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Benjamin Benny Rapoza was reported missing from Hilo, Hawaii, on 20 December 2019 at the age of five. He is a non verbal autistic child. His family has endured years without resolution. A video now circulating asserts that a disturbing clip found among the Epstein materials depicts a boy...

80,170 просмотров • 1 месяц назад •via X (Twitter)

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HOLLYWOOD CARTOON MADE FOR KIDS THREW IN YOUR CHILD’S FACE THAT ELITES & THE CIA WERE TRAFFICKING CHILDREN TO “EVIL SECRET ISLANDS” LIKE JEFFREY EPSTEIN’S! Hollywood has been throwing in our face for years that elite pedophiles like Jeffrey Epstein are trafficking children in tandem with intelligence agencies like the CIA - that YOU pay for! They not only did this in entertainment meant for adults, they flaunted it in cartoons that are geared toward children. This should enrage every single American! In 2005, the Cartoon Network ran an episode of the kid’s show Johnny Test featuring a helicopter named CIA Pizza — pizza is a pedophile code word that has been confirmed by the FBI, DOJ records, local law enforcement, the Wall Street Journal and many other sources — with the slogan “We Deliver To Evil Secret Islands”. This cartoon ran at the same time when we know Epstein was not only trafficking kids to his island, he also had many connections to the CIA and was most likely working with them! 1. Epstein met with Joe Biden’s current CIA Chief, William Burns, after his first child sex crime convictions. 2. When Epstein was serving his first jail sentence for child sex crimes, his bodyguard went to CIA headquarters for an alleged special training course. The CIA gave Epstein’s bodyguard a book with a secret message to deliver to Epstein. 3. Ghislaine Maxwell had a helicopter and submarine license. Maxwell transported trafficking victims to Epstein’s pedophile island via a helicopter he bought for her. So a cartoon meant for children, just happened to run an episode about delivering pizza aka trafficking children to secret evil islands that perfectly sums up the child sex trafficking operation Epstein & Maxwell were running. They’ve been throwing it in YOUR face and your children’s faces for years — including in the cartoons they watch that YOU thought were innocent. If this as a parent doesn’t enrage you, nothing will. Now is the time to say enough is enough & take action!
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HOLLYWOOD CARTOON MADE FOR KIDS THREW IN YOUR CHILD’S FACE THAT ELITES & THE CIA WERE TRAFFICKING CHILDREN TO “EVIL SECRET ISLANDS” LIKE JEFFREY EPSTEIN’S! Hollywood has been throwing in our face for years that elite pedophiles like Jeffrey Epstein are trafficking children in tandem with intelligence agencies like the CIA - that YOU pay for! They not only did this in entertainment meant for adults, they flaunted it in cartoons that are geared toward children. This should enrage every single American! In 2005, the Cartoon Network ran an episode of the kid’s show Johnny Test featuring a helicopter named CIA Pizza — pizza is a pedophile code word that has been confirmed by the FBI, DOJ records, local law enforcement, the Wall Street Journal and many other sources — with the slogan “We Deliver To Evil Secret Islands”. This cartoon ran at the same time when we know Epstein was not only trafficking kids to his island, he also had many connections to the CIA and was most likely working with them! 1. Epstein met with Joe Biden’s current CIA Chief, William Burns, after his first child sex crime convictions. 2. When Epstein was serving his first jail sentence for child sex crimes, his bodyguard went to CIA headquarters for an alleged special training course. The CIA gave Epstein’s bodyguard a book with a secret message to deliver to Epstein. 3. Ghislaine Maxwell had a helicopter and submarine license. Maxwell transported trafficking victims to Epstein’s pedophile island via a helicopter he bought for her. So a cartoon meant for children, just happened to run an episode about delivering pizza aka trafficking children to secret evil islands that perfectly sums up the child sex trafficking operation Epstein & Maxwell were running. They’ve been throwing it in YOUR face and your children’s faces for years — including in the cartoons they watch that YOU thought were innocent. If this as a parent doesn’t enrage you, nothing will. Now is the time to say enough is enough & take action!

