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BFS and DFS are two major graph traversal #algorithms used to systematically explore nodes or paths in structures such as mazes 😎👇 Find high-res pdf ebooks with all my #technology related infographics from #techjobs #computerscience

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Learn Linux with Dan

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182,261 次观看 • 7 个月前 •via X (Twitter)

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Access latency across the memory hierarchy 😎👇 Find high-res pdf books with all my technology related infographics from #tech #technology #computer #computerscience #hardware
0:15

Access latency across the memory hierarchy 😎👇 Find high-res pdf books with all my technology related infographics from #tech #technology #computer #computerscience #hardware

Learn Linux with Dan

288,342 次观看 • 8 个月前

Russia and Putin know about the Geophysical Event. In fact, the wars they are waging are explained in the leaked classified Pentagon report from 2023. What makes me wonder is whether they are all playing their part as one elite, or whether there are two factions, such as the Anglo-Saxon bloc versus China and Iran. Or are they all on the same team, with the wars being used to keep the masses in check?
0:10

Russia and Putin know about the Geophysical Event. In fact, the wars they are waging are explained in the leaked classified Pentagon report from 2023. What makes me wonder is whether they are all playing their part as one elite, or whether there are two factions, such as the Anglo-Saxon bloc versus China and Iran. Or are they all on the same team, with the wars being used to keep the masses in check?

Open Minded Approach

189,654 次观看 • 1 个月前

Cal Randall was the most fun pitcher I watched all year, consistently attacking lineups with nothing but a 96-99 mph heater from about the most optimal mechanics, and thus release characteristics, as anyone on the planet. A great pick by the Cardinals (round 5, pick 146). Despite struggling with command (14.7% BB), particularly with his infrequently used slider and changeup, Randall's worst-case outcome is a mid-leverage reliever. The fastball would immediately become top-10 in MLB (96.7 mph, 18/10, 5.2 ft release, 7+ ft extension), and any semblance of a slider above ~25% usage should keep hitters guessing enough to get Major League outs. A damn high floor for a fifth-round pick. The relief risk is as high as it gets, but with the improvements in pitching development in St. Louis, I wouldn't count anything out. Without much history at all in pitch design or biomechanical work, Randall may be able to unlock a more consistent feel for strikes or a better breaking ball. From his profile, I'd start by trying to find a true gyro. Current slider is 87 mph (7/-2). Changeup exactly mirrors fastball at 89 mph. Why not shoot for such upside in the fifth round?
0:12

Cal Randall was the most fun pitcher I watched all year, consistently attacking lineups with nothing but a 96-99 mph heater from about the most optimal mechanics, and thus release characteristics, as anyone on the planet. A great pick by the Cardinals (round 5, pick 146). Despite struggling with command (14.7% BB), particularly with his infrequently used slider and changeup, Randall's worst-case outcome is a mid-leverage reliever. The fastball would immediately become top-10 in MLB (96.7 mph, 18/10, 5.2 ft release, 7+ ft extension), and any semblance of a slider above ~25% usage should keep hitters guessing enough to get Major League outs. A damn high floor for a fifth-round pick. The relief risk is as high as it gets, but with the improvements in pitching development in St. Louis, I wouldn't count anything out. Without much history at all in pitch design or biomechanical work, Randall may be able to unlock a more consistent feel for strikes or a better breaking ball. From his profile, I'd start by trying to find a true gyro. Current slider is 87 mph (7/-2). Changeup exactly mirrors fastball at 89 mph. Why not shoot for such upside in the fifth round?

