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Beyoncé’s 2013 Super Bowl performance has been named the #1 best female halftime show by: Billboard Rolling Stone Forbes NME BBC NBC Entertainment Weekly Esquire Australia The Athletic (NY Times) Collider

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10,427 görüntüleme • 6 ay önce •via X (Twitter)

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13 years ago today, Beyoncé headlined the Super Bowl halftime show. It was named the best female Super Bowl halftime show of all time by Rolling Stone.
1:23

13 years ago today, Beyoncé headlined the Super Bowl halftime show. It was named the best female Super Bowl halftime show of all time by Rolling Stone.

Pop Fusion HQ

36,838 görüntüleme • 6 ay önce

zara talks to rolling stone about being inspired and empowered at 15 by watching beyoncé’s all-female band, the suga mamas, for the first time at the mrs. carter show world tour in stockholm in 2013.
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zara talks to rolling stone about being inspired and empowered at 15 by watching beyoncé’s all-female band, the suga mamas, for the first time at the mrs. carter show world tour in stockholm in 2013.

🐝

46,302 görüntüleme • 3 ay önce

Missy Elliott’s “Get Ur Freak On” has been named the #1 Greatest Song of the 21st century by Rolling Stone.
3:59

Missy Elliott’s “Get Ur Freak On” has been named the #1 Greatest Song of the 21st century by Rolling Stone.

The Female Rap Room

714,245 görüntüleme • 10 ay önce

Bozoma Saint John talks about her role in helping Beyoncé get her first Pepsi ad after first noticing her in Carmen: The Hip Hopera. She also talks about the behind the scenes battle to land Beyoncé the 2013 Super Bowl halftime show — where she became the first Black woman to headline the performance since Janet Jackson’s 2004 show 🎥: billboard 🔗:
6:45

Bozoma Saint John talks about her role in helping Beyoncé get her first Pepsi ad after first noticing her in Carmen: The Hip Hopera. She also talks about the behind the scenes battle to land Beyoncé the 2013 Super Bowl halftime show — where she became the first Black woman to headline the performance since Janet Jackson’s 2004 show 🎥: billboard 🔗:

Block Topickz

24,865 görüntüleme • 6 ay önce

Drake's DJs paid tribute to him during his pre-show in Melbourne, Australia, by playing Whitney Houston's 'I Will Always Love You' to show support amid the controversy before Kendrick Lamar took the stage for his halftime performance at Super Bowl LIX. (🎥 sussan_mourad/TikTok)
1:20

Drake's DJs paid tribute to him during his pre-show in Melbourne, Australia, by playing Whitney Houston's 'I Will Always Love You' to show support amid the controversy before Kendrick Lamar took the stage for his halftime performance at Super Bowl LIX. (🎥 sussan_mourad/TikTok)

The Art Of Dialogue

609,271 görüntüleme • 1 yıl önce

Jay-Z speaks on people hating on his choice to have Bad Bunny perform at the 2026 Super Bowl halftime show. On Monday (Oct. 27), TMZ caught up with Hov in New York City and asked him about the Puerto Rican singer-rapper who was recently announced as the halftime headliner for Super Bowl LX. "I don't want to talk about nothing," Jigga initially responded. When asked why people are mad at the precedent-setting pick, Jay replied: "They love him. Don't let them fool you." Bad Bunny was revealed as the Super Bowl halftime show performer last month. Jay-Z, whose Roc Nation company has served as the NFL's Live Music Entertainment Strategist since 2019, commented on the decision to pick the three-time Grammy winner. “What Benito has done and continues to do for Puerto Rico is truly inspiring, Jay-Z said in a press release about the announcement. "We are honored to have him on the world’s biggest stage." Bad Bunny is set to be the first solo Latino male artist to headline the Super Bowl halftime show. He will have a hard act to follow after Kendrick Lamar's record-breaking performance back in February.
0:54

