical trials before we picked it using AI, novel molecule designed using true generative AI with the published broadly used AI platform, targeting fibrosis and biology of aging) entered Phase III trial in Idiopathic Pulmonary Fibrosis. This is a major milestone in the life of every drug hunter - the ultimate test. To my knowledge, in our AI drug discovery industry, no other company took the drug for a novel target with a novel molecule into Phase III before so it is a big milestone for the entire industry. Of course, at Insilico we are no longer dependent on this program - we have 13 INDs and many clinical trials are ongoing internally and run by partners. But this program is very special as we also demonstrated the senomorphic properties of this drug and built the entire pipeline of molecules around this target. Please Wish Me Luck! Luck is the most important superpower in everything we do and if we succeed with this program and also demonstrate the antiaging effect - all of us will benefit. Godspeed, my friends and thanks to everyone who helped us along the way!
2:26

Hello, my dear friends, we have some breaking news today! Our rentosertib (novel target that has never been in clinical trials before we picked it using AI, novel molecule designed using true generative AI with the published broadly used AI platform, targeting fibrosis and biology of aging) entered Phase III trial in Idiopathic Pulmonary Fibrosis. This is a major milestone in the life of every drug hunter - the ultimate test. To my knowledge, in our AI drug discovery industry, no other company took the drug for a novel target with a novel molecule into Phase III before so it is a big milestone for the entire industry. Of course, at Insilico we are no longer dependent on this program - we have 13 INDs and many clinical trials are ongoing internally and run by partners. But this program is very special as we also demonstrated the senomorphic properties of this drug and built the entire pipeline of molecules around this target. Please Wish Me Luck! Luck is the most important superpower in everything we do and if we succeed with this program and also demonstrate the antiaging effect - all of us will benefit. Godspeed, my friends and thanks to everyone who helped us along the way!

Alex Zhavoronkov, PhD (aka Aleksandrs Zavoronkovs)

49,544 Aufrufe • vor 1 Monat

Samuel L. Jackson explains how he landed the role of Jules in Pulp Fiction, and what it was like seeing the film for the first time on the big screen: “Pulp Fiction and I came together in a very strange kind of way. I remember auditioning for Quentin for Reservoir Dogs in New York (for the role of of Detective Jim Holdaway, Mr. Orange’s police contact). And apparently I didn't get that role. But I was at Sundance the year that he screened it for the first time. I was sitting there and I watched that movie - I was awed by it. I mean, there were people running up the aisles when Michael Madsen was cutting the cop's ear off. People were going, "Oh my God, this is horrible!" All these “auteurs” were running out of the theatre. I was like, "This is good. This is happening. This is different." So after the film, I walked up to Quentin and said, "This film's amazing, man. It's great." And he looked at me and said, "Hey! How'd you like the guy who got your part?" And I was amazed that he even remembered who I was - but he remembered me. A year or so later, I got a phone call saying Quentin Tarantino wants to have dinner with you, because he'd seen Jungle Fever and he liked that Gator character. When we had dinner, we were sitting there talking. We started talking about Hong Kong films and cartoons and foreign movies and obscure things that we watched, horror movies. We found out we liked the same kind of stuff. And he told me he was writing this thing, and he was writing this part with me in mind. He was going to send it to me. I went off to do another film. I was in the backwoods of Virginia somewhere doing a film, and the script came. A little plain brown wrapper from Jersey Films. And Jersey's got these gangster images on the logo. And it said, "If you show this script to anybody, two guys named Ernie and Luigi will come and break both of your legs." Whatever. I went, "Yeah, right." So I sat down and read it. Boom. I read this thing. It's like, "Oh my God. This is awesome." And then I said to myself, "Nobody writes a script this good. There's no way that this script is as good as I thought it was." I closed it. I opened it again. I read it immediately. Okay. This is great - If whoever produces this film lets him shoot exactly what I just read, if they stay away from it, they don't try to edit any of this stuff out - this is going to be a great film. It's going to be kind of audience-specific, because I like that kind of stuff. I have friends that I knew would like it. It was a generational kind of film. I never thought it would cross over and do all this stuff. We shot it. We had a great time doing it. And the first time I actually saw the film was at the Cannes Film Festival. That night, it screened, and I was sitting there watching the film. The audience was loving this movie, loving it. About halfway through, I realized there were subtitles at the bottom of it. So I said, "Hey, these people are reading it, and they're getting it. This might be special. This really might be something special." And actually, by the time it was over, there were tears running down my face. I was just so pleased that I was part of that particular film… I never felt that satisfied, and that kind of full about a performance and about being part of something as I was in that particular moment.” Quote comes from an Interview with the American Film Institute 2010
6:40

