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#bearstack: we bare bears teaser bumper - cartoon network (2015) song: "class historian" by BRONCHO

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59,030 просмотров • 4 месяцев назад •via X (Twitter)

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‘We Bare Bears’ premiered 10 years ago today on Cartoon Network.
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‘We Baby Bears’ premiered 4 years ago today on Cartoon Network.

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Jon Moxley. Thirty-seven. The Purveyor of Violence. Member of Blackpool Combat Club. Cin City native. Brawler. The foundation of wrestling. Dad of 1. We Bare Bears and Cartoon Network's biggest fan. Bisexual. Ship(s)? With chemistry. Likes and retweets? Appreciated.
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Jon Moxley. Thirty-seven. The Purveyor of Violence. Member of Blackpool Combat Club. Cin City native. Brawler. The foundation of wrestling. Dad of 1. We Bare Bears and Cartoon Network's biggest fan. Bisexual. Ship(s)? With chemistry. Likes and retweets? Appreciated.

PUNK.

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The name of the game is #WINNING 🎯 ■ Court interdict against Mathibeli granted. ■ King Misuzulu publicly endorses decisive crime-fighting strategies. ■ Shadrack Sibiya exposed, concedes repeatedly and ultimately withdraws. 😁 ■ Brown Mogotsi’s criminal record laid bare, he concedes and retracts all his “meandossss.” 😁 ■ Ekurhuleni’s rot amplified by Linda Gxasheka, precisely as Gen Mkhwanazi blew the whistle on the corrupt network. ■ O’Sullivan… well, enough said. #July6Supporters: Momentum is on our side, we remain winning. We dare not fail this country because unlike O'Sullivan, we do NOT hold multiple passports🇿🇦 #Mkhwanazi #CourtInterdict #KZNSOPA2026 #MadlangaCommission #AdHocCommittee
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The name of the game is #WINNING 🎯 ■ Court interdict against Mathibeli granted. ■ King Misuzulu publicly endorses decisive crime-fighting strategies. ■ Shadrack Sibiya exposed, concedes repeatedly and ultimately withdraws. 😁 ■ Brown Mogotsi’s criminal record laid bare, he concedes and retracts all his “meandossss.” 😁 ■ Ekurhuleni’s rot amplified by Linda Gxasheka, precisely as Gen Mkhwanazi blew the whistle on the corrupt network. ■ O’Sullivan… well, enough said. #July6Supporters: Momentum is on our side, we remain winning. We dare not fail this country because unlike O'Sullivan, we do NOT hold multiple passports🇿🇦 #Mkhwanazi #CourtInterdict #KZNSOPA2026 #MadlangaCommission #AdHocCommittee

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✨Something big is coming! ✨ Our Official DoKomi Song "Dream Big" by R･O･N（STEREO DIVE FOUNDATION） & NANO-ナノ-OFFICIAL is about to drop! Fuel your Hype for DoKomi 2026 with our new official anthem! This song and it's message are meant as a hommage to our community and fandom. For this, we worked with those two amazing artists to transport this message straight from our heart into your ears. Enjoy this little teaser from behind the scenes. Next will be the full song drop! But not just that - you will be in for one further big surprise with the next drop ... so stay tuned!✨

DoKomi

13,713 просмотров • 1 месяц назад

📢Pix2NPHM: Learning to Regress NPHM Reconstructions From a Single Image📢 We directly regress neural parametric head models (NPHMs) from a single image — fast, stable, and significantly more expressive than classical 3DMMs such as FLAME. Face tracking & 3D reconstruction are often limited by the representational capacity of PCA-based face models. By lifting NPHMs to a first-class reconstruction primitive, we enable more accurate geometry, richer expressions, and finer animation control. Pix2NPHM obtains fast and reliable NPHM reconstructions on real-world data. Inference-time optimization against surface normals and canonical point maps can further increase fidelity. Key to successful and generalized training of our ViT-based network are: (1) large-scale registration of existing 3D head datasets, and (2) self-supervised training on vast in-the-wild 2D video datasets using pseudo ground-truth surface normals. Finally, we show that geometry-aware pretraining on pixel-aligned reconstruction tasks significantly outperforms generic visual pretraining (e.g., DINO-style features) in terms of generalization. 🌍 🎥 Great work by Simon Giebenhain, Tobias Kirschstein, Liam Schoneveld, Davide Davoli, Zhe Chen
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📢Pix2NPHM: Learning to Regress NPHM Reconstructions From a Single Image📢 We directly regress neural parametric head models (NPHMs) from a single image — fast, stable, and significantly more expressive than classical 3DMMs such as FLAME. Face tracking & 3D reconstruction are often limited by the representational capacity of PCA-based face models. By lifting NPHMs to a first-class reconstruction primitive, we enable more accurate geometry, richer expressions, and finer animation control. Pix2NPHM obtains fast and reliable NPHM reconstructions on real-world data. Inference-time optimization against surface normals and canonical point maps can further increase fidelity. Key to successful and generalized training of our ViT-based network are: (1) large-scale registration of existing 3D head datasets, and (2) self-supervised training on vast in-the-wild 2D video datasets using pseudo ground-truth surface normals. Finally, we show that geometry-aware pretraining on pixel-aligned reconstruction tasks significantly outperforms generic visual pretraining (e.g., DINO-style features) in terms of generalization. 🌍 🎥 Great work by Simon Giebenhain, Tobias Kirschstein, Liam Schoneveld, Davide Davoli, Zhe Chen

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Guided by mission and led with integrity, WoW is proud to be a trusted partner for the world's largest brands to explore the vast potential of web3. Today, we are thrilled to support another major brand expanding its role at the forefront of art, tech and culture: Samsung. Known for its world-class devices, Samsung sees a future where on-chain art becomes even more tangible--and where the quality of display maintains the integrity of the art itself. WoW joins Ledger, Illuvium, Wilder World, Polygon | POL, and Belvedere Museum as part of Samsung's collaborator network to support Samsung Deutschland's NFT Gallery and bring NFT art to the homes and spaces of millions. Learn more here:
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Guided by mission and led with integrity, WoW is proud to be a trusted partner for the world's largest brands to explore the vast potential of web3. Today, we are thrilled to support another major brand expanding its role at the forefront of art, tech and culture: Samsung. Known for its world-class devices, Samsung sees a future where on-chain art becomes even more tangible--and where the quality of display maintains the integrity of the art itself. WoW joins Ledger, Illuvium, Wilder World, Polygon | POL, and Belvedere Museum as part of Samsung's collaborator network to support Samsung Deutschland's NFT Gallery and bring NFT art to the homes and spaces of millions. Learn more here:

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Sensitive content

HOLLYWOOD CARTOON MADE FOR KIDS THREW IN YOUR CHILD’S FACE THAT ELITES & THE CIA WERE TRAFFICKING CHILDREN TO “EVIL SECRET ISLANDS” LIKE JEFFREY EPSTEIN’S! Hollywood has been throwing in our face for years that elite pedophiles like Jeffrey Epstein are trafficking children in tandem with intelligence agencies like the CIA - that YOU pay for! They not only did this in entertainment meant for adults, they flaunted it in cartoons that are geared toward children. This should enrage every single American! In 2005, the Cartoon Network ran an episode of the kid’s show Johnny Test featuring a helicopter named CIA Pizza — pizza is a pedophile code word that has been confirmed by the FBI, DOJ records, local law enforcement, the Wall Street Journal and many other sources — with the slogan “We Deliver To Evil Secret Islands”. This cartoon ran at the same time when we know Epstein was not only trafficking kids to his island, he also had many connections to the CIA and was most likely working with them! 1. Epstein met with Joe Biden’s current CIA Chief, William Burns, after his first child sex crime convictions. 2. When Epstein was serving his first jail sentence for child sex crimes, his bodyguard went to CIA headquarters for an alleged special training course. The CIA gave Epstein’s bodyguard a book with a secret message to deliver to Epstein. 3. Ghislaine Maxwell had a helicopter and submarine license. Maxwell transported trafficking victims to Epstein’s pedophile island via a helicopter he bought for her. So a cartoon meant for children, just happened to run an episode about delivering pizza aka trafficking children to secret evil islands that perfectly sums up the child sex trafficking operation Epstein & Maxwell were running. They’ve been throwing it in YOUR face and your children’s faces for years — including in the cartoons they watch that YOU thought were innocent. If this as a parent doesn’t enrage you, nothing will. Now is the time to say enough is enough & take action!

