Video wird geladen...

Video konnte nicht geladen werden

Beim Laden dieses Videos ist ein Problem aufgetreten. Dies könnte an einem vorübergehenden Netzwerkproblem liegen oder das Video ist möglicherweise nicht verfügbar.

Best Blitz vs EMPTY Pass Pro | Madden 27 📌 33 Odd (Any Play) 1️⃣ Contain 2️⃣ LB Show Blitz 3️⃣ Blitz LB on OLB side 4️⃣ User the other LB • Beats EMPTY + BASE Pass Pro • Works from any Odd front with a 0-tech NT •... show more

Ace

14,985 subscribers

22,072 Aufrufe • vor 18 Tagen •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

14 Kommentare

Profilbild von Coach TWill

Coach TWillvor 18 Tagen

@AceMaddenHQ Force them to block that RB! Play that chess match! ♟️

Profilbild von Ace

Acevor 18 Tagen

@AceMaddenHQ 💯 If you start getting your opp to block that RB sometimes, your chance of getting a stop goes way up

Profilbild von Shitlord

Shitlordvor 18 Tagen

Since my circle was move out blitzing in CFB in formations with 2 pinch MLBs and blitzing the same side MLB to counter the pick up for the OLB. We were curious how long it would take for somebody to do the obvious just not from cub lol

Profilbild von Ace

Acevor 18 Tagen

I'm kind of surprised i dont see more people doing it but the send 3/4 shed is so good right now that send 5 isnt really the move

Profilbild von Shitlord

Shitlordvor 18 Tagen

i doubt ppl even looked for defense once 2 DoN happened but eventually i expect ppl to figure out send 3/4 from the odds/tites is very much the counter to empty pass pro

Profilbild von MYKE iLL

MYKE iLLvor 18 Tagen

This is my D! It’s so beautiful you have a platform good stuff budd 🫡

Profilbild von Ace

Acevor 18 Tagen

Madden 27 Playbooks Database

Profilbild von HIM TEBOW

HIM TEBOWvor 17 Tagen

It still comes in pretty consistently if you zone off the opposite DE, you can sub a LB there. Also you can just click off blitz from the manually blitzed lb. Use DPad & switch off him on the snap if you do it early & often they will stop untargeting user

Profilbild von Calum

Calumvor 18 Tagen

Does this work in CFB too?

Profilbild von Ace

Acevor 18 Tagen

it should

Profilbild von BRANDON

BRANDONvor 18 Tagen

I mean yes this blitz works but why is the blitzer in this demonstration vid untargeted? Ofc he gets in clean asf lol

Profilbild von Ace

Acevor 18 Tagen

because there's 6 in the box so 1 guy naturally gets untargeted

Profilbild von HustlexxxDeez

HustlexxxDeezvor 18 Tagen

This is blocked same as last year right? Jus slide towards overload side or block HB?

Profilbild von Ace

Acevor 18 Tagen

Block HB definitely gets it Sliding just depends on if you guess right or not

Ähnliche Videos

Drake Maye mostly torched NO's 5-man rushes thanks to A+ blitz pickup TreVeyon Henderson had the best pass pro rep of his NFL career, Garrett Bradbury sniffed out a rush from Demario Davis, and Rhamondre Stevenson helped pass off a twist before taking on a mug LB in the A-gap

Drake Maye mostly torched NO's 5-man rushes thanks to A+ blitz pickup TreVeyon Henderson had the best pass pro rep of his NFL career, Garrett Bradbury sniffed out a rush from Demario Davis, and Rhamondre Stevenson helped pass off a twist before taking on a mug LB in the A-gap

Taylor Kyles

34,539 Aufrufe • vor 11 Monaten

This is the BEST Blitz Defense in Madden 26, because it comes in CLEAN sending only 3 to 4 rushers. 🔥💥 📍 Formation: Nickel 3-3 Double Mug 📘 Playbooks: CIN, IND, MIA, NYG, JAX, NYJ, DET, GB, NE, BAL, MIN The key is overloading opposite the TE side to avoid chip blocks and bump animations, letting the pressure hit instantly. Setup: 1️⃣ Grab the strong side LB and hover over the center 2️⃣ Zone out the TE side DE or OLB 3️⃣ Optional: Spy the TE side DT or set a contain 4️⃣ User lock and engage with the center 5️⃣ Spam X to disengage immediately after contact Boom. Clean heat with coverage still intact. 🎥 Full breakdown in the video! Bookmark this and follow Swolosimo for more Madden tips!

This is the BEST Blitz Defense in Madden 26, because it comes in CLEAN sending only 3 to 4 rushers. 🔥💥 📍 Formation: Nickel 3-3 Double Mug 📘 Playbooks: CIN, IND, MIA, NYG, JAX, NYJ, DET, GB, NE, BAL, MIN The key is overloading opposite the TE side to avoid chip blocks and bump animations, letting the pressure hit instantly. Setup: 1️⃣ Grab the strong side LB and hover over the center 2️⃣ Zone out the TE side DE or OLB 3️⃣ Optional: Spy the TE side DT or set a contain 4️⃣ User lock and engage with the center 5️⃣ Spam X to disengage immediately after contact Boom. Clean heat with coverage still intact. 🎥 Full breakdown in the video! Bookmark this and follow Swolosimo for more Madden tips!

Swolosimo

18,719 Aufrufe • vor 9 Monaten

Boston College HC Bill O'Brien - Empty Answers vs Blitz Coverage Lisa/Rhonda - WR Slip Screen to the Two Man Side. - Slot responsible for the CB. - PS Tackle invites pressure and responsible for #2 MDM. - PS Guard = first up. - Center = Rat Kill. - Designed to hit in the alley. Lemon/Grape - Check to 6 man full slide pass pro opposite of the TE. - TE = double bump, force free rusher to come from outside. - Pair quick game concepts with the protection.

Boston College HC Bill O'Brien - Empty Answers vs Blitz Coverage Lisa/Rhonda - WR Slip Screen to the Two Man Side. - Slot responsible for the CB. - PS Tackle invites pressure and responsible for #2 MDM. - PS Guard = first up. - Center = Rat Kill. - Designed to hit in the alley. Lemon/Grape - Check to 6 man full slide pass pro opposite of the TE. - TE = double bump, force free rusher to come from outside. - Pair quick game concepts with the protection.

