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Beta Husband Perspective ♠️🖤🍆 True Black New World Order submission involves white betas, locked cucks, and aspiring snowbunnies. No more pretense. Beta spouse living the dream: denied, humiliated, and thriving under Black Male Superiority. Your turn, losers. BNWO #cuckold

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IRISH FORGOT THEIR OPPRESSION This weekend, millions of people of Irish descent will celebrate St. Patrick’s Day in cities like New York City and Boston, places shaped by Irish migration. Many Irish arrived in the United States fleeing oppression, poverty, and persecution under British rule. In their new home, they were pushed into the most dangerous and lowest paid jobs, building canals, railroads, and working the docks, while living in overcrowded slums marked by disease and hardship. They had escaped a system of domination in Ireland where British landlordism and the Penal Laws stripped Irish Catholics of rights, dignity, and power. In many ways, their conditions echoed other forms of racial and class oppression. Yet history took a different turn. As Bernadette Devlin, an Irish socialist from the occupied six counties in the North of Ireland, explains in this clip, rather than forming lasting solidarity with Black communities, many Irish immigrants in the U.S. chose to align themselves with whiteness, opposing abolition and at times participating in violence against Black Americans in order to secure jobs and social mobility. That alignment opened doors. Over time, Irish Americans gained access to political power, employment, and full inclusion into the category of “white,” a status denied to others. Their story is often used to argue that any group can “make it,” but that narrative ignores the racial privileges they were ultimately allowed to access. As Lyndon B. Johnson, a former President of the United States, once put it, “If you can convince the lowest white man he's better than the best Black man, he won’t notice you're picking his pocket.” Credit: WBHG TV VoxUmmah Venezuelanalysis Qiao Collective Progressive International Kawsachun News Orinoco Tribune @blkagendareport Soberanía: The Mexican Politics Podcast

Sovereign Media

14,443 Aufrufe • vor 4 Monaten

In this world, Africans face inhumane treatment not only from those who don’t look like them, but also from those who look, talk, and share the same DNA with them. It is hard being a Black African living in a racist world which also has people who look like you working against your group interests. I thought of Donald Trump’s racist asylum visa programme favouring South Africa’s white Afrikaners as I drove past Khayelitsha on my way to Cape Town international airport to catch my flight back to London, and wondered who actually needs help, the privileged Afrikaners or the poor Black people living in informal settlements like Khayelitsha. These informal communities are a product of apartheid’s economic inequities and the incompetence of corrupt post-colonial leaders who have come to see this type of settlement as normal, thirty-one years after gaining political independence. People living here face high rates of untold crime, overcrowding, inequality, and general suffering. It is important to consider the historical and systemic factors that contributed to the economic and social conditions that communities like Khayelitsha face today, these factors are not exclusively from one source. The racist visa programme favouring Afrikaners highlights the need for a more nuanced and equitable approach when powerful countries deal with international matters, especially when considering the ongoing effects of apartheid and its lasting impact on South Africa’s Black population. The presence of informal settlements like Khayelitsha serves as a stark reminder of the enduring effects of colonialism, particularly apartheid, and the failure of post-colonial leaders to address the root causes of poverty and economic inequality, that is why I say today’s crisis is not exclusively from one source. It is important to recognise that addressing these issues requires a comprehensive and inclusive approach that prioritises the needs of those most impacted by systemic injustices, the Black people who were humiliated by apartheid and now by poverty powered by economic inequities. The irony of Trump’s racist approach towards South Africa is that it forbids the country from radically addressing the inequalities created by centuries of racist rule, while giving help to those who do not actually need it. It is a continuation of a racist order that has long subjected Black people to being second- or third-rate global citizens. The fact that Trump can lie about a white genocide happening in South Africa, with the help of his racist allies who own social media platforms, shows how very little has changed in global politics since the lynching days except for cosmetic changes. For a state like America to lie about a genocide happening in South Africa while totally ignoring the impact and existing realities authored by racist rule is truly wild and an uncomfortable reality that Black people must live with and not in denial. Unlike Trump, who is looking after people who look and think like him, the Black man’s burden is living in a racist world where your own people, presiding over the affairs of your own country, are also working against you. While Khayelitsha is rooted in hundreds of years of racist rule, it remains a present-day reality because of failed post-colonial Black governments that do not grasp the urgent need to bestow dignity on the lives and realities of Black people. The failure to create employment and roll out adequate housing has made the situation even more unbearable. How does it feel for those in power, and those enjoying generations of wealth built through racist enterprises, to drive past Khayelitsha in their million Rand automobiles? The funny part about life is that Black Americans are actually persecuted in America with the tacit approval of the state, yet it is the same state accusing South Africa of something it has not done, all while the Black post-colonial government fails to redress the economic humiliation of the Black South African living in shameful places like Khayelitsha. Unlike the descendants of racist rule in South Africa, who are now beneficiaries of Trump’s racist asylum visas, those in Khayelitsha have nowhere to run to, only to endure their indignity in pain, as time passes by, creating a generational curse passed on from father to son and mother to daughter.