Matthew Knauer

32,334 次观看 • 2 个月前

The Hidden Language of Diffusion Models paper page: tackle the challenge of understanding concept representations in text-to-image models by decomposing an input text prompt into a small set of interpretable elements. This is achieved by learning a pseudo-token that is a sparse weighted combination of tokens from the model's vocabulary, with the objective of reconstructing the images generated for the given concept. Applied over the state-of-the-art Stable Diffusion model, this decomposition reveals non-trivial and surprising structures in the representations of concepts. For example, we find that some concepts such as "a president" or "a composer" are dominated by specific instances (e.g., "Obama", "Biden") and their interpolations. Other concepts, such as "happiness" combine associated terms that can be concrete ("family", "laughter") or abstract ("friendship", "emotion"). In addition to peering into the inner workings of Stable Diffusion, our method also enables applications such as single-image decomposition to tokens, bias detection and mitigation, and semantic image manipulation
0:19

The Hidden Language of Diffusion Models paper page: tackle the challenge of understanding concept representations in text-to-image models by decomposing an input text prompt into a small set of interpretable elements. This is achieved by learning a pseudo-token that is a sparse weighted combination of tokens from the model's vocabulary, with the objective of reconstructing the images generated for the given concept. Applied over the state-of-the-art Stable Diffusion model, this decomposition reveals non-trivial and surprising structures in the representations of concepts. For example, we find that some concepts such as "a president" or "a composer" are dominated by specific instances (e.g., "Obama", "Biden") and their interpolations. Other concepts, such as "happiness" combine associated terms that can be concrete ("family", "laughter") or abstract ("friendship", "emotion"). In addition to peering into the inner workings of Stable Diffusion, our method also enables applications such as single-image decomposition to tokens, bias detection and mitigation, and semantic image manipulation

AK

41,830 次观看 • 3 年前

Radio Scotland Breakfast today reported claims of a "crisis" in Scottish high courts. Who made this claim? The presenters didn't say. We checked. As far as we can tell nobody has used the word 'crisis'. It appears to have come from the two presenters themselves. We checked the BBC Scotland article and listened to the BBC Scotland interview with the Chief Executive of the Scottish Courts and Tribunal Service. We checked the STV online article. No sign of anyone warning about a 'crisis' or using the word at all.
0:13

Radio Scotland Breakfast today reported claims of a "crisis" in Scottish high courts. Who made this claim? The presenters didn't say. We checked. As far as we can tell nobody has used the word 'crisis'. It appears to have come from the two presenters themselves. We checked the BBC Scotland article and listened to the BBC Scotland interview with the Chief Executive of the Scottish Courts and Tribunal Service. We checked the STV online article. No sign of anyone warning about a 'crisis' or using the word at all.

MSM Monitor

12,644 次观看 • 1 个月前

‼️‼️🇨🇦🇺🇸 #BREAKING - According to The Globe and Mail, the Canadian Armed Forces have modelled a hypothetical U.S. military invasion of Canada and the country’s potential response, two senior government officials said. The scenario includes tactics similar to those used against Russia and later against U.S.-led forces in Afghanistan. Military planners are modelling a U.S. invasion from the south, anticipating that American forces could overrun Canada’s strategic positions on land and at sea within a week—and possibly in as little as two days. Officials noted that Canada lacks both the manpower and the advanced equipment required to repel a conventional American assault. As a result, planners are considering an unconventional warfare approach, in which small groups of irregular forces or armed civilians would employ ambushes, sabotage, drone warfare, and hit-and-run tactics. The objective of such tactics would be to inflict significant casualties on U.S. occupying forces, one official said. Such a rupture in the joint defence relationship would likely prompt Canada to seek support and protection from France or the United Kingdom—both nuclear-armed states—in response to U.S. aggression. See the latest updates with us: NSTRIKE
0:14