James Light

52,714 Aufrufe • vor 1 Jahr

You can get SAFETIES at Linebacker in #Madden27 🤯 This personnel trick lets you get 2 Safeties into 4-3 Even 6-1 AND 3 Safeties into Nickel 3-3 Cub. You can also do this with ANY form in the game, and this is just one use case! For 2 Safeties 4-3 Even 6-1: 1️⃣ Identify the LBs occupying the spots you want to replace 2️⃣ Go to Nickel Over or any form and make sure those same LBs are on the field 3️⃣ Open Substitutions and replace them with Safeties 4️⃣ Run a play, then return to the play-call screen 5️⃣ Go back to 4-3 Even 6-1 and the Safeties will now be at LB For 3 Safeties in Nickel 3-3 Cub: 1️⃣ Use the 46 or Multiple D Playbook 2️⃣ Enable the LB Pass Rush package in 3-3 Cub 3️⃣ Identify the 3 LBs that appear with that package active 4️⃣ Go to Nickel 3-3 and make sure those same 3 LBs are in 5️⃣ Use Substitutions to replace all 3 with non-starting Safeties 6️⃣ Run a play and return to the play-call screen 7️⃣ Go back to 3-3 Cub + LB Pass Rush and all 3 Safeties will now be at LB You get more speed, better coverage and better Man Coverage at some of the most important positions on the field. 🎥Full breakdown in the video 📌This is just one tip from Swolosimo’s latest Lab Update! Shoutout Wingstackwkk for initially putting the community on!

You can get SAFETIES at Linebacker in #Madden27 🤯 This personnel trick lets you get 2 Safeties into 4-3 Even 6-1 AND 3 Safeties into Nickel 3-3 Cub. You can also do this with ANY form in the game, and this is just one use case! For 2 Safeties 4-3 Even 6-1: 1️⃣ Identify the LBs occupying the spots you want to replace 2️⃣ Go to Nickel Over or any form and make sure those same LBs are on the field 3️⃣ Open Substitutions and replace them with Safeties 4️⃣ Run a play, then return to the play-call screen 5️⃣ Go back to 4-3 Even 6-1 and the Safeties will now be at LB For 3 Safeties in Nickel 3-3 Cub: 1️⃣ Use the 46 or Multiple D Playbook 2️⃣ Enable the LB Pass Rush package in 3-3 Cub 3️⃣ Identify the 3 LBs that appear with that package active 4️⃣ Go to Nickel 3-3 and make sure those same 3 LBs are in 5️⃣ Use Substitutions to replace all 3 with non-starting Safeties 6️⃣ Run a play and return to the play-call screen 7️⃣ Go back to 3-3 Cub + LB Pass Rush and all 3 Safeties will now be at LB You get more speed, better coverage and better Man Coverage at some of the most important positions on the field. 🎥Full breakdown in the video 📌This is just one tip from Swolosimo’s latest Lab Update! Shoutout Wingstackwkk for initially putting the community on!

Victory Formation GG

49,177 Aufrufe • vor 1 Monat

You can get Reverse Slot Fades in #Madden27 by combining the Quick Hike tech with last year's Reverse Route tech. And once it's set up, you can get the Reverse Fade on EITHER side of the field. The easiest example involves going from Bunch X Nasty into Bunch TE Wk using Motion X Escort, the most common version people used in Madden 26. 1️⃣ Come out in Bunch X Nasty (or a formation where the cheat motion WR in the formation you're audibling to has to cross the OL) 2️⃣ As your QB is getting set, audible into the form w/ the cheat motion route 3️⃣ Immediately open your Macro menu 4️⃣ Use a Macro that puts BOTH WR1 and WR2 on Fades (or WR3 if that's the cheat motion WR) The timing is the key. You need to audible and open the Macro menu BEFORE your QB fully gets set. Do it correctly and whichever side you flip to can get the Reverse Fade, making the setup completely universal. ✅ Works from either side ✅ Gives you the Reverse Fade in Madden 27 ✅ Combines perfectly with Quick Hike tech ✅ Can create another easy bomb opportunity 🎥 Full breakdown in the video. 📌 Just one tip from 's latest Lab Update!

You can get Reverse Slot Fades in #Madden27 by combining the Quick Hike tech with last year's Reverse Route tech. And once it's set up, you can get the Reverse Fade on EITHER side of the field. The easiest example involves going from Bunch X Nasty into Bunch TE Wk using Motion X Escort, the most common version people used in Madden 26. 1️⃣ Come out in Bunch X Nasty (or a formation where the cheat motion WR in the formation you're audibling to has to cross the OL) 2️⃣ As your QB is getting set, audible into the form w/ the cheat motion route 3️⃣ Immediately open your Macro menu 4️⃣ Use a Macro that puts BOTH WR1 and WR2 on Fades (or WR3 if that's the cheat motion WR) The timing is the key. You need to audible and open the Macro menu BEFORE your QB fully gets set. Do it correctly and whichever side you flip to can get the Reverse Fade, making the setup completely universal. ✅ Works from either side ✅ Gives you the Reverse Fade in Madden 27 ✅ Combines perfectly with Quick Hike tech ✅ Can create another easy bomb opportunity 🎥 Full breakdown in the video. 📌 Just one tip from 's latest Lab Update!

Victory Formation GG

10,402 Aufrufe • vor 15 Tagen

This Defense SHUTS DOWN the Power I Hulk Meta in #CollegeFootball27 🛑 Formation: Nickel 3-3 Cub Play: Tampa 2 Disguise Shell: Cover 3 The Setup: 1️⃣ Shift your DL toward the strong side 2️⃣ Put both Safeties in Curl Flats 3️⃣ Set Zone Strategy to Ultra Aggressive 4️⃣ Pull the weak-side CB in slightly 5️⃣ User the backside LB Why it works: The Curl Flats aggressively attack and seal the outside lane, taking away the stretch plays that Power I Hulk relies on. If they try to cut it back or run Duo, the weak-side corner you pulled inside helps close those interior lanes while your user cleans everything up. The best part is you're still in Nickel 3-3 Cub, so you're not sacrificing your ability to defend the pass if your opponent decides to formation shift up! 🎥 Full breakdown in the video. ✍️This is just one of the tips Swolosimo dropped in today's lab update! 📌 Bookmark this and follow Victory Formation GG for more College Football 27 tips 🔥

This Defense SHUTS DOWN the Power I Hulk Meta in #CollegeFootball27 🛑 Formation: Nickel 3-3 Cub Play: Tampa 2 Disguise Shell: Cover 3 The Setup: 1️⃣ Shift your DL toward the strong side 2️⃣ Put both Safeties in Curl Flats 3️⃣ Set Zone Strategy to Ultra Aggressive 4️⃣ Pull the weak-side CB in slightly 5️⃣ User the backside LB Why it works: The Curl Flats aggressively attack and seal the outside lane, taking away the stretch plays that Power I Hulk relies on. If they try to cut it back or run Duo, the weak-side corner you pulled inside helps close those interior lanes while your user cleans everything up. The best part is you're still in Nickel 3-3 Cub, so you're not sacrificing your ability to defend the pass if your opponent decides to formation shift up! 🎥 Full breakdown in the video. ✍️This is just one of the tips Swolosimo dropped in today's lab update! 📌 Bookmark this and follow Victory Formation GG for more College Football 27 tips 🔥