Jay-Z speaks on people hating on his choice to have Bad Bunny perform at the 2026 Super Bowl halftime show. On Monday (Oct. 27), TMZ caught up with Hov in New York City and asked him about the Puerto Rican singer-rapper who was recently announced as the halftime headliner for Super Bowl LX. "I don't want to talk about nothing," Jigga initially responded. When asked why people are mad at the precedent-setting pick, Jay replied: "They love him. Don't let them fool you." Bad Bunny was revealed as the Super Bowl halftime show performer last month. Jay-Z, whose Roc Nation company has served as the NFL's Live Music Entertainment Strategist since 2019, commented on the decision to pick the three-time Grammy winner. “What Benito has done and continues to do for Puerto Rico is truly inspiring, Jay-Z said in a press release about the announcement. "We are honored to have him on the world’s biggest stage." Bad Bunny is set to be the first solo Latino male artist to headline the Super Bowl halftime show. He will have a hard act to follow after Kendrick Lamar's record-breaking performance back in February.

XXL Magazine

10,737 görüntüleme • 9 ay önce

Comedian Zach Rushing on the choice of Bad Bunny as the performing artist for the 2026 Super Bowl Halftime show and what he plans to do about it and some advice. Just remember, the halftime performers for the Super Bowl are primarily chosen by Jay-Z, who has been making the selections since his company, Roc Nation, partnered with the NFL in 2019. The process supposedly involves considering various factors, including the artist's popularity and cultural relevance. So, things will probably be the same as long as the NFL is partnered with him. I agree with you 100% Zach. No tantrums, no protests, no craziness. Be an adult. I'll change the channel and watch the Puppy Bowl.
3:08

Comedian Zach Rushing on the choice of Bad Bunny as the performing artist for the 2026 Super Bowl Halftime show and what he plans to do about it and some advice. Just remember, the halftime performers for the Super Bowl are primarily chosen by Jay-Z, who has been making the selections since his company, Roc Nation, partnered with the NFL in 2019. The process supposedly involves considering various factors, including the artist's popularity and cultural relevance. So, things will probably be the same as long as the NFL is partnered with him. I agree with you 100% Zach. No tantrums, no protests, no craziness. Be an adult. I'll change the channel and watch the Puppy Bowl.

👉M-Û-R-Č-H👈

52,350 görüntüleme • 10 ay önce

Rolling Stone ranked Beyoncé’s LEMONADE at #1 on their list of the 250 Best Albums of the 21st Century “Lemonade has always been is more than just an album. It’s a music film as layered, gorgeous, and haunting as a canonical drama, a matrix of generational heartbreak, a celebration of legacy, and a hand-drawn map to the intersections of many Black women’s interpersonal and political lives.”
0:30

Rolling Stone ranked Beyoncé’s LEMONADE at #1 on their list of the 250 Best Albums of the 21st Century “Lemonade has always been is more than just an album. It’s a music film as layered, gorgeous, and haunting as a canonical drama, a matrix of generational heartbreak, a celebration of legacy, and a hand-drawn map to the intersections of many Black women’s interpersonal and political lives.”

act iii Updates

43,956 görüntüleme • 10 ay önce

Tez Johnson has reportedly been “unguardable” and the best WR at the Senior Bowl so far. Johnson has reportedly been cooking DB’s in 1-on-1’s and has been getting open consistently during team periods. Many NFL scouts reportedly believed Johnson’s game to be a “mix” of Ladd McConkey and Tank Dell before the Senior Bowl. Johnson had his way against Azareye’h Thomas (FSU CB) multiple times, who is a potential first round CB in this year’s draft. The Oregon WR’s stock is being BOOSTED by the second in Mobile 😳
0:39

Tez Johnson has reportedly been “unguardable” and the best WR at the Senior Bowl so far. Johnson has reportedly been cooking DB’s in 1-on-1’s and has been getting open consistently during team periods. Many NFL scouts reportedly believed Johnson’s game to be a “mix” of Ladd McConkey and Tank Dell before the Senior Bowl. Johnson had his way against Azareye’h Thomas (FSU CB) multiple times, who is a potential first round CB in this year’s draft. The Oregon WR’s stock is being BOOSTED by the second in Mobile 😳