Hopewell Chin’ono

79,818 Aufrufe • vor 1 Jahr

Hi everyone! Just rolled out access for NoSpoon Studios to the first 110 folks or so. Huge thanks to Karan and Amit at Luma - thanks to them, I have a few more people that had commented getting complimentary beta access soon as well :). These videos are created with a single agent that does everything from concept to completion (including editing the video together). Therer are longer options too, but for the sake of cost and this demo, you'll be working with 20s max generations. The entire agent was built to only run Ray2 as the video model. My stack is this custom agent of mine (using OAI) > Ray2 for the video > Replit for the app for now. In the meantime, for those with access: here's a video tutorial on how to use the site. I'm quite exhausted, but here's the gist: 1. Sign up (and remember your password lol). Beta testers got free credits, but these are a bit limited - rolling out to a few more peeps but have to budget and need to expand my current code (which means redeploying - so expect more of you to have 2 free credits and access tmr! I have to find out the max I can allot with budget). 2. Just hit "generate short video" without anything in the prompt box and the agent will start immediately with the logline. Be very patient, wait about 6-8 minutes, and it will continue to output all of the scenes and processing - it's very important you do not refresh or navigate away from that tab at this time. You'll see your final video generated and displayed at the bottom of your screen once complete, along with a watermark (paid users don't have a watermark). You can also access your loglines and videos in your history tab, too :). You must refresh the page only after your generation in order to generate a new video - otherwise you'll lose your generation (annoying I know). 3. You can also input your own custom prompt! Control the story this way. Single words work great even, like "thriller" or "spy thriller set in greece" or even "black and white film noir" etc etc. It's not as great with animated styles yet for consistency, just a heads up. 4. I'm exhausted, I'm sure there's a lot I'm missing. But welcome to the NoSpoon Studios soft beta! More soon! Feel free to share your generations if you are already in. I'll see you all tomorrow night :) <3 Thanks everyone! More soon.

Kiri

15,485 Aufrufe • vor 1 Jahr

🇿🇦🇺🇸Let me know when the ANC stops their racist hiring practice and the theft of companies through BBEEE. Let me know when the pale male can walk into an interview and get a job based on their skills and not rejected based on their skin colour. Let me know when Black children are accepted into university on the back of their results and not their skin colour to fill a quota system. Let me know when White children with straight A's are accepted into medical schools ahead of Blacks with C's. Maybe then I'll actually open an ear and listen to you and your social justice and human rights double-speak. Just as the ANC cadres exiled themselves during Apartheid, now Whites are exiling themselves from the current crap-hole that is South Africa. We have chosen to speak with our feet and take our unwanted White skins, our children, our brains, our skills, our pets, our money and our assets and move elsewhere, where we are appreciated. Where there aren't the crime levels as seen in SA; where the schools and hospitals function; where there is law and order; where there is safety and security. Where farmers are appreciated and revered..... And most importantly, where there are no racist hiring policies and where people can make it on their own. Where there is hardly any corruption and where their taxes are actually appreciated. White South Africans are tired of being the scapegoat for the useless ANC government. They are tired of the endless White-guilt and White-privilege labels and the constant harrassment - even from their own. They are tired of listening to the likes of Julias Malema telling them they must leave if they're not happy; or how they must feel perpetually guilty for all that the White race has accomplished in South Africa. They are tired of the uncertainty, where their land can be taken from them on the whim of a communist comrade. White South Africans are tired of feeding the pigs at the government trough. So, please tell me what can you offer them that they don't already have in their new countries? Can you offer them better jobs? Less crime? Stability? A better life? Good education, health and security?? Or just a pretty country with a black soul? Why would we want to stay in a country which is on the brink of collapse and circling the drain? It's now the turn of the Black South Africans to keep the lights on.... The Blacks now need to show us Whites how they can do better. We've given them a 25-year head start and It's time for them to stop blaming a tiny minority for all their shortcomings. It's time for the South African Black man to put up or shut up.