Victory Formation GG

28,596 Aufrufe • vor 2 Monaten

The "Murples" META (Man Coverage with Purples) has one BIG weakness in #Madden27, and that's the Pass Lead Streak. 🧠 But there's an EASY solution that lets you STAY in this overpowered coverage and STILL prevent this mechanic from beating you. The Pass Lead Streak works by leading the ball away from your DB's leverage, allowing the WR to make a huge RAC catch without ever actually beating Man Coverage. And while you CAN just Switch Stick it, that gets much harder against better players who put Streaks on BOTH sides of the field. Guess wrong and you're giving up 20+ yards or even a one-play TD. Instead: 1️⃣ Put a Deep Half on one side of the field 2️⃣ Man up the player that Deep Half was originally responsible for with your User 3️⃣ Keep your 2 Curl Flats and continue shading INSIDE 4️⃣ At the snap, Switch Stick to the weak-side Curl Flat Now the Deep Half takes away the Pass Lead Streak on one side, while you only have to worry about Switch Sticking the Streak on the OTHER side. This is MUCH better than shading outside because you can still keep inside leverage against Posts, Slants, Drags and other elite Man beaters. ✅ Stay in the Murples META ✅ Protect against Pass Lead Streaks on BOTH sides ✅ Only have to Switch Stick one side of the field ✅ Keep your inside shade against the best Man-beating routes This is how you make 6-1 work against the advanced players who actually know how to attack it. 🎥 Full breakdown in the video 📌 Just one tip from today's Lab Update!

The "Murples" META (Man Coverage with Purples) has one BIG weakness in #Madden27, and that's the Pass Lead Streak. 🧠 But there's an EASY solution that lets you STAY in this overpowered coverage and STILL prevent this mechanic from beating you. The Pass Lead Streak works by leading the ball away from your DB's leverage, allowing the WR to make a huge RAC catch without ever actually beating Man Coverage. And while you CAN just Switch Stick it, that gets much harder against better players who put Streaks on BOTH sides of the field. Guess wrong and you're giving up 20+ yards or even a one-play TD. Instead: 1️⃣ Put a Deep Half on one side of the field 2️⃣ Man up the player that Deep Half was originally responsible for with your User 3️⃣ Keep your 2 Curl Flats and continue shading INSIDE 4️⃣ At the snap, Switch Stick to the weak-side Curl Flat Now the Deep Half takes away the Pass Lead Streak on one side, while you only have to worry about Switch Sticking the Streak on the OTHER side. This is MUCH better than shading outside because you can still keep inside leverage against Posts, Slants, Drags and other elite Man beaters. ✅ Stay in the Murples META ✅ Protect against Pass Lead Streaks on BOTH sides ✅ Only have to Switch Stick one side of the field ✅ Keep your inside shade against the best Man-beating routes This is how you make 6-1 work against the advanced players who actually know how to attack it. 🎥 Full breakdown in the video 📌 Just one tip from today's Lab Update!

Victory Formation GG

20,720 Aufrufe • vor 1 Monat

Ferris State HC Tony Annese - QB Counter Jet QB Counter - 11P style run from 10P structure - COS motion can force Slingshot/Super Rotation from the secondary - PST Arc tag vs Odd Fronts - "Being a play caller, the best thing you can do is use motion to determine your best pass play off of these movements." - RB must beat the motion man to align himself as the 2nd puller. QB Fundamentals - The play action will be away from the run side so make sure you keep your foot closest to your run lane in place. - You can stab the other foot while using your hips and shoulders to give a play fake. Then open your body to your hole and follow your puller. - QB Counter + Toss Read Action (tendency breaker). - QB Counter Load variations (3 Pullers). Used with & without action.

Ferris State HC Tony Annese - QB Counter Jet QB Counter - 11P style run from 10P structure - COS motion can force Slingshot/Super Rotation from the secondary - PST Arc tag vs Odd Fronts - "Being a play caller, the best thing you can do is use motion to determine your best pass play off of these movements." - RB must beat the motion man to align himself as the 2nd puller. QB Fundamentals - The play action will be away from the run side so make sure you keep your foot closest to your run lane in place. - You can stab the other foot while using your hips and shoulders to give a play fake. Then open your body to your hole and follow your puller. - QB Counter + Toss Read Action (tendency breaker). - QB Counter Load variations (3 Pullers). Used with & without action.

James Light

21,111 Aufrufe • vor 1 Jahr

Macros are the biggest game changer in #CollegeFootball27 🧠🔥 Instead of spending 10-15 seconds making adjustments every snap, you can now save entire defensive coverages and offensive route concepts, then activate them instantly during a game. For example, you can build a full Double Mable defense with custom zone drops, stunts, coverage shells, safety alignment, pass commit, and individual assignments. How to Create a Macro 🛠️ 1️⃣ From the Main Menu, go to **Create & Share** 2️⃣ Select **Custom Adjustments** 3️⃣ Click **Create New** 4️⃣ Build your offensive or defensive macro from scratch How to Deploy a Macro ⚡ Method 1 1️⃣ Press LB/L1 2️⃣ Select the icon of your saved macro Method 2 1️⃣ Hold the button of the play you're selecting 2️⃣ Your saved macros will appear while holding the button 3️⃣ Move to the macro you want and release Once you've built them, you'll spend far less time making adjustments and much more time actually playing football. 🎥 Full breakdown in the video. #PresentedByEACreatorNetwork Become an MVP+ Member today and secure Early Access to #CFB27 🔗

Macros are the biggest game changer in #CollegeFootball27 🧠🔥 Instead of spending 10-15 seconds making adjustments every snap, you can now save entire defensive coverages and offensive route concepts, then activate them instantly during a game. For example, you can build a full Double Mable defense with custom zone drops, stunts, coverage shells, safety alignment, pass commit, and individual assignments. How to Create a Macro 🛠️ 1️⃣ From the Main Menu, go to Create & Share 2️⃣ Select Custom Adjustments 3️⃣ Click Create New 4️⃣ Build your offensive or defensive macro from scratch How to Deploy a Macro ⚡ Method 1 1️⃣ Press LB/L1 2️⃣ Select the icon of your saved macro Method 2 1️⃣ Hold the button of the play you're selecting 2️⃣ Your saved macros will appear while holding the button 3️⃣ Move to the macro you want and release Once you've built them, you'll spend far less time making adjustments and much more time actually playing football. 🎥 Full breakdown in the video. #PresentedByEACreatorNetwork Become an MVP+ Member today and secure Early Access to #CFB27 🔗