LIZ CROKIN

4,585,114 просмотров • 2 лет назад

Cycled to Tottenham Hale today to catch train to work. All 3 routes given on maps were outside LTNS. Unless i wanted to increase distance traveled and add time to my traveling time LTN have no benefit. Looking into roads inside I could see no active travel and cars being washed …. Lots of 4x4s and CRVs by the way…. So as a cyclist I now cycled in increased congestion, danger in a hostile environment while seeing buses move at a snail’s pace. The lies of how wonderful it is are just gaslighting. We see serious incidents almost on a daily basis. While when roadworks, or a incident occurs we see a complete road network breakdown. Children, families and all living outside LTNs HAVE been truly sacrificed by middle class self gainers who believe harming children just like mine for their own benefit is deemed fair play. LTN advocates who live within LTNs post crap of how wonderful but never the about the harm pushed upon outsiders. Funny that …. Here is more footage from outside LTN a couple of days ago.
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Cycled to Tottenham Hale today to catch train to work. All 3 routes given on maps were outside LTNS. Unless i wanted to increase distance traveled and add time to my traveling time LTN have no benefit. Looking into roads inside I could see no active travel and cars being washed …. Lots of 4x4s and CRVs by the way…. So as a cyclist I now cycled in increased congestion, danger in a hostile environment while seeing buses move at a snail’s pace. The lies of how wonderful it is are just gaslighting. We see serious incidents almost on a daily basis. While when roadworks, or a incident occurs we see a complete road network breakdown. Children, families and all living outside LTNs HAVE been truly sacrificed by middle class self gainers who believe harming children just like mine for their own benefit is deemed fair play. LTN advocates who live within LTNs post crap of how wonderful but never the about the harm pushed upon outsiders. Funny that …. Here is more footage from outside LTN a couple of days ago.

Ediz

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Say hello to Boojum 👋: zkSync Era’s new high-performance proof system for radical decentralization. Boojum is an upgrade that will transition zkSync Era to a STARK-powered proof system, providing world-class performance on consumer-grade hardware. 💡 Learn more: TL;DR 👇 Boojum is the name of our Rust-based cryptographic library, which we use to implement the upgraded version of the ZK circuits for zkSync Era and the ZK Stack. The name Boojum was inspired by Lewis Carroll's poem "The Hunting of the Snark," where the Boojum represents the most fearsome kind of Snark. We intentionally designed zkSync Era in a way that cryptographic upgrades can be made without a regenesis, meaning that the Boojum upgrade won’t cause any user disruptions. Why Boojum❓ From day one, zkSync’s mission is to advance personal freedom for all — making digital self-ownership universally accessible by building a blockchain network that is trustless, secure, permissionless, affordable, easy to use, resilient and limitlessly scalable. Boojum plays an important role in advancing this mission by delivering: 1. World-class performance zkSync Era’s current SNARK-based proof system is effective today, but it won’t scale to the volume that we envision for hyperchains. zkSync Era’s sequencer can already process over 100 TPS; Boojum orders of magnitude improvements to performance complements this well. 2. Reduced hardware requirements for decentralization Our long-term goal is to enable user-powered, decentralized proof generation. Boojum represents a breakthrough in this direction — with the prover running on consumer-grade GPUs requiring only 16 GB GPU RAM. Boojum’s Journey to Mainnet 🚴🏽‍♀️ Boojum is now live on Mainnet, generating and verifying ‘shadow proofs’ today with real production data so that we can carefully test the system ahead of fully migrating. Today, we’re also open-sourcing the repo; if you’d like to take a look, you can find it here 👇 This is the first of a series of posts on Boojum. We will provide updates on our progress, including more details on implementation, security, and performance. Watch here for more, anon ∎
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Say hello to Boojum 👋: zkSync Era’s new high-performance proof system for radical decentralization. Boojum is an upgrade that will transition zkSync Era to a STARK-powered proof system, providing world-class performance on consumer-grade hardware. 💡 Learn more: TL;DR 👇 Boojum is the name of our Rust-based cryptographic library, which we use to implement the upgraded version of the ZK circuits for zkSync Era and the ZK Stack. The name Boojum was inspired by Lewis Carroll's poem "The Hunting of the Snark," where the Boojum represents the most fearsome kind of Snark. We intentionally designed zkSync Era in a way that cryptographic upgrades can be made without a regenesis, meaning that the Boojum upgrade won’t cause any user disruptions. Why Boojum❓ From day one, zkSync’s mission is to advance personal freedom for all — making digital self-ownership universally accessible by building a blockchain network that is trustless, secure, permissionless, affordable, easy to use, resilient and limitlessly scalable. Boojum plays an important role in advancing this mission by delivering: 1. World-class performance zkSync Era’s current SNARK-based proof system is effective today, but it won’t scale to the volume that we envision for hyperchains. zkSync Era’s sequencer can already process over 100 TPS; Boojum orders of magnitude improvements to performance complements this well. 2. Reduced hardware requirements for decentralization Our long-term goal is to enable user-powered, decentralized proof generation. Boojum represents a breakthrough in this direction — with the prover running on consumer-grade GPUs requiring only 16 GB GPU RAM. Boojum’s Journey to Mainnet 🚴🏽‍♀️ Boojum is now live on Mainnet, generating and verifying ‘shadow proofs’ today with real production data so that we can carefully test the system ahead of fully migrating. Today, we’re also open-sourcing the repo; if you’d like to take a look, you can find it here 👇 This is the first of a series of posts on Boojum. We will provide updates on our progress, including more details on implementation, security, and performance. Watch here for more, anon ∎

ZKsync

826,962 просмотров • 3 лет назад

🚨NYC CONQUERED: NO PLANES. NO EXPLOSIONS. JUST SURRENDER New York State is lighting 16 buildings green in recognition of Muslim American Heritage Month. Governor Hochul issued a proclamation. It’s the first time New York has officially done this. HERITAGE?” - LET’S BE HONEST What exactly is the “heritage” being honored? How about instead of lighting buildings green, we honor the Americans murdered in 16 Islamic terror attacks carried out on U.S. soil by jihadists? 1. Islamic Terror Attack: World Trade Center Bombing — New York City (1993) 2. Islamic Jihad Terror Attacks: September 11 — New York, Virginia, Pennsylvania (2001) 3. Islamic Jihad Terror Plot: Shoe Bomber Attack — U.S.-Bound Flight (2001) 4. Islamic Terror Attack: Los Angeles International Airport Shooting — California (2002) 5. Islamic Jihad Terror Attack: Fort Hood Massacre — Texas (2009) 6. Islamic Jihad Terror Plot: NYC Subway Bombing — New York (2009) 7. Islamic Terror Attack: Times Square Car Bomb Attempt — New York (2010) 8. Islamic Jihad Terror Plot: Portland Christmas Tree Bomb — Oregon (2010) 9. Islamic Terror Attack: Boston Marathon Bombing — Massachusetts (2013) 10. Islamic Jihad Terror Attack: Chattanooga Military Facility Shooting — Tennessee (2015) 11. Islamic Jihad Terror Attack: Garland Muhammad Cartoon Attack — Texas (2015) 12. Islamic Terror Attack: San Bernardino Christmas Massacre — California (2015) 13. Islamic Jihad Terror Attack: Orlando Pulse Nightclub Massacre — Florida (2016) 14. Islamic Jihad Terror Attack: Ohio State University Vehicle & Stabbing Attack — Ohio (2016) 15. Islamic Jihad Terror Attack: West Side Highway Truck Massacre — New York City (2017) 16. Islamic Jihad Terror Attack: Naval Air Station Pensacola Shooting — Florida (2019) Sixteen buildings lit green to celebrate “heritage.” Sixteen jihad attacks that took American lives. Message received, Governor Hochul: You’d rather honor the ideology that killed us than the memory of those it murdered. New York has surrendered.
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🚨NYC CONQUERED: NO PLANES. NO EXPLOSIONS. JUST SURRENDER New York State is lighting 16 buildings green in recognition of Muslim American Heritage Month. Governor Hochul issued a proclamation. It’s the first time New York has officially done this. HERITAGE?” - LET’S BE HONEST What exactly is the “heritage” being honored? How about instead of lighting buildings green, we honor the Americans murdered in 16 Islamic terror attacks carried out on U.S. soil by jihadists? 1. Islamic Terror Attack: World Trade Center Bombing — New York City (1993) 2. Islamic Jihad Terror Attacks: September 11 — New York, Virginia, Pennsylvania (2001) 3. Islamic Jihad Terror Plot: Shoe Bomber Attack — U.S.-Bound Flight (2001) 4. Islamic Terror Attack: Los Angeles International Airport Shooting — California (2002) 5. Islamic Jihad Terror Attack: Fort Hood Massacre — Texas (2009) 6. Islamic Jihad Terror Plot: NYC Subway Bombing — New York (2009) 7. Islamic Terror Attack: Times Square Car Bomb Attempt — New York (2010) 8. Islamic Jihad Terror Plot: Portland Christmas Tree Bomb — Oregon (2010) 9. Islamic Terror Attack: Boston Marathon Bombing — Massachusetts (2013) 10. Islamic Jihad Terror Attack: Chattanooga Military Facility Shooting — Tennessee (2015) 11. Islamic Jihad Terror Attack: Garland Muhammad Cartoon Attack — Texas (2015) 12. Islamic Terror Attack: San Bernardino Christmas Massacre — California (2015) 13. Islamic Jihad Terror Attack: Orlando Pulse Nightclub Massacre — Florida (2016) 14. Islamic Jihad Terror Attack: Ohio State University Vehicle & Stabbing Attack — Ohio (2016) 15. Islamic Jihad Terror Attack: West Side Highway Truck Massacre — New York City (2017) 16. Islamic Jihad Terror Attack: Naval Air Station Pensacola Shooting — Florida (2019) Sixteen buildings lit green to celebrate “heritage.” Sixteen jihad attacks that took American lives. Message received, Governor Hochul: You’d rather honor the ideology that killed us than the memory of those it murdered. New York has surrendered.

