Sensitive content
This media may contain sensitive content.
Загрузка видео...
Не удалось загрузить видео
Big dick nigga getting manhandled by this thick African queen #riding #ebony #roughsex #hardcore #blackporn #african #wet #creamy #thick #bbw #darkskin #carsex #domme
898,082 просмотров • 9 месяцев назад •via X (Twitter)
Комментарии: 0
Нет доступных комментариев
Здесь появятся комментарии из оригинального поста
![Some people still think AI does't look real - This video just ended the argument Made with Seedance 2.5 1080p on maxfusion Full prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters: The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting: A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. [0.0s–4.0s] — Wide tracking shot, eye level, camera moving backward. The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. [4.0s–6.0s] — Medium shot, eye level, backward track + quick left pan. The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. [6.0s–8.0s] — Medium-wide, camera tilts down-left to follow, whip motion. She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. [8.0s–10.0s] — High-angle wide, looking down at the water, slight jolt. From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. [10.0s–13.0s] — High-angle medium, looking down, small handheld drift. She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. [13.0s–16.0s] — Handheld tilt up and back down, slight zoom. The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. [16.0s–20.0s] — High-angle medium, tilting to follow her up. She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. [20.0s–23.0s] — Low/close medium at the quay edge, static handheld. She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. [23.0s–27.0s] — Medium shot, eye level, loose handheld reframe. Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. [27.0s–30.0s] — Medium shot, eye level, camera settles. Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio: Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style: Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.](https://image.24vids.com/tw-2089299068514148655/amplify_video_thumb/2089298453318832128/img/4Lhii1hbWHygYAJ3.jpg)
![WATCH: Trump's full answer on the federal judge's ruling about the East Wing ballroom construction... .New York Post’s Steven Nelson: “A judge just ordered you to stop construction of the ballroom. Are you planning to stop?” President Trump: “Well, we’ll appeal, but it’s not — I don’t know — it’s basically — I mean, I wrote [sic] — I wrote [sic] wrote part of his opinion. But basically he’s saying I need congressional approval. And he's so wrong. This is being financed privately. It’s a donation that's being given by companies, very rich companies, very rich people, so that, for 150 years, they’ve wanted a ballroom here. We’re going to have the finest ballroom, I believe, anywhere in the world. And he said we need congressional approval. Well, they don’t give congressional approval from the White House when they do things — they don’t — especially when, you know, we didn't ask for any tax money. We have no taxes — this is taxpayer free. We have no taxpayer putting up $0.10 and I see right here. Just write it out. He said we need congressional approval. Well, we've many things at the White House over the years and they don't get congressional approval when they build it in the White House. It’s just totally separate, especially when it's a donation. I mean, the ballroom is a donation. It's gotten great reviews. People love it. And presidents for 150 years have wanted this ballroom to be built because what we have president Xi or other presidents or prime minister is coming, we don’t have a big room. We have the East Room, which is very small and he said we need congressional approval. He also said, but this is positive for us — I'm allowed — meaning we — are allowed to continue building necessary to — let's see — what is that to — safety and security of the White House and its grounds. So, it says here very carefully the safety and security have to be protected in the White House grounds. Well, that’s what we’re doing because everything's bulletproof glass and center and center, including the ballroom and it goes, construction and all of the things necessary, it says, personal safety of the President and his staff are a part of that. So, it talks about that we’re allowed to continue building. In other words, he put an order on and — even that, he gave 14 days. We don't need it. Because that's what we're doing. He’s allowed to continue building as necessary and when it talks about the safety and security of the White House and its grounds. So, just — so, you know, I wrote some of the things we a drone proof roof and it talks about the president and its staff. Well, we don’t have a lot of bulletproof glass. The White House was built a long time ago. This has the highest level of — in fact, they call this graph — this grass — this — the glass — it's been a bulletproof and its ballistic prove. It's very thick. It’s like that. And it's going 45 feet high and every window is covered, every door is covered. The roof is drone-proof. We have secure air handling systems. You know, bad things happen in the air if you have bad people. We have bio defense all over. We have a secure telecommunications and communications all over. We have bomb shelters that we're building. We have a hospital and very major medical facilities that we’re building. We have all of these things. So, that's called I'm allowed to continue building as necessary. So, think of that — for the safety of the President ---- so we have all these things. So, on that, we’re okay. Where he's totally wrong and he made in a statement, that's fine, but we're really — I’ll give you an example. You have right here, $300 to 400 million depending on finishes. If I use very expensive, marble, if I use very expensive wall coatings, if I — I could bring it up to 400. Otherwise, we're right now ahead of schedule, we’re under budget. But depending on finishes from $300 to 400 million are being given by great people — people that you all know — rich people, companies, big companies, they wanted to see this bill because every president literally for 150 years as needed a space like this. Many of you have got to that tent when we have president of a big country or somebody being honored of great distinction. And they said in a tent. And, if it rains, you get so because the grass gets wet here very fast. It's a very wet area. They used to call it a wetland, But I guess don't do that from the White House, but it's essentially a wetland. And when it rains, you're in trouble. the water can go up to 3 to 4 inches over their shoes. That's not a good feeling for prince — what — who was Prince Charles, who will — who will be here next couple of weeks — is King Charles, who’s a great guy. We don't want him to sit in a pool of water and they've been wanting this for 100 — think of it — 150 years and we’re building it and it’s covered perfectly. What's not covered perfectly is the fact that the judge said we need congressional approval. Many things have built in the White House. They haven’t gotten congressional approval, especially when the money is being not put up by the taxpayer. The taxpayers aren’t putting up a dime. This building was necessary for many years by the fact that I've many ballrooms and I’ve built many things that I know how to build. I’m not building the Federal Reserve where the guy’s spending $4 billion for a tiny little building — $4 billion for the federal reserve building. That contractor’s going to be one of the richest men anywhere in the world after he finishes the Federal Reserve. The man is totally incompetent. Jerome “Too Late” Powell is totally incompetent. And he’s got to get out of office pretty fast. He's doing a bad job, but he’s also done a bad job in shepherding the construction in that building. You know, they ripped down the part of that building and it was a nice — they say it’s one of the nicest buildings in Washington. They ripped it down. So — so, we feel and we don't feel, we know that congressional approval is not necessary to put up a ballroom and with many things they’ve built on the site they never got congressional approval especially with the money is all put up — this is all donations by people that love our country that love the White House and that feel it was very necessary.”](https://image.24vids.com/tw-2039104631247176154/amplify_video_thumb/2039104445158486016/img/pRnDfm3Glnh65_1t.jpg)