Rookie Watch

2,428,292 görüntüleme • 1 yıl önce

🔥Jack Posobiec & The Charlie Kirk Panel discuss BAD BUNNY being the Super Bowl Halftime show. " WHY ISN'T IT THAT ROCK HASN'T HAD A SINGLE ACT IN ON THE SUPER BOWL IN 16 YEARS? & BRING BACK CREED!” - Jack Posobiec Jack Posobiec notes that it is because he has a DEAL WITH ROC NATION which is owned by Jay Z & ROC NATION has an EXCLUSIVE CONTRACT for the halftime show. Jay Z is also Barack Obama's BEST FRIEND. Jack Poso 🇺🇸 makes a great point that this is REVERSE CULTURAL COLONIZATION and now America has a market for this and they are attempting to MERGE IT WITH THE NFL which is an AMERICAN INSTITUTION. Jack reminds everyone that the Obama's ALSO happen to have a deal with Netflix. Guess who was in "Happy Gilmore 2"? Bad Bunny. Nothing is a coincidence. Also just a reminder Jack says he was RIGHT ABOUT TAYLOR SWIFT and its time to " BRING ON CREED & SCOTT STAPH FOR THE GREATEST SUPER BOWL HALFTIME SHOW EVER." LOL
7:27

🔥Jack Posobiec & The Charlie Kirk Panel discuss BAD BUNNY being the Super Bowl Halftime show. " WHY ISN'T IT THAT ROCK HASN'T HAD A SINGLE ACT IN ON THE SUPER BOWL IN 16 YEARS? & BRING BACK CREED!” - Jack Posobiec Jack Posobiec notes that it is because he has a DEAL WITH ROC NATION which is owned by Jay Z & ROC NATION has an EXCLUSIVE CONTRACT for the halftime show. Jay Z is also Barack Obama's BEST FRIEND. Jack Poso 🇺🇸 makes a great point that this is REVERSE CULTURAL COLONIZATION and now America has a market for this and they are attempting to MERGE IT WITH THE NFL which is an AMERICAN INSTITUTION. Jack reminds everyone that the Obama's ALSO happen to have a deal with Netflix. Guess who was in "Happy Gilmore 2"? Bad Bunny. Nothing is a coincidence. Also just a reminder Jack says he was RIGHT ABOUT TAYLOR SWIFT and its time to " BRING ON CREED & SCOTT STAPH FOR THE GREATEST SUPER BOWL HALFTIME SHOW EVER." LOL

Johnny St.Pete

27,572 görüntüleme • 10 ay önce

‘Real Housewives of New York’ star Jill Zarin fired from E! reality show, after she criticized Bad Bunny’s Super Bowl show. “He doesn’t have to be grabbing himself every 5 seconds is he so insecure? I don’t speak Spanish…there were literally no white people in the entire thing.” Zarin has been dropped from the “Golden Life” show on E! Network following her comments. “In light of recent public comments made by Jill Zarin, Blink49 Studios has decided not to move forward with her involvement in The Golden Life.” The production company added: “We remain committed to delivering the series in line with our company standards and values.” Source: Billboard
0:59

‘Real Housewives of New York’ star Jill Zarin fired from E! reality show, after she criticized Bad Bunny’s Super Bowl show. “He doesn’t have to be grabbing himself every 5 seconds is he so insecure? I don’t speak Spanish…there were literally no white people in the entire thing.” Zarin has been dropped from the “Golden Life” show on E! Network following her comments. “In light of recent public comments made by Jill Zarin, Blink49 Studios has decided not to move forward with her involvement in The Golden Life.” The production company added: “We remain committed to delivering the series in line with our company standards and values.” Source: Billboard

