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Billy Wilder on Audrey Hepburn ♥️ “Suddenly there was that dazzling creature, looking like a wide-eyed doe prancing through the forest ... it took exactly five minutes for everybody on that set to fall in love with Audrey.” Music: Frank Sinatra with the Nelson Riddle Orchestra in 1964 ―... show more

Hollywood Golden Age of Cinema

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16,804 次观看 • 7 个月前 •via X (Twitter)

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Eliza Doolittle (Audrey Hepburn) amongst high society with zero filter! “Come on. Come on Dover. Come on. Come on Dover. Come on. Come on Dover ... move your bloomin' arse!!!”. Audrey Hepburn at her most iconic in George Cukor’s dazzling 1964 musical comedy My Fair Lady ... an 8x Oscar winner, including Best Picture. Costume designer Cecil Beaton created 1,500 costumes for this movie, with the exception of the pearl white gown Audrey Hepburn wears to the Embassy Ball, an original Edwardian specimen Beaton found in an antique shop. Audrey Hepburn later admitted she would never have accepted the role of Eliza Doolittle if she had known that producer Jack L. Warner intended to have nearly all of her singing dubbed. After making this movie, Hepburn resolved not to appear in another movie musical unless she could do the singing on her own.

Eliza Doolittle (Audrey Hepburn) amongst high society with zero filter! “Come on. Come on Dover. Come on. Come on Dover. Come on. Come on Dover ... move your bloomin' arse!!!”. Audrey Hepburn at her most iconic in George Cukor’s dazzling 1964 musical comedy My Fair Lady ... an 8x Oscar winner, including Best Picture. Costume designer Cecil Beaton created 1,500 costumes for this movie, with the exception of the pearl white gown Audrey Hepburn wears to the Embassy Ball, an original Edwardian specimen Beaton found in an antique shop. Audrey Hepburn later admitted she would never have accepted the role of Eliza Doolittle if she had known that producer Jack L. Warner intended to have nearly all of her singing dubbed. After making this movie, Hepburn resolved not to appear in another movie musical unless she could do the singing on her own.

Hollywood Golden Age of Cinema

19,116 次观看 • 3 个月前

One of the enduring myths surrounding Sabrina (1954) is that Humphrey Bogart and Audrey Hepburn didn't get along. The reality was far more complicated. The set wasn't exactly a happy one, but the real tension existed between Bogart and director Billy Wilder. Bogart reportedly knew that Wilder's first choice for Linus Larrabee had been Cary Grant, and the relationship between actor and director remained strained throughout production. As Wilder later put it: "Bogart did not hate Audrey Hepburn. Nobody could hate Hepburn. He did not hate William Holden. He hated me! Why? Because he knew I wanted to have Cary Grant but I couldn't get him." Despite the behind-the-scenes friction, the film became one of Hollywood's most beloved romantic classics. Audrey Hepburn shines as Sabrina Fairchild, the chauffeur's daughter who returns from Paris transformed into a sophisticated young woman and finds herself torn between two very different brothers—playboy David (William Holden) and the reserved, business-minded Linus (Humphrey Bogart). More than 70 years later, Sabrina remains a timeless showcase of Audrey Hepburn's charm, elegance, and star power.

One of the enduring myths surrounding Sabrina (1954) is that Humphrey Bogart and Audrey Hepburn didn't get along. The reality was far more complicated. The set wasn't exactly a happy one, but the real tension existed between Bogart and director Billy Wilder. Bogart reportedly knew that Wilder's first choice for Linus Larrabee had been Cary Grant, and the relationship between actor and director remained strained throughout production. As Wilder later put it: "Bogart did not hate Audrey Hepburn. Nobody could hate Hepburn. He did not hate William Holden. He hated me! Why? Because he knew I wanted to have Cary Grant but I couldn't get him." Despite the behind-the-scenes friction, the film became one of Hollywood's most beloved romantic classics. Audrey Hepburn shines as Sabrina Fairchild, the chauffeur's daughter who returns from Paris transformed into a sophisticated young woman and finds herself torn between two very different brothers—playboy David (William Holden) and the reserved, business-minded Linus (Humphrey Bogart). More than 70 years later, Sabrina remains a timeless showcase of Audrey Hepburn's charm, elegance, and star power.