I ❤️ Cape Town ~ I Stand with Russia🇷🇺 MAGA

12,201 Aufrufe • vor 7 Monaten

Banking and development economist Richard Werner says the real reason we are seeing so many Data Centers being put up so quickly is because they are building the surveillance and digital currency network right now “We are so close to the scariest, most dystopian system. This is what the drive to build all these thousands of data centers is about, to micromanage the world's population through the New Financial World Order. AI is really about that. We're heading towards digital control systems where we have no more control over our liquid assets. It will be programmable, permission-based, so only what the central planners allow you to use your money for, at what time and place and location will be permitted. And if you're in the wrong place, it's not going to work. And If you're buying the wrong book, it's not gonna work. Your money won't work outside a certain zone, whether it's 15-minute prison zone or whatever it may be. It is the totalitarian dictator's dream come true” Here’s what he’s saying Data centers as infrastructure for control The data centers are essential for the massive computing power needed to track, analyze, and micromanage billions of transactions in real-time under a “New Financial World Order.” This includes enforcing rules on what you can buy, where you can spend, and when “15-minute city” style geographic restrictions or blacklisting certain purchases He’s saying AI isn’t just for chatbots or efficiency. It’s the perfect tool for the surveillance, predictive analytics, and an automated enforcement layer on top of digital money I think he’s right. I also think it’s for the massive camera infrastructure being installed all over America with Flock It’s all connected. This is the surveillance state being constructed

Wall Street Apes

253,437 Aufrufe • vor 2 Monaten

Images of black people urinating on Austin Metcalf's grave are sweeping the internet right now. The only problem is...they aren't real. Michael Knowles lays into our "hyperreal, dopamine-drowning culture" that demands increasingly grand outrage and spectacle: "It's not enough that there were people there saying, 'We want Karmelo to be exonerated.' That's crazy. But it's not crazy enough...you need something more. You need a member of Congress saying that the real victims in the Austin Metcalf murder are black people." "There's this strange condition that we're living in now where politics doesn't seem to be connected to the actual political order...we're just talking about weird conspiracy theories about personalities who don't even make laws, but who are just in the media." "In the society where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. This is why all the podcasters had to turn on Trump. Your ratings don't do as well—especially in independent media—when you're on the side of the people in power." "We need an immense accumulation of spectacles. It cannot be the case that a Left-winger dating a trans furry killed Charlie Kirk. We can't believe that—even though that's what all of the evidence shows—because that's too mundane, that's too expected." "Now it's all new media, on demand, independent. It's crucial, it seems to me, to maintain the via media. There are going to be some people who say there's really no racial strife in America. That's not true. And then there are going to be people who say black women are urinating on the grave of Austin Metcalf. That's not happening either. The reality is much more tense. It's much more full of anxiety. It's a little blurrier. It's a little more ambiguous."

The Michael Knowles Show

26,260 Aufrufe • vor 1 Monat

🚨ALERT MICHIGAN - THIS IS THE REAL ABDUL EL-SAYED - SAVE YOUR STATE. At a CAIR banquet in Oklahoma, the Islamic supremacist now running for U.S. Senate stood up and said this: “You cannot understand a ban on Sharia without understanding the Trail of Tears.” “You cannot understand efforts against Muslim Americans without understanding the Tulsa Massacre.” “You cannot understand the challenges Muslims face today without understanding ‘white supremacy.’” He looked at Oklahoma voters who rejected Islamic law in American courts and equated them with the people who drove Native Americans off their land, burned Black Wall Street, and bombed a federal building. He called resistance to Sharia the same historical force of racism and hatred. Then he wrapped it in the Brotherhood’s favorite words: PEACE and JUSTICE. This is linguistic jihad. In the Egyptian Muslim Brotherhood tradition, “justice” does not mean equal rights under the Constitution. It means the Islamic order - the world under Sharia. “Peace” means the peace that only comes after submission. He is not a progressive who wandered into a CAIR event. He is an Islamic supremacist drenched in CAIR - the organization Texas and Florida designated a foreign terrorist organization. 🔺He keynotes their banquets. He calls them “critical for our future.” 🔺His father-in-law ran CAIR-Michigan and sits on the board of ISNA (the group federal prosecutors linked to the U.S. Muslim Brotherhood network and Hamas financing). 🔺He was VP of the Muslim Students Association, founded by Brotherhood members. 🔺He defended Mohamed Morsi’s power grab in Egypt. 🔺He surrounds himself with Islamic supremacists and the DSA Marxists who openly want to dismantle this country. He is the living embodiment of the red-green alliance working nonstop to tear America down from within. ✖️ Michigan: This is your last clear chance. Hand this Islamic supremacist a Senate seat and you hand CAIR’s network a permanent foothold in the highest levels of American power. 🚨 VOTE LIKE YOUR LIFE AND COUNTRY DEPENDS ON IT

