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Biggest problem I faced when I started taking investing seriously — RS wasn't on Screener.in. Not a small problem. A daily frustration. Every time I wanted to check Relative Strength, I had to leave, open another tool, and come back. Tonight I fixed it for good. Now, I don't...

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Ayush Agrawal

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35,100 görüntüleme • 4 ay önce •via X (Twitter)

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Congrats to the Patreon Crowd 💸💸💸 I am NOT a betting tipster, I simply am following analysis and data trends for these bets and tonight we have all won big(and made more than their months subscription): > Gomez & Adams Carded 12/1 ✅ > BTTS at 3/4 ✅ > Pulisic Assist at 4/1 ✅ Good thing about posting videos on the patreon chat, I can't edit what i've predicted(good or bad) and all for just £3-7/month. Come Join the Patreon for fun bets and a fantastic discord chat 👇
2:00

Congrats to the Patreon Crowd 💸💸💸 I am NOT a betting tipster, I simply am following analysis and data trends for these bets and tonight we have all won big(and made more than their months subscription): > Gomez & Adams Carded 12/1 ✅ > BTTS at 3/4 ✅ > Pulisic Assist at 4/1 ✅ Good thing about posting videos on the patreon chat, I can't edit what i've predicted(good or bad) and all for just £3-7/month. Come Join the Patreon for fun bets and a fantastic discord chat 👇

John Walker

11,258 görüntüleme • 1 ay önce

Qullamaggie on Buying Near the Moving Averages “You want to buy them near the moving averages. One thing you will find is the best breakouts pretty much all the great breakouts happen from where when the price is at the 10 or the 20 moving average. That’s one of the first things you will notice. I bought SPCE two days ago but you know I shouldn’t have done that. Sometimes FOMO gets the best of me. But now the moving averages are starting to catch up and look how clean of a move it is. Had one leg higher and now it’s digesting with higher lows. Compare it to IDEX - it’s hard to explain, like you need to do the work and you will see it for yourself. You will learn how to identify a good setup. But the key is the 10 day and and or the 20-day needs to catch up the price. MSTR where did I buy it? I bought it here when it flagged showed relative strength and the moving averages caught up to price.”
2:53

Qullamaggie on Buying Near the Moving Averages “You want to buy them near the moving averages. One thing you will find is the best breakouts pretty much all the great breakouts happen from where when the price is at the 10 or the 20 moving average. That’s one of the first things you will notice. I bought SPCE two days ago but you know I shouldn’t have done that. Sometimes FOMO gets the best of me. But now the moving averages are starting to catch up and look how clean of a move it is. Had one leg higher and now it’s digesting with higher lows. Compare it to IDEX - it’s hard to explain, like you need to do the work and you will see it for yourself. You will learn how to identify a good setup. But the key is the 10 day and and or the 20-day needs to catch up the price. MSTR where did I buy it? I bought it here when it flagged showed relative strength and the moving averages caught up to price.”

Lone

30,588 görüntüleme • 1 yıl önce

Qullamaggie shows Exit Strategy for Long Swings “What’s your exit strategy for such long swings? How do you decide this? Okay, that’s easy. Let’s take an example, ROKU. So I bought it here, on the opening range size. It gapped up on earnings, huge volume. All the things I’m looking for. You know, long range break had like a 6, 7-month range break had surprising good earnings. Great growth, etc. I sell some, maybe 15 to 20%. A quarter of my position, and then I trail it. Then I just start trailing it like the first close below this purple line. That’s the 10-day moving average. I sell maybe say a quarter or a third of what I still have left. The shares I have left after the ones I bought. Sold into strength, and then I sell another third or quarter when it hits the first close below the 20-day moving average, which is the yellow line. And then the next level is the red line, which is the 50-day, etc. So that’s how I scale out. So that’s what I use these moving averages for. I wait for them to be my stop pretty much. So I wait until the end of the day and I sell it. Then I also have a level. Let’s just take an example right here. I usually use the previous swing’s lows as my stop. Then I would get out at 79. Even though it turns up intraday and closes above this yellow line, I would have to stop. You know, you can get stopped out because you know. I can, so you know. Sometimes stocks, they go, they can go down, you know, 20%.50% in a day, even. You know mid and large cap names can do that sometimes. So, you know, if it hits my last resort stop, it is my last resort stop. I just sell it. If that was helpful, those are my sell rules, sell into strength and I trail the rest.”
3:01