Amy Mek

1,270,884 просмотров • 6 месяцев назад

This is Mylapore, off Radhakrishnan Salai near Vivekananda college. NO ONE has come to clear the water here. It’s been like this since yesterday, and by the minute more sewage water is coming out and getting mixed. Water has entered all the houses at ground floor level here. Please do something about this and other parts of Mylapore. Water has never stagnated here, not even during the 2015 floods. All through the year, they kept digging up the roads and multiple times the roads caved in and they kept restoring. Now the whole thing has reversed and water is completely stagnated. People in the apartments and houses here are not able to step outside to get basic needs and provisions. Not even drinking water. We’ve not had power for more than 48 hours now. The power was cut around 10 PM day before yesterday. No network either, until we come out of the apartment or go to some corners in the terrace. Greater Chennai Corporation GREATER CHENNAI POLICE -GCP KINDLY DO SOMETHING ABOUT THIS AREA AT THE EARLIEST! #ChennaiRains #CycloneMichaung #Chennai #ChennaiRains2023
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This is Mylapore, off Radhakrishnan Salai near Vivekananda college. NO ONE has come to clear the water here. It’s been like this since yesterday, and by the minute more sewage water is coming out and getting mixed. Water has entered all the houses at ground floor level here. Please do something about this and other parts of Mylapore. Water has never stagnated here, not even during the 2015 floods. All through the year, they kept digging up the roads and multiple times the roads caved in and they kept restoring. Now the whole thing has reversed and water is completely stagnated. People in the apartments and houses here are not able to step outside to get basic needs and provisions. Not even drinking water. We’ve not had power for more than 48 hours now. The power was cut around 10 PM day before yesterday. No network either, until we come out of the apartment or go to some corners in the terrace. Greater Chennai Corporation GREATER CHENNAI POLICE -GCP KINDLY DO SOMETHING ABOUT THIS AREA AT THE EARLIEST! #ChennaiRains #CycloneMichaung #Chennai #ChennaiRains2023

Keerthi Pandiyan

787,616 просмотров • 2 лет назад

🙏Pray for the villagers of #Koutruk and #Kadangband. A day after the so-called “Nationwide Peace Rally” turned violent, illegal #KukiTerrorists launched a drone bomb attack on the #Meitei villages of #Koutruk and #Kadangband in #Manipur. A 31-year-old Meitei woman was killed, and her daughter was injured in the attack. Additionally, two police officers and three civilians sustained injuries. Are we third-class citizens in #India? This is a complete failure of the government to protect its citizens from illegal invasions by the #Kukimilitiants. It shouldn’t take 16 months for the Indian army to eliminate this illegal threat to #India. #SaveManipur #KukiEngineeredManipurViolence #KukiWarCrime #KukiWarCrimes Abhijit Chavda Anshul Saxena JAIDEEP MAZUMDAR BhikuMhatre Divya Kumar Soti Kartikeya Sharma Vijay Patel President of India PMO India गृहमंत्री कार्यालय, HMO India Amit Shah Narendra Modi NDTV News feed NDTV The Wire newslaundry EastMojo Al Jazeera English The Times Of India TIMES NOW HinduPost Hindu Voice Stop Hindu Hate Advocacy Network (SHHAN) Swarajya Dainik Bhaskar News18 India Today NE EastMojo N. Biren Singh
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🙏Pray for the villagers of #Koutruk and #Kadangband. A day after the so-called “Nationwide Peace Rally” turned violent, illegal #KukiTerrorists launched a drone bomb attack on the #Meitei villages of #Koutruk and #Kadangband in #Manipur. A 31-year-old Meitei woman was killed, and her daughter was injured in the attack. Additionally, two police officers and three civilians sustained injuries. Are we third-class citizens in #India? This is a complete failure of the government to protect its citizens from illegal invasions by the #Kukimilitiants. It shouldn’t take 16 months for the Indian army to eliminate this illegal threat to #India. #SaveManipur #KukiEngineeredManipurViolence #KukiWarCrime #KukiWarCrimes Abhijit Chavda Anshul Saxena JAIDEEP MAZUMDAR BhikuMhatre Divya Kumar Soti Kartikeya Sharma Vijay Patel President of India PMO India गृहमंत्री कार्यालय, HMO India Amit Shah Narendra Modi NDTV News feed NDTV The Wire newslaundry EastMojo Al Jazeera English The Times Of India TIMES NOW HinduPost Hindu Voice Stop Hindu Hate Advocacy Network (SHHAN) Swarajya Dainik Bhaskar News18 India Today NE EastMojo N. Biren Singh