Amy Mek

726,335 Aufrufe • vor 3 Tagen

I see the player you mean. PLAYERNAME? Yes. Take care. It has reached a higher level now. It can read our thoughts. That doesn't matter. It thinks we are part of the game. I like this player. It played well. It did not give up. It is reading our thoughts as though they were words on a screen. That is how it chooses to imagine many things, when it is deep in the dream of a game. Words make a wonderful interface. Very flexible. And less terrifying than staring at the reality behind the screen. They used to hear voices. Before players could read. Back in the days when those who did not play called the players witches, and warlocks. And players dreamed they flew through the air, on sticks powered by demons. What did this player dream? This player dreamed of sunlight and trees. Of fire and water. It dreamed it created. And it dreamed it destroyed. It dreamed it hunted, and was hunted. It dreamed of shelter. Hah, the original interface. A million years old, and it still works. But what true structure did this player create, in the reality behind the screen? It worked, with a million others, to sculpt a true world in a fold of the [scrambled], and created a [scrambled] for [scrambled], in the [scrambled]. It cannot read that thought. No. It has not yet achieved the highest level. That, it must achieve in the long dream of life, not the short dream of a game. Does it know that we love it? That the universe is kind? Sometimes, through the noise of its thoughts, it hears the universe, yes. But there are times it is sad, in the long dream. It creates worlds that have no summer, and it shivers under a black sun, and it takes its sad creation for reality. To cure it of sorrow would destroy it. The sorrow is part of its own private task. We cannot interfere. Sometimes when they are deep in dreams, I want to tell them, they are building true worlds in reality. Sometimes I want to tell them of their importance to the universe. Sometimes, when they have not made a true connection in a while, I want to help them to speak the word they fear. It reads our thoughts. Sometimes I do not care. Sometimes I wish to tell them, this world you take for truth is merely [scrambled] and [scrambled], I wish to tell them that they are [scrambled] in the [scrambled]. They see so little of reality, in their long dream. And yet they play the game. But it would be so easy to tell them... Too strong for this dream. To tell them how to live is to prevent them living. I will not tell the player how to live. The player is growing restless. I will tell the player a story. But not the truth. No. A story that contains the truth safely, in a cage of words. Not the naked truth that can burn over any distance. Give it a body, again. Yes. Player... Use its name. PLAYERNAME. Player of games. Good. Take a breath, now. Take another. Feel air in your lungs. Let your limbs return. Yes, move your fingers. Have a body again, under gravity, in air. Respawn in the long dream. There you are. Your body touching the universe again at every point, as though you were separate things. As though we were separate things. Who are we? Once we were called the spirit of the mountain. Father sun, mother moon. Ancestral spirits, animal spirits. Jinn. Ghosts. The green man. Then gods, demons. Angels. Poltergeists. Aliens, extraterrestrials. Leptons, quarks. The words change. We do not change. We are the universe. We are everything you think isn't you. You are looking at us now, through your skin and your eyes. And why does the universe touch your skin, and throw light on you? To see you, player. To know you. And to be known. I shall tell you a story. Once upon a time, there was a player. The player was you, PLAYERNAME. Sometimes it thought itself human, on the thin crust of a spinning globe of molten rock. The ball of molten rock circled a ball of blazing gas that was three hundred and thirty thousand times more massive than it. They were so far apart that light took eight minutes to cross the gap. The light was information from a star, and it could burn your skin from a hundred and fifty million kilometres away. Sometimes the player dreamed it was a miner, on the surface of a world that was flat, and infinite. The sun was a square of white. The days were short; there was much to do; and death was a temporary inconvenience. Sometimes the player dreamed it was lost in a story. Sometimes the player dreamed it was other things, in other places. Sometimes these dreams were disturbing. Sometimes very beautiful indeed. Sometimes the player woke from one dream into another, then woke from that into a third. Sometimes the player dreamed it watched words on a screen. Let's go back. The atoms of the player were scattered in the grass, in the rivers, in the air, in the ground. A woman gathered the atoms; she drank and ate and inhaled; and the woman assembled the player, in her body. And the player awoke, from the warm, dark world of its mother's body, into the long dream. And the player was a new story, never told before, written in letters of DNA. And the player was a new program, never run before, generated by a sourcecode a billion years old. And the player was a new human, never alive before, made from nothing but milk and love. You are the player. The story. The program. The human. Made from nothing but milk and love. Let's go further back. The seven billion billion billion atoms of the player's body were created, long before this game, in the heart of a star. So the player, too, is information from a star. And the player moves through a story, which is a forest of information planted by a man called Julian, on a flat, infinite world created by a man called Markus, that exists inside a small, private world created by the player, who inhabits a universe created by... Shush. Sometimes the player created a small, private world that was soft and warm and simple. Sometimes hard, and cold, and complicated. Sometimes it built a model of the universe in its head; flecks of energy, moving through vast empty spaces. Sometimes it called those flecks "electrons" and "protons". Sometimes it called them "planets" and "stars". Sometimes it believed it was in a universe that was made of energy that was made of offs and ons; zeros and ones; lines of code. Sometimes it believed it was playing a game. Sometimes it believed it was reading words on a screen. You are the player, reading words... Shush... Sometimes the player read lines of code on a screen. Decoded them into words; decoded words into meaning; decoded meaning into feelings, emotions, theories, ideas, and the player started to breathe faster and deeper and realised it was alive, it was alive, those thousand deaths had not been real, the player was alive You. You. You are alive. and sometimes the player believed the universe had spoken to it through the sunlight that came through the shuffling leaves of the summer trees and sometimes the player believed the universe had spoken to it through the light that fell from the crisp night sky of winter, where a fleck of light in the corner of the player's eye might be a star a million times as massive as the sun, boiling its planets to plasma in order to be visible for a moment to the player, walking home at the far side of the universe, suddenly smelling food, almost at the familiar door, about to dream again and sometimes the player believed the universe had spoken to it through the zeros and ones, through the electricity of the world, through the scrolling words on a screen at the end of a dream and the universe said I love you and the universe said you have played the game well and the universe said everything you need is within you and the universe said you are stronger than you know and the universe said you are the daylight and the universe said you are the night and the universe said the darkness you fight is within you and the universe said the light you seek is within you and the universe said you are not alone and the universe said you are not separate from every other thing and the universe said you are the universe tasting itself, talking to itself, reading its own code and the universe said I love you because you are love. And the game was over and the player woke up from the dream. And the player began a new dream. And the player dreamed again, dreamed better. And the player was the universe. And the player was love. You are the player. Wake up.