Swolosimo

23,199 Aufrufe • vor 2 Monaten

VIDEO | Delhi: Former India captain Kapil Dev refrained from offering an assessment of young batter Vaibhav Sooryavanshi and the growing trend of 250-plus totals in T20 cricket, saying he is not best placed to comment on the modern game. Vaibhav Sooryavanshi has dazed the cricketing world with his batting blitz and fearless approach, taking on world-class bowlers like Jasprit Bumrah, Josh Hazlewood and Pat Cummins from the outset. Speaking on the sidelines of the Mahajan Imaging Lab Inauguration event here, the 1983 World Cup-winning skipper said he follows the sport as a television viewer and believes it would be unfair to analyse players or evolving formats without being closely involved. “I haven't seen that. I am just like you guys. I watch cricket at home on TV, and it would not be fair for me to pass any comments. I get information from whatever you write or show. The ones like Sunil Gavaskar, Ravi Shastri, or Harsha Bhogle are the ones who cover cricket on the ground and are the best people to take opinions from. I don’t know much about it," he said.

VIDEO | Delhi: Former India captain Kapil Dev refrained from offering an assessment of young batter Vaibhav Sooryavanshi and the growing trend of 250-plus totals in T20 cricket, saying he is not best placed to comment on the modern game. Vaibhav Sooryavanshi has dazed the cricketing world with his batting blitz and fearless approach, taking on world-class bowlers like Jasprit Bumrah, Josh Hazlewood and Pat Cummins from the outset. Speaking on the sidelines of the Mahajan Imaging Lab Inauguration event here, the 1983 World Cup-winning skipper said he follows the sport as a television viewer and believes it would be unfair to analyse players or evolving formats without being closely involved. “I haven't seen that. I am just like you guys. I watch cricket at home on TV, and it would not be fair for me to pass any comments. I get information from whatever you write or show. The ones like Sunil Gavaskar, Ravi Shastri, or Harsha Bhogle are the ones who cover cricket on the ground and are the best people to take opinions from. I don’t know much about it," he said.

Press Trust of India

327,205 Aufrufe • vor 4 Monaten

The latest RAG trend for the current agent harnesses (Codex, Cowork) is to do two passes of document processing to solve a knowledge work task over a data room of documents: 1️⃣ A fast and light pass, oftentimes using a free/OSS doc parsing tool. This can be cheaply run across 10-100-1k’s of files, and enables the agent to then do retrieval (e.g. grep, semantic) to find relevant subsets of context. 2️⃣ A “just-in-time” VLM-based pass. Once the agent finds the relevant pages of context, it will screenshot the documents can call its own VLM (or write code) to dissect the pages. The issue with only using VLM-based OCR tools over massive ad-hoc customer file dumps is that it’s slow and expensive. Doing JIT VLM OCR allows the agent to filter through the data cheaply, but still preserve accuracy for the context that’s needed for the task. The agent harnesses do two-pass document processing by default using off the shelf-tools: pdf2text as the first pass, and using itself (Opus 5) as the second pass. See the below video where Cowork runs over a bunch of PDFs to answer a question about a benchmark graph in the Kimi k3 paper. The main issues here with the “out of the box” doc processing these agents offer are: * Opus 5 is not the best VLM for OCR. It is also way too expensive at scale and lacks grounding * The OSS tools like pypdf, pdf2text, may not be versatile enough as the first pass. * The agent will write a lot of throwaway code to rewrite things an OCR tool would’ve provided out of the box, like chart processing, bounding boxes, confidence scores, leading to increased cost and speed. We have all the tools within LlamaIndex 🦙 to help any agent do two-pass document processing with higher accuracy and lower cost. 1️⃣ We have liteparse for the first pass - a free/OSS parser written in Rust that’s faster/more accurate than other OSS parsers, and supports 50+ document types 2️⃣ We have LlamaParse for the second pass - an agentic document engine that uses VLMs+harnesses to achieve SOTA in accuracy and cost across various doc parsing and extraction tasks. It can be called from any agent harness as an MCP or skill. It takes in page numbers as input, so that the agent can choose to run LlamaParse over a subset of the doc instead of the full doc as a “zoom-in” pass. Come check it out! LiteParse: LlamaParse: All the relevant docs, including MCP, are here:

The latest RAG trend for the current agent harnesses (Codex, Cowork) is to do two passes of document processing to solve a knowledge work task over a data room of documents: 1️⃣ A fast and light pass, oftentimes using a free/OSS doc parsing tool. This can be cheaply run across 10-100-1k’s of files, and enables the agent to then do retrieval (e.g. grep, semantic) to find relevant subsets of context. 2️⃣ A “just-in-time” VLM-based pass. Once the agent finds the relevant pages of context, it will screenshot the documents can call its own VLM (or write code) to dissect the pages. The issue with only using VLM-based OCR tools over massive ad-hoc customer file dumps is that it’s slow and expensive. Doing JIT VLM OCR allows the agent to filter through the data cheaply, but still preserve accuracy for the context that’s needed for the task. The agent harnesses do two-pass document processing by default using off the shelf-tools: pdf2text as the first pass, and using itself (Opus 5) as the second pass. See the below video where Cowork runs over a bunch of PDFs to answer a question about a benchmark graph in the Kimi k3 paper. The main issues here with the “out of the box” doc processing these agents offer are: * Opus 5 is not the best VLM for OCR. It is also way too expensive at scale and lacks grounding * The OSS tools like pypdf, pdf2text, may not be versatile enough as the first pass. * The agent will write a lot of throwaway code to rewrite things an OCR tool would’ve provided out of the box, like chart processing, bounding boxes, confidence scores, leading to increased cost and speed. We have all the tools within LlamaIndex 🦙 to help any agent do two-pass document processing with higher accuracy and lower cost. 1️⃣ We have liteparse for the first pass - a free/OSS parser written in Rust that’s faster/more accurate than other OSS parsers, and supports 50+ document types 2️⃣ We have LlamaParse for the second pass - an agentic document engine that uses VLMs+harnesses to achieve SOTA in accuracy and cost across various doc parsing and extraction tasks. It can be called from any agent harness as an MCP or skill. It takes in page numbers as input, so that the agent can choose to run LlamaParse over a subset of the doc instead of the full doc as a “zoom-in” pass. Come check it out! LiteParse: LlamaParse: All the relevant docs, including MCP, are here:

Jerry Liu

22,763 Aufrufe • vor 1 Monat

To every NEET candidate and parent - please watch this. A few minutes that could save you serious money and stress this week. Scammers on Telegram were running two rackets targeting you: 1️⃣ Channels demanding ₹14,000 to ₹25,000 - some even ₹10 lakh - claiming they'll send you the re-exam paper. They won't. There is no leaked paper for the re-exam. The money is gone the moment you transfer it. Your admit card and WhatsApp number, if you sent them, become the tools they use to scam the next student. 2️⃣ Fake "proof" videos showing chats from before the exam. The trick: on Telegram, whoever runs a channel can edit any old message AND change what's inside it, while the date on the message stays the same. So a message edited on the 4th can be made to look exactly like it was sent on the 1st. The full explanation is in the video below — please watch and share with anyone you know who's preparing 👇 🎥 The same trick will be tried again after 21st June. Don't fall for it. Don't forward it. Don't pay anyone. ✅ Focus on your prep - you've earned this ✅ Trust only and verified NTA handles ✅ Tell your friends - especially anyone anxious enough to be tempted 📞 Report any scam: National Cyber-Crime Helpline 1930 or Your hard work is what will get you through this exam. Not a Telegram channel. We're on your side. 💪 🎥 Prof. V. Kamakoti, Director, IIT Madras, also explains the technical side clearly - his videos are in the replies below.

To every NEET candidate and parent - please watch this. A few minutes that could save you serious money and stress this week. Scammers on Telegram were running two rackets targeting you: 1️⃣ Channels demanding ₹14,000 to ₹25,000 - some even ₹10 lakh - claiming they'll send you the re-exam paper. They won't. There is no leaked paper for the re-exam. The money is gone the moment you transfer it. Your admit card and WhatsApp number, if you sent them, become the tools they use to scam the next student. 2️⃣ Fake "proof" videos showing chats from before the exam. The trick: on Telegram, whoever runs a channel can edit any old message AND change what's inside it, while the date on the message stays the same. So a message edited on the 4th can be made to look exactly like it was sent on the 1st. The full explanation is in the video below — please watch and share with anyone you know who's preparing 👇 🎥 The same trick will be tried again after 21st June. Don't fall for it. Don't forward it. Don't pay anyone. ✅ Focus on your prep - you've earned this ✅ Trust only and verified NTA handles ✅ Tell your friends - especially anyone anxious enough to be tempted 📞 Report any scam: National Cyber-Crime Helpline 1930 or Your hard work is what will get you through this exam. Not a Telegram channel. We're on your side. 💪 🎥 Prof. V. Kamakoti, Director, IIT Madras, also explains the technical side clearly - his videos are in the replies below.

National Testing Agency

774,081 Aufrufe • vor 3 Monaten

Twitter boi, do you want to see a humanoid AI lab from the inside? Well I do ;) Join me to visit Flexion A world-leading lab building the AI brains for humanoids – in Zurich, one of the best hubs for Physical AI. Their goal? Build the Android of robotics. One operating system that works on any humanoid hardware. It is crazy what their robots can do. We pushed a robot on the stairs. It didn't care. They left one in a rainy forest it was never trained on. Chilled and hiked there. And because they let robots train on their own, from zero through reinforcement learning, the robots do odd inhuman things. Eg they stand up from the ground in ways no human ever would. If their humanoid brain works, this will be industry defining. This is why Flexion is one of Europe's Most Ambitious Startups. 🇪🇺🔥 0:00 Intro 0:38 Inside a Lab with 14 Humanoids 2:17 What’s Actually Inside a Humanoid? 4:43 The Robot Navigates on Its Own 6:31 Why Grasping Is So Hard 7:01 Stairs, Pushes, and Balance Tests 7:55 Training 4,000 Robots in Parallel 10:50 Teleoperation vs Reinforcement Learning 14:35 The Case for Humanoids 15:55 Why Europe Could Win Robotics Please like & RT 🙏

Twitter boi, do you want to see a humanoid AI lab from the inside? Well I do ;) Join me to visit Flexion A world-leading lab building the AI brains for humanoids – in Zurich, one of the best hubs for Physical AI. Their goal? Build the Android of robotics. One operating system that works on any humanoid hardware. It is crazy what their robots can do. We pushed a robot on the stairs. It didn't care. They left one in a rainy forest it was never trained on. Chilled and hiked there. And because they let robots train on their own, from zero through reinforcement learning, the robots do odd inhuman things. Eg they stand up from the ground in ways no human ever would. If their humanoid brain works, this will be industry defining. This is why Flexion is one of Europe's Most Ambitious Startups. 🇪🇺🔥 0:00 Intro 0:38 Inside a Lab with 14 Humanoids 2:17 What’s Actually Inside a Humanoid? 4:43 The Robot Navigates on Its Own 6:31 Why Grasping Is So Hard 7:01 Stairs, Pushes, and Balance Tests 7:55 Training 4,000 Robots in Parallel 10:50 Teleoperation vs Reinforcement Learning 14:35 The Case for Humanoids 15:55 Why Europe Could Win Robotics Please like & RT 🙏

Andreas Klinger 🦾

14,761 Aufrufe • vor 6 Monaten

This is the BEST RPO in #Madden27 🤯 ....no untargets required so it works just as good post-patch. The defense basically has to pick its poison: give up the RPO for 7–12 yards at a time, or adjust to stop it and open up the run. Play: RPO Read Cheek Wheel Flat Formation: Pistol Deuce Close Playbook: Bears The biggest key is identifying the Read Key. If the defense pinches its D-Line, the Slot CB can become the Read Key, meaning he completely ignores his normal passing assignment. That lets you: 1️⃣ Put both TEs on Wheel Routes 2️⃣ Snap the ball 3️⃣ Throw it immediately for an easy 7–10+ yards On the opposite side, you can use the built-in blocker to ID the defender threatening the Wheel, getting him picked up and creating another easy completion. And if your opponent spreads the D-Line to stop it? Now the HB Dive can start gashing them for 10 yards a carry. They either: • Stop the run and give up the RPO • Stop the RPO and give up the run 🎥 Full breakdown in the video. 📌 This is just ONE setup from JB 🦅💚's Bears Offense that was just dropped today!