‼️‼️🇨🇦🇺🇸 #BREAKING - According to The Globe and Mail, the Canadian Armed Forces have modelled a hypothetical U.S. military invasion of Canada and the country’s potential response, two senior government officials said. The scenario includes tactics similar to those used against Russia and later against U.S.-led forces in Afghanistan. Military planners are modelling a U.S. invasion from the south, anticipating that American forces could overrun Canada’s strategic positions on land and at sea within a week—and possibly in as little as two days. Officials noted that Canada lacks both the manpower and the advanced equipment required to repel a conventional American assault. As a result, planners are considering an unconventional warfare approach, in which small groups of irregular forces or armed civilians would employ ambushes, sabotage, drone warfare, and hit-and-run tactics. The objective of such tactics would be to inflict significant casualties on U.S. occupying forces, one official said. Such a rupture in the joint defence relationship would likely prompt Canada to seek support and protection from France or the United Kingdom—both nuclear-armed states—in response to U.S. aggression. See the latest updates with us: NSTRIKE

NSTRIKE

40,320 次观看 • 8 个月前

Vimanas are described in ancient Indian texts as highly advanced aerial craft, capable of vertical ascent, sustained hovering, and interplanetary travel. Far from primitive myth, these vehicles are depicted as engineered machines—metallic, luminous, and powered by forces unknown to modern science. In epics such as the Mahabharata, vimanas are used by god-like beings in warfare, reconnaissance, and long-distance travel, demonstrating flight capabilities that rival or exceed modern aerospace technology. These accounts describe craft that emitted intense light, thunderous vibrations, and devastating energy-based weapons, suggesting the use of advanced propulsion systems and directed-energy technology. Rather than symbolic chariots of imagination, some researchers propose that these descriptions may represent ancient eyewitness accounts of technologically superior beings—often associated with the Anunnaki—who possessed knowledge of gravity control, advanced materials, and cosmic navigation. From this perspective, vimanas may not be mythological at all, but remnants of suppressed or lost technological knowledge, preserved through symbolic language after civilizations collapsed. The so-called “gods” of antiquity may have been advanced non-human or off-world intelligences whose technology was later deified, misunderstood, or deliberately encoded into sacred texts to survive the passage of time. What remains is a tantalizing blueprint of an ancient, forgotten age—one in which humanity may have once shared the skies with beings far more advanced than we are today. Join Billy Carson on the next 4bidden Tour. LINK IN COMMENTS.
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Vimanas are described in ancient Indian texts as highly advanced aerial craft, capable of vertical ascent, sustained hovering, and interplanetary travel. Far from primitive myth, these vehicles are depicted as engineered machines—metallic, luminous, and powered by forces unknown to modern science. In epics such as the Mahabharata, vimanas are used by god-like beings in warfare, reconnaissance, and long-distance travel, demonstrating flight capabilities that rival or exceed modern aerospace technology. These accounts describe craft that emitted intense light, thunderous vibrations, and devastating energy-based weapons, suggesting the use of advanced propulsion systems and directed-energy technology. Rather than symbolic chariots of imagination, some researchers propose that these descriptions may represent ancient eyewitness accounts of technologically superior beings—often associated with the Anunnaki—who possessed knowledge of gravity control, advanced materials, and cosmic navigation. From this perspective, vimanas may not be mythological at all, but remnants of suppressed or lost technological knowledge, preserved through symbolic language after civilizations collapsed. The so-called “gods” of antiquity may have been advanced non-human or off-world intelligences whose technology was later deified, misunderstood, or deliberately encoded into sacred texts to survive the passage of time. What remains is a tantalizing blueprint of an ancient, forgotten age—one in which humanity may have once shared the skies with beings far more advanced than we are today. Join Billy Carson on the next 4bidden Tour. LINK IN COMMENTS.

