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Blue Lily's 2D hand-drawn survival horror game "Moonlight Pale" has reached all its crowdfunding stretch goals which includes additional game content, console ports, and Japanese and LATAM Spanish dubs. Staff for the game include Cachi Cordova (OMORI) who is in charge of programming and design, and arai tasuku who...

35,967 просмотров • 2 месяцев назад •via X (Twitter)

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While reporting outside the High Court of Justice on Tommy Robinson's trial, I met this lady who was absolutely distraught and is crying out for help. The reason? Sexual abuse of a 21 month old baby, her daughter missing, grandchildren being snatched by the state including newborn, cover ups and dismissals, further abuse and grooming gangs are just some of the horrific things that her and her family are going through. She was at court today with forensic evidence of abuse to the baby and in her words here has been dismissed! Her name is Juliette and she asked us to share her story, while pleading for anyone who can help her to please get in touch. Her daughter has been missing again for nearly 2 weeks while her young grandchildren, babies, are being abused and dismissed, she is terrified. I've let her know that I'll share her story and tag anyone I believe can help her with any of the issues; professionals; reporters; or even bigger channels getting this out to more people. Please do what you can. Juliette has provided additional links relating to the issue which can be seen here: Tommy Robinson 🇬🇧 @sammywoodhouse1 Patriotic 🇬🇧 Nation Nick Marcel Tenconi Danny Roscoe 🟣 @ThorpeWatch Richard Inman Urban Scoop Elon Musk Ezra Levant 🍁🚛 Dan Wootton Jeff Taylor Mahyar Tousi Rebel News @SeanyBoyy89 UKIP Ben Walker 🟣 Ben Habib GB News Liam Tuffs 🇬🇧OneGenerationMedia🏴󠁧󠁢󠁥󠁮󠁧󠁿 Zen.Marti Voice Of Wales Guramit Singh

Steve Jenkins | RBM

540,744 просмотров • 1 год назад

Agnes Varda on 'Cléo from 5 to 7' (1962): "Interviewer: What’s strange is that you’ve chosen to express this through a character who seems to embody the absolute opposite of anguish: a beautiful, frivolous popular singer whose every moment might seem imbued with grace and joy, yet whose terrible vulnerability you’ve revealed so abruptly. Agnès Varda: I needed a somewhat frivolous character to highlight this sudden transition from coquettishness to anxiety. The film is principally the story of the growing awareness of an internal evolution and that’s why chronology is so important. I absolutely had to show the difference and contrasts between objective time and the subjective time experienced by the character. In the cinema we don’t believe in objective time; the time of the cinema is fictional, outside of real time. In any case there is no “reality” of time. So the film is divided into chapters, slices of time that mark contractions and distentions of time. Five minutes can seem to last an hour at a given moment of existence. For someone who knows she has only one or two months to live, the rhythm of life changes completely. There is in my film a “minute of truth”: it’s the scene in the song that suddenly crystallizes this fear and this sense of the fragility of things that Cléo has been bottling up inside of her and which suddenly and violently burst out of her. She tears off her wig as if it were a mask...From this moment on, her anguish leads her to discover others and the people she discovers mirror back the image of her anguish. Interviewer: The fear of death plays the role here of truth teller even though it’s difficult to admit at first that this stunning beauty is but a dead woman allowed but a brief stay of execution. Agnes Varda: But we’re all surrounded by the dead! There are people who live with the idea of death, who have in some way prepared for it. Cléo, on the other hand had never thought of it before, and her idea of death is of a strange and violent enemy. The contrast is all the more brutal since she’s so beautiful, so vigorous, and so apparently healthy. You can imagine her posing for Renoir. And suddenly her beauty and good health come face to face with a notion of Death who attacks her body and penetrates her entire being. She thought she was the center of the world and suddenly she’s lost her footing. It’s a well-known story: the discovery of solitude and of the need for others. This hidden malady makes her feel suddenly open, cut off from all her familiar ways of doing things and from then on, she becomes progressively naked, stripped of everything. She takes leave of herself, and gradually tears away her masks. So it’s this kind of detachment (literally!), this discovery of herself that seemed to me so exciting to portray. And also this new way of seeing the world." (Agnes Varda, in her interview with Michel Capdenac, 1962)

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20,843 просмотров • 1 год назад