Oli London

56,617 görüntüleme • 6 ay önce

“Gloria” is an English-language adaptation of Umberto Tozzi’s 1979 Italian hit. After hearing the song, Laura Branigan recorded her version for her debut album Branigan (1982). The track became her breakthrough hit, reaching #2 on the Billboard Hot 100, spending 36 weeks on the chart (a record at the time for a solo female artist) and topping the charts in Canada and Australia. The song was famously kept from the #1 spot in the US by Survivor's "Eye of the Tiger" and Chicago's "Hard to Say I'm Sorry." Rather than translating Tozzi's lyrics, the English version transformed the original into a dramatic, high-energy synth-pop anthem, earning Laura Branigan a Grammy nomination for Best Female Pop Vocal Performance. Decades later, the song enjoyed a major resurgence after its memorable use in Martin Scorsese's The Wolf of Wall Street (2013).
3:23

“Gloria” is an English-language adaptation of Umberto Tozzi’s 1979 Italian hit. After hearing the song, Laura Branigan recorded her version for her debut album Branigan (1982). The track became her breakthrough hit, reaching #2 on the Billboard Hot 100, spending 36 weeks on the chart (a record at the time for a solo female artist) and topping the charts in Canada and Australia. The song was famously kept from the #1 spot in the US by Survivor's "Eye of the Tiger" and Chicago's "Hard to Say I'm Sorry." Rather than translating Tozzi's lyrics, the English version transformed the original into a dramatic, high-energy synth-pop anthem, earning Laura Branigan a Grammy nomination for Best Female Pop Vocal Performance. Decades later, the song enjoyed a major resurgence after its memorable use in Martin Scorsese's The Wolf of Wall Street (2013).

Ladytron Fan Account

136,300 görüntüleme • 16 gün önce

Matt Walsh reveals that White Performers have been removed from the Super Bowl halftime show on purpose “7 years and counting since the NFL allowed a white person to headline the Super Bowl halftime show. And when you're talking about a sport where the fan base is roughly 70% white, there's only one way to understand that decision. It is a deliberate effort by the NFL and Jay-Z, whose company Roc Nation has run the halftime show since 2019, to exclude white people from participating in the single most watched musical performance of the year. Now, in previous decades, you'd have Prince perform one year and then Tom Petty the next. You'd have Aerosmith and The Who, and then you'd have the Black Eyed Peas. But starting precisely the same year that Jay-Z took over the halftime show in 2019, whites have been banned from headlining, and they've been replaced in many cases by non-white rappers who can barely speak English. Of course, they sexualize the whole thing, and in general, they reduce what used to be a significant American cultural event to a trashy, unwatchable display. And in fact, since 2019, over 7 years, there's only been one white headliner in that time, and that was Eminem, who performed alongside Dr. Dre and Snoop Dogg and Kendrick Lamar and a bunch of other Black artists. Aside from that, there have been zero white headliners at the Super Bowl since 2019.” He’s right, here’s a list of performances: - 2025: Kendrick Lamar (solo, Black) - 2024: Usher (solo, Black) - 2023: Rihanna (solo, Black) - 2022: Dr. Dre, Snoop Dogg, Eminem, Mary J. Blige, Kendrick Lamar (group, mostly Black; Eminem white but not solo) - 2021: The Weeknd (solo, Black) - 2020: Jennifer Lopez & Shakira (Latin artists; Shakira has white ancestry but presented as Latina) - 2019: Maroon 5 (led by Adam Levine, white) + Travis Scott + Big Boi So he’s off by one year, but still very telling…. Pre-2019 examples: - 2018: Justin Timberlake (white, solo) - 2017: Lady Gaga (white, solo) - 2016: Coldplay + Beyoncé + Bruno Mars - Earlier years had a mix: Prince, Tom Petty, Aerosmith, The Who, Bruce Springsteen, Paul McCartney, etc.
2:08