Qullamaggie shows Exit Strategy for Long Swings “What’s your exit strategy for such long swings? How do you decide this? Okay, that’s easy. Let’s take an example, ROKU. So I bought it here, on the opening range size. It gapped up on earnings, huge volume. All the things I’m looking for. You know, long range break had like a 6, 7-month range break had surprising good earnings. Great growth, etc. I sell some, maybe 15 to 20%. A quarter of my position, and then I trail it. Then I just start trailing it like the first close below this purple line. That’s the 10-day moving average. I sell maybe say a quarter or a third of what I still have left. The shares I have left after the ones I bought. Sold into strength, and then I sell another third or quarter when it hits the first close below the 20-day moving average, which is the yellow line. And then the next level is the red line, which is the 50-day, etc. So that’s how I scale out. So that’s what I use these moving averages for. I wait for them to be my stop pretty much. So I wait until the end of the day and I sell it. Then I also have a level. Let’s just take an example right here. I usually use the previous swing’s lows as my stop. Then I would get out at 79. Even though it turns up intraday and closes above this yellow line, I would have to stop. You know, you can get stopped out because you know. I can, so you know. Sometimes stocks, they go, they can go down, you know, 20%.50% in a day, even. You know mid and large cap names can do that sometimes. So, you know, if it hits my last resort stop, it is my last resort stop. I just sell it. If that was helpful, those are my sell rules, sell into strength and I trail the rest.”

Lone

25,662 görüntüleme • 9 ay önce

Prototyping used to scare me. So I tried to escape it. I remember when I first started designing in Figma, prototyping felt like a mountain I didn’t want to climb. It was that one thing most designers quietly avoided some even said it’s not necessary 😄. I searched for shortcuts. Tried ProtoPie. Looked into Principle. Hoped one of them would save me the trouble. But they all felt disconnected. Too complex. Or just not Figma. So I made a decision: If I’m designing in Figma, I’m prototyping in Figma too. That meant doing everything, product planning, ideation, low-fi, high-fi, and interaction flows all in one tool. No more bouncing around. No more excuses. The first nut to crack? A loading effect. It took me 4 days to figure out. I searched everywhere, YouTube had nothing at the time. But I cracked it just one morning I saw myself trying it out in my dream. Woke up immediately and it was 4am, tried it and it worked. And that changed everything. Prototyping became the one language I could use to explain my designs… without explaining. Today, every prototype I create lives and breathes in Figma. Most of them can either be creative exploration or me trying to fix a broken user experience. No exports. No guesswork. Just clean, clickable experiences. It wasn’t easy. But I’m glad I stopped running from it. Because I would’ve missed out on one skill that: ✅ Earned my first £95K within 7 months while in UK. ✅ Got Uber to reach out to speak about interactive design. ✅ Worked with so many client even from Pakistan. ✅ Watched by more than 1 million people in the first 6 months I started sharing interactive designs. ✅ Prototyping landed me a 9-month contract just 3 days after getting laid off last year. ✅ Funny how the skill I once ran from helped me grow from 500 to 50,000 followers in 7 months. Prototyping gave my work a voice. #prototyping #figmaexperience #productdesign
1:57