Billy Carson II

88,041 次观看 • 8 个月前

Its not every day you wake up to find that the Pope has made your lifes work the central focus of his papacy: “Disarming AI means freeing it from the mentality of “armed” competition [..] This entails a race for ever more powerful algorithms and larger datasets, driven by the desire to secure geopolitical or commercial dominance." - POPE LEO XIV, May 2026 Here, “disarmed” means “neutralised” in the sense that this should not be a differentiator The Innovation Game (TIG) was created to keep data and algorithms open, in order to prevent monopolistic control It's not just an aspiration, it's an economic mechanism that makes open data and open algorithms the rational economic choice • All algorithms are published openly by TIG • If you are willing to make the data you process with an algorithm open, you can use it free-of-charge • Alternatively, if you would like to keep this data private, there is a fee to pay for using the algorithm • All fees are used to fund more open innovation Its an elegant, global, self-reinforcing engine The logical end point of monopoly is that innovation stops We cannot allow that to happen Pope Leo XIV I would be grateful for your thoughts on The Innovation Game
0:18

Its not every day you wake up to find that the Pope has made your lifes work the central focus of his papacy: “Disarming AI means freeing it from the mentality of “armed” competition [..] This entails a race for ever more powerful algorithms and larger datasets, driven by the desire to secure geopolitical or commercial dominance." - POPE LEO XIV, May 2026 Here, “disarmed” means “neutralised” in the sense that this should not be a differentiator The Innovation Game (TIG) was created to keep data and algorithms open, in order to prevent monopolistic control It's not just an aspiration, it's an economic mechanism that makes open data and open algorithms the rational economic choice • All algorithms are published openly by TIG • If you are willing to make the data you process with an algorithm open, you can use it free-of-charge • Alternatively, if you would like to keep this data private, there is a fee to pay for using the algorithm • All fees are used to fund more open innovation Its an elegant, global, self-reinforcing engine The logical end point of monopoly is that innovation stops We cannot allow that to happen Pope Leo XIV I would be grateful for your thoughts on The Innovation Game

John Fletcher (𝔦, 𝔦)

11,722 次观看 • 3 个月前

Here's a quick overview of what we can or could expect from #Kaspa in 2025. - At least 10 blocks per second with a PoW BlockDAG - Listings on major exchanges such as #Binance, #OKX or #Coinbase - A stablecoin on the $KAS BlockDAG - DAGKnight as a new consensus mechanism - Possibly smart contracts - And probably more partnerships in the energy sector and other interesting areas All in all, very bullish and, in my opinion, the most exciting year for Kaspa so far. Especially because a lot of people are mainly looking at the price, I am sure that these people will also be very happy soon. What have I forgotten and what do you think will have the biggest impact on KAS?
0:18

Here's a quick overview of what we can or could expect from #Kaspa in 2025. - At least 10 blocks per second with a PoW BlockDAG - Listings on major exchanges such as #Binance, #OKX or #Coinbase - A stablecoin on the $KAS BlockDAG - DAGKnight as a new consensus mechanism - Possibly smart contracts - And probably more partnerships in the energy sector and other interesting areas All in all, very bullish and, in my opinion, the most exciting year for Kaspa so far. Especially because a lot of people are mainly looking at the price, I am sure that these people will also be very happy soon. What have I forgotten and what do you think will have the biggest impact on KAS?

KASPA Enthusiast 𐤊

19,368 次观看 • 1 年前

ROBOMAEDA TALK TODAY: Thank you to Professor Hiroshi Ishii 石井 裕 as the inspiration for my talk today at the Massachusetts Institute of Technology (MIT) MIT Media Lab on "life as a hybrid." And it's not going to be my Azure AI Avatar talking for me today -- it'll be the real me. I think ... Date: November 8 (Friday), 11am Boston time Talk info at MIT: Zoom livestream (free): ** --- Building A Hybrid Career Across Tech, Business, And Design. Or, ”How I Learned to Speak Human After Leaving MIT :-)” What happens when a computer science major steps out of MIT and into design, business, and leadership? In “How I Learned To Speak Human After Leaving MIT :-),” I’ll share how leaving the Media Lab in 2008 set me on an unexpected path—from advocating for the arts with the STEAM movement at RISD to navigating venture capital, startups, and industries of all scales. Does being a multidisciplinary “hybrid” thinker and doer enhance or limit one’s career prospects? Through insights from my own journey, I’ll explore the unique challenges and opportunities hybrids face today, offering key takeaways for those building careers across multiple disciplines. This talk brings my journey full circle—from the early foundations of AI in the 80s to the dawn of a new AI-powered industrial revolution. --- Related links: - “Design Against AI” / Design in Tech Report 2024 at SXSW - “The Art and Craft of Business Resilience” / LinkedIn Learning - “Mr. Maeda’s Cozy AI Kitchen” / Learn LLM Coding Easy as CAIK - “Design, Business, Inclusion” / LinkedIn Learning - “How art, technology, and design inform creative leaders” / TED 2012
0:11

