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Big John comes in again😁 Chek out the B..io for full #dickflash #bbcflash #bbccontent #publicflashing #jerkflashing #bbc #bbcflashing #XXX #Adultzone #nsfwtwt゚ #Exhibitionist #dick #Chudai #wataa

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🏴󠁧󠁢󠁥󠁮󠁧󠁿 50,000 people marched on London.⚔️ The government said it wasn't that many. 🇬🇧 It was much, much more. This is not the first time 📜 It is 1381. England. You wake. The frost is on the ground. You are a serf. You cannot leave your village without permission. You cannot marry without permission. You cannot sell your own labour. The land you work belongs to a lord you have never met. Your father was a serf. His father was a serf. You have been told your son will be a serf too. So you were told. But something had cracked 💔 The Black Death had taken half of England thirty years before. Labour was scarce. Wages had risen. For three decades, ordinary people had been quietly getting richer. The powerful hated it. Every law they made, the people walked around. Then John of Gaunt, the king's uncle and the richest man in England, taxed every adult the same shilling to pay for the war in France 💰 The Poll Tax. In four years, they tried it three times. The third one was one too many. In May 1381, a tax commissioner arrived in the Essex village of Fobbing. The villagers drove him out. The king sent soldiers. The villagers drove them out too. You hear what happened at Fobbing. You hear what happened next. Essex rose first. Then Kent. Then the eastern counties. Villages emptied. In Kent, a man called Wat Tyler took command ⚔️ His first move was to break open Maidstone Prison and free a radical priest called John Ball. By the time they reached Blackheath, just south of the Thames, they were 50,000 strong. That night, John Ball climbed onto a cart and asked a question that would echo for 600 years: "When Adam delved and Eve span, who was then the gentleman?" 📜 They burned the Savoy Palace 🔥 Gaunt escaped on horseback to Scotland. The next morning, the king rode out to meet them. Richard II. Fourteen years old. Just a boy on a horse, in front of 50,000 armed peasants. He agreed to everything. End serfdom. End forced labour. End the Poll Tax. He had clerks write charters of freedom sealed with the royal seal 👑 You hold one in your hands. Freedom. You have won. The next day at Smithfield, the Lord Mayor of London stabbed Wat Tyler in the throat 🗡️ The king rode forward alone and persuaded the crowd to follow him out of London. Then he revoked every promise. "Serfs you are. And serfs you shall remain." 1,500 rebels were executed. John Ball was hanged, drawn and quartered at St Albans. The king was there to see it. The dream is dead. Or so it looks. But they thought they had lost. They had not 📜 The Poll Tax was never collected again in their lifetime. Or their children's lifetime. It would be 609 years before any government in England dared to try it again. Within a hundred years, serfdom in England had effectively died out. Not because the powerful chose to free their people. Because the powerful had learned what happened when they refused 🏛️ The lesson did not die. The Putney Debates. The Levellers. The Chartists. The Tolpuddle Martyrs. The Suffragettes. Every uprising drew on what happened at Smithfield. In 1990, a Prime Minister tried to bring the Poll Tax back. 200,000 people marched on London again. Following the same route the peasants took 600 years earlier. The tax was withdrawn within a year. Within months, the Prime Minister was gone. The powerful learned the same lesson. They always learn the same lesson. Every right we have today was taken, not given. By people like the 50,000 on Blackheath. 📖 Read the full story, get the lesson plan, share the facts → ━━━━━━━━━━━━━━ They are still here 🏴󠁧󠁢󠁥󠁮󠁧󠁿 In every protest. In every refusal. In every "enough" spoken to a power that demanded too much. Same faces. Same blood. Same island 🇬🇧 This is our island. This is our story. This is our culture to keep 📜 Every story we tell, a supporter paid to keep alive. Without them, these stories stay in the past. Without you, the next one never comes out. 👉 👈 Be part of us. ☝️🇬🇧 Be Proud Of Us. 🙏🇬🇧