Prototyping used to scare me. So I tried to escape it. I remember when I first started designing in Figma, prototyping felt like a mountain I didn’t want to climb. It was that one thing most designers quietly avoided some even said it’s not necessary 😄. I searched for shortcuts. Tried ProtoPie. Looked into Principle. Hoped one of them would save me the trouble. But they all felt disconnected. Too complex. Or just not Figma. So I made a decision: If I’m designing in Figma, I’m prototyping in Figma too. That meant doing everything, product planning, ideation, low-fi, high-fi, and interaction flows all in one tool. No more bouncing around. No more excuses. The first nut to crack? A loading effect. It took me 4 days to figure out. I searched everywhere, YouTube had nothing at the time. But I cracked it just one morning I saw myself trying it out in my dream. Woke up immediately and it was 4am, tried it and it worked. And that changed everything. Prototyping became the one language I could use to explain my designs… without explaining. Today, every prototype I create lives and breathes in Figma. Most of them can either be creative exploration or me trying to fix a broken user experience. No exports. No guesswork. Just clean, clickable experiences. It wasn’t easy. But I’m glad I stopped running from it. Because I would’ve missed out on one skill that: ✅ Earned my first £95K within 7 months while in UK. ✅ Got Uber to reach out to speak about interactive design. ✅ Worked with so many client even from Pakistan. ✅ Watched by more than 1 million people in the first 6 months I started sharing interactive designs. ✅ Prototyping landed me a 9-month contract just 3 days after getting laid off last year. ✅ Funny how the skill I once ran from helped me grow from 500 to 50,000 followers in 7 months. Prototyping gave my work a voice. #prototyping #figmaexperience #productdesign

designwithkingsley

13,869 görüntüleme • 1 yıl önce

Scottie Scheffler played with Bryson DeChambeau yesterday and he reacted to the rules dispute at The Open: “I was out practising. I was playing with him yesterday. I don't really have a ton to say on it. Actually, I do have a ton to say. I haven't decided exactly what I want to say publicly yet. “I do have some thoughts. I just -- I don't really feel like now is the time or place for me to comment. We're in the middle of a tournament, and I'm focused on what I need to do. I need to go out tomorrow and shoot a low round. I'm not really going to expand on it too much.” He was then asked if he will speak publicly in a few weeks: “I don't know. It's just a tough situation, I think. Like I said, I have a decent amount of thoughts, but probably nothing that I'm concerned with right now. “Yeah, just feel like it's not a road I want to go down today. I have a tournament to focus on, and I'm going to go hit a few balls and hit a few putts. It's my job to go out there and shoot a low round tomorrow. Anything outside of that is outside my control.” The Open
1:00

Scottie Scheffler played with Bryson DeChambeau yesterday and he reacted to the rules dispute at The Open: “I was out practising. I was playing with him yesterday. I don't really have a ton to say on it. Actually, I do have a ton to say. I haven't decided exactly what I want to say publicly yet. “I do have some thoughts. I just -- I don't really feel like now is the time or place for me to comment. We're in the middle of a tournament, and I'm focused on what I need to do. I need to go out tomorrow and shoot a low round. I'm not really going to expand on it too much.” He was then asked if he will speak publicly in a few weeks: “I don't know. It's just a tough situation, I think. Like I said, I have a decent amount of thoughts, but probably nothing that I'm concerned with right now. “Yeah, just feel like it's not a road I want to go down today. I have a tournament to focus on, and I'm going to go hit a few balls and hit a few putts. It's my job to go out there and shoot a low round tomorrow. Anything outside of that is outside my control.” The Open

Flushing It

3,865,925 görüntüleme • 8 gün önce

Believe it or not, when I started started filming the migrant crisis here in NYC, i wasn't even thinking about looking for gangs or txrrorist organizations . I thought i was filming a humanitarian crisis, and i thought it was interesting to film All of a sudden, things started falling in my lap that I just couldn't ignore. A lot of people got mad at me for trying to figure out the issue that had to do with the open borders . Once I started seeing the ugly parts of this crisis I just couldn't stop digging into it . Their are horrible stories I still didn't put out yet and I'm just waiting for the right timing... It's too late to stop now.
0:46

Believe it or not, when I started started filming the migrant crisis here in NYC, i wasn't even thinking about looking for gangs or txrrorist organizations . I thought i was filming a humanitarian crisis, and i thought it was interesting to film All of a sudden, things started falling in my lap that I just couldn't ignore. A lot of people got mad at me for trying to figure out the issue that had to do with the open borders . Once I started seeing the ugly parts of this crisis I just couldn't stop digging into it . Their are horrible stories I still didn't put out yet and I'm just waiting for the right timing... It's too late to stop now.