Truth

26,325 просмотров • 1 год назад

I would like to explain the latest batch of viral videos I'm working on to the bemused brainrot-curious reader who is not familiar with "the culture". Why are these characters, mixed with this song, going viral? It's all about connecting infinite referential mirrors. What makes this video interesting are not its individual parts but the signifier links it draws. Let's look at the individual parts: ONE: The song is a Brazilian funk or "pancadão" song called MC Lan e MC WM - Sua Amiga Vou Pegar, these days part of what's broadly referred as Brazilian phonk or just phonk (not to be confused with the original phonk, a Memphis-derived genre from the early 2010s built around chopped Three 6 Mafia samples, cowbells and lo-fi tape hiss and etc. The Brazilian version comes an entirely different lineage and got its name adapted from “funk” to “phonk” exclusively because the names sounded similar. It has a similarly menacing posture but swaps the rap cadence for funk's 4/4 with kicks on 1 and 3 rhythm and a much heavier, distorted 808 synth sound). Phonk is often used for its exaggerated reverb feeling bass lines to signify power, style or simply "aura", which you can take as a shorthand for poise, coolness, being de-bon-air and a general detached positive feeling of high status. Aura. Because most users cannot understand the Portuguese lyrics (which are often quite vulgar and sexual), the singing takes the characteristic of a chant, something to be appreciated entirely for its sound, texture and gravitas. The vocals are just another instrument where you can appreciate the menace and swagger of the delivery directly without the cognitive friction of meaning. Non-Portuguese-speaking audiences are not missing anything they were supposed to get, they get “the vibe” that matters, which is not lyrical. These songs are often paired with (male) characters that are taken to display these traits like American Psycho's Patrick Bateman (yes, yes I know that’s the opposite of what you should feel about the character), Peaky Blinder's Thomas Shelby and a menagerie of anime characters like Satoru Gojo (Jujutsu Kaisen), Yujiro Hanma (Baki) and Goku and, really, any male character that is just a little bit cool. TWO: The man in the suit is a minor Family Guy character called Tom Tucker. The reference comes from a scene where Meg sees him walking through her school and says "It's Tom Tucker from the news!” We then cut to her POV, where he is walking in slow motion with soft romantic music swelling and birds chirping, the whole love-at-first-sight trope. Then a camera crew member off-screen yells "hurry up Mr. Tucker," and we get to see he is not walking in slow motion because Meg is infatuated, he is just walking that slowly in real life. Only the music and the birds were in her head. The gag is built on the viewer recognizing the romantic-slow-motion trope, briefly accepting it as the scene's reality, and then being shown that we (and Meg) projected the trope onto what is actually just a man walking very slowly. HA! The original gag is already about projection: a neutral image (slow walk) being assigned an external meaning (romance) by a viewer's pattern-recognition. This is what makes the edit-culture appropriation work so well. The clip got stripped of its context, paired with phonk and text overlays (AURA or “Me and the boys going to detention”), and retroactively assigned a new meaning, only this time it’s the cinematic nonchalant walk, the slow deliberate gait that signifies a man who knows he's the most important thing in the frame (ta la any 1980s Schwazerneggerian action movie hero walking away from an explosion without looking back, every yakuza boss entering a room, every western gunslinger approaching the duel). The edit is ostensibly projecting a trope onto a neutral image. The first projection was romance; the second projection is aura. Family Guy clips and gifs are easy to access and repost, which makes it a readily available and easy to use building block. The show has, through sheer volume of output and over two decades of YouTube and cable TV saturation, become a kind of public-domain visual library, a default vocabulary that any editor can pull from knowing the audience will recognize the source without having to be told, and we can just keep loading meaning onto it. THREE: The character in the background is Tom, from Tom and Jerry, doing a pose made famous by an iShowSpeed fan who encountered him during a livestream. By quickly and correctly identifying Speed by his full legal name ("Darren Jason Watkins Jr"), she showcased herself to be a true fan, which he responded to with his characteristic exaggerated reactions. The pose the girl hit, with the knowing look to the camera, produced a perfect “aura moment” complete commitment, zero irony, the unshakeable conviction that what she was doing was the coolest possible thing to do. As a result, the clip then got endlessly edited with "aura 🥶🥶🥶" captions to canonize it. Aura, in this lexicon, is not granted by the universe; it is summoned by the person's own belief that they have it and by displaying the correct attitude. Tom is also dressed as the previously mentioned Thomas Shelby from Peaky Blinders, which is itself a double signifier. The name match (“Thomas”, get it?) and the suit-and-flat-cap costume turn the cartoon cat into a stand-in for the perhaps most used "high-aura" male character of the past decade, the brooding gangster patriarch whose every cigarette drag has been set to phonk, cinematic scores and electronic music a thousand times over. On top of that, he is made entirely out of chrome, a popular trope of asking ChatGPT (one of the few AI tools people have easy and broad access to) to render things out of very high quality materials to indicate "rarity" or "status" like diamonds, platinum and etc. A sign that itself descends from a longer lineage of in-game cosmetic rarity tiers (League of Legends, MMOs, various skin economy freemium game, the Fortnite battle pass, the Pokémon shiny, dacha games and etc) where material finish is the visual shorthand of value. So "chrome" or "platinum" Tom on top of all previous signifiers signals a “maximized” or “maxxd” version. The image is suppose to invoke the superlative highest possible tier, rarest-drop, legendary-rarity version of aura, the way a kid in a playground would describe their dad as not just strong but the strongest in the world. FOUR: Finally, the background black hole calls back to the original Tom image, where he is surrounded by the universe itself, having ascended. The character has transcended the diegetic frame of his own cartoon and now exists at a cosmological scale, with the black hole standing in for the kind of unmotivated, vibes-based "cosmic" imagery that has become the default background for any video trying to signify that something Big is happening (the same visual motif that has powered comic book characters, anime transformations, video game power ups and anything wants to feel grandiose or “epic” without specifying what about). The black hole means significance in the abstract. At this point I think you understand the mechanism at play here. None of these references resolve to a stable meaning on their own. Tom Tucker is “cool” only in the very short context in which his image served as a substrate; he was convenient footage to pair with a song, and the absurdity of doing an "aura edit" on such a minor, strange character scene makes it all funnier and easier to share. Tom-the-cat is doing the aura pose > the aura pose comes from the iShowSpeed girl > the iShowSpeed girl was cool because she correctly played her part in an established bit of a large streamer with the correct timing and theatrical flair > the bit was cool because it was a shared convention unified by a popular central streamer figure > the convention existed because phonk edits had already trained this exact scenario to be read as confidence-plus-detachment as aura > the chrome finish points to AI image generation quirks > the AI image generation style can be mapped to gaming visual rarity shorthands; the gaming rarity tiers point to a much older logic of precious-metal-as-status. Each step on the referential chain is propped by the one behind it, and the one behind it is propped up by the one behind that, so on and so forth. There is no natural endpoint, the entire structure functions more akin to a network than a linked list. If you stop at any single point and ask "but why is particular signifier cool or funny or interesting”, the answer is always "because of the thing behind it.” It’s hyper-citation, Here, what matters is the structure of the whole rather than the content. This is structure is what I mean by infinite referential mirrors. The rate at which a concept is referencing, remixing and calling back to another is what’s interesting. In other words, It’s the velocity that matters. The chain of recognitions, each "I get that reference," and the cumulative effect of getting six references stacked on top of each other a short span of time gives you the feeling that you are participating in something dense and alive, because it allows you to recognize the shared meme ecosystem of the platform that you are participating in, even if only a glimpse of it. You are inside the culture rather than outside it. The brainrot-curious reader who watches this video and feels nothing, has “failed” to understand the joke because they are outside the hall of mirrors I am describing. You can only get the magic if you step in and start counting the reflections: the song, the suit, the cat, the chrome, the black hole, the transitions the video uses. You are looking at connected parts of this network of symbols and at the speed at which one image hands you off to the next. The entire thirteen-second clip is functioning as a single compressed referential payload that decompresses in the viewer's head into a small private essay exactly like this one. The video allows you to recognize yourself as someone capable of decoding it, and that recognition is the reward. That’s why media like this goes viral.
0:13