Matt Walsh reveals that White Performers have been removed from the Super Bowl halftime show on purpose “7 years and counting since the NFL allowed a white person to headline the Super Bowl halftime show. And when you're talking about a sport where the fan base is roughly 70% white, there's only one way to understand that decision. It is a deliberate effort by the NFL and Jay-Z, whose company Roc Nation has run the halftime show since 2019, to exclude white people from participating in the single most watched musical performance of the year. Now, in previous decades, you'd have Prince perform one year and then Tom Petty the next. You'd have Aerosmith and The Who, and then you'd have the Black Eyed Peas. But starting precisely the same year that Jay-Z took over the halftime show in 2019, whites have been banned from headlining, and they've been replaced in many cases by non-white rappers who can barely speak English. Of course, they sexualize the whole thing, and in general, they reduce what used to be a significant American cultural event to a trashy, unwatchable display. And in fact, since 2019, over 7 years, there's only been one white headliner in that time, and that was Eminem, who performed alongside Dr. Dre and Snoop Dogg and Kendrick Lamar and a bunch of other Black artists. Aside from that, there have been zero white headliners at the Super Bowl since 2019.” He’s right, here’s a list of performances: - 2025: Kendrick Lamar (solo, Black) - 2024: Usher (solo, Black) - 2023: Rihanna (solo, Black) - 2022: Dr. Dre, Snoop Dogg, Eminem, Mary J. Blige, Kendrick Lamar (group, mostly Black; Eminem white but not solo) - 2021: The Weeknd (solo, Black) - 2020: Jennifer Lopez & Shakira (Latin artists; Shakira has white ancestry but presented as Latina) - 2019: Maroon 5 (led by Adam Levine, white) + Travis Scott + Big Boi So he’s off by one year, but still very telling…. Pre-2019 examples: - 2018: Justin Timberlake (white, solo) - 2017: Lady Gaga (white, solo) - 2016: Coldplay + Beyoncé + Bruno Mars - Earlier years had a mix: Prince, Tom Petty, Aerosmith, The Who, Bruce Springsteen, Paul McCartney, etc.

Wall Street Apes

224,177 görüntüleme • 27 gün önce

When we first recorded "I'm Too Sexy" every record label rejected it. We couldn't get it signed, one label said it would never sell because the song starts with a vocal, and many of the execs never bothered to listen it. Then, it landed on Simon Bate's desk on his Radio 1 Breakfast Show and also the Gary Crowley show on the BBC, it just went mental, the song was being picked up everywhere. It was an instant hit becoming #1 across the world including the US (Billboard Hot 100) making it the first debut single since The Beatles to achieve that chart position. "I’m Too Sexy" has reached the #1 spot in the US on the Billboard 100 four times now due to the re-works by Taylor Swift, Drake and Beyoncé. Happy birthday to "I'm Too Sexy" and a massive thank you to the fans and everyone who has supported us along the way.
1:25

When we first recorded "I'm Too Sexy" every record label rejected it. We couldn't get it signed, one label said it would never sell because the song starts with a vocal, and many of the execs never bothered to listen it. Then, it landed on Simon Bate's desk on his Radio 1 Breakfast Show and also the Gary Crowley show on the BBC, it just went mental, the song was being picked up everywhere. It was an instant hit becoming #1 across the world including the US (Billboard Hot 100) making it the first debut single since The Beatles to achieve that chart position. "I’m Too Sexy" has reached the #1 spot in the US on the Billboard 100 four times now due to the re-works by Taylor Swift, Drake and Beyoncé. Happy birthday to "I'm Too Sexy" and a massive thank you to the fans and everyone who has supported us along the way.

Right Said Fred

375,912 görüntüleme • 29 gün önce

“I Will Always Love You” is Whitney Houston’s 1992 recording for the soundtrack of The Bodyguard. Originally written and recorded by Dolly Parton in 1973 as a heartfelt farewell to her mentor Porter Wagoner, Houston transformed the gentle country ballad into one of the biggest hits in music history. The sweeping power ballad spent a then-record 14 consecutive weeks at #1 on the Billboard Hot 100, topped the charts in more than 20 countries and won the Grammy Awards for Record of the Year and Best Female Pop Vocal Performance. Its breathtaking vocal performance helped make The Bodyguard the best-selling soundtrack album of all time, while the single became one of the best-selling singles by a female artist in history. Whitney originally intended to record Jimmy Ruffin’s "What Becomes of the Brokenhearted" for the film's climax, but switched to Parton's song after co-star Kevin Costner suggested it, having been inspired by Linda Ronstadt's 1975 cover. Dolly Parton later recalled that when she first heard Whitney's version on the car radio, she was so overwhelmed by the vocal performance that she had to pull over. Decades later it remains Whitney Houston's signature song and one of the most celebrated vocal performances ever recorded.
2:55