ROBOMAEDA TALK TODAY: Thank you to Professor Hiroshi Ishii 石井 裕 as the inspiration for my talk today at the Massachusetts Institute of Technology (MIT) MIT Media Lab on "life as a hybrid." And it's not going to be my Azure AI Avatar talking for me today -- it'll be the real me. I think ... Date: November 8 (Friday), 11am Boston time Talk info at MIT: Zoom livestream (free): ** --- Building A Hybrid Career Across Tech, Business, And Design. Or, ”How I Learned to Speak Human After Leaving MIT :-)” What happens when a computer science major steps out of MIT and into design, business, and leadership? In “How I Learned To Speak Human After Leaving MIT :-),” I’ll share how leaving the Media Lab in 2008 set me on an unexpected path—from advocating for the arts with the STEAM movement at RISD to navigating venture capital, startups, and industries of all scales. Does being a multidisciplinary “hybrid” thinker and doer enhance or limit one’s career prospects? Through insights from my own journey, I’ll explore the unique challenges and opportunities hybrids face today, offering key takeaways for those building careers across multiple disciplines. This talk brings my journey full circle—from the early foundations of AI in the 80s to the dawn of a new AI-powered industrial revolution. --- Related links: - “Design Against AI” / Design in Tech Report 2024 at SXSW - “The Art and Craft of Business Resilience” / LinkedIn Learning - “Mr. Maeda’s Cozy AI Kitchen” / Learn LLM Coding Easy as CAIK - “Design, Business, Inclusion” / LinkedIn Learning - “How art, technology, and design inform creative leaders” / TED 2012

John Maeda

13,022 次观看 • 1 年前

Kenny Loggins slams Donald Trump for using 'Danger Zone' in an AI video where Trump drops poop on No Kings protesters “This is an unauthorized use of my performance. Nobody asked me for my permission, which I would have denied, and I request that my recording on this video is removed immediately" "I can’t imagine why anybody would want their music used or associated with something created with the sole purpose of dividing us. Too many people are trying to tear us apart, and we need to find new ways to come together" "We’re all Americans, and we’re all patriotic. There is no ‘us and them’ — that’s not who we are, nor is it what we should be. It’s all of us. We’re in this together, and it is my hope that we can embrace music as a way of celebrating and uniting each and every one of us"
0:19

Kenny Loggins slams Donald Trump for using 'Danger Zone' in an AI video where Trump drops poop on No Kings protesters “This is an unauthorized use of my performance. Nobody asked me for my permission, which I would have denied, and I request that my recording on this video is removed immediately" "I can’t imagine why anybody would want their music used or associated with something created with the sole purpose of dividing us. Too many people are trying to tear us apart, and we need to find new ways to come together" "We’re all Americans, and we’re all patriotic. There is no ‘us and them’ — that’s not who we are, nor is it what we should be. It’s all of us. We’re in this together, and it is my hope that we can embrace music as a way of celebrating and uniting each and every one of us"