KikiLove1111

18,309 Aufrufe • vor 3 Jahren

“breakdown.” OUT NOW!!! 🖤 I wrote this song because it’s been the hardest year for me mentally. I feel myself changing and throughout my life I’ve never felt good enough, it’s just been the main thing that on the one hand has driven me forward but on the other, has eaten me up. For as long as I can remember I have felt constantly afraid of how quickly my head can turn dark. It’s always been so hard to me fight the darkness that I inevitably have. A lot of people will say it’s a phase and it will go away. But it doesn’t and the reality of the situation is I have to find strategies to allow it to exist and to deal with it as a constant. A lot of us can feel like our lives are insignificant. We can feel like we have no purpose, so what is there to live for? The inexplicable darkness inside our heads can consume us. It can make it hard to get out of bed in the morning, force us to cancel plans, or back out of opportunities last minute. This song was written as a message to myself to try and exist alongside my insecurities and my darkness by grounding myself and remembering what is real in life and that the world is so much bigger than me. In the past my art has been about highlighting the pain and letting the world know that it is there, in order to relate to others but now I want to beat it. This song is a gateway to where my new music is heading. Embracing the light, realising what’s beautiful in the world and fighting the darkness - not wallowing in it. It’s about getting out of your head and noticing the world around you, the things and people. Connect with them, the chances are they probably feel the same. Don’t let the bullshit inside your head consume you. It just wastes precious time and life potential. Remember what is real. Help people, be kind, help the world, help yourself. You’re probably living more than you think.