Viral News NYC

18,561 görüntüleme • 1 yıl önce

Claude just got a massive upgrade today and I am proud to be part of it. From today on, Claude can generate videos, podcasts or host apps just like Lovable and Replit. We just launched SkillBoss a skill plugin for Claude that enables Claude to: ✅ Generate videos, images, audio, postcast ✅Build apps with logins, DBs, & payments built-in ✅ Send bulk marketing campaigns ✅ Host custom domains SkillBoss credit will cover all of the above with access to VEO, ElevenLabs, Sora API and 50 more. All you need is to go to download and drag to Claude. Then ask Claude to "make a cat video" or "build an app that charges $5"! SkillBoss also works with Codex, Codex, OpenCode and even OpenClaw(yeah I know!) To celebrate the launch, if you comment "skillboss", you will get 15 credit for free.
1:16

Claude just got a massive upgrade today and I am proud to be part of it. From today on, Claude can generate videos, podcasts or host apps just like Lovable and Replit. We just launched SkillBoss a skill plugin for Claude that enables Claude to: ✅ Generate videos, images, audio, postcast ✅Build apps with logins, DBs, & payments built-in ✅ Send bulk marketing campaigns ✅ Host custom domains SkillBoss credit will cover all of the above with access to VEO, ElevenLabs, Sora API and 50 more. All you need is to go to download and drag to Claude. Then ask Claude to "make a cat video" or "build an app that charges $5"! SkillBoss also works with Codex, Codex, OpenCode and even OpenClaw(yeah I know!) To celebrate the launch, if you comment "skillboss", you will get 15 credit for free.

Xiaoyin Qu

291,438 görüntüleme • 5 ay önce

I don't know what's going on here at home😭😭😭 I buy rice, store it in the cupboard and when I go to cook, I find it full of these little creatures. And before anyone says: it's not a lack of hygiene, you know? I clean the cupboard practically all the time. The worst part is that I don't even buy rice from dubious brands. Now my doubt is: WHERE do these creatures come from?! Because I've already decided that I'm going to wage a war against them. Has anyone else been through this or was I the chosen one this time?😭
1:02

I don't know what's going on here at home😭😭😭 I buy rice, store it in the cupboard and when I go to cook, I find it full of these little creatures. And before anyone says: it's not a lack of hygiene, you know? I clean the cupboard practically all the time. The worst part is that I don't even buy rice from dubious brands. Now my doubt is: WHERE do these creatures come from?! Because I've already decided that I'm going to wage a war against them. Has anyone else been through this or was I the chosen one this time?😭

LG Basler

20,712 görüntüleme • 1 ay önce

I'm pretty bad at a lot of things but one thing I've (accidentally or not) have been pretty good at is being early at trends A lot of these trends are in my head in some way and I wanted to visualize those on a chart. So I built another dynamic blog post (on my new vibecoded blog platform that lets me do these kinds of pages) with this chart above. The first disclaimer of course is this is completely subjective and essentially a chart based brain dump. And the second disclaimer is I don't think I'm right, it's just my own beliefs visualized! I'll keep updating the chart You can select different trends on the legend or by clicking on a line, and you can also go fullscreen! Also you can select [x] indexed view which is pretty cool too :D Let me know what I should add or change!
0:51

I'm pretty bad at a lot of things but one thing I've (accidentally or not) have been pretty good at is being early at trends A lot of these trends are in my head in some way and I wanted to visualize those on a chart. So I built another dynamic blog post (on my new vibecoded blog platform that lets me do these kinds of pages) with this chart above. The first disclaimer of course is this is completely subjective and essentially a chart based brain dump. And the second disclaimer is I don't think I'm right, it's just my own beliefs visualized! I'll keep updating the chart You can select different trends on the legend or by clicking on a line, and you can also go fullscreen! Also you can select [x] indexed view which is pretty cool too :D Let me know what I should add or change!

@levelsio

483,059 görüntüleme • 17 gün önce

A fan asked Cole what Fall Off track he’s been playing the most in his Civic during the Trunk Sale? “i play it straight through damn near every time. I don't go to a particular song. I been doing that for the past few months. And i'm still doing it now. But when I was back home, i would somedays hit a pocket where i just play a song like quik stop back to back to back. Or the let out back to back to back. Or legacy. Same thing with run a train, poor thang. Damn near every song on the album has given me moments where i just run them on repeat.”
0:55

A fan asked Cole what Fall Off track he’s been playing the most in his Civic during the Trunk Sale? “i play it straight through damn near every time. I don't go to a particular song. I been doing that for the past few months. And i'm still doing it now. But when I was back home, i would somedays hit a pocket where i just play a song like quik stop back to back to back. Or the let out back to back to back. Or legacy. Same thing with run a train, poor thang. Damn near every song on the album has given me moments where i just run them on repeat.”