I would like to explain the latest batch of viral videos I'm working on to the bemused brainrot-curious reader who is not familiar with "the culture". Why are these characters, mixed with this song, going viral? It's all about connecting infinite referential mirrors. What makes this video interesting are not its individual parts but the signifier links it draws. Let's look at the individual parts: ONE: The song is a Brazilian funk or "pancadão" song called MC Lan e MC WM - Sua Amiga Vou Pegar, these days part of what's broadly referred as Brazilian phonk or just phonk (not to be confused with the original phonk, a Memphis-derived genre from the early 2010s built around chopped Three 6 Mafia samples, cowbells and lo-fi tape hiss and etc. The Brazilian version comes an entirely different lineage and got its name adapted from “funk” to “phonk” exclusively because the names sounded similar. It has a similarly menacing posture but swaps the rap cadence for funk's 4/4 with kicks on 1 and 3 rhythm and a much heavier, distorted 808 synth sound). Phonk is often used for its exaggerated reverb feeling bass lines to signify power, style or simply "aura", which you can take as a shorthand for poise, coolness, being de-bon-air and a general detached positive feeling of high status. Aura. Because most users cannot understand the Portuguese lyrics (which are often quite vulgar and sexual), the singing takes the characteristic of a chant, something to be appreciated entirely for its sound, texture and gravitas. The vocals are just another instrument where you can appreciate the menace and swagger of the delivery directly without the cognitive friction of meaning. Non-Portuguese-speaking audiences are not missing anything they were supposed to get, they get “the vibe” that matters, which is not lyrical. These songs are often paired with (male) characters that are taken to display these traits like American Psycho's Patrick Bateman (yes, yes I know that’s the opposite of what you should feel about the character), Peaky Blinder's Thomas Shelby and a menagerie of anime characters like Satoru Gojo (Jujutsu Kaisen), Yujiro Hanma (Baki) and Goku and, really, any male character that is just a little bit cool. TWO: The man in the suit is a minor Family Guy character called Tom Tucker. The reference comes from a scene where Meg sees him walking through her school and says "It's Tom Tucker from the news!” We then cut to her POV, where he is walking in slow motion with soft romantic music swelling and birds chirping, the whole love-at-first-sight trope. Then a camera crew member off-screen yells "hurry up Mr. Tucker," and we get to see he is not walking in slow motion because Meg is infatuated, he is just walking that slowly in real life. Only the music and the birds were in her head. The gag is built on the viewer recognizing the romantic-slow-motion trope, briefly accepting it as the scene's reality, and then being shown that we (and Meg) projected the trope onto what is actually just a man walking very slowly. HA! The original gag is already about projection: a neutral image (slow walk) being assigned an external meaning (romance) by a viewer's pattern-recognition. This is what makes the edit-culture appropriation work so well. The clip got stripped of its context, paired with phonk and text overlays (AURA or “Me and the boys going to detention”), and retroactively assigned a new meaning, only this time it’s the cinematic nonchalant walk, the slow deliberate gait that signifies a man who knows he's the most important thing in the frame (ta la any 1980s Schwazerneggerian action movie hero walking away from an explosion without looking back, every yakuza boss entering a room, every western gunslinger approaching the duel). The edit is ostensibly projecting a trope onto a neutral image. The first projection was romance; the second projection is aura. Family Guy clips and gifs are easy to access and repost, which makes it a readily available and easy to use building block. The show has, through sheer volume of output and over two decades of YouTube and cable TV saturation, become a kind of public-domain visual library, a default vocabulary that any editor can pull from knowing the audience will recognize the source without having to be told, and we can just keep loading meaning onto it. THREE: The character in the background is Tom, from Tom and Jerry, doing a pose made famous by an iShowSpeed fan who encountered him during a livestream. By quickly and correctly identifying Speed by his full legal name ("Darren Jason Watkins Jr"), she showcased herself to be a true fan, which he responded to with his characteristic exaggerated reactions. The pose the girl hit, with the knowing look to the camera, produced a perfect “aura moment” complete commitment, zero irony, the unshakeable conviction that what she was doing was the coolest possible thing to do. As a result, the clip then got endlessly edited with "aura 🥶🥶🥶" captions to canonize it. Aura, in this lexicon, is not granted by the universe; it is summoned by the person's own belief that they have it and by displaying the correct attitude. Tom is also dressed as the previously mentioned Thomas Shelby from Peaky Blinders, which is itself a double signifier. The name match (“Thomas”, get it?) and the suit-and-flat-cap costume turn the cartoon cat into a stand-in for the perhaps most used "high-aura" male character of the past decade, the brooding gangster patriarch whose every cigarette drag has been set to phonk, cinematic scores and electronic music a thousand times over. On top of that, he is made entirely out of chrome, a popular trope of asking ChatGPT (one of the few AI tools people have easy and broad access to) to render things out of very high quality materials to indicate "rarity" or "status" like diamonds, platinum and etc. A sign that itself descends from a longer lineage of in-game cosmetic rarity tiers (League of Legends, MMOs, various skin economy freemium game, the Fortnite battle pass, the Pokémon shiny, dacha games and etc) where material finish is the visual shorthand of value. So "chrome" or "platinum" Tom on top of all previous signifiers signals a “maximized” or “maxxd” version. The image is suppose to invoke the superlative highest possible tier, rarest-drop, legendary-rarity version of aura, the way a kid in a playground would describe their dad as not just strong but the strongest in the world. FOUR: Finally, the background black hole calls back to the original Tom image, where he is surrounded by the universe itself, having ascended. The character has transcended the diegetic frame of his own cartoon and now exists at a cosmological scale, with the black hole standing in for the kind of unmotivated, vibes-based "cosmic" imagery that has become the default background for any video trying to signify that something Big is happening (the same visual motif that has powered comic book characters, anime transformations, video game power ups and anything wants to feel grandiose or “epic” without specifying what about). The black hole means significance in the abstract. At this point I think you understand the mechanism at play here. None of these references resolve to a stable meaning on their own. Tom Tucker is “cool” only in the very short context in which his image served as a substrate; he was convenient footage to pair with a song, and the absurdity of doing an "aura edit" on such a minor, strange character scene makes it all funnier and easier to share. Tom-the-cat is doing the aura pose > the aura pose comes from the iShowSpeed girl > the iShowSpeed girl was cool because she correctly played her part in an established bit of a large streamer with the correct timing and theatrical flair > the bit was cool because it was a shared convention unified by a popular central streamer figure > the convention existed because phonk edits had already trained this exact scenario to be read as confidence-plus-detachment as aura > the chrome finish points to AI image generation quirks > the AI image generation style can be mapped to gaming visual rarity shorthands; the gaming rarity tiers point to a much older logic of precious-metal-as-status. Each step on the referential chain is propped by the one behind it, and the one behind it is propped up by the one behind that, so on and so forth. There is no natural endpoint, the entire structure functions more akin to a network than a linked list. If you stop at any single point and ask "but why is particular signifier cool or funny or interesting”, the answer is always "because of the thing behind it.” It’s hyper-citation, Here, what matters is the structure of the whole rather than the content. This is structure is what I mean by infinite referential mirrors. The rate at which a concept is referencing, remixing and calling back to another is what’s interesting. In other words, It’s the velocity that matters. The chain of recognitions, each "I get that reference," and the cumulative effect of getting six references stacked on top of each other a short span of time gives you the feeling that you are participating in something dense and alive, because it allows you to recognize the shared meme ecosystem of the platform that you are participating in, even if only a glimpse of it. You are inside the culture rather than outside it. The brainrot-curious reader who watches this video and feels nothing, has “failed” to understand the joke because they are outside the hall of mirrors I am describing. You can only get the magic if you step in and start counting the reflections: the song, the suit, the cat, the chrome, the black hole, the transitions the video uses. You are looking at connected parts of this network of symbols and at the speed at which one image hands you off to the next. The entire thirteen-second clip is functioning as a single compressed referential payload that decompresses in the viewer's head into a small private essay exactly like this one. The video allows you to recognize yourself as someone capable of decoding it, and that recognition is the reward. That’s why media like this goes viral.

Pleometric

68,776 просмотров • 2 месяцев назад

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.
0:25

2. Teasers / MV / Live presentations We believe all the content should include all members. Not some content, but all of it. We see some people excusing the exclusion of Lee Know in some content because "he will appear in other content", we don't understand why he would be excluded out of any content when the group includes 8 members. There isn't an excuse for this to happen all the time. We will only talk about recent releases and God's Menu to not make this even longer. a) Gods Menu - A title track where they gave him zero lines and screen time (song that they continue to sing, so the company could have made a redistribution of the lines). b) Megaverse - They gave him lines in the initial release, but then they cut his part to 3 seconds, and decided to delete his center part leaving him with half of a line. c) Hall Of Fame - Every live presentation they would cut Lee Know on his own part recording from below all of the other members and only listening to Lee Know's voice without being able to look at him. d) S-Class - They stopped recording the kick he does and instead they record the other members, Lee Know sings there. e) JJAM - When it was dance racha time, Lee Know got almost no time, during the life presentation the moment he goes to the center he says his line "I know..." and while he says it, the screen gets black, so he doesn't have that time on screen, later he is placed at the back covered during the dance break. He is the dance leader. f) Walkin on Water' - During the live presentation, they decided to record everyone on his part, and cut it from his own fancam. g) Recent teasers - He was completely excluded from the first teaser and only included in the second one, he got no solo recording on the MV like the other members. h) Giant - There is a part on the video where all the members are shown, Lee Know is covered and the lights are lowered where he is, making him invisible. During the live presentation, they record other members on his part, they put the dance focus on others, being the only part he has where he sings alone. i) YOUTH - After the release of the MV, the company decided to edit the video causing views to freeze and deleting a very important part where it thanked the people involved. The time from when the video was finished to when it was published was enough to arrange all the details, and the part deleted was so big, it was impossible to miss it. This happened before with his other individual work “Dawn”, which was deleted after some time, and re-uploaded, deleting all the views it had accumulated. This means one of two things, the company puts less interest and effort in Lee Know's work, or the company is purposefully hindering Lee Know's work. Either of the two is unacceptable by a company with so many resources and that claims to be a leader in the industry. This only shows a lack of professionalism and care. j) Dance leader - We know he is the dance leader, and K-stays and the members have talked a lot about how involved he is and how hard he works in that position, but the company refuses to include any footage of him doing it, and even cuts the parts where he gives his all. Just recently K-Stays were raving about how hard Lee Know worked as the dance leader and how much effort it took, One Label cut all of that footage from the Talker. It appears they don't want stays to look at anything he does, or to not give him recognition for anything.