Proudofus.uk

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"With 'The Color of Money' (1986), working with two big stars [Paul Newman & Tom Cruise], we tried to make a Hollywood movie. Or rather, I tried to make one of my pictures, but with a Hollywood star: Paul Newman." --- Martin Scorsese Full Excerpt: "After 'The Last Temptation' was cancelled in 1983, I had to get myself back in shape. Work out. And this was working out. First 'After Hours' (1985), on a small scale. The idea was that I should be able, if 'Last Temptation' ever came along again, to make it like 'After Hours', because that’s all the money I’m gonna get for it. Then the question was: Are you going to survive as a Hollywood filmmaker? Because even though I live in New York, I’m a “Hollywood director.” Then again, even when I try to make a Hollywood film, there’s something in me that says, “Go the other way.” With 'The Color of Money' (1986), working with two big stars, we tried to make a Hollywood movie. Or rather, I tried to make one of my pictures, but with a Hollywood star: Paul Newman. That was mainly making a film about an American icon. That’s what I zeroed in on. I’m mean, Paul’s face! You know, I’m always trying to get the camera to move fast enough into an actor’s face—a combination of zoom and fast track—without killing him! Well, in 'The Color of Money' there’s the first time Paul sees Tom Cruise and says, ’’That kid’s got a dynamite break,” and turns around and the camera comes flying into his face. Anyway, that night, we looked at the rushes and saw four takes of this and said, “That man’s gonna go places! He’s got a face!” (Martin Scorsese's interview with Harlan Jacobson, FIlm Comment, 1988)

DepressedBergman

31,716 görüntüleme • 7 ay önce

Peter Thiel's advice to early-stage startups: "One basic frame is that if you're starting a company, you always start small. So how do you get to monopoly when you're small? Answer, you start with a very small market. And the conventional business thing is always you want to go after really big markets. There are no big markets without lots of competition. You never want to go after big markets. You want to go after small markets. Facebook started with 10,000 people at Harvard. It was such a small market, it could not have been funded. It would not have been funded by investors if you'd actually pitched it. So it sort of bootstrapped the whole thing. It went from 0% to 60% market share in 10 days. That was actually a very auspicious start. Now, PayPal, we went after 30,000 power sellers on eBay. Again, sort of a subset of a subset of a subset of the payment space, but it has these very distinct, unique characteristics that made it a well-defined market. We got to about 30%, 35% market share in three months. Again, a very, very promising start. There was a tremendous amount that went wrong with all the clean tech companies in the last decade. And I think failure is always a little bit overrated because people can't learn much from failure. When you fail, you normally failed for multiple reasons. You failed for reasons A, B, C, D, E, and F. And maybe you think you failed because of A. Next time around, you'll fail for the other five reasons. So that's why I think we often make the mistake of... of overrating failure in various contexts. Cleantech failed for many different reasons. But one that I think is very important, and people haven't thought about enough, is that the markets were just way too big. Every PowerPoint presentation you saw in the period 2005 to 2008 started with, we are in the energy market. And this is a market that's in the hundreds of billions or trillions of dollars. And then it's a fraction of a fraction of a fraction of that market. And then you end up with a dynamic where you have to beat the other nine thin film solar panel companies. Then you have to beat the other 90 solar panel companies. Then you have to beat the wind companies. And then fracking comes out of right field. And China comes out of left field. And you're sort of like this minnow in this vast ocean. And there's just competition everywhere, most of it not even visible from the point at which you get started."