Cole World

124,519 görüntüleme • 5 ay önce

Most nights I would sit in front of my MacBook with ten tabs open and a blank cursor mocking me. The perfect line for a LinkedIn post or X thread would be loud in my head, but by the time I tried to type it out, the rhythm was gone and I would just close the tab. It felt like I was leaving money and momentum on the table every single day. If you have ever rewritten the same sentence over and over, or stared at your laptop knowing exactly what you want to say but not how to start, you know that frustration. Creators, founders, and job seekers all live in LinkedIn DMs, WhatsApp chats, and X replies, but our brains move in voice, not in perfect text. We just need a way to grab the thought before perfectionism and typing slow it down. So I started using Typeless. I use one keyboard shortcut, talk the way I normally would, and it turns my speech into a ready post or reply I can send straight to LinkedIn, WhatsApp, or X from inside the app. No overthinking, no fighting the keyboard, just saying the thing once and letting Typeless write it for me. Try it here:
1:52

Most nights I would sit in front of my MacBook with ten tabs open and a blank cursor mocking me. The perfect line for a LinkedIn post or X thread would be loud in my head, but by the time I tried to type it out, the rhythm was gone and I would just close the tab. It felt like I was leaving money and momentum on the table every single day. If you have ever rewritten the same sentence over and over, or stared at your laptop knowing exactly what you want to say but not how to start, you know that frustration. Creators, founders, and job seekers all live in LinkedIn DMs, WhatsApp chats, and X replies, but our brains move in voice, not in perfect text. We just need a way to grab the thought before perfectionism and typing slow it down. So I started using Typeless. I use one keyboard shortcut, talk the way I normally would, and it turns my speech into a ready post or reply I can send straight to LinkedIn, WhatsApp, or X from inside the app. No overthinking, no fighting the keyboard, just saying the thing once and letting Typeless write it for me. Try it here:

FELIX

64,403 görüntüleme • 7 ay önce

Bro… I just built a tool entirely with Grok Build for studying $TSLA’s biggest daily moves. I simply enter any percentage threshold (like +10% or -5%), and my app instantly finds every single day Tesla’s stock moved that much or more since its IPO in 2010. It highlights the specific days on the chart with yellow stars, shows you the exact date, the % change, and the closing price. I can even click a “Why?” button on any day to pull up the news from that specific date. Everything can be exported as a CSV too. Grok Build is really a game changer… LMK if anyone wants access to it.
1:41

Bro… I just built a tool entirely with Grok Build for studying $TSLA’s biggest daily moves. I simply enter any percentage threshold (like +10% or -5%), and my app instantly finds every single day Tesla’s stock moved that much or more since its IPO in 2010. It highlights the specific days on the chart with yellow stars, shows you the exact date, the % change, and the closing price. I can even click a “Why?” button on any day to pull up the news from that specific date. Everything can be exported as a CSV too. Grok Build is really a game changer… LMK if anyone wants access to it.

Teslaconomics

31,569 görüntüleme • 2 ay önce

I intend to sue Jen Psaki and MS NOW over the below clip. To be clear: • Contrary to her monolog and blatant lies, I have NEVER been on the board of ALT5 — not now, not ever. Any person with basic access to Google and willing to open a company’s annual report or proxy statements would know this. • I have had zero involvement in any merger discussions involving any public entity I do not run or control. • I have zero business interests in China. No properties, no investments, nothing! I joined this trip for one reason: as a loving son who adores my father and wouldn’t miss being by his side for this incredible moment. During the bilateral talks, Lara Trump and I went to the Great Wall of China. More to come…
2:42