LEE KNOW 리노 GLOBAL ★

21,011 просмотров • 1 год назад

Average "X Return" of the Top 10 Layer One Blockchains =? SPECIAL NOTE: The current $PLS price from the PulseChain.com Ethereum fork including ERC20s network is approximately 72% lower than the original sacrifice price, meaning it is at 28% of the original sacrifice price. The original sacrifice price for PulseChain $PLS was set at a rate of $1 for 10,000 PLS, which equates to $0.0001 per PLS. The current price of $PLS, as of the latest available data, is approximately $0.000028 USD. Imagine going back in time and buying one of the Layer One Blockchains (listed below) not at their original price but at the same 72% discount that Pulsechain is currently at, BEFORE ITS FIRST EVER BULL RUN. The term "X Return" refers to the multiple of return on investment (ROI), indicating how many times an initial investment has increased in value. For the Top 10 Layer One Blockchains, foundational protocols such as Bitcoin, Ethereum, and others ranked by market capitalization and influence in 2025, this metric illustrates their remarkable historical growth. Bitcoin was launched on January 3, 2009, with the mining of the genesis block. It had no monetary value initially, as there were no exchanges to establish a price. The first recorded price came in October 2009, when 5,050 BTC were traded for $5.02, valuing each Bitcoin at roughly $0.0009. This translates to a staggering 120,961,832.33x return (or roughly 120 million percent) over approximately 16 years. Ethereum was launched on July 30, 2015, with its initial coin offering (ICO) in the summer of 2014, where 60 million Ether (ETH) were sold at approximately $0.311 per ETH, raising $18.3 million in Bitcoin. The first recorded exchange price in August 2015 was around $2.77, though it traded below $1 for months afterward. This translates to an 8,940.50x return (or roughly 894,050% increase) over approximately 11 years. BNB Chain (Binance Coin), the native token of the BNB Chain ecosystem, was launched in July 2017 as an ERC-20 token on the Ethereum network during its initial coin offering (ICO). The ICO price was approximately $0.15 per BNB. The BNB Chain itself evolved from Binance Chain (launched April 2019) and Binance Smart Chain (launched September 2020), rebranding to BNB Chain in February 2022. This translates to a 4,483.33x return (or roughly 448,333%) over approximately 8 years. Using the first recorded exchange price in August 2017, around $0.65. Solana (SOL) launched on March 16, 2020, with its main net and native token. During its initial seed funding round in 2018, SOL tokens were sold at approximately $0.04. The first recorded exchange price in April 2020 was around $0.9511. This translates to a 3,965.50x return (or roughly 396,550%) over about 7 years. Using the first exchange price ($0.9511) Ripple, the native token of the XRP Ledger (XRPL), was launched in June 2012, with 100 billion tokens pre-mined. The ICO price in 2012 was approximately $0.00589, based on early exchange data. The first recorded exchange price in February 2013 was around $0.00589. From ICO Price ($0.00589, June 2012) to current price is a 410.68x return (41,068.25% increase) over 13 years. Cardano Community (ADA) was launched in September 2017 following a series of public sales between September 2015 and January 2017, with an ICO price of approximately $0.0024 per ADA. The first recorded exchange price in October 2017 was around $0.0241. From ICO Price ($0.0024, September 2015) to current price is a 254.17x return (25,316.67% increase) over 10 years. Kaspa (KAS) was fair launched on November 7, 2021, with no pre-mine, pre-sales, or coin allocations. Trading began in June 2022 at an initial exchange price of approximately $0.000393, per data. From First Exchange Price ($0.000393, June 2022) to current price is a 195.93x return (19,492.88% increase) over 3 years. TRON DAO (TRX) was launched in September 2017 through an Initial Coin Offering (ICO), raising $70 million at an ICO price of approximately $0.0019 per TRX. The first recorded exchange price in September 2017 was around $0.002. From ICO Price ($0.0019, September 2017) to current price is a 76.84x return (7,584.21% increase) over 8 years. NEAR Protocol (NEAR) launched its main net on April 22, 2020, with an initial token sale price of approximately $0.034 per NEAR during its 2019–2020 funding rounds, as noted by other sources. The first recorded exchange price in August 2020 was around $0.9854, per data. From Initial Sale Price ($0.034, 2019–2020) to current price is a 67.06x return (6,605.88% increase) over 5.2 years. Cosmos - The Interchain ⚛️ (ATOM) was launched in April 2017 through an initial coin offering (ICO) by the Interchain Foundation, raising $17 million at approximately $0.10 per ATOM. The main net went live in March 2019, with the first recorded exchange price in March 2019 at $6.49. From ICO Price ($0.10, April 2017) to current price is a 42.5x return (4,150%) over 8 years. The cryptocurrency market remains inherently volatile, and past performance is not a reliable indicator of future results. While the historical data showcases the immense upside potential, future returns will depend on a combination of technological innovation, regulatory developments, global macroeconomic factors, and user adoption. Investors exploring this space should approach with both optimism and caution, recognizing the risks alongside the proven history of explosive growth in the top layer one blockchains. I do NOT calculate seed rounds into my calculations. 🏆 Final Top 10 Layer 1 Blockchains by “X Return” Bitcoin (BTC) - 120,961,832.33x Ethereum (ETH) - 8,940.50x BNB (BNB Chain) - 4,483.33x Solana (SOL) - 3,965.50x Ripple (XRP) - 410.68x Cardano (ADA) - 254.17x Kaspa (KAS) - 195.93x Tron (TRX) - 76.84x NEAR Protocol (NEAR) - 67.06x Cosmos (ATOM) - 42.5x Final "X" Average: X Average (Including BTC) 🚀 12,098,026.88x X Average (Excluding BTC) 🚀 2,048.50x A potential average of 2,048.50x on PulseChain.com Ethereum fork including ERC20s which is priced at a 72% discount BEFORE ITS FIRST EVER BULL RUN. "PulseChain $PLS currently trades at a remarkable 72% discount, prior to experiencing its first ever bull cycle. This positions it for a theoretical average return of 2048.5x, representing one of the most asymmetric risk reward profiles observed in modern crypto market history." - Rackham Rishel When it comes to the numbers, interpretations vary WIDELY. Everyone, including yourself, and AI cites different figures. So, I think it's reasonable to allow for a little leeway here. Thank you. Song: Foreigner "Juke Box Hero" 🔊
0:18