“I Will Always Love You” is Whitney Houston’s 1992 recording for the soundtrack of The Bodyguard. Originally written and recorded by Dolly Parton in 1973 as a heartfelt farewell to her mentor Porter Wagoner, Houston transformed the gentle country ballad into one of the biggest hits in music history. The sweeping power ballad spent a then-record 14 consecutive weeks at #1 on the Billboard Hot 100, topped the charts in more than 20 countries and won the Grammy Awards for Record of the Year and Best Female Pop Vocal Performance. Its breathtaking vocal performance helped make The Bodyguard the best-selling soundtrack album of all time, while the single became one of the best-selling singles by a female artist in history. Whitney originally intended to record Jimmy Ruffin’s "What Becomes of the Brokenhearted" for the film's climax, but switched to Parton's song after co-star Kevin Costner suggested it, having been inspired by Linda Ronstadt's 1975 cover. Dolly Parton later recalled that when she first heard Whitney's version on the car radio, she was so overwhelmed by the vocal performance that she had to pull over. Decades later it remains Whitney Houston's signature song and one of the most celebrated vocal performances ever recorded.

Ladytron Fan Account

22,627 görüntüleme • 14 gün önce

“What’s Love Got to Do With It” is from Tina Turner’s 1984 album Private Dancer. The song became her biggest solo hit, spending three weeks at #1 on the Billboard Hot 100. It finished as the #2 song on Billboard's 1984 Year-End Hot 100, behind Prince's "When Doves Cry," while also topping the charts in Australia and Canada. At 44 years old Turner became the oldest female solo artist at the time to reach #1 on the Billboard Hot 100. The song was originally offered to several artists including Cliff Richard, Donna Summer, and Bucks Fizz, before Tina Turner agreed to record it, initially believing it didn't suit her musical style. Co-writer Terry Britten had originally envisioned the song being sung by a man, but Tina's emotionally detached yet powerful interpretation completely transformed its character. The track went on to win the Grammy Awards for Record of the Year, Song of the Year, and Best Female Pop Vocal Performance, completing one of the greatest career comebacks in popular music and becoming her signature solo recording.
3:01

“What’s Love Got to Do With It” is from Tina Turner’s 1984 album Private Dancer. The song became her biggest solo hit, spending three weeks at #1 on the Billboard Hot 100. It finished as the #2 song on Billboard's 1984 Year-End Hot 100, behind Prince's "When Doves Cry," while also topping the charts in Australia and Canada. At 44 years old Turner became the oldest female solo artist at the time to reach #1 on the Billboard Hot 100. The song was originally offered to several artists including Cliff Richard, Donna Summer, and Bucks Fizz, before Tina Turner agreed to record it, initially believing it didn't suit her musical style. Co-writer Terry Britten had originally envisioned the song being sung by a man, but Tina's emotionally detached yet powerful interpretation completely transformed its character. The track went on to win the Grammy Awards for Record of the Year, Song of the Year, and Best Female Pop Vocal Performance, completing one of the greatest career comebacks in popular music and becoming her signature solo recording.