Founder Mode

39,870 görüntüleme • 6 ay önce

BREAKING: Miraculous Night in Prison. God’s presence was unstoppable. Preached the Gospel in B-Block, and saw Jesus touch the hearts of many men. Broken and hurting they responded to the love and truth of Jesus. - 200 Bibles. (Thanks Bible Partners) - Prayers of repentance. - Professions of faith in Christ. - Disciples encouraged. Testimony: Kevin, an inmate searching for Jesus and in desperate need of God’s help banged on his solitary door to stop me after preaching on John 9. He was a big man, with tears streaming down his face. “Calvin from the moment you stepped in here tonight I couldn’t stop crying. Pray for me, my family, my life.” Kevin and I talked for a while. He poured out his heart. I shared Scriptures and reminded him of God’s mercy and love for him. We prayed together and boom, the Spirit moved upon him again. His once strong voice fell to a whisper, he looked at me through that dirty metal door window and softly said “thank you Calvin. Thank you.” Jesus brought light into Kevin’s darkness. Hope into his desperation. I left him a Bible and my Devo “Crushing Addiction Lies.” Pray for Kevin. —- Other Prayer requests: Lazaro: A man I’ve mentioned before here on X. Still serving Jesus but needs encouragement, strength and help as he battles the darkness of prison life. James: Family, battle with depression and prison life. Matthew: Suicidal, depression, and anxiety. He needs our prayers. —————- Support this little Prison Ministry. - Consider an X Follow. - Send some Bibles. Thank you Bible + Prayer Partners!

Calvin | Fight of Faith

25,022 görüntüleme • 8 ay önce

“Nobody was open” Caleb Williams had a throwing window to TE #84 Colston Loveland in the back of the end zone. Williams was looking right at him. Williams cocked his arm, but hesitated and “thought better of it.” Plus, he had a backside target #2 D.J. Moore in the end zone jumping around wide open on the opposite side of the field, but Williams never has seen the whole field well… Of course, nobody will focus on how the moment was too big for him and how he hesitated instead of taking the shot with the No. 1 seed in the NFC hanging in the balance. Instead, they’ll just make more excuses for him. Too harsh? No, I don’t believe it is. Some athletes want the ball in their hand in the biggest moment of their careers, and others do not. The problem with Williams is that he wanted to keep the ball in his hand, once again, way too long. I got 8.11 seconds when I put a stopwatch to it. That might be the longest he’s ever held it. It’s the longest I’ve ever seen him hold it and I studied every snap he ever took at USC and have watched many of his games with the Bears since. Ben Johnson has done a GREAT job hiding Williams behind the No. 3 rushing attack in the NFL (149.1 yards per game Team Rankings) and with YAC receivers who have accounted for about half of his “passing yardage” this season, but in the end, who players really are comes out in the big moments. In the end, the overwhelming urge for Williams to play hero ball again and do something more than just take what was there cost him and his team. Whether it was selfishness and/or fear of missing Loveland and not trusting his 57.9% arm, or a combination of both can be debated, but what can’t be debated is this right here embodies why Caleb Williams is NOT IT in Chicago, ironically in the city where another athlete lived to take the shot. Yes, Caleb Williams is a bust. Outside of all the glamorized “dink and dunk,” short little passes and sporadic highlights that misrepresent his full body of work, it’s once again confirmed that he is a bust, just like I wrote 107 days before the Bears selected him in this pre-draft scouting report: That doesn’t make me happy by the way, I just wish prospects could get fair valuations based on what they actually show in college as projections so that their NFL careers could be framed with realistic expectations and they would have their very best chance to succeed, which is one of my main goals in what I do. With Williams, the bar was set way too high, which this play confirmed, yet again. All-22 video:

FIRST ROUND MOCK

24,667 görüntüleme • 8 ay önce

1968, The Moody Blues, and the Moment Everything Changed The studio lights of the 1960s flick on, the colorful geometric backdrop comes alive, and The Moody Blues dive straight into “Ride My See-Saw” with an energy that catches me completely off guard. Those clear, bright harmonies ring out, the rhythm pulls me in, and within seconds I’m fully immersed in the free-spirited, joyful atmosphere of 1968. “Ride My See-Saw” is the song that opened a new era for The Moody Blues. Written by bassist John Lodge, it appears on the 1968 album In Search of the Lost Chord. The album is a concept piece centered on the theme of quest and discovery. On the record, the track is preceded by Graeme Edge’s spoken-word piece “Departure,” creating the feeling of stepping into a brand-new world. Released as a single in October 1968, it reached number 42 in the UK and number 61 on the Billboard Hot 100 in the US. It was also one of the first singles recorded on 8-track multi-track tape, reflecting the technical advances of the time. The story of how it was written is pretty interesting. Justin Hayward recalls that it began as a studio jam. Graeme Edge laid down that distinctive snare pattern, a guitar riff locked in, and the band sat with it for a while until John Lodge returned with the lyrics and the basic structure of the song. The words talk about leaving school, stepping out into the world, and realizing that life is bigger and more complicated than what you were taught. The “see-saw” metaphor stands for the ups and downs of life—the constant rising and falling—and the need to find balance. John Lodge has said the song is about growing up, carrying the tools you learned in school but having to discover reality for yourself. Before that, The Moody Blues had been an R&B band with the 1964 hit “Go Now.” In 1966, after some members left, Justin Hayward and John Lodge joined. There’s a great story behind their transformation: during a cabaret gig, an angry audience member told them they were the worst band he’d ever seen and that they’d ruined the entire evening. On the drive home, Graeme Edge admitted the guy was right. They decided to ditch the blue suits, stop doing R&B covers, and play only their own material. The 1967 album Days of Future Passed marked the real turning point with its rich Mellotron textures and layered harmonies. In Search of the Lost Chord and “Ride My See-Saw” continued to solidify their inventive progressive-rock sound, blending driving rock energy with a sense of wonder. Watching the video, I’m drawn in by the perfect blend of melody and harmony. Close-ups of their faces while singing and the way they glance at each other reveal genuine joy. This isn’t a big-stage concert—it’s a television studio performance—yet it still radiates the vibrant energy of 1960s rock. I always think of that golden era as a special time. Music was expanding its boundaries, moving from psychedelic into progressive territory. The Moody Blues stood at the forefront, using multi-layered harmonies and storytelling melodies to take listeners on inner journeys. “Ride My See-Saw” has a lively, foot-tapping groove, but underneath it carries a quiet reflection on life. That’s why it became one of the band’s most beloved live songs, often saved for the encore with an extended instrumental section before the full group comes back onstage. My own feeling when I rewatch this video is a mix of nostalgia and pure excitement. You can see the camaraderie in the way they look at each other and smile while singing. The melody isn’t complicated, yet it has real pull; the lyrics are simple but touch something universal. Those 1960s TV performances still captivate because they feel so authentic—no heavy effects, just the music, the colorful lights, and the human energy. For me, “Ride My See-Saw” isn’t just a fun rock song. It marks the moment The Moody Blues truly found their own identity, moving from their R&B years into a new era of exploration. This video feels like a small window into that world, where melody and image together tell a story that still holds up all these years later.

Music over time🎻

30,033 görüntüleme • 5 gün önce

Frank Slootman: “There’s lots of people in this world who are not really in the arena” Frank comments on why he opens his book with Theodore Roosevelt’s famous “The Man in the Arena” quote: “There’s lots of people in this world who are not really in the arena. They are either observers, consultants, agents, or VCs that provide capital. But there are some people who are in the arena, and they are very very special people.” Frank is frequently asked to speak at elite business schools, and when they invariably ask for his advice, he responds: “You all have elite educations… you’ll have many job offers paying you big bucks. Your parents and your siblings will be incredibly proud of you. But they’re all consulting jobs for Bain, McKinsey, and companies like that… You’re going to have an easy path to pretty quick earnings, but you’ll never know whether you have what it takes [to build something new].” In Roosevelt’s words, you’ll be “those cold and timid souls who neither know victory nor defeat.” Full quote from Roosevelt’s speech: “It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows the great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.” Video source: Foundation Capital (2024)