LIZ CROKIN

4,585,114 просмотров • 2 лет назад

Elon Musk gave the entire entertainment industry its expiration date, and he is the one building the thing that kills it. Musk: “My guess is that we see the first compelling half hour, pure AI show next year.” Next year. A complete show generated entirely by AI. No writers. No actors. No cameras. No sets. No crew. No studio. Just a prompt and enough compute to render a reality that never physically existed. And shows are the easy part. Musk: “I say probably we’re maybe three years away from AI does the whole video game.” A show plays the same way every time. A game has to generate a living world that reacts to every decision in real time across every single frame. That is a fundamentally harder class of problem. And Musk put three years on it. Right now a single AAA title takes seven years and half a billion dollars across thousands of engineers and artists just to ship it. Musk is describing a world where one person types a paragraph and gets something comparable. The entire value proposition of a multi-billion dollar industry lives inside that gap. And it closes in thirty-six months. But the prediction is not the story. The person making it is. This is not an analyst speculating from the sidelines. This is the man building the largest AI compute clusters on the planet. The man who built xAI from zero in under two years. The man stacking hundreds of thousands of GPUs into facilities designed to do exactly what he is describing. When Musk says three years, he is not guessing about what someone else might eventually ship. He is reading you a delivery date off his own roadmap. Every media company on Earth is valued on a single assumption. That quality content is expensive and difficult to produce at scale. That one assumption is the structural foundation underneath every studio, every network, and every publisher in existence. Musk is dismantling it with raw compute. The studios still parading thousand-person production teams are not demonstrating strength. They are advertising the exact cost structure that one person with a prompt and a GPU allocation is about to make irrelevant. And it does not stop at entertainment. If AI can generate an interactive world that responds to human input in real time, it can generate anything. Advertising. Architecture. Training simulations. Product design. Every industry built on humans manually constructing visual experiences frame by frame is sitting on the same countdown Musk just read out loud. Now zoom out. Because this is not just an industry story. For the entire history of human civilization, the distance between imagining a world and actually creating one required thousands of people, millions of hours, and billions of dollars. That distance built Hollywood. That distance built the gaming industry. That distance made content scarce and studios powerful. Musk is collapsing that distance to zero. When the gap between imagining something and it existing disappears, every business model built on the difficulty of creation disappears with it. That is not disruption. That is a full inversion of how human beings create. Musk did not make a casual prediction on that podcast. He told you what he is building. He told you the timeline. And he told you which industries do not survive it. The entertainment industry is still debating whether this future is real. Musk is not part of that debate. He is building. And he just told you the delivery date.

Dustin

21,842 просмотров • 5 дней назад

From a distance, this figure seems to be wearing a robe draped over his shoulders. Step closer, and you realize it is not a robe. It's his own skin... This is the statue of Saint Bartholomew, carved in 1562 by the Lombard sculptor Marco d'Agrate, and it stands inside the Duomo of Milan. Bartholomew was one of the twelve apostles of Christ, and according to tradition he was martyred in the cruelest way imaginable: he was flayed alive, his skin stripped from his body, and then beheaded. D'Agrate chose to show him not in the moment of agony, but afterward, standing upright in defiance, his own flayed skin wrapped around him like a garment. What makes the sculpture extraordinary is the precision beneath that skin: every muscle, every tendon, every vein and cord of the human body is exposed and rendered with such accuracy that anatomists have studied it. This was the Renaissance at its most fearless, when the same curiosity that drove artists to dissect the human body in secret produced an image of a man turned inside out, his suffering transformed into a study of how a human being is actually made. And the sculptor knew exactly how remarkable his achievement was. At the base of the statue he carved a line in Latin that has outlived him by nearly five centuries: Non me Praxiteles, sed Marcus finxit Agrates. "I was not made by Praxiteles, but by Marco d'Agrate." He was comparing himself to the greatest sculptor of ancient Greece, and daring you to disagree... I started this newsletter because the artists of the past were truly extraordinary, and fewer and fewer people are showing us what they were capable of. Every week I try to. If that is something you would like to be part of, you can join at the link below, and if you'd like to support my work, a paid subscription is what makes it possible: Thanks for reading.

James Lucas

67,390 просмотров • 24 дней назад