Ladytron Fan Account

69,070 görüntüleme • 12 gün önce

“Get Lucky” is from Daft Punk’s 2013 album Random Access Memories. Featuring Pharrell Williams on vocals and Nile Rodgers on guitar, the disco-funk track became a massive global hit, peaking at #2 on the Billboard Hot 100, where it was blocked from the top spot by Robin Thicke's "Blurred Lines," which also featured Pharrell Williams. It reached #1 in the UK, France, Australia, and more than 30 other countries, and won Record of the Year and Best Pop Duo/Group Performance at the 2014 Grammy Awards. The song's infectious groove and feel-good energy helped revive interest in live instrumentation and classic disco sounds in modern pop and electronic music. Its release was preceded by a 15-second teaser during Saturday Night Live, which ignited worldwide anticipation. "Get Lucky" also spent a record 46 consecutive weeks at #1 on Billboard's Dance/Electronic Songs chart, while Daft Punk's celebrated performance with Stevie Wonder at the 2014 Grammy Awards has since become one of the defining moments of the duo's career before their split in 2021.
3:35

“Get Lucky” is from Daft Punk’s 2013 album Random Access Memories. Featuring Pharrell Williams on vocals and Nile Rodgers on guitar, the disco-funk track became a massive global hit, peaking at #2 on the Billboard Hot 100, where it was blocked from the top spot by Robin Thicke's "Blurred Lines," which also featured Pharrell Williams. It reached #1 in the UK, France, Australia, and more than 30 other countries, and won Record of the Year and Best Pop Duo/Group Performance at the 2014 Grammy Awards. The song's infectious groove and feel-good energy helped revive interest in live instrumentation and classic disco sounds in modern pop and electronic music. Its release was preceded by a 15-second teaser during Saturday Night Live, which ignited worldwide anticipation. "Get Lucky" also spent a record 46 consecutive weeks at #1 on Billboard's Dance/Electronic Songs chart, while Daft Punk's celebrated performance with Stevie Wonder at the 2014 Grammy Awards has since become one of the defining moments of the duo's career before their split in 2021.

Ladytron Fan Account

55,318 görüntüleme • 20 gün önce

Exactly 25 years ago today, Britney Spears dropped her iconic sophomore album 'Oops!...I Did It Again' that debuted at #1 on the Billboard 200 with 1’319’000 sold. It was the first album by a female artist to sold over 1 million copies in a week and still holds the record for the youngest artist who achieve this milestone. She’s also the only teen artist who obtained 2 Diamond certified albums. To date the album has sold over 25 million copies worldwide and 23 million singles making it one of the best-selling female ERA of all times! This album is one of her masterpieces fr! After all these years I’m here listening and it’s was literally POP PERFECTION! From production, writing and vocals 🥰 Happy #Oops25 anniversary 💜
1:21

Exactly 25 years ago today, Britney Spears dropped her iconic sophomore album 'Oops!...I Did It Again' that debuted at #1 on the Billboard 200 with 1’319’000 sold. It was the first album by a female artist to sold over 1 million copies in a week and still holds the record for the youngest artist who achieve this milestone. She’s also the only teen artist who obtained 2 Diamond certified albums. To date the album has sold over 25 million copies worldwide and 23 million singles making it one of the best-selling female ERA of all times! This album is one of her masterpieces fr! After all these years I’m here listening and it’s was literally POP PERFECTION! From production, writing and vocals 🥰 Happy #Oops25 anniversary 💜

santaspears

17,895 görüntüleme • 1 yıl önce

7 years ago today, Lee Sora and #SUGA released “Song Request”, a heartfelt blend of Lee Sora's soothing vocals and SUGA's melodic rap 💖🎶 🏆 Won 'Best Collaboration' at 2019 MAMA ⭐️Achieved 43 Realtime All-Kills ⭐️Debuted at #2 on Billboard World Digital Song Sales Chart ⭐️Ranked #1 on 7 Korean Charts ⭐️Spent 107 Hours at #1 on Melon ⭐️Has 4.6M ULs and 129M+ streams on Melon ⭐️Ranked #1 on Melon Weekly Popularity Award 5 times ⭐️Peaked at #4 on Melon Monthly Chart ⭐️It was the first song by a Korean Female Soloist (Lee Sora) to make it to the Top 5 on US iTunes. ⭐️Was nominated for ‘Song Of The Year’ at Melon Music Awards and Gaon Music Awards. SUGA OUR FAMILIA #7yearsofSongRequest #SUGA #AgustD #BTSSUGA #슈가
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7 years ago today, Lee Sora and #SUGA released “Song Request”, a heartfelt blend of Lee Sora's soothing vocals and SUGA's melodic rap 💖🎶 🏆 Won 'Best Collaboration' at 2019 MAMA ⭐️Achieved 43 Realtime All-Kills ⭐️Debuted at #2 on Billboard World Digital Song Sales Chart ⭐️Ranked #1 on 7 Korean Charts ⭐️Spent 107 Hours at #1 on Melon ⭐️Has 4.6M ULs and 129M+ streams on Melon ⭐️Ranked #1 on Melon Weekly Popularity Award 5 times ⭐️Peaked at #4 on Melon Monthly Chart ⭐️It was the first song by a Korean Female Soloist (Lee Sora) to make it to the Top 5 on US iTunes. ⭐️Was nominated for ‘Song Of The Year’ at Melon Music Awards and Gaon Music Awards. SUGA OUR FAMILIA #7yearsofSongRequest #SUGA #AgustD #BTSSUGA #슈가