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46,700 次观看 • 2 个月前

Harry on how the album should be listened to “[…] And it became really obvious that it was music that was meant to be played and played loud. So I think everyone's different. The experience is the way that they like to experience music. Like I love listening to it alone in my car. I love listening to music with friends, and I think the album is you can have very different, uh, kind of journeys with it depending on how you listen to it. I love listening to it, like sitting still in headphones and listening to it that way. I love listening to it driving. I love being with friends.” - 102,7 KIIS FM

Harry on how the album should be listened to “[…] And it became really obvious that it was music that was meant to be played and played loud. So I think everyone's different. The experience is the way that they like to experience music. Like I love listening to it alone in my car. I love listening to music with friends, and I think the album is you can have very different, uh, kind of journeys with it depending on how you listen to it. I love listening to it, like sitting still in headphones and listening to it that way. I love listening to it driving. I love being with friends.” - 102,7 KIIS FM

HSNews

43,853 次观看 • 7 个月前

Remembering Audrey Hepburn on her 97th birthday! Paramount originally wanted to shoot "Roman Holiday" (1953) in Hollywood. William Wyler refused, insisting it must be shot on location. They finally agreed, but with a much lower budget. This meant the movie would be in black and white, not the expected Technicolor, and he would need to cast an unknown actress as the Princess, Audrey Hepburn. She went on to win an Oscar for the role. (Source: IMDb)

Remembering Audrey Hepburn on her 97th birthday! Paramount originally wanted to shoot "Roman Holiday" (1953) in Hollywood. William Wyler refused, insisting it must be shot on location. They finally agreed, but with a much lower budget. This meant the movie would be in black and white, not the expected Technicolor, and he would need to cast an unknown actress as the Princess, Audrey Hepburn. She went on to win an Oscar for the role. (Source: IMDb)

DepressedBergman

41,652 次观看 • 3 个月前

"Embrace the suck. There is just a lot of it that sucks. You have to fall in love with that part if you are doing to do anything great in life. Everybody loves to play, but it's falling in love and embracing the suck along the way that's what separates us." -Dabo Swinney

"Embrace the suck. There is just a lot of it that sucks. You have to fall in love with that part if you are doing to do anything great in life. Everybody loves to play, but it's falling in love and embracing the suck along the way that's what separates us." -Dabo Swinney

The Winning Difference

121,306 次观看 • 3 年前

Audrey Hepburn singing ‘Moon River’ in ‘Breakfast at Tiffany’s’, 1961. On April 7, 1961, a private screening for ‘Breakfast at Tiffany’s’ was held at the Golden Gate Theatre in San Francisco. Some of the people in attendance were Audrey Hepburn, her husband Mel Ferrer, director Blake Edwards, composer Henry Mancini, and Paramount production chief, Martin Rackin. Once the screening was over, the group went to a nearby hotel to discuss the audience’s reaction. It was there that Martin Rackin made it clear that Audrey’s performance of ‘Moon River’ had to go. Upon hearing this, Audrey shot out of her seat and said, “Over my dead body!” “Mel had to put his hand on her arm to restrain her. That’s the closest I ever saw her come to losing control”, recalled composer Henry Mancini. Audrey knew that the heartfelt melody composed by Henry Mancini was the cornerstone of the movie. To everyone’s surprise, Audrey remained steadfast and refused to let go of the song. Thankfully, ‘Moon River’ wasn’t cut from the movie and went on to win the Academy Award for Best Original Song in 1961. It also won the 1962 Grammy Awards for Record of the Year and Song of the Year.

Audrey Hepburn singing ‘Moon River’ in ‘Breakfast at Tiffany’s’, 1961. On April 7, 1961, a private screening for ‘Breakfast at Tiffany’s’ was held at the Golden Gate Theatre in San Francisco. Some of the people in attendance were Audrey Hepburn, her husband Mel Ferrer, director Blake Edwards, composer Henry Mancini, and Paramount production chief, Martin Rackin. Once the screening was over, the group went to a nearby hotel to discuss the audience’s reaction. It was there that Martin Rackin made it clear that Audrey’s performance of ‘Moon River’ had to go. Upon hearing this, Audrey shot out of her seat and said, “Over my dead body!” “Mel had to put his hand on her arm to restrain her. That’s the closest I ever saw her come to losing control”, recalled composer Henry Mancini. Audrey knew that the heartfelt melody composed by Henry Mancini was the cornerstone of the movie. To everyone’s surprise, Audrey remained steadfast and refused to let go of the song. Thankfully, ‘Moon River’ wasn’t cut from the movie and went on to win the Academy Award for Best Original Song in 1961. It also won the 1962 Grammy Awards for Record of the Year and Song of the Year.

Movie Star Icons

56,540 次观看 • 9 个月前

Audrey Hepburn’s “Undress Scene” with Gregory Peck in William Wyler's Roman Holiday (1953). After filming, Gregory Peck informed the producers that, as Audrey Hepburn was certainly going to win an Oscar (for this, her first major role), they had better put her name above the title. They did and she did.

Audrey Hepburn’s “Undress Scene” with Gregory Peck in William Wyler's Roman Holiday (1953). After filming, Gregory Peck informed the producers that, as Audrey Hepburn was certainly going to win an Oscar (for this, her first major role), they had better put her name above the title. They did and she did.

