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Billie Eilish always acting really funny when she goes goth mode. #interracial #snowbunny #bigtits #goth #slimthick #NSFW #nsfwtwtㅤㅤㅤㅤㅤㅤ

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No Goth isn’t. 𝑷𝒖𝒏𝒌 𝒊𝒔 𝒑𝒐𝒍𝒊𝒕𝒊𝒄𝒂𝒍. 𝑮𝒐𝒕𝒉 𝒊𝒔 𝒂𝒑𝒐𝒍𝒊𝒕𝒊𝒄𝒂𝒍. So here it goes… I have been in/on/around the scene since the 80s. I’ve had these debates for almost as long, since the first time I listen to “No Tears” by Tuxedomoon. There have always been some douchey, arrogant Baby Bat and Raven gatekeepers telling other people what real #Goth is. Whether it is an aesthetic, a style, or song, someone always wants to tell you what to do; who you should listen to; what you should wear. Aside from a smattering of proto-goth tracks, the Goth subculture evolved from Punks in the late 70s and moved away from the anti-establishment anger and fury that defined #Punk scene. Furthermore, I believe that Goth distinguishes itself from punk specifically because it is not political. Instead, Goth focused on the aesthetics and philosophical influences of romanticism, and esoteric nostalgia; often with a sense of melancholy and introspection. These are “universal truths” that transcend generations, and are far more important to the human condition than the fleeting issues of politics. This, to me, is at the marrow of the Goth ethos. While the early goth subculture shared some of punk’s rejection of mainstream culture, it was not driven by political rage or activism. It is in this juxtaposition that the goth subculture seems banal and nihilistic when it comes to politics. Like, who cares, it doesn’t even matter. So instead, Goth draws heavily from the macabre in literary works, poetry, arcane gnosticism, architecture, and alchemy; a fascination with the past, particularly with Romantic, Victorian, and Medieval eras. Goth’s roots are grounded in a longing for a different kind of emotional or intellectual engagement with the world, often viewed through an existential lens. This shift from the politically driven anger of Punks to Goth’s introspection, influenced by nostalgia and romanticism, creates a clear cultural divergence and makes Goth timeless and unique. Now, enjoy some #Tuxedomoon from 1978

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director chen chang shares the reasons why he wanted to work with zhao lusi for the second time 🩵 "for love's ambition, it really felt a two-way street effort between lusi and I I told her about this script and she went back to read it. afterwards, she really liked it so she told me that she wanted to do it together with me! when I first met lusi, she was only a 19/20 years old girl. she was very adorable and she basically portrayed a role that was natural to herself (gu shengnan in dating in the kitchen) but for this time round, there were two main reasons why I wanted to work with her firstly, her matured acting skills. of course, when it comes to an actor, their acting skills will always have to be the most important thing. to be recognised, she would want to portray many different roles. this role (xu yan) would give her that space to become a very different zhao lusi secondly, her passion. being passionate wouldn't necessarily mean that you have great acting skills . sometimes, passion will only give you the love for acting but you'll still need to keep refining your acting skills. your acting skills might not improve just because you have the passion too but when there is love in your eyes, and when you have love for dramas, your eyes won't lie. that is what differentiates between actors as for lusi, I really can tell her love for dramas. so why wouldn't you not want to collaborate with such an actor? one who calls you at 3 AM, "is my outfit for tomorrow's filming ok?" "can we do it like this for this scene?" really, when you come across an actor like this, you'll feel so blessed" #LovesAmbition

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“How Billie Eilish OBLITERATED the Palestinian Narrative” At this year’s Grammy’s, Billie Eilish decided to ignore the advice of Ricky Gervais and speak from her ass, which many people could confuse for her mouth: “Nobody is illegal on stolen land.” Not only is that a third grader take, but it’s a take that proves too much: 1) As pointed out by the Tongva Tribe, Billie Eilish should hand them the keys to her mansion and leave (whoops!) 2) All land should return to the most original and indigenous of its inhabitants For someone who clearly supports the Palestinian cause as evidenced by her wearing the Red Hand of Ramallah Lynching Pin, that’s a bold move. “Nobody is illegal on stolen land?” So the Israelis have all rights to Judea and Israel, and the Palestinians should cease their case? Good call! If she’s willing to bring up something from half a millennia ago, all grievances must be on the table! Or else where does she draw the line? We know she’s not just interested in 20th century issues if she’s bringing up America, the United States, and tribal warfare. Where’s her line? Who gets to decide what was stolen from whom, and when? In New England, that’s not true. And we have OG tribes, so what’s her arbitrary line that she wants to use? Because the claim that “this land was stolen from people who themselves never stole it” is historically false. It’s false everywhere. False on the North American Continent. False on Japan. False in Africa. False just about everywhere humans have ever existed. But you know who knows that better than anyone else? The Palestinians. And Billie Eilish just DESTROYED the narrative that the land was stolen FROM THEM. Because if she is willing to go back half a millennia with her arbitrary line of distinction, why not more than 2,000 years. It’s Palestinian land? Really? Let’s check who stole the land from the Jews (or Israelis or Hebrews): Staring with Jordan! Who illegally occupied Jerusalem from 1948–1967. Followed by: •United Kingdom (British Mandate) •Ottoman Empire •Mamluk Sultanate •Ayyubid Sultanate •Crusader Kingdom of Jerusalem •Fatimid Caliphate •Abbasid Caliphate •Umayyad Caliphate •Rashidun Caliphate •Byzantine (Eastern Roman) Empire •Sasanian Persian Empire (briefly) •Roman Empire •Hasmonean Jewish Kingdom •Seleucid Empire •Ptolemaic Kingdom (Egyptian Greek) •Achaemenid Persian Empire •Neo-Babylonian Empire •Neo-Assyrian Empire So thank you Billie Eilish for proving the righteousness of Zionism.

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