I intend to sue Jen Psaki and MS NOW over the below clip. To be clear: • Contrary to her monolog and blatant lies, I have NEVER been on the board of ALT5 — not now, not ever. Any person with basic access to Google and willing to open a company’s annual report or proxy statements would know this. • I have had zero involvement in any merger discussions involving any public entity I do not run or control. • I have zero business interests in China. No properties, no investments, nothing! I joined this trip for one reason: as a loving son who adores my father and wouldn’t miss being by his side for this incredible moment. During the bilateral talks, Lara Trump and I went to the Great Wall of China. More to come…

Eric Trump

1,851,943 görüntüleme • 2 ay önce

Right now, I have a few dozen tools to automate my life. Every single thing that I do more than once every week is now a tool: either a Claude Code skill, a scheduled workflow, or an application. • I spend the time doing this once. • I schedule it. • I forget about it (or at least, try to) CREAO is one of the platforms I've used extensively for building some of these automations. They are partnering with me on this post. They are one of the only platforms where you can go from a conversation to a scheduled agent that quickly. This is how it works: 1. You describe the problem you want to solve 2. CREAO's agent builds the logic and executes it 3. You can iterate with the agent to improve the solution 4. When you are done, you turn that solution into a mini app 5. You can schedule that app to run any time you need it Something important: These agents are deterministic. They don't use an LLM to generate answers, so they will always return the same output given the same input. This is critical: when you're automating something that runs every Monday at 9 am, you need it to return the same result every time, not a "creative" answer.
5:00

Right now, I have a few dozen tools to automate my life. Every single thing that I do more than once every week is now a tool: either a Claude Code skill, a scheduled workflow, or an application. • I spend the time doing this once. • I schedule it. • I forget about it (or at least, try to) CREAO is one of the platforms I've used extensively for building some of these automations. They are partnering with me on this post. They are one of the only platforms where you can go from a conversation to a scheduled agent that quickly. This is how it works: 1. You describe the problem you want to solve 2. CREAO's agent builds the logic and executes it 3. You can iterate with the agent to improve the solution 4. When you are done, you turn that solution into a mini app 5. You can schedule that app to run any time you need it Something important: These agents are deterministic. They don't use an LLM to generate answers, so they will always return the same output given the same input. This is critical: when you're automating something that runs every Monday at 9 am, you need it to return the same result every time, not a "creative" answer.

Santiago

13,712 görüntüleme • 3 ay önce

Charlie Sheen reveals he came within seconds of accidentally snorting heroin in Hamburg in 1993 and decided the drug was too dangerous to ever try “Heroin is the one drug that I that I never did.” “I saw heroin as, I would do it once and die, or do it once and then need to do it every day for a long time until I died, you know?” “I was doing musketeers, but I had to leave and come back through Germany and I stopped off in Hamburg, right? And I was with this limo driver and I said, 'Can you get me some some shit?' Right? And I thought he knew I meant cocaine.” “He goes into a bar. He comes back out and he hands a bindle into the back seat, right? So I open it up. It's super dark. I grab like a glob of it. I don't even have a spoon or a knife or anything. And I grab a glob and I've got it up to my nose.” “We pass, we're on this super dark street. He's going about 30 miles an hour. It's about 2:00 in the morning and there's one light from this pub, like the thinnest, dimmest light you can imagine, that catches the bindle for like a 50th of a second and I see that it's brown.” “And I get to hear and I'm like, 'Hey, whoa, whoa, whoa. Uh, sir, um, I uh this is not this is not the shit that I was hoping for.'”
2:33

Charlie Sheen reveals he came within seconds of accidentally snorting heroin in Hamburg in 1993 and decided the drug was too dangerous to ever try “Heroin is the one drug that I that I never did.” “I saw heroin as, I would do it once and die, or do it once and then need to do it every day for a long time until I died, you know?” “I was doing musketeers, but I had to leave and come back through Germany and I stopped off in Hamburg, right? And I was with this limo driver and I said, 'Can you get me some some shit?' Right? And I thought he knew I meant cocaine.” “He goes into a bar. He comes back out and he hands a bindle into the back seat, right? So I open it up. It's super dark. I grab like a glob of it. I don't even have a spoon or a knife or anything. And I grab a glob and I've got it up to my nose.” “We pass, we're on this super dark street. He's going about 30 miles an hour. It's about 2:00 in the morning and there's one light from this pub, like the thinnest, dimmest light you can imagine, that catches the bindle for like a 50th of a second and I see that it's brown.” “And I get to hear and I'm like, 'Hey, whoa, whoa, whoa. Uh, sir, um, I uh this is not this is not the shit that I was hoping for.'”