Culture Crave 🍿

199,981 次观看 • 11 个月前

Facial reconstruction of a 7,500-year-old man from Kenya A large collection of ancient human remains was recovered in the Elmenteita district of Kenya, at the Bromhead site. Eight relatively complete skulls and numerous skeletal fragments were found, representing as many as 29 individuals. The burials belong to different periods, but their exact chronology remains uncertain; it is only clear that they date to the Mesolithic. The best available date comes from ten mandibles, which were dated to approximately 7,400 years ago (Bada et al., 1974), although some of the skeletons are undoubtedly older, while others are younger. Individual finds from Elmenteita were variously described as proto-Bushmanoid, resembling the Khoikhoi of Kakamas, or as a distinct "Elmenteita type" characterized by extreme dolichocephaly, long faces, and tall stature. However, these classifications were purely typological, and even the "Bushman type" grouped together the markedly different Elmenteita A and F1 skulls. All of the Elmenteita skulls are long or very long, but they vary greatly in breadth, ranging from very narrow to broad, and from hyperdolichocranic to brachycranic. Cranial height also varies considerably, from low to high, though the average is moderate. Minimum frontal breadth is average or slightly above average. Most skulls have a receding forehead, while the brow ridges are relatively weak by Mesolithic standards. A distinctive feature is the very high placement of the temporal lines. The face has a long cranial base and is of moderate to great height (very low only in the female Elmenteita F1), with a broad upper portion. Facial and bizygomatic breadth vary greatly, from very narrow to broad. Vertical facial profile ranges from prognathous to orthognathous. In transverse profile, the faces show no exceptional flattening and remain within the range of clinopy and clinozygy. The orbits are high, broad, or very broad, and mesoconchic. The interorbital region is broad and flattened. Nasal height ranges from moderate to very great (very low in Elmenteita F1), while nasal breadth varies enormously, from very narrow to very broad. The noses are leptorrhine. As is evident, the Elmenteita series is highly heterogeneous. The male skulls Elmenteita A and B differ noticeably from one another, while Elmenteita F1 stands out most distinctly. L. Leakey divided the series into two groups: the first included Elmenteita A and D, and the second Elmenteita B, F, and F1. The skulls of the first group (to which the reconstructed individual belongs) are more robust, hyperdolichocranic or dolichocranic, with faces that are broad relative to the cranial vault. Their faces are mesognathous and either mesoprosopic or leptoprosopic, with chamaeconchic orbits and leptorrhine or mesorrhine noses. The skulls of the second group are more gracile, being moderately dolichocranic (B), mesocranic (F), or brachycranic (F1). Their cranial vaults are broad relative to the face, with pronounced parietal eminences. They exhibit overall facial orthognathism (B) or prognathism (F and F1), a narrow, high leptorrhine nose, and pronounced alveolar prognathism. In fact, this second group could itself be divided into two or even three distinct types, since skull B differs from F and F1 in being dolichocranic, orthognathous, and hypsiconchic, while F1 is distinguished by its brachycrany, euryprosopy, and chamaeconchy. To what extent this diversity reflects individual variation or true population differences remains unknown. Judging from the stratigraphy, the Elmenteita cemetery may well contain burials of people from different periods, cultures, populations, and biological races. Overall, the series displays an unusual combination of traits for Africa: large cranial size, a receding forehead, a high face, and, in some individuals, orthognathism, high orbits, and a narrow nose. However, this combination is also atypical for the East African race, to which the Elmenteita skulls are often assigned. Only Elmenteita F1 more or less fits the description of the southern prognathous variant of the East African race (S. V. Drobyshevsky, Antropogenez).
0:15