This is the BEST RPO in #Madden27 🤯 ....no untargets required so it works just as good post-patch. The defense basically has to pick its poison: give up the RPO for 7–12 yards at a time, or adjust to stop it and open up the run. Play: RPO Read Cheek Wheel Flat Formation: Pistol Deuce Close Playbook: Bears The biggest key is identifying the Read Key. If the defense pinches its D-Line, the Slot CB can become the Read Key, meaning he completely ignores his normal passing assignment. That lets you: 1️⃣ Put both TEs on Wheel Routes 2️⃣ Snap the ball 3️⃣ Throw it immediately for an easy 7–10+ yards On the opposite side, you can use the built-in blocker to ID the defender threatening the Wheel, getting him picked up and creating another easy completion. And if your opponent spreads the D-Line to stop it? Now the HB Dive can start gashing them for 10 yards a carry. They either: • Stop the run and give up the RPO • Stop the RPO and give up the run 🎥 Full breakdown in the video. 📌 This is just ONE setup from JB 🦅💚's Bears Offense that was just dropped today!

Victory Formation GG

11,755 Aufrufe • vor 1 Monat

Here he is: A Democrat wants to hold Democrats accountable. John Thune: “This is about going after Democrats, making [SAVE] an issue in the fall campaigns, and holding THEM ACCOUNTABLE for being on the wrong side of an 80–20 issue with the American people.” For the first time in modern American history, the President of the United States is being blocked from making any recess appointments. The backstabber has sent senators home for 37 days for the August recess—but has scheduled 11 pro forma sessions to BLOCK President Trump from making recess appointments. In other words: No legislative business will be conducted—no bills will be considered, no nominations will be addressed, no debates will be held, and no votes will be taken. No SAVE America Act. No—nothing will be conducted. The Senate will remain in recess until the next scheduled pro forma session, and then the one after that, and the one after that. Ronald Reagan: 240 George H. W. Bush: 77 Bill Clinton: 139 George W. Bush: 171 Barack Obama: 32 Donald Trump: 0 📝 I told you: The backstabber is far worse—and far more dangerous—than his daddy, Mitch McConnell. As of August 12, 2026, Republicans under this loser have held majorities in all three branches of the U.S. government for 1 year, 6 months, and 23 days—that’s 570 days.

Here he is: A Democrat wants to hold Democrats accountable. John Thune: “This is about going after Democrats, making [SAVE] an issue in the fall campaigns, and holding THEM ACCOUNTABLE for being on the wrong side of an 80–20 issue with the American people.” For the first time in modern American history, the President of the United States is being blocked from making any recess appointments. The backstabber has sent senators home for 37 days for the August recess—but has scheduled 11 pro forma sessions to BLOCK President Trump from making recess appointments. In other words: No legislative business will be conducted—no bills will be considered, no nominations will be addressed, no debates will be held, and no votes will be taken. No SAVE America Act. No—nothing will be conducted. The Senate will remain in recess until the next scheduled pro forma session, and then the one after that, and the one after that. Ronald Reagan: 240 George H. W. Bush: 77 Bill Clinton: 139 George W. Bush: 171 Barack Obama: 32 Donald Trump: 0 📝 I told you: The backstabber is far worse—and far more dangerous—than his daddy, Mitch McConnell. As of August 12, 2026, Republicans under this loser have held majorities in all three branches of the U.S. government for 1 year, 6 months, and 23 days—that’s 570 days.