Average "X Return" of the Top 10 Layer One Blockchains =? SPECIAL NOTE: The current $PLS price from the PulseChain.com Ethereum fork including ERC20s network is approximately 72% lower than the original sacrifice price, meaning it is at 28% of the original sacrifice price. The original sacrifice price for PulseChain $PLS was set at a rate of $1 for 10,000 PLS, which equates to $0.0001 per PLS. The current price of $PLS, as of the latest available data, is approximately $0.000028 USD. Imagine going back in time and buying one of the Layer One Blockchains (listed below) not at their original price but at the same 72% discount that Pulsechain is currently at, BEFORE ITS FIRST EVER BULL RUN. The term "X Return" refers to the multiple of return on investment (ROI), indicating how many times an initial investment has increased in value. For the Top 10 Layer One Blockchains, foundational protocols such as Bitcoin, Ethereum, and others ranked by market capitalization and influence in 2025, this metric illustrates their remarkable historical growth. Bitcoin was launched on January 3, 2009, with the mining of the genesis block. It had no monetary value initially, as there were no exchanges to establish a price. The first recorded price came in October 2009, when 5,050 BTC were traded for $5.02, valuing each Bitcoin at roughly $0.0009. This translates to a staggering 120,961,832.33x return (or roughly 120 million percent) over approximately 16 years. Ethereum was launched on July 30, 2015, with its initial coin offering (ICO) in the summer of 2014, where 60 million Ether (ETH) were sold at approximately $0.311 per ETH, raising $18.3 million in Bitcoin. The first recorded exchange price in August 2015 was around $2.77, though it traded below $1 for months afterward. This translates to an 8,940.50x return (or roughly 894,050% increase) over approximately 11 years. BNB Chain (Binance Coin), the native token of the BNB Chain ecosystem, was launched in July 2017 as an ERC-20 token on the Ethereum network during its initial coin offering (ICO). The ICO price was approximately $0.15 per BNB. The BNB Chain itself evolved from Binance Chain (launched April 2019) and Binance Smart Chain (launched September 2020), rebranding to BNB Chain in February 2022. This translates to a 4,483.33x return (or roughly 448,333%) over approximately 8 years. Using the first recorded exchange price in August 2017, around $0.65. Solana (SOL) launched on March 16, 2020, with its main net and native token. During its initial seed funding round in 2018, SOL tokens were sold at approximately $0.04. The first recorded exchange price in April 2020 was around $0.9511. This translates to a 3,965.50x return (or roughly 396,550%) over about 7 years. Using the first exchange price ($0.9511) Ripple, the native token of the XRP Ledger (XRPL), was launched in June 2012, with 100 billion tokens pre-mined. The ICO price in 2012 was approximately $0.00589, based on early exchange data. The first recorded exchange price in February 2013 was around $0.00589. From ICO Price ($0.00589, June 2012) to current price is a 410.68x return (41,068.25% increase) over 13 years. Cardano Community (ADA) was launched in September 2017 following a series of public sales between September 2015 and January 2017, with an ICO price of approximately $0.0024 per ADA. The first recorded exchange price in October 2017 was around $0.0241. From ICO Price ($0.0024, September 2015) to current price is a 254.17x return (25,316.67% increase) over 10 years. Kaspa (KAS) was fair launched on November 7, 2021, with no pre-mine, pre-sales, or coin allocations. Trading began in June 2022 at an initial exchange price of approximately $0.000393, per data. From First Exchange Price ($0.000393, June 2022) to current price is a 195.93x return (19,492.88% increase) over 3 years. TRON DAO (TRX) was launched in September 2017 through an Initial Coin Offering (ICO), raising $70 million at an ICO price of approximately $0.0019 per TRX. The first recorded exchange price in September 2017 was around $0.002. From ICO Price ($0.0019, September 2017) to current price is a 76.84x return (7,584.21% increase) over 8 years. NEAR Protocol (NEAR) launched its main net on April 22, 2020, with an initial token sale price of approximately $0.034 per NEAR during its 2019–2020 funding rounds, as noted by other sources. The first recorded exchange price in August 2020 was around $0.9854, per data. From Initial Sale Price ($0.034, 2019–2020) to current price is a 67.06x return (6,605.88% increase) over 5.2 years. Cosmos - The Interchain ⚛️ (ATOM) was launched in April 2017 through an initial coin offering (ICO) by the Interchain Foundation, raising $17 million at approximately $0.10 per ATOM. The main net went live in March 2019, with the first recorded exchange price in March 2019 at $6.49. From ICO Price ($0.10, April 2017) to current price is a 42.5x return (4,150%) over 8 years. The cryptocurrency market remains inherently volatile, and past performance is not a reliable indicator of future results. While the historical data showcases the immense upside potential, future returns will depend on a combination of technological innovation, regulatory developments, global macroeconomic factors, and user adoption. Investors exploring this space should approach with both optimism and caution, recognizing the risks alongside the proven history of explosive growth in the top layer one blockchains. I do NOT calculate seed rounds into my calculations. 🏆 Final Top 10 Layer 1 Blockchains by “X Return” Bitcoin (BTC) - 120,961,832.33x Ethereum (ETH) - 8,940.50x BNB (BNB Chain) - 4,483.33x Solana (SOL) - 3,965.50x Ripple (XRP) - 410.68x Cardano (ADA) - 254.17x Kaspa (KAS) - 195.93x Tron (TRX) - 76.84x NEAR Protocol (NEAR) - 67.06x Cosmos (ATOM) - 42.5x Final "X" Average: X Average (Including BTC) 🚀 12,098,026.88x X Average (Excluding BTC) 🚀 2,048.50x A potential average of 2,048.50x on PulseChain.com Ethereum fork including ERC20s which is priced at a 72% discount BEFORE ITS FIRST EVER BULL RUN. "PulseChain $PLS currently trades at a remarkable 72% discount, prior to experiencing its first ever bull cycle. This positions it for a theoretical average return of 2048.5x, representing one of the most asymmetric risk reward profiles observed in modern crypto market history." - Rackham Rishel When it comes to the numbers, interpretations vary WIDELY. Everyone, including yourself, and AI cites different figures. So, I think it's reasonable to allow for a little leeway here. Thank you. Song: Foreigner "Juke Box Hero" 🔊

Rackham Rishel

20,451 просмотров • 1 год назад

🚨 EXCLUSIVE — Tucker's War on Truth now disputes the central Jewish connection to Jerusalem. Tucker Carlson claimed the Kotel, or Western Wall, is merely "believed by some to be a remnant of the Second Temple." It's an odious myth designed to separate Jews from the holiest site in Judaism — and its origins are recent, peddled by the godfather of Palestinian terrorism, Yasser Arafat. And it is a breathtaking level of denialism, precisely because it is so mendacious. There is overwhelming historical and archeological evidence that the Kotel survived from the Second Temple. Simply put, no one serious or credible doubts that the Kotel (Western Wall or Wailing Wall) in what is now the Old City of Jerusalem is the retaining wall of the Temple Mount complex from the time of the Second Temple. Yet Tucker labels it as nothing more than a "claim." Even a century ago, Muslim leaders in Jerusalem in 1925 said its "sanctity" was "beyond dispute" because of it had survived from the Temple. It is only recently that some Palestinians have decided to become, for lack of a better term, Temple Truthers. In 2015, for example, the Grand Mufti of Jerusalem Muhammad Ahmad Hussein bizarrely claimed that there was never any Jewish holy site at the Temple Mount. Hussein, though, was merely echoing Yasser Arafat, who rejected the 2000 Camp David proposal for a Palestinian state on the grounds that there had never been a Jewish holy site at the Temple Mount. Fast forward 15 years later, and the Grand Mufti declared that the site was an "Islamic mosque since the world was created." It's an odd claim given that Islam only dates back to the 7th Century. So why do we know that Temple Truthers are unequivocally wrong? Evidence. Staggering amounts of evidence, in fact. For starters, the Kotel matches the description of famous 1st century historian Josephus — with whom Tucker is quite familiar, having discussed his work during previous interviews. Josephus detailed Herod's expansion from that era, including the exact type of retaining wall matching the Kotel. He even listed measurements for the stones used — which also match the measurements of the stones at the Kotel. Then there's the texture and style of the stones comprising the Kotel. They match the stones from the Herodian era found elsewhere in Jerusalem — which stopped being used shortly afterwards, following the Roman destruction of the city. Most important, though, is what has been found in archeological excavations. Archeologists have unearthed more than three dozens of mikva'ot, or ritual Jewish baths, just outside the perimeter of the Temple Mount complex. Jewish pilgrims, in accordance with Jewish law, would ritually cleanse themselves in mikva'ot before entering the Temple Mount. There are many more such examples of archeological evidence, but here's one more. Two stones were uncovered with inscriptions that match those described by Josephus as having been placed just outside the Temple. In short, the evidence confirming that the Kotel or Western Wall has survived from the Second Temple era is incontrovertible. So much so, in fact, that Temple Truthers are on a par with Flat Earthers. Tucker Carlson, of course, knows better. But facts don't matter to him, just his singular, obsessive mission: To divide Jews from Christians, which requires him to remove Jews from their own history. That's why Tucker promotes the dangerous lie that the Jews of today aren't descended from the Jews of the Bible. And now he's trying to take from the Jews not just their history, but also the one surviving portion of the holiest site that ever existed in Jewish history. Even if that means Tucker has to ignore mountains of evidence in order to embrace a provably false Palestinian fiction.
0:11