Samuel L. Jackson explains how he landed the role of Jules in Pulp Fiction, and what it was like seeing the film for the first time on the big screen: “Pulp Fiction and I came together in a very strange kind of way. I remember auditioning for Quentin for Reservoir Dogs in New York (for the role of of Detective Jim Holdaway, Mr. Orange’s police contact). And apparently I didn't get that role. But I was at Sundance the year that he screened it for the first time. I was sitting there and I watched that movie - I was awed by it. I mean, there were people running up the aisles when Michael Madsen was cutting the cop's ear off. People were going, "Oh my God, this is horrible!" All these “auteurs” were running out of the theatre. I was like, "This is good. This is happening. This is different." So after the film, I walked up to Quentin and said, "This film's amazing, man. It's great." And he looked at me and said, "Hey! How'd you like the guy who got your part?" And I was amazed that he even remembered who I was - but he remembered me. A year or so later, I got a phone call saying Quentin Tarantino wants to have dinner with you, because he'd seen Jungle Fever and he liked that Gator character. When we had dinner, we were sitting there talking. We started talking about Hong Kong films and cartoons and foreign movies and obscure things that we watched, horror movies. We found out we liked the same kind of stuff. And he told me he was writing this thing, and he was writing this part with me in mind. He was going to send it to me. I went off to do another film. I was in the backwoods of Virginia somewhere doing a film, and the script came. A little plain brown wrapper from Jersey Films. And Jersey's got these gangster images on the logo. And it said, "If you show this script to anybody, two guys named Ernie and Luigi will come and break both of your legs." Whatever. I went, "Yeah, right." So I sat down and read it. Boom. I read this thing. It's like, "Oh my God. This is awesome." And then I said to myself, "Nobody writes a script this good. There's no way that this script is as good as I thought it was." I closed it. I opened it again. I read it immediately. Okay. This is great - If whoever produces this film lets him shoot exactly what I just read, if they stay away from it, they don't try to edit any of this stuff out - this is going to be a great film. It's going to be kind of audience-specific, because I like that kind of stuff. I have friends that I knew would like it. It was a generational kind of film. I never thought it would cross over and do all this stuff. We shot it. We had a great time doing it. And the first time I actually saw the film was at the Cannes Film Festival. That night, it screened, and I was sitting there watching the film. The audience was loving this movie, loving it. About halfway through, I realized there were subtitles at the bottom of it. So I said, "Hey, these people are reading it, and they're getting it. This might be special. This really might be something special." And actually, by the time it was over, there were tears running down my face. I was just so pleased that I was part of that particular film… I never felt that satisfied, and that kind of full about a performance and about being part of something as I was in that particular moment.” Quote comes from an Interview with the American Film Institute 2010

Gangster Cinema Central

85,366 Aufrufe • vor 2 Monaten

Four years ago on this day, I released the first small build of my visual novel. Fast-forward to today, the novel is complete with a definitive edition on the way and a trilogy in the works. Not much to share as of now, but I wanted to acknowledge today. 🧵(1/?)
0:20

Four years ago on this day, I released the first small build of my visual novel. Fast-forward to today, the novel is complete with a definitive edition on the way and a trilogy in the works. Not much to share as of now, but I wanted to acknowledge today. 🧵(1/?)

🦦Atmac🔜MP

38,005 Aufrufe • vor 1 Jahr

Vera Farmiga admitted that she had never cried so hard as she did when she first read the screenplay of "The Boy in the Striped Pajamas" (2008). She immediately bought the source novel, read it and re-read the screenplay to make sure that the screenplay did the novel justice. After that she felt "there was just an overwhelming sense of wanting to be a part of the movie". P.S: On this day, 18 years ago, "The Boy in the Striped Pajamas" (2008) premiered at the Carnegie Film Festival, UK.
1:18

Vera Farmiga admitted that she had never cried so hard as she did when she first read the screenplay of "The Boy in the Striped Pajamas" (2008). She immediately bought the source novel, read it and re-read the screenplay to make sure that the screenplay did the novel justice. After that she felt "there was just an overwhelming sense of wanting to be a part of the movie". P.S: On this day, 18 years ago, "The Boy in the Striped Pajamas" (2008) premiered at the Carnegie Film Festival, UK.

DepressedBergman

19,991 Aufrufe • vor 4 Tagen