🇺🇸RealRobert🇺🇸

24,253 Aufrufe • vor 1 Monat

What a ride! Made by using GPT Image 2 + Seedance 2.0 on Fish Creative Prompt reference_handling: "Image generation strictly for driver facial and wardrobe styling reference only — calm, composed features silver wristwatch on left wrist Image strictly for sports car styling and cabin reference only — low, wide Italian wedge-shaped body + bright yellow paint + strongly geometric body lines + hexagonal front intake + Y-shaped LED headlights + gloss black multi-spoke wheels + black leather cabin with orange stitching + left-hand-drive cabin (driver seat on left) + across this sequence the driver-side window (left side of car) is rolled down only for the cockpit reveal shot, all other windows remain as-is throughout. Image strictly for spire architectural geometry, Dubai downtown skyline, and warm hazy midday atmosphere reference only — tapered glass-and-steel spire that widens progressively toward the base + dense glass high-rise skyline below + wide multi-lane boulevard. Do not reproduce any specific camera angle, composition, or caption elements from the reference images" style: "REAL AERIAL + AUTOMOTIVE CINEMATOGRAPHY PLATE — not CGI rendering, not game-engine rendering, not an animated/illustrated look." visual_feel: "Strong overhead midday light + warm hazy atmosphere softening the horizon. Color strictly natural and true-to-life — not oversaturated, not faded, not washed out. Continuous soft haze and atmospheric layering from spire tip down to street level. Every camera move, whether aerial or ground-tracking, strictly gimbal-level smooth — absolutely no handheld feel, no shake, no roll or tilt, even during the FPV-paced dive segment or the accelerating side-pass segments. 16:9 frame + no stylized film-grain treatment, aiming for genuine cinematography texture across every shot" duration: "30 seconds (8-shot sequence)" aspect_ratio: "16:9" character_modeling: driver_suited_woman: base: " appearance and wardrobe strictly per Image generation reference. Present in the car throughout the sequence, but the face is strictly clearly visible only during the 0:20–0:21 cockpit reveal shot — in every other shot the face is strictly not shown or not resolvable, whether by camera position, angle, or framing" wardrobe: silver wristwatch on left wrist . complete, with no wrinkling, misalignment, or missing pieces throughout" presence: "In shots where the driver is not the subject (0:01–0:19, 0:22–0:30), the driver strictly remains seated in the left-side driving position, present but strictly not resolved facially due to camera side, distance, or angle. During the 0:20–0:21 cockpit reveal shot only, the face and posture are strictly fully clear — visibility achieved via a right-side cockpit camera position looking across the cabin, with natural light and open sightline entering through the already-lowered driver-side window (left side of car) forming an angled depth-of-view channel — strictly NOT via looking directly through a window immediately adjacent to the camera" sports_car_yellow: identity: "Low, wide Italian wedge-shaped supercar + bright yellow paint + strongly geometric body + hexagonal front intake + Y-shaped LED headlights + gloss black multi-spoke wheels + black leather cabin with orange stitching + left-hand-drive cabin, driver seat on left — appearance strictly per image2 reference. Strictly only this one car appears across all 8 shots + doors strictly closed throughout + strictly only the driver-side window (left side of car) is rolled down, and only for the 0:20–0:21 cockpit shot + all other windows strictly remain closed/unchanged throughout + left-hand-drive position strictly remains on the left side of the car in every shot — not mirrored, not flipped, regardless of which side the camera is on" physics: "In every shot showing the car in motion, tires strictly show real, visible load deformation on turns + suspension strictly compresses and rebounds continuously with road surface undulation + body strictly shows slight roll and pitch matching cornering or acceleration — strictly not a rigid-glide, zero-deformation model feel. The car strictly stays lane-centered along the boulevard's true path — strictly no crossing lines, no drifting, no hugging the curb" environment_spire_and_skyline: setting_lock: "Tapered glass-and-steel spire structure — body progressively widens toward the base + spire tip is the sequence's starting point + below is Dubai downtown's dense glass high-rise skyline and wide multi-lane boulevard + warm hazy midday light, architectural geometry, skyline, and atmosphere strictly per image3 reference. Shot 1 (0:01–0:12) strictly covers the spire exterior and the high-altitude-to-street transition. Shots 2–8 (0:12–0:30) strictly take place entirely at street level, on or beside the boulevard, with the skyline visible as background context only" cinematic_storyboard: shot_1_spire_descent_0_01_0_12: camera: "Continuous aerial dive — the same FPV-paced descent arc as the master establishing move: 0:01–0:02 camera approaches and briefly hovers directly above the spire tip, gimbal strictly steady, no roll or tilt. 0:02–0:12 camera descends along one continuous curved arc, vertical speed component smoothly decaying while horizontal speed component smoothly increasing, no perceptible docking point or speed jump. As the arc resolves near street level, the camera settles into a position that spotlights the yellow car on the right side of frame — car held in the right third of the composition as the shot closes. Lens strictly 35–50mm cine prime throughout, no zoom, no digital zoom, straight architectural lines keep true perspective." action: "Spire tip and city grid fill the frame at the open, then dissolve into recognizable streets and blocks as the dive continues. The yellow car appears as a small point mid-descent and grows continuously larger, coming to rest spotlighted on the right side of frame by 0:12, driving forward along the boulevard, wheels rotating forward, no reverse." lighting: "Strong overhead midday light at the spire tip with long shadows; as the descent continues, glass-facade and ground reflections shift continuously and smoothly with the changing angle — no abrupt lens-flare flicker." vfx: "Ground detail and color progressively sharpen through the descent, no sudden clarity jump. Ground shadows strictly limited to the car's own cast shadow — no operator or camera-rig shadow anywhere in frame." sfx: "High-altitude wind roar at the open, fading continuously into rising engine sound and city ambience as the car comes into view. No music, no voiceover, no captions." shot_2_side_pass_0_12_0_15: camera: "Hard cut to a static lateral profile position — camera holds a fixed side-view framing of the car, 35–50mm cine prime, gimbal-locked, no handheld sway. As the car accelerates, the camera lets it pull ahead and overtake past the camera's position, exiting frame screen-right." action: "Car holds briefly in profile, then accelerates hard — visible squat of the rear suspension under acceleration, tires gripping without slip, body pitching slightly rearward under load — before overtaking and leaving frame past the camera." lighting: "Even natural daylight, sun still overhead-midday, car's yellow paint reading true and saturated against the boulevard背景, no flat frontal wash." vfx: "Real suspension compression and rebound as the car surges forward. No motion blur artifacts beyond natural shutter response; no CG float." sfx: "Engine note rises sharply with the acceleration, a clean Doppler pass as the car overtakes the camera position; no music." shot_3_center_mirror_0_15_0_17: camera: "Hard cut to an interior point-of-view through the car's center rear-view mirror — camera framed as if looking through the mirror glass from just behind/above the driver's eyeline, mirror surface visibly framing the receding view." action: "Through the mirror, the boulevard and the Dubai skyline recede behind the car as it continues forward at speed; slight natural mirror-glass vignette at the frame edge." lighting: "Cabin interior in soft ambient light, mirror glass reflecting the bright exterior daylight and skyline without glare washing out the reflected image." vfx: "Mirror reflection stays optically clean and stable — no double image, no warping; road and skyline motion in the reflection reads as physically continuous with forward travel." sfx: "Muffled cabin-interior tone to engine and wind noise (heard as if from inside the car); no music, no dialogue." shot_4_front_view_0_18_0_19: camera: "Hard cut to a nose-on front view of the car — camera positioned directly ahead on the boulevard, framing the grille, headlights, and hood centered in frame, lens 35–50mm cine prime, static or minimal push, gimbal-steady." action: "Car approaches head-on at a steady, controlled speed, Y-shaped LED headlights and hexagonal intake clearly readable, wheels visibly rotating forward." lighting: "Overhead midday sun catches the hood and windshield with clean natural highlights, no artificial front-fill look." vfx: "Subtle heat-haze shimmer off the hot asphalt ahead of the car for realism; no CG gloss on the paint." sfx: "Engine sound growing louder as the car closes distance toward camera; no music." shot_5_cockpit_reveal_0_20_0_21: camera: "Hard