🚨 EXCLUSIVE — Tucker's War on Truth now disputes the central Jewish connection to Jerusalem. Tucker Carlson claimed the Kotel, or Western Wall, is merely "believed by some to be a remnant of the Second Temple." It's an odious myth designed to separate Jews from the holiest site in Judaism — and its origins are recent, peddled by the godfather of Palestinian terrorism, Yasser Arafat. And it is a breathtaking level of denialism, precisely because it is so mendacious. There is overwhelming historical and archeological evidence that the Kotel survived from the Second Temple. Simply put, no one serious or credible doubts that the Kotel (Western Wall or Wailing Wall) in what is now the Old City of Jerusalem is the retaining wall of the Temple Mount complex from the time of the Second Temple. Yet Tucker labels it as nothing more than a "claim." Even a century ago, Muslim leaders in Jerusalem in 1925 said its "sanctity" was "beyond dispute" because of it had survived from the Temple. It is only recently that some Palestinians have decided to become, for lack of a better term, Temple Truthers. In 2015, for example, the Grand Mufti of Jerusalem Muhammad Ahmad Hussein bizarrely claimed that there was never any Jewish holy site at the Temple Mount. Hussein, though, was merely echoing Yasser Arafat, who rejected the 2000 Camp David proposal for a Palestinian state on the grounds that there had never been a Jewish holy site at the Temple Mount. Fast forward 15 years later, and the Grand Mufti declared that the site was an "Islamic mosque since the world was created." It's an odd claim given that Islam only dates back to the 7th Century. So why do we know that Temple Truthers are unequivocally wrong? Evidence. Staggering amounts of evidence, in fact. For starters, the Kotel matches the description of famous 1st century historian Josephus — with whom Tucker is quite familiar, having discussed his work during previous interviews. Josephus detailed Herod's expansion from that era, including the exact type of retaining wall matching the Kotel. He even listed measurements for the stones used — which also match the measurements of the stones at the Kotel. Then there's the texture and style of the stones comprising the Kotel. They match the stones from the Herodian era found elsewhere in Jerusalem — which stopped being used shortly afterwards, following the Roman destruction of the city. Most important, though, is what has been found in archeological excavations. Archeologists have unearthed more than three dozens of mikva'ot, or ritual Jewish baths, just outside the perimeter of the Temple Mount complex. Jewish pilgrims, in accordance with Jewish law, would ritually cleanse themselves in mikva'ot before entering the Temple Mount. There are many more such examples of archeological evidence, but here's one more. Two stones were uncovered with inscriptions that match those described by Josephus as having been placed just outside the Temple. In short, the evidence confirming that the Kotel or Western Wall has survived from the Second Temple era is incontrovertible. So much so, in fact, that Temple Truthers are on a par with Flat Earthers. Tucker Carlson, of course, knows better. But facts don't matter to him, just his singular, obsessive mission: To divide Jews from Christians, which requires him to remove Jews from their own history. That's why Tucker promotes the dangerous lie that the Jews of today aren't descended from the Jews of the Bible. And now he's trying to take from the Jews not just their history, but also the one surviving portion of the holiest site that ever existed in Jewish history. Even if that means Tucker has to ignore mountains of evidence in order to embrace a provably false Palestinian fiction.

Joel Mowbray

124,994 просмотров • 4 месяцев назад

Elon Musk gave the entire entertainment industry its expiration date, and he is the one building the thing that kills it. Musk: “My guess is that we see the first compelling half hour, pure AI show next year.” Next year. A complete show generated entirely by AI. No writers. No actors. No cameras. No sets. No crew. No studio. Just a prompt and enough compute to render a reality that never physically existed. And shows are the easy part. Musk: “I say probably we’re maybe three years away from AI does the whole video game.” A show plays the same way every time. A game has to generate a living world that reacts to every decision in real time across every single frame. That is a fundamentally harder class of problem. And Musk put three years on it. Right now a single AAA title takes seven years and half a billion dollars across thousands of engineers and artists just to ship it. Musk is describing a world where one person types a paragraph and gets something comparable. The entire value proposition of a multi-billion dollar industry lives inside that gap. And it closes in thirty-six months. But the prediction is not the story. The person making it is. This is not an analyst speculating from the sidelines. This is the man building the largest AI compute clusters on the planet. The man who built xAI from zero in under two years. The man stacking hundreds of thousands of GPUs into facilities designed to do exactly what he is describing. When Musk says three years, he is not guessing about what someone else might eventually ship. He is reading you a delivery date off his own roadmap. Every media company on Earth is valued on a single assumption. That quality content is expensive and difficult to produce at scale. That one assumption is the structural foundation underneath every studio, every network, and every publisher in existence. Musk is dismantling it with raw compute. The studios still parading thousand-person production teams are not demonstrating strength. They are advertising the exact cost structure that one person with a prompt and a GPU allocation is about to make irrelevant. And it does not stop at entertainment. If AI can generate an interactive world that responds to human input in real time, it can generate anything. Advertising. Architecture. Training simulations. Product design. Every industry built on humans manually constructing visual experiences frame by frame is sitting on the same countdown Musk just read out loud. Now zoom out. Because this is not just an industry story. For the entire history of human civilization, the distance between imagining a world and actually creating one required thousands of people, millions of hours, and billions of dollars. That distance built Hollywood. That distance built the gaming industry. That distance made content scarce and studios powerful. Musk is collapsing that distance to zero. When the gap between imagining something and it existing disappears, every business model built on the difficulty of creation disappears with it. That is not disruption. That is a full inversion of how human beings create. Musk did not make a casual prediction on that podcast. He told you what he is building. He told you the timeline. And he told you which industries do not survive it. The entertainment industry is still debating whether this future is real. Musk is not part of that debate. He is building. And he just told you the delivery date.
0:17

Elon Musk gave the entire entertainment industry its expiration date, and he is the one building the thing that kills it. Musk: “My guess is that we see the first compelling half hour, pure AI show next year.” Next year. A complete show generated entirely by AI. No writers. No actors. No cameras. No sets. No crew. No studio. Just a prompt and enough compute to render a reality that never physically existed. And shows are the easy part. Musk: “I say probably we’re maybe three years away from AI does the whole video game.” A show plays the same way every time. A game has to generate a living world that reacts to every decision in real time across every single frame. That is a fundamentally harder class of problem. And Musk put three years on it. Right now a single AAA title takes seven years and half a billion dollars across thousands of engineers and artists just to ship it. Musk is describing a world where one person types a paragraph and gets something comparable. The entire value proposition of a multi-billion dollar industry lives inside that gap. And it closes in thirty-six months. But the prediction is not the story. The person making it is. This is not an analyst speculating from the sidelines. This is the man building the largest AI compute clusters on the planet. The man who built xAI from zero in under two years. The man stacking hundreds of thousands of GPUs into facilities designed to do exactly what he is describing. When Musk says three years, he is not guessing about what someone else might eventually ship. He is reading you a delivery date off his own roadmap. Every media company on Earth is valued on a single assumption. That quality content is expensive and difficult to produce at scale. That one assumption is the structural foundation underneath every studio, every network, and every publisher in existence. Musk is dismantling it with raw compute. The studios still parading thousand-person production teams are not demonstrating strength. They are advertising the exact cost structure that one person with a prompt and a GPU allocation is about to make irrelevant. And it does not stop at entertainment. If AI can generate an interactive world that responds to human input in real time, it can generate anything. Advertising. Architecture. Training simulations. Product design. Every industry built on humans manually constructing visual experiences frame by frame is sitting on the same countdown Musk just read out loud. Now zoom out. Because this is not just an industry story. For the entire history of human civilization, the distance between imagining a world and actually creating one required thousands of people, millions of hours, and billions of dollars. That distance built Hollywood. That distance built the gaming industry. That distance made content scarce and studios powerful. Musk is collapsing that distance to zero. When the gap between imagining something and it existing disappears, every business model built on the difficulty of creation disappears with it. That is not disruption. That is a full inversion of how human beings create. Musk did not make a casual prediction on that podcast. He told you what he is building. He told you the timeline. And he told you which industries do not survive it. The entertainment industry is still debating whether this future is real. Musk is not part of that debate. He is building. And he just told you the delivery date.

Dustin

21,842 просмотров • 5 дней назад