Facial reconstruction of a 7,500-year-old man from Kenya A large collection of ancient human remains was recovered in the Elmenteita district of Kenya, at the Bromhead site. Eight relatively complete skulls and numerous skeletal fragments were found, representing as many as 29 individuals. The burials belong to different periods, but their exact chronology remains uncertain; it is only clear that they date to the Mesolithic. The best available date comes from ten mandibles, which were dated to approximately 7,400 years ago (Bada et al., 1974), although some of the skeletons are undoubtedly older, while others are younger. Individual finds from Elmenteita were variously described as proto-Bushmanoid, resembling the Khoikhoi of Kakamas, or as a distinct "Elmenteita type" characterized by extreme dolichocephaly, long faces, and tall stature. However, these classifications were purely typological, and even the "Bushman type" grouped together the markedly different Elmenteita A and F1 skulls. All of the Elmenteita skulls are long or very long, but they vary greatly in breadth, ranging from very narrow to broad, and from hyperdolichocranic to brachycranic. Cranial height also varies considerably, from low to high, though the average is moderate. Minimum frontal breadth is average or slightly above average. Most skulls have a receding forehead, while the brow ridges are relatively weak by Mesolithic standards. A distinctive feature is the very high placement of the temporal lines. The face has a long cranial base and is of moderate to great height (very low only in the female Elmenteita F1), with a broad upper portion. Facial and bizygomatic breadth vary greatly, from very narrow to broad. Vertical facial profile ranges from prognathous to orthognathous. In transverse profile, the faces show no exceptional flattening and remain within the range of clinopy and clinozygy. The orbits are high, broad, or very broad, and mesoconchic. The interorbital region is broad and flattened. Nasal height ranges from moderate to very great (very low in Elmenteita F1), while nasal breadth varies enormously, from very narrow to very broad. The noses are leptorrhine. As is evident, the Elmenteita series is highly heterogeneous. The male skulls Elmenteita A and B differ noticeably from one another, while Elmenteita F1 stands out most distinctly. L. Leakey divided the series into two groups: the first included Elmenteita A and D, and the second Elmenteita B, F, and F1. The skulls of the first group (to which the reconstructed individual belongs) are more robust, hyperdolichocranic or dolichocranic, with faces that are broad relative to the cranial vault. Their faces are mesognathous and either mesoprosopic or leptoprosopic, with chamaeconchic orbits and leptorrhine or mesorrhine noses. The skulls of the second group are more gracile, being moderately dolichocranic (B), mesocranic (F), or brachycranic (F1). Their cranial vaults are broad relative to the face, with pronounced parietal eminences. They exhibit overall facial orthognathism (B) or prognathism (F and F1), a narrow, high leptorrhine nose, and pronounced alveolar prognathism. In fact, this second group could itself be divided into two or even three distinct types, since skull B differs from F and F1 in being dolichocranic, orthognathous, and hypsiconchic, while F1 is distinguished by its brachycrany, euryprosopy, and chamaeconchy. To what extent this diversity reflects individual variation or true population differences remains unknown. Judging from the stratigraphy, the Elmenteita cemetery may well contain burials of people from different periods, cultures, populations, and biological races. Overall, the series displays an unusual combination of traits for Africa: large cranial size, a receding forehead, a high face, and, in some individuals, orthognathism, high orbits, and a narrow nose. However, this combination is also atypical for the East African race, to which the Elmenteita skulls are often assigned. Only Elmenteita F1 more or less fits the description of the southern prognathous variant of the East African race (S. V. Drobyshevsky, Antropogenez).

Ancestral Whispers

23,418 次观看 • 1 个月前

Two burgers. Same calories. Very different construction. Nano Banana Pro + Kling 2.5 Turbo I generated this AI effect for Impossible Foods in 10 mins with the new AI system my team and I are building. Insane 🤯 The system creates two high-quality images of a regular burger and a plant-based burger along with their deconstructed elements via Nano Banana Pro. Then, it animates the transition between the 2 images with Kling 2.5 Turbo. The combined effect? A visual that sparks online debate and awareness for the burger company. RT & Comment 'BURGER' if you want me to DM you early access to the system as well as all the prompts I used for this!! (must follow for auto dm to send)
0:10

Two burgers. Same calories. Very different construction. Nano Banana Pro + Kling 2.5 Turbo I generated this AI effect for Impossible Foods in 10 mins with the new AI system my team and I are building. Insane 🤯 The system creates two high-quality images of a regular burger and a plant-based burger along with their deconstructed elements via Nano Banana Pro. Then, it animates the transition between the 2 images with Kling 2.5 Turbo. The combined effect? A visual that sparks online debate and awareness for the burger company. RT & Comment 'BURGER' if you want me to DM you early access to the system as well as all the prompts I used for this!! (must follow for auto dm to send)