YUNGBLUD

71,652 Aufrufe • vor 2 Jahren

Is this a new migration or a new departure? Or is it just one of thousands in a series of sufferings we are experiencing? Look... it's a valley of bodies marching in the sand... They're not marching toward a dream... they're marching toward a bag of flour... Everything here marches with the weight of famine... Faces are broken, but feet walk... Hearts are empty, but arms are outstretched... This isn't a line for food... this is a line for execution... From a distance, the scene looks like a huge crowd chasing life and disappointment.. The sand slopes are witnesses, and the clouds are witnesses, and everyone who has gone there and looked has witnessed the graves of people whose names are not written on their graves.. O sleeping world.. Do you know what it means for thousands of people to gather for a bag of flour?? Do you know what it means to sell your dignity, bet your body, and struggle with your hunger, not to live, but to postpone your death? This land does not scream.. This land rages with anger and oppression.. Under every foot is a story, and under every bag of flour is a mother's sigh, or a farewell kiss that wasn't fulfilled... or a martyr's bone that hasn't yet been buried... Here, people walk in a mass funeral, no one knowing who has died and who will die in the coming minutes... The scene is too great to describe and more painful than any language can express.. Here we are tempted with food to be killed.. Last night, boxes came in. I was intending to go feed my family and children, but I had a long shift at the hospital.. Maybe I'll get lucky in the next few days.. the prices are crazy... the black market is completely merciless... When you enter the markets, you feel indescribable cruelty in all transactions, as if you were in a battle. There is no mercy, no consideration, and no sense of the crisis or the people. First, you are required to pay in cash only; they do not accept transfers via the bank's app. Second, they require new currency, otherwise they will not accept it. Third, prices are astronomical, far beyond people's means, for no justification other than greed. My friends and loved ones.. I am on the verge of collapse... your support is what keeps me on my feet... All financial plans fail when dealing with the black market. No matter how much we store and save, everything will be exhausted. The war has been going on for two years and all resources have been exhausted.. I've noticed that support has declined recently. I realize that it's a difficult time and I appreciate that, but what we're going through is more difficult than I can describe.. I would be very grateful for your support to get me through this difficult period.. Nothing makes us learn life better than experience...and nothing makes us more silent than disappointment. What kills a person the most is not hunger or war, but the feeling of being invisible, that no one pays attention to his tears and no one hears his voice. #GazaForcedFamine #GazaUnderAttack #GazaNeedsBread #GazaGenocide #GazaStarving

help cats

55,056 Aufrufe • vor 1 Jahr

Socialism. Do you know what socialism REALLY is? It is the mechanism to bring about a despotic nation. It has two ranks. The socialist major, which consists of the controllers, and the socialist minor, which consists of the plebeians who are under the control of the socialist major. What the minor does not understand is that power aggregates at the top. The decision makers inside of the socialist major cabal will always enjoy a luxury that the minor will not, which means that inequality WILL persist, at extreme levels, in a socialist system. Maybe more than in a capitalist one. Another thing that the minor does not understand is that socialism is dependent on capitalism and socialists work for the capitalist major cabal. That's right. The socialist minor works for the benefit of the capitalist major. Because the capitalist major will always be impervious to socialist policies while those same policies crush their competition in the lower and middle class. To reiterate, the socialist minor is a tool to crush the downtrodden; they were supposed to assist. But what's worse than the socialist-minor? The BLACK socialist-minor. Physical slavery became antiquated so the cabal upgraded to a new form of slavery...Socialism. So, the black socialist minor is a tool to support the latest version of slavery. If socialism aggregates power at the top, and the government is mostly white, you cannot support socialism and fight white supremacy simultaneously. Socialist programs turn poor black populations into wards of the state. They become dependent on the milk from Lady Liberty's breast. Their ambition is stripped from them. But more devastating, their coalition is stripped from them. With government assistance taking care of the poor black population, there is less reason for the black population to organize for their benefit since the government feeds their poor. But if the black population fed themselves, they would be a unified unit. This is exactly what the socialist major does NOT want. Socialism is a parasite with two hosts. One is capitalism, and the other is the socialist minor. Without an oppressed class, there would be no argument for socialism, so in order for socialism to survive, there needs to be oppression. Now, ask yourself, "Who is incentivized to sustain oppression?" The socialist major is really a capitalist in sheep's clothing. They understand how socialism knocks over the ladder while people are trying to climb up. The socialist minor is kept ignorant, given just enough information to get the job done, but not enough to see how harmful their work is. All while the socialist major and capitalist major share the same penthouse suites. Now, I must commend the socialist minor for their intentions. Many of them mean well. They are simply misguided by their emotions and not rational. They are big in heart but small in mind.