Hribi

95,577 görüntüleme • 1 ay önce

I used to stare at the hourly chart, trying to predict what would happen next—reacting, hesitating, and chasing moves I didn’t fully understand. Everything changed when I stopped relying on instinct and started treating each hour like a repeatable decision process. That showed me where the momentum was going: red or green, normal range, small doji, or large expansion. Everything truly shifted when I heard the idea of treating each hour as its own trade framework, and later when quarter logic was introduced—that was the spark. Credit where it’s due: Daye planted the seed of quarters I might not use them exactly the way he do but they are powerful for sure. With multiple TBIs injuries from the Army, I can’t trade off instinct or emotion or theory. I need structure—the same sequence, the same logic, the same decision points. That limitation forced discipline and eventually became a strength. My core rule: I don’t assume anything. I make the market prove it to me through what it has consistently done in the past via probabilities, then build a framework I can make decisions with and manage risk around—even if it isn’t an exact copy of whoever introduced the idea. So my team and I built software that analyzes each hour using data from the last 80,000+ hours of market behavior to ensure the framework is built on statistical truth. Now every hour, I’m not predicting—I’m identifying the exact probabilities behind the next likely move and executing the matching playbook. Same questions. Same rules. Same execution. And the wild part? It also works on the 3-hour chart using line structure vs. apex behavior—but that’s a lesson for another day. Free indicator in the comments. Enjoy Retweet if you go a ah ha moment in it Austin Clark
10:27

I used to stare at the hourly chart, trying to predict what would happen next—reacting, hesitating, and chasing moves I didn’t fully understand. Everything changed when I stopped relying on instinct and started treating each hour like a repeatable decision process. That showed me where the momentum was going: red or green, normal range, small doji, or large expansion. Everything truly shifted when I heard the idea of treating each hour as its own trade framework, and later when quarter logic was introduced—that was the spark. Credit where it’s due: Daye planted the seed of quarters I might not use them exactly the way he do but they are powerful for sure. With multiple TBIs injuries from the Army, I can’t trade off instinct or emotion or theory. I need structure—the same sequence, the same logic, the same decision points. That limitation forced discipline and eventually became a strength. My core rule: I don’t assume anything. I make the market prove it to me through what it has consistently done in the past via probabilities, then build a framework I can make decisions with and manage risk around—even if it isn’t an exact copy of whoever introduced the idea. So my team and I built software that analyzes each hour using data from the last 80,000+ hours of market behavior to ensure the framework is built on statistical truth. Now every hour, I’m not predicting—I’m identifying the exact probabilities behind the next likely move and executing the matching playbook. Same questions. Same rules. Same execution. And the wild part? It also works on the 3-hour chart using line structure vs. apex behavior—but that’s a lesson for another day. Free indicator in the comments. Enjoy Retweet if you go a ah ha moment in it Austin Clark

The Daily Profiler

27,459 görüntüleme • 7 ay önce

OKAY SO I HAVE KEPT THIS CLOSE TO THE CHEST FOR WEEKS NOW THIS IS WHAT HAPPEN I FLEW FROM DTW DETROIT TO TPA TAMPA AFTER PASSING INTO FLORIDA I STARTED TO SEE COASTLINE THE BEACH AND FACING WEST AT PROLLY 20K AND DESCENDING UP TO THE RIGHT I SEE A FLIGHT AT LIKE 35K WAS SPRAYING I START RECORDING THE LADY NEXT TO ME WAS WATCHING AND THEN THIS PLANE JUST DISAPPEARED!! I KNOW I KNOW BUT I WOULD OF THOUGHT CAMERA OUT OF FOCUS IS ALL BUT I WAS LOOKING OUT THE WINDOW NOT AT PHONE AFTER A SECOND OR 2 I DROPPED PHONE DOWN STUCK MY HEAD IN WINDOW IT WAS GONE I DON'T CARE WHAT Y'ALL SAY I DON'T NEED MONEY OR ATTENTION THIS HAPPEN AND THE TECH IS REAL IF YOU WANT A COPY OF VIDEO IT IS UNEDITED NOT TOUCHED THANK YOU !!
1:02