Startup Archive

99,817 görüntüleme • 1 yıl önce

A broke gambler found a bug in a Las Vegas casino's video poker machine. He called his friend. Between them, they took $500,000 from casinos across America. The FBI charged them with hacking. A judge threw the case out because pressing buttons on a slot machine is not hacking. – John Kane had spent years losing money in Las Vegas casinos. – By 2009 he was a regular at the Fremont Casino, feeding money into the same IGT Game King video poker machines everyone else played. – Then one afternoon he pressed the buttons in an unusual sequence and something happened that wasn't supposed to happen. – The machine let him replay a previous winning hand at ten times the original bet. – He sat completely still. Then he did it again. – He called his friend Andre Nestor in Pennsylvania and told him to get on a plane. – Together they worked out the full sequence. You lost small at the lowest denomination. When you finally hit a big hand, you switched to the highest denomination and replayed it. – The machine paid out at the higher rate every time. – The four machines they normally played at the Fremont brought the casino $14,500 a month. – After Kane and Nestor discovered the bug those same four machines cost the casino $75,000 a month. – Kane took $100,000 from the Fremont alone. Then they spread out, the Hilton, the Stratosphere, the Hard Rock, the Tropicana, the Luxor, the Wynn. In Vegas, Kane accumulated over $500,000. – Nestor went back to Pennsylvania and hit The Meadows Casino for nearly $480,000 in two months. – Casino surveillance caught on. Kane was handcuffed to a chair in a back room at the Silverton Casino mid-session. – The FBI charged both men with hacking under the Computer Fraud and Abuse Act, the same law used to prosecute cybercriminals. – Their lawyers argued one thing: pressing the buttons on a machine exactly as designed is not hacking. – A video poker machine is not a protected computer under federal law. – The judge agreed. Hacking charges dismissed entirely. – The prosecution tried a deal, testify against your friend and walk free. Both refused. – The wire fraud charges were eventually dropped too. – Neither man went to prison. Kane went home and started teaching piano. Nestor went home broke, and the IRS came for $240,000 in back taxes on his winnings. – IGT quietly patched every Game King machine in America. Two men found a bug in a Las Vegas video poker machine and took $500,000 from casinos across America by pressing buttons in the right sequence. The FBI called it hacking. A federal judge called it playing the game.

Aisar

1,372,635 görüntüleme • 2 ay önce

Shaquille O'Neal revealed he had to figure out two things: either intimidate you or make you laugh. I was always a bully, until one day in fifth grade, I had a spitwad. I threw it at the chalkboard, it splattered, and this kid rats me out. But prior to that, my father said, "If you get suspended again, I'm gonna kill you. I'm gonna beat you like you've never been beaten before because you're irresponsible, you're a medium-level juvenile delinquent, and moving at this pace, you're gonna be nothing in life. I'm not having that in my house." So, I wait for the kid I mean, first I go to the office. Three days. Graham Bensinger: You were suspended for three days? Shaquille O'Neal: Suspended for three days. So now I gotta go home, and I already know what I'm getting when I get home. But before I go home, I'm gonna whoop your ass. So I'm beating this kid up, and I'm kicking this kid, and he has an epileptic seizure. It was just me and the kid out there, and he's on the ground shaking, and now I'm frightened because... uh oh. So then a guy comes and he saves the kid. And, you know, but after that, I go home, I get disciplined, and my mother pulls me to the side and says, "You're too big and too strong, you can't ever do that again." And that kind of... that kind of stayed with me. I was like, "I don't want to do that no more." So then I was like, "You know what, I'm not gonna beat people up. Let me... let me go to part... Plan B on how to get them to like me." Because I'm already... I was always a class clown, funny guy. So now, let me just, you know, do this a lot to get people to like me. And I just stuck with that rather than being a bully. Graham Bensinger: Before that, how would people tease you? Shaquille O'Neal: "Shaquille," "Sasquatch," "Big African"... I stuttered when I talked. "Big dummy." And I was always shy. You know, like, I would look at you, and I would look at your test scores, and you'd probably have a... you look like a smart, smart ass. You'd probably have a 90 or a...

Hecto Crypto | NetLink ⛓

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BadlyWiredLamp

12,522 görüntüleme • 5 ay önce