cut to a right-side cockpit angle — camera positioned to the right-front of the car, sightline crossing through the windshield and, aided by the already-lowered driver-side (left) window, resolving the driver clearly inside the cabin. This is the sequence's only driver-reveal shot." action: "Driver's face and posture are fully visible — one hand resting lightly on the wheel, eyes on the road ahead, expression calm and composed, natural unstiff posture. Car maintains the same forward direction and steady speed with no lens or vehicle behavior change during the shot." lighting: "Even natural daylight, light falling cleanly across the yellow paint, windshield, and driver's face; windshield reflection kept light enough not to obscure visibility." vfx: "Windshield glass stays transparent and reflection-light, no glare occlusion of the driver." sfx: "Steady engine hum plus faint city ambience; strictly no dramatic sound swell or music entering at the reveal moment." shot_6_straight_road_rear_3_4_0_22_0_24: camera: "Hard cut to a rear-bumper 3/4 angle — camera positioned low and behind, off to one side, framing the car driving away down a straight stretch of boulevard, lens 35–50mm cine prime, gimbal-smooth tracking that holds pace with the car." action: "Car drives straight down the boulevard at a steady cruising speed, lane-centered, taillights and rear three-quarter bodywork clearly visible, wheels rotating forward, no drift or lane departure." lighting: "Overhead midday sun, road surface and rear bodywork evenly lit, skyline visible in soft haze in the background." vfx: "Light heat-shimmer off the straight road surface; ground shadow strictly limited to the car's own cast shadow." sfx: "Steady, sustained engine tone at cruising speed plus ambient city sound; no music." shot_7_side_pass_0_25_0_28: camera: "Hard cut back to a static lateral profile position, mirroring shot 2's setup — camera holds the side view of the car, gimbal-locked, no handheld sway." action: "Car holds briefly in profile again, then accelerates a second time and overtakes past the camera, exiting frame — same physical behavior as the first side-pass (visible suspension squat, tire grip, body pitch)." lighting: "Consistent overhead midday daylight, same natural exposure as shot 2 for continuity." vfx: "Real suspension compression and rebound under acceleration; clean natural motion, no CG float." sfx: "Engine note rising sharply into the pass, clean Doppler effect as the car overtakes camera; no music." shot_8_static_3_4_close_0_29_0_30: camera: "Hard cut to a static, locked-off 3/4 angle — camera fixed in position, no movement, gimbal-perfect stillness, framing a 3/4 view of the boulevard as the car enters and exits frame to close the sequence." action: "Car drives through the static frame at a steady speed and exits, completing the sequence; wheels rotating forward, no reverse, no lingering hold after exit." lighting: "Same consistent overhead midday daylight and natural color grade as the rest of the sequence, no shift in exposure for the closing shot." vfx: "Ground shadow strictly limited to the car's own cast shadow; no operator or rig shadow in frame." sfx: "Engine sound passing through and fading as the car exits frame; no music, no voiceover, no captions at any point in the closing shot." production_notes: multi_shot_cut_lock: "This sequence is strictly 8 distinct shots joined by hard cuts at the following points: 0:12, 0:15, 0:18, 0:20, 0:22, 0:25, 0:29 — strictly no smooth transitions, no cross-dissolves, no whip-pans between shots, no morphing between camera setups. Each shot is a clean cut to a new fixed or moving camera setup as specified; only shot 1 (0:01–0:12) is itself one continuous unbroken aerial move. Across every cut, the following must remain continuous: the car's identity and paint color, the boulevard geography and skyline, the direction of travel, the lighting direction and quality, and the absence of music/dialogue/captions." gimbal_stabilization_lock: "Every shot, aerial or ground-based, strictly holds gimbal-level smoothness — absolutely no handheld shake, no roll, no tilt, no high-frequency jitter, in any of the 8 shots, including the accelerating side-pass shots." optics_lock: "Every ground/tracking shot strictly uses a 35–50mm cinema prime feel (Sony Cine prime lens character), unchanged within each shot — strictly no zoom in, no zoom out, no digital zoom of any kind in any shot. Straight lines of buildings and roads strictly retain true perspective — strictly no wide-angle distortion, no fisheye curvature." forward_motion_lock: "In every shot, the car strictly drives forward — nose pointed in the direction of travel except where explicitly framed nose-on toward camera (shot 4), and never reversing. Wheels strictly rotate continuously in the direction of travel, reverse rotation strictly forbidden in any shot." vehicle_structural_identity_lock: "Strictly only this one car appears across all 8 shots — a second car of the same or different model is strictly forbidden. Doors strictly remain closed in every shot. Left-hand-drive layout strictly remains unchanged across all 8 shots — driver's seat strictly on the left side of the car in every shot, never mirrored or flipped regardless of camera side. The driver-side (left) window is strictly rolled down only during shot 5 (cockpit reveal, 0:20–0:21); in every other shot all windows strictly remain closed/unchanged." driver_appearance_window_lock: "The driver's face is strictly clearly visible only during shot 5 (0:20–0:21) — in shots 1–4 and 6–8 the face is strictly not resolved, whether due to distance, angle, motion, or framing. During shot 5, visibility is strictly achieved via the right-side cockpit camera angle through the windshield, aided by the already-lowered driver-side window — strictly NOT via a window directly facing the camera." no_operator_shadow_lock: "In every shot, the ground strictly shows only the car's own cast shadow — strictly no human-shaped shadow, camera-operator silhouette, photographer's figure, or rig shadow cast anywhere in any of the 8 shots. The aerial shot (shot 1) is strictly pure drone photography with no physical rig or ground-crew trace; the ground shots (2–8) are strictly framed with no visible operator, crew, or equipment in frame." audio_lock: "Sound throughout the sequence is strictly authentic diegetic sound only — wind, engine, and city ambience, shifting naturally shot to shot — strictly no background music or score of any kind, including any hidden musical layer, in any of the 8 shots + strictly no voiceover or dialogue of any kind + strictly no captions or on-screen text of any kind at any point." critical_constraint: "8 hard-cut shots across 30 seconds, cut points strictly at 0:12, 0:15, 0:18, 0:20, 0:22, 0:25, 0:29 — strictly no dissolves or blended transitions. Shot 1 is one continuous uncut aerial descent from the spire tip to street level, ending with the car spotlighted screen-right. Shots 2 and 7 are matching static side-profile setups where the car accelerates and passes the camera. Shot 5 is the sequence's only driver-face reveal, via the right-side cockpit angle through the windshield with the driver-side window down — strictly not visible in any other shot. The car is strictly the same single yellow LHD supercar throughout, doors closed except for the driver-side window during shot 5, always driving forward, wheels never reversing. All camera work is strictly gimbal-smooth with a 35–50mm cine-prime feel, no zoom, no distortion, no handheld shake in any shot. Ground shadows throughout strictly show only the car's own shadow, no operator or rig trace. Audio is strictly diegetic only — no music, no voiceover, no captions, throughout the entire 30 seconds." avoid: "dissolves, cross-fades, morphs, or whip-pans between shots — cuts must be hard cuts only, any shot other than shot 5 showing the driver's face clearly, the driver-side window rolled down in any shot other than shot 5, the passenger-side or any other window rolled down at any point, a second car appearing in any shot, car doors opening in any shot, the car reversing or wheels rotating backward in any shot, mirrored or flipped left-hand-drive layout, driver's seat appearing on the right side of the car, human-shaped shadow, camera-operator silhouette, or rig shadow in any of the 8 shots, camera shake, handheld feel, roll, tilt, or high-frequency jitter in any shot, zoom in, zoom out, digital zoom, wide-angle distortion, fisheye distortion, or curved building/road lines in any shot, smooth continuous single-take treatment of the whole 30 seconds (the sequence is strictly multi-shot with hard cuts, not one unbroken take beyond shot 1), background music, score, melody, hidden musical layer, voiceover, dialogue, narration, captions, or on-screen text at any point, CGI-rendered look, game-engine feel, plasticky car-paint gloss, static hovering with no sense of gravity" animation_style: "Shot 1 plays out as one continuous real-time aerial move; shots 2–8 are each a distinct, clean hard-cut setup, every shot internally in real time with no speed ramping — the sense of pace across the sequence comes from the editing rhythm of the cuts, not from slow motion or time manipulation within any single shot"

Aaliya

11,907 Aufrufe • vor 1 Monat