AGUST D CHARTS

13,532 görüntüleme • 6 ay önce

VIDEO COMPILATION OF EVERY #NFL SUPER BOWL HALFTIME SHOW FROM THE LAST 35 YEARS. • 2026: Bad Bunny • 2025: Kendrick Lamar • 2024: Usher • 2023: Rihanna • 2022: Dr. Dre, Snoop Dogg, Eminem, Mary J. Blige, Kendrick Lamar • 2021: The Weeknd • 2020: Shakira & Jennifer Lopez • 2019: Maroon 5 • 2018: Justin Timberlake • 2017: Lady Gaga • 2016: Coldplay • 2015: Katy Perry • 2014: Bruno Mars • 2013: Beyoncé • 2012: Madonna • 2011: The Black Eyed Peas • 2010: The Who • 2009: Bruce Springsteen • 2008: Tom Petty & the Heartbreakers • 2007: Prince • 2006: The Rolling Stones • 2005: Paul McCartney • 2004: Janet Jackson • 2003: Shania Twain, No Doubt, Sting • 2002: U2 • 2001: Aerosmith & NSYNC • 2000: Backstreet Boys, *NSYNC, Britney Spears • 1999: Stevie Wonder, Gloria Estefan • 1998: The Temptations, Boyz II Men • 1997: Blues Brothers, James Brown, ZZ Top • 1996: Diana Ross • 1995: Tony Bennett, Patti LaBelle • 1994: The Judds, Clint Black • 1993: Michael Jackson • 1992: Gloria Estefan WHAT IS THE BEST ONE EVER…?
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VIDEO COMPILATION OF EVERY #NFL SUPER BOWL HALFTIME SHOW FROM THE LAST 35 YEARS. • 2026: Bad Bunny • 2025: Kendrick Lamar • 2024: Usher • 2023: Rihanna • 2022: Dr. Dre, Snoop Dogg, Eminem, Mary J. Blige, Kendrick Lamar • 2021: The Weeknd • 2020: Shakira & Jennifer Lopez • 2019: Maroon 5 • 2018: Justin Timberlake • 2017: Lady Gaga • 2016: Coldplay • 2015: Katy Perry • 2014: Bruno Mars • 2013: Beyoncé • 2012: Madonna • 2011: The Black Eyed Peas • 2010: The Who • 2009: Bruce Springsteen • 2008: Tom Petty & the Heartbreakers • 2007: Prince • 2006: The Rolling Stones • 2005: Paul McCartney • 2004: Janet Jackson • 2003: Shania Twain, No Doubt, Sting • 2002: U2 • 2001: Aerosmith & NSYNC • 2000: Backstreet Boys, *NSYNC, Britney Spears • 1999: Stevie Wonder, Gloria Estefan • 1998: The Temptations, Boyz II Men • 1997: Blues Brothers, James Brown, ZZ Top • 1996: Diana Ross • 1995: Tony Bennett, Patti LaBelle • 1994: The Judds, Clint Black • 1993: Michael Jackson • 1992: Gloria Estefan WHAT IS THE BEST ONE EVER…?

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