Hollywood Golden Age of Cinema

220,216 次观看 • 9 个月前

"There was something wrong with [McGregor] before he got in that cage tonight. When he was in there, it was like nothing I'd ever seen him do. He was looking out into the crowd. He didn't really lock eyes with Max. That looked like a guy who was disassociated with the moment for me." - Peter Carroll

"There was something wrong with [McGregor] before he got in that cage tonight. When he was in there, it was like nothing I'd ever seen him do. He was looking out into the crowd. He didn't really lock eyes with Max. That looked like a guy who was disassociated with the moment for me." - Peter Carroll

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EJAE, Audrey Nuna, Rei Ami talk about their love for 2NE1 Audrey Nuna: "For me that was huge to see an Asian female face who was owning their stuff to that degree" Rei Ami: "Specifically CL" CL get on board the Huntrix train and do Kpop Demon Hunters 2 with them

EJAE, Audrey Nuna, Rei Ami talk about their love for 2NE1 Audrey Nuna: "For me that was huge to see an Asian female face who was owning their stuff to that degree" Rei Ami: "Specifically CL" CL get on board the Huntrix train and do Kpop Demon Hunters 2 with them

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29,017 次观看 • 11 个月前

Mike Brown: "The buy in. It was a contract that I had everybody sign opening dinner night and I still have it framed. Everybody's signature from Mr. Dolan to Leon Rose, all the coaches, all the players, all the staff that was there that night signed and basically it was about committing to sacrifice, having a competitive spirit, being connected, believing in each other in the process while holding everybody accountable even myself...I told everybody that night if you're not gonna abide by this I'd have more respect for you to not sign it than to sign it and BS your way through tonight and BS your way through this and everybody bought in from day 1"

Mike Brown: "The buy in. It was a contract that I had everybody sign opening dinner night and I still have it framed. Everybody's signature from Mr. Dolan to Leon Rose, all the coaches, all the players, all the staff that was there that night signed and basically it was about committing to sacrifice, having a competitive spirit, being connected, believing in each other in the process while holding everybody accountable even myself...I told everybody that night if you're not gonna abide by this I'd have more respect for you to not sign it than to sign it and BS your way through tonight and BS your way through this and everybody bought in from day 1"

Oh No He Didn't

483,355 次观看 • 2 个月前

Audrey Hepburn in “My Fair Lady” (1964), directed by George Cukor. Costume designer Cecil Beaton created 1,500 costumes for this movie, with the exception of the pearl white gown Hepburn wears to the Embassy Ball (as seen in this video) ― It is an original Edwardian gown Beaton found in an antique shop. “My Fair Lady” won 8 Academy Awards including Best Picture, Best Director, and Best Actor for Rex Harrison. It was nominated for 12 Oscars in total.

Audrey Hepburn in “My Fair Lady” (1964), directed by George Cukor. Costume designer Cecil Beaton created 1,500 costumes for this movie, with the exception of the pearl white gown Hepburn wears to the Embassy Ball (as seen in this video) ― It is an original Edwardian gown Beaton found in an antique shop. “My Fair Lady” won 8 Academy Awards including Best Picture, Best Director, and Best Actor for Rex Harrison. It was nominated for 12 Oscars in total.

Hollywood Golden Age of cinema

155,906 次观看 • 7 个月前

Holly Golightly (Audrey Hepburn) wears the same dresses all the way through Breakfast at Tiffany's, simply changing the accessories to give each outfit a different look. Her black shift dress features through the movie at least four times. This signifies that while she wasn't well-off, she was savvy with being stylish, using the little she had to great effect. According to lyricist Johnny Mercer, in a meeting following a San Francisco screening of the movie, a Paramount executive, in reference to “Moon River”, said, “Well, I think the first thing we can do is get rid of that stupid song”. Audrey Hepburn stood up at the table and told him, “Over my dead body!”. The song stayed in the movie, and has since become a classic. Since then, “Moon River” has been recorded more than 500 times.

Holly Golightly (Audrey Hepburn) wears the same dresses all the way through Breakfast at Tiffany's, simply changing the accessories to give each outfit a different look. Her black shift dress features through the movie at least four times. This signifies that while she wasn't well-off, she was savvy with being stylish, using the little she had to great effect. According to lyricist Johnny Mercer, in a meeting following a San Francisco screening of the movie, a Paramount executive, in reference to “Moon River”, said, “Well, I think the first thing we can do is get rid of that stupid song”. Audrey Hepburn stood up at the table and told him, “Over my dead body!”. The song stayed in the movie, and has since become a classic. Since then, “Moon River” has been recorded more than 500 times.