OKAY SO I HAVE KEPT THIS CLOSE TO THE CHEST FOR WEEKS NOW THIS IS WHAT HAPPEN I FLEW FROM DTW DETROIT TO TPA TAMPA AFTER PASSING INTO FLORIDA I STARTED TO SEE COASTLINE THE BEACH AND FACING WEST AT PROLLY 20K AND DESCENDING UP TO THE RIGHT I SEE A FLIGHT AT LIKE 35K WAS SPRAYING I START RECORDING THE LADY NEXT TO ME WAS WATCHING AND THEN THIS PLANE JUST DISAPPEARED!! I KNOW I KNOW BUT I WOULD OF THOUGHT CAMERA OUT OF FOCUS IS ALL BUT I WAS LOOKING OUT THE WINDOW NOT AT PHONE AFTER A SECOND OR 2 I DROPPED PHONE DOWN STUCK MY HEAD IN WINDOW IT WAS GONE I DON'T CARE WHAT Y'ALL SAY I DON'T NEED MONEY OR ATTENTION THIS HAPPEN AND THE TECH IS REAL IF YOU WANT A COPY OF VIDEO IT IS UNEDITED NOT TOUCHED THANK YOU !!

mike

106,039 görüntüleme • 26 gün önce

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)
1:46

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 görüntüleme • 7 ay önce

How I Find Stocks WHEN Institutional Money Floods In (3 Signs) My strategy comes from my days as a hedge fund strategist—finding breakout stocks when institutional money pours in. Here's my exact system: I look for 3 tell-tale signs: 1. Look for consolidation patterns (sideways movement) 2. Wait for breakout above the 50-day moving average 3. Buy just above recent highs Remember: Don't start with individual stocks. That's overwhelming. I typically start with sectors. I find sectors showing the consolidation pattern (like homebuilders or biotech recovering from terrible years). Then I drill down to industries within those sectors. Finally, I pick the top 2-3 stocks in that industry and look for the same pattern. I call it the "heartbeat pattern": sideways consolidation, breaking above the 50-day MA, taking out recent highs. I set my buy order just above that point. When it triggers, I watch the volume. If it doubles, triples, or quadruples—that's institutional money flooding in. This is how I catch the sweet spot when the big money moves, not after. It takes me 2-3 hours per week, and it's been working for decades. — This is just a small snippet of the 25-minute interview. We also covered: • The exact volume pattern that signals institutional buying is happening NOW • How to automate your exits so emotions don't cost you 20-30% losses • Why "cheap" stocks are a trap—and what to buy instead Just comment “INTERVIEW’ and I’ll DM you the complete interview.
2:04

How I Find Stocks WHEN Institutional Money Floods In (3 Signs) My strategy comes from my days as a hedge fund strategist—finding breakout stocks when institutional money pours in. Here's my exact system: I look for 3 tell-tale signs: 1. Look for consolidation patterns (sideways movement) 2. Wait for breakout above the 50-day moving average 3. Buy just above recent highs Remember: Don't start with individual stocks. That's overwhelming. I typically start with sectors. I find sectors showing the consolidation pattern (like homebuilders or biotech recovering from terrible years). Then I drill down to industries within those sectors. Finally, I pick the top 2-3 stocks in that industry and look for the same pattern. I call it the "heartbeat pattern": sideways consolidation, breaking above the 50-day MA, taking out recent highs. I set my buy order just above that point. When it triggers, I watch the volume. If it doubles, triples, or quadruples—that's institutional money flooding in. This is how I catch the sweet spot when the big money moves, not after. It takes me 2-3 hours per week, and it's been working for decades. — This is just a small snippet of the 25-minute interview. We also covered: • The exact volume pattern that signals institutional buying is happening NOW • How to automate your exits so emotions don't cost you 20-30% losses • Why "cheap" stocks are a trap—and what to buy instead Just comment “INTERVIEW’ and I’ll DM you the complete interview.

Felix Prehn 🐶

41,027 görüntüleme • 6 ay önce