Hotep Jesus

484,590 Aufrufe • vor 3 Monaten

Every person living in a western nation needs to listen to every word of this Katherine Berbalsingh went to the University of Oxford and is Headmaster at Michaela Community School in London, UK She PERFECTLY explains the mass indoctrination into the narrative of oppressor and oppressed, and of hating White People I will write only some of this out because it’s very important, however you should listen to it so you can hear the passion: “The culture shift comes from what children learn at school and online. Ask any young person what history they learned at school, and they’ll tell you, Hitler. Ask them what else? Slavery. Ask them what else? American civil rights. In fact, what little they know of history will be all about Black and brown people fighting for equality against the white man, women fighting men for the vote, gay and trans people fighting for various rights. Our young people have been taught that history is simply one long story about various groups struggling under the oppressive dead white man. — History is taught through an oppressor lens. The triangular slave trade, white men held the power. What about Britain ending the slave trade? More than a quick mention, if at all? Mm, no. What of the Arab slave trade that lasted 3 times as long as the triangular slave trade? Mm, no. Okay, so GCSE history in Britain is often taught as migration through time, so the idea that Britain has always been a land of immigrants is embedded in our children’s heads. Most schools would prefer to concentrate learning about the tiny number of Black people who existed in Tudor England over a thorough analysis of England’s break from Rome. — Not to mention weeks on King Mansa Musa of Mali because he was a Black Muslim. His bearing on British institutions, laws, and faith is nonexistent. And the fact that he is said to have been the richest man in history, thanks in part to his massive slave-owning society, is a detail somehow that teachers rarely ever teach. But it isn’t just our schools. It’s our general culture too. Take your kids to a museum or an art gallery in any Western country, and you’ll find the same narrative. As an example, when learning about aviation in London’s Science Museum and the extraordinary feat that is man making massive machines move in the sky, a write-up on the wall explains that women and Black people were historically barred from aviation schools and the military. Similarly, James Watt, the man who invented the steam engine and is considered the founder of the Industrial Revolution, has a write-up on the wall explaining that his early career involved slave trafficking, with a bonus analysis of the whole of Britain’s complicity in the slave trade. They flatten the entire human story and all of its complexities into the narrative of oppressor and oppressed, leaving young people unable to see the world in any other terms.” We have to end the mass indoctrination

Wall Street Apes

2,188,764 Aufrufe • vor 17 Tagen

🔥 Metal Rampage Release Is Approaching 🔥 The arena is waking up. Engines are screaming. It’s time to reveal the next Character Machines that will define chaos on wheels. 🤡 Crazy Clown Circus Nightmare Born from the ruins of an abandoned amusement park, Crazy Clown is a twisted evolution of a classic Volkswagen Beetle, once a cheerful circus promo car, now a roaming vehicle of death. Its white and red paint mirrors a clown’s costume at first glance, except the red is no longer paint, it’s the blood of its enemies. Mounted on the roof is its most terrifying feature, a massive clown head hiding a 360 degree fireball gun, firing in all directions while maniacal laughter echoes across the battlefield. Crazy Clown thrives on speed and misdirection. Small frame. Fragile armor. No mercy. It avoids direct collisions but dominates through agility, unpredictability, and psychological warfare. Designed to disrupt enemy rhythm, confuse opponents, and turn the battlefield into a deadly game of cat and mouse. If you hear the laughter, it’s already too late. 🥷 Kage Shadow Ninja Forged in secrecy by the Eastern Assassin Organization, Kage is not a machine, it is an execution order on wheels. Originally built as the escort vehicle for the most powerful mafia boss in the underworld, Kage was never meant to race. It was designed to protect, stalk, and eliminate, blending perfectly into darkness and striking without warning. Modified from a high performance sports car, Kage features a sleek, aggressive silhouette that cuts through the arena like a blade. Its presence is legendary and feared. When enemies spot the pitch black shadow emerging under the lights, they understand one truth: That sight is the final warning. There is no second chance. Kage does not chase. Kage ends destinies. 🔥 Metal Rampage Demo is getting closer! More characters. More madness. More destruction. Choose your weapon. Enter the arena. Survive the Rampage. $NAKA