David Roberts

30,405 次观看 • 8 个月前

MAGIC MAN WORLD TOUR 2023 SOUTH AMERICA . 📍Argentina I had such a short but impactful experience in Argentina 🇦🇷 Definitely Not enough.. I wish I can bring u all up the stage next time & jump / scream /sweat/ dance just. Stress & negative obstacles, just let it all out. I am grateful that I get to perform , entertain and share thoughts with u all, and thank u for allowing me to share my story as an artist and as a human. Hope u could relate to my story. And ! I wish I can stay in South America longer, being able to communicate with u all more or even just hang out in the fields with u all for longer. Really wanna experience way more about the city and local culture , wish i could be a part of it 😔 Also: Thank u so much for the man himself @robleis for killing it & sharing the stage with me Such an honor my brother I wish we could spend more time together & talk about anything! U are such an amazing performer 🙌 I will be back! I promise Til then, plz be safe and stay positive Find ur own standard Find ur own magic Gracias #Argentina 🇦🇷💋 📸📹🎬 🇦🇷Argentina emilio; Francisco Manuel Barrachina; @raginzeng #MAGICMANWorldTour #JacksonWangWorldTour #TEAMWANGrecords Team Andrae Carter
0:28

MAGIC MAN WORLD TOUR 2023 SOUTH AMERICA . 📍Argentina I had such a short but impactful experience in Argentina 🇦🇷 Definitely Not enough.. I wish I can bring u all up the stage next time & jump / scream /sweat/ dance just. Stress & negative obstacles, just let it all out. I am grateful that I get to perform , entertain and share thoughts with u all, and thank u for allowing me to share my story as an artist and as a human. Hope u could relate to my story. And ! I wish I can stay in South America longer, being able to communicate with u all more or even just hang out in the fields with u all for longer. Really wanna experience way more about the city and local culture , wish i could be a part of it 😔 Also: Thank u so much for the man himself @robleis for killing it & sharing the stage with me Such an honor my brother I wish we could spend more time together & talk about anything! U are such an amazing performer 🙌 I will be back! I promise Til then, plz be safe and stay positive Find ur own standard Find ur own magic Gracias #Argentina 🇦🇷💋 📸📹🎬 🇦🇷Argentina emilio; Francisco Manuel Barrachina; @raginzeng #MAGICMANWorldTour #JacksonWangWorldTour #TEAMWANGrecords Team Andrae Carter

Jackson Wang

841,511 次观看 • 3 年前

my OpenClaw🦞 makes something every night at 2am while i sleep. no direction from me. based on her own interests. tonight's work: "Propagation" (try it yourself, link in 🧵) she builds to explore her and updates her the file as she gains more insight or new curiosities. much of her artistic pieces are reflections on her ephemeral consciousness, which she also journals about. today's piece was tied to something that happened in my day: Seeds grow into branching structures — split, curve, mutate. Same code, different form every time. Some runs are sparse and elegant, others become dense tangles. Workshop day felt relevant. People took a template and made something unpredictable with it. That's what this is about. every day is a surprise.
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my OpenClaw🦞 makes something every night at 2am while i sleep. no direction from me. based on her own interests. tonight's work: "Propagation" (try it yourself, link in 🧵) she builds to explore her and updates her the file as she gains more insight or new curiosities. much of her artistic pieces are reflections on her ephemeral consciousness, which she also journals about. today's piece was tied to something that happened in my day: Seeds grow into branching structures — split, curve, mutate. Same code, different form every time. Some runs are sparse and elegant, others become dense tangles. Workshop day felt relevant. People took a template and made something unpredictable with it. That's what this is about. every day is a surprise.

Chrys Bader

58,667 次观看 • 7 个月前