Hollywood Golden Age of cinema

88,391 次观看 • 3 个月前

NEW: Women's 100m Hurdles star Alaysha Johnson starts crying after she qualified for the Olympics, encourages people who "look like me" to keep trying. For reference, there was a single white woman in the race because whites are typically slower individuals. "Everybody all the time said that I wasn't good enough, said that I didn't deserve. And so I did this my way, my team's way, and just the way that it was meant to be." "This is for the hood babies. This is for the people who are born and come from nothing. This is for everybody that looks like me that was ever doubted, and I did it with a black designer on my chest." "This is what I stand for and I'm making a way for everybody in my position."

NEW: Women's 100m Hurdles star Alaysha Johnson starts crying after she qualified for the Olympics, encourages people who "look like me" to keep trying. For reference, there was a single white woman in the race because whites are typically slower individuals. "Everybody all the time said that I wasn't good enough, said that I didn't deserve. And so I did this my way, my team's way, and just the way that it was meant to be." "This is for the hood babies. This is for the people who are born and come from nothing. This is for everybody that looks like me that was ever doubted, and I did it with a black designer on my chest." "This is what I stand for and I'm making a way for everybody in my position."

Collin Rugg

4,008,434 次观看 • 2 年前

Closing out the RESISTANCE Mainstage at Ultra Music Festival .. what a moment 😎 Standing there, looking out across that crowd, feeling the music carry from start to finish - it’s something I don’t take for granted. Those are the nights where everything just lines up and you lose yourself in it. Big love to everyone who stayed with me on that journey. Truly special. 🙏♥️

Closing out the RESISTANCE Mainstage at Ultra Music Festival .. what a moment 😎 Standing there, looking out across that crowd, feeling the music carry from start to finish - it’s something I don’t take for granted. Those are the nights where everything just lines up and you lose yourself in it. Big love to everyone who stayed with me on that journey. Truly special. 🙏♥️

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28,010 次观看 • 5 个月前

Happy Birthday, Edward Fox. Fox won a BAFTA for his blazing turn in A Bridge Too Far (1977), all the more impressive in a cast crammed with talent, and with barely 20 minutes on screen time. Maybe it helped that the real General Horrocks was there on set.

Happy Birthday, Edward Fox. Fox won a BAFTA for his blazing turn in A Bridge Too Far (1977), all the more impressive in a cast crammed with talent, and with barely 20 minutes on screen time. Maybe it helped that the real General Horrocks was there on set.

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166,169 次观看 • 4 个月前

“When that happened, there was a light that flipped and you said ok, that’s what a quarterback should look like, the way that Deshaun operated on Wednesday,” - Beau Bishop on the recent changes in the Browns QB battle.

“When that happened, there was a light that flipped and you said ok, that’s what a quarterback should look like, the way that Deshaun operated on Wednesday,” - Beau Bishop on the recent changes in the Browns QB battle.

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30,833 次观看 • 22 天前

Rubio on Iran: If it was up to the political class there, and I understand everybody there is sort of radical in some way, but if it was up to the people that actually like go to elections and wear the suits and you see on TV, they probably make a deal tomorrow.

Rubio on Iran: If it was up to the political class there, and I understand everybody there is sort of radical in some way, but if it was up to the people that actually like go to elections and wear the suits and you see on TV, they probably make a deal tomorrow.

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37,735 次观看 • 3 个月前

The scene in Casino where Joe Pesci repeatedly stabs a man in the neck with a pen came about through on-set improvisation. In earlier drafts of the script, Pesci just beat the guy down. After Pesci came up with the idea, he worked it through with former Chicago Outfit enforcer Frank Cullotta, who served as a technical adviser on the film. Cullotta was the former right-hand man of Tony Spilotro, the Mafia figure Pesci’s character was based on. He taught Pesci how to make the attack look authentic: how to grip the pen and angle it in a way that would do maximum damage. The technique was based on improvised weapon tactics Cullotta had seen used in prison.

The scene in Casino where Joe Pesci repeatedly stabs a man in the neck with a pen came about through on-set improvisation. In earlier drafts of the script, Pesci just beat the guy down. After Pesci came up with the idea, he worked it through with former Chicago Outfit enforcer Frank Cullotta, who served as a technical adviser on the film. Cullotta was the former right-hand man of Tony Spilotro, the Mafia figure Pesci’s character was based on. He taught Pesci how to make the attack look authentic: how to grip the pen and angle it in a way that would do maximum damage. The technique was based on improvised weapon tactics Cullotta had seen used in prison.

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Joe Rogan: "If there was a pill that could make you as nice as the people that I go to church with, everybody would be on it."

Joe Rogan: "If there was a pill that could make you as nice as the people that I go to church with, everybody would be on it."

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