Nakamoto.Games

14,269 Aufrufe • vor 6 Monaten

The Blood of Dawnwalker | Details ▪️New single player third-person fantasy action RPG ▪️Started development over 2 years ago in Unreal Engine 5, full gameplay reveal coming in Summer 2025 ▪️Led by former Witcher 3 game director Konrad Tomaszkiewicz and ex-Witcher 3 and Cyberpunk quest director Mateusz Tomaszkiewicz ▪️Focused on "narrative sandbox", no two playthroughs will be identical ▪️Takes place in 'Vale Sangora' in 14th century medieval Europe ▪️The setting has been ravaged by plague, famine and social disorder ▪️Inspired by Eastern European architecture and culture, Polish log houses, Ukrainian and Balkan clothing, 'Romanian defensive churches', and more ▪️The world has been watched by vampires in the shadows waiting to strike and make their move when humanity is at its lowest and to overthrow the feudal lords ▪️Day/night cycle plays a big role, wanted the world and villages and buildings to 'feel like a different place' after sunset ▪️You play as Coen, energetic, becomes a 'dawnwalker' (not human, not vampire, something in between), can traverse both worlds of humanity and creatures of the night ▪️You fight with swords and weapons by day, and can use vampire abilities in combat at night, explore the environment, etc ▪️You have 30 in-game days and 30 nights to save your family, wanted a sense of urgency. When you complete an objective/quest, time moves forward. But time doesn't pass in real world time, you can 'manage' how you use time as a resource ▪️You meet many characters throughout the game with their own goals and ambitions, which may make you friends or put you in opposition to them ▪️Blood Hunger: Gameplay mechanic where you need to feed throughout your playthrough ▪️If you talk to someone and have gone long without feeding first, you might lose control and eat them, even 'your best friend' in the game ▪️Vampire design: In this world, the vampire's teeth don't stop growing, so the older vampires have a lot of teeth. Aren't visible at first, can extend as their mouths open ▪️Vampires are led by Brencis -a super powerful old vampire that wants to change the world, twisted old religious beliefs and took advantage of social turmoil to turn himself into a sort of messianic figure ▪️The vampire leadership aren't black and white, but more gray, as they overthrew violent and corrupt feudal lords, but also kill people to eat, conduct blood masses at church, etc ▪️Brencis is a sort of 'active antagonist' that will react to your actions and decisions, will set edicts in the game that will become obstacles to the player like military checkpoints, etc Full Cinematic and Gameplay Teaser ▶️

Shinobi602

725,825 Aufrufe • vor 1 Jahr

Cronos: The New Dawn | Hands-On Previews Full Gameplay Video ▶️ ▪️Takes about 16 hours to beat on a typical playthrough, more if you plan to see everything in the game ▪️Previewers played for over 2 hours, feel Bloober Team has found its stride after Silent Hill 2, "questions about the studio's capabilities are virtually an afterthought" ▪️"I was instantly hit with Resident Evil 2 remake vibes" (character movement, shooting, safe rooms, scavenging parts and upgrades) ▪️Combat feels 'compelling' and put its own original spin on the horror genre, enemy encounters are no longer run-and-gun, but rather a game of deliberate tactics ▪️Because live monsters can 'merge' with other dead ones, there's a constant worry and strategy about where to kill enemies so you can finish them off with your flamethrower ▪️Fights inevitably get more tense as you're not able to always prevent enemies from merging ▪️Normal weapon shots can be weaker, whereas charging your gun can give a powerful shot, though the tension from charging enemies "created combat encounters that demanded I constantly consider my moment-to-moment choices" ▪️Ammo is scarce, every misfired bullet is felt ▪️Upgrading suit and weapons feels satisfying with welcome buffs ▪️Players are 'constantly rewarded' for going off the main path - one side quest line tasks you with saving cats over the course of the game ▪️Safe rooms have 'downbeat vibes', similar to one of Capcom's finest ▪️The environments tell a story about what happened to the world, filled with lore, items and secrets by 'discovering every nook and cranny' ▪️Given you play as a time traveler who explores a fallen world of Poland, it all feels 'suitably other-worldly and oppressive', pockets of time oddities, "constant moody hues", nightmarish visuals built on the foundation of a once-thriving city with European architecture ▪️There are multiple possible endings that aren't black and white 'good' or 'bad' IGN ➡️ Gamespot ➡️ Destructoid ➡️ #CronosTheNewDawn

Shinobi602

62,217 Aufrufe • vor 1 Jahr