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Bold. Sensory. Alive.⛓️💥 Introducing SUBMERGE: Beyond the Render. Returning to the iconic Chelsea Market on September 19th, ARTECHOUSE’s 18K panoramic projection canvas becomes a platform for short-form, genre-defying cinematic works. The exhibition brings together a global group of visionary artists, from Emmy winners and top NFT creators to K‑pop...

35,958 Aufrufe • vor 1 Jahr •via X (Twitter)

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V TYPE 非: What Does Kim Taehyung's Creative Direction Mean? The announcement of the V TYPE 非 photobook highlighted a detail that defines the significance of this work: the artist actively participated in every stage, “from planning to photography.” But what does this mean in practice? A Creative Director is responsible for conceiving, organizing, and guiding the artistic vision of a project. Their role is not to technically execute all the steps, but to define the “why,” the “how,” and the “what for” of each aesthetic and narrative choice. They act as a true ARCHITECT OF IDEAS, ensuring that concept, image, narrative, and emotion work together. They ensure that the project has soul, identity, and coherence, aligning all the professionals involved — photographers, designers, stylists, costume designers, set designers, and editors — in a single creative direction. IN GENERAL, KIM TAEHYUNG: • Created the central concept • Defined the visual and emotional narrative • Established artistic and symbolic references (art, fashion, cinema, photography, music, architecture, etc.) • Guided the aesthetic language (atmosphere, light, palette, rhythm, textures) • Determined the tone of the project (intimate, experimental, documentary, symbolic) • Established the visual rhythm: order of images, pauses, silences • Guided framing, expressions, poses, and atmospheres • Coordinated and aligned the creative teams • Ensured coherence and identity from beginning to end • Conceived the Photobook as an artistic object: paper, cover, typography, weight, and texture. Taehyung is the guardian of the artistic vision. The result is a cohesive visual discourse, where each image exists for a reason. THE CREATIVE DIRECTOR IN THE PHOTOBOOK EXHIBITION In the exhibition, the creative director expands the photobook into physical space, transforming it into an immersive experience. The purpose is not just to show photos: it's to make the public traverse the concept. HERE, KIM TAEHYUNG ACTS IN: • Curating the exhibited images • Defining the public's path • Building the spatial narrative (beginning, climax, ending) • Dialogue between images, space, light, and silence • Choosing formats, sizes, and layouts • Integrating sensory elements (sound, text, architecture, rhythm) • Ensuring that the exhibition preserves the original concept of the photobook. In a market where many artists merely lend their image, Taehyung reaffirms his role as an author. “TYPE 非” is not just a record of his image, it is the materialization of his artistic sensibility. It is the signature of someone who not only participates in the work — he builds the work. In a photobook and its exhibition, Kim Tarhyung directs the experience, the reading, and the memory that the public will take with them. V TYPE 非 IS COMING!!! #V_TYPE非

Music Map ⓥ

28,560 Aufrufe • vor 7 Monaten

ARTIST OPEN CALL! We’re sponsoring six artists to fly out to NFT NYC. On Us. For Free. We’re also exhibiting your art at the World Trade Center, Oculus (THE CANVAS) RULES: FOLLOW US UNHRD LIKE & RT Tag two friends Submit your artwork below Ends on 03/15 More info ⤵️ For the open call, we invite artists from various mediums to apply for this unique opportunity to come to NFT NYC, exhibit their unminted work, collaborate on an NFT drop, and be part of an exclusive membership pass in the UNHRD community. All artists will be curated by our partners, Forbes Web3, JJ, NFT Asia, AOI, Transient Labs, & MakersPlace 🔳. Eligibility and Opportunity 1. Open to artists from the US and Visa Waiver Program countries. 2. Exhibition at the prestigious Oculus during the UNHRD Launch event. 3. Flight and accommodation costs up to $1,500 covered. 4. Participate in a collaborative NFT drop and revenue split option. 5. Gain exposure alongside partners like Forbes Web3, Makersplace, AOI, NFT Asia, and Transient Labs. Application Requirements and Dates 1. Submit artwork and a statement aligning with your goals. 2. Accommodation for 3 nights (April 2nd-5th). 3. Applications open now! So, what is UNHRD? We're a blockchain protocol transforming philanthropy with efficiency, transparency, and security. Our technology hopes to revolutionize fund management and distribution in the philanthropic sector. Part of our broader mission involves leveraging blockchain for NGOs, grant makers, and altruistic companies. By providing grants and cultivating a nurturing environment, UNHRD makes artists' dreams worldwide a reality. How do we do this? What makes UNHRD unique is how we're going to do all of this on-chain. This is our early concept of the UNHRD Protocol. In the world of philanthropy, especially when it involves artists and creative projects, managing and distributing funds efficiently and transparently can be a challenge. That's where the UNHRD Protocol comes in—a solution we're actively working to build, aiming to transform how financial support is handled in the artistic community. What is the UNHRD Protocol? The UNHRD Protocol is a planned blockchain-based system, a series of smart contracts designed to streamline the process of managing and distributing funds. In simpler terms, it's like a highly efficient digital ledger tailored for philanthropy, ensuring that every penny goes where it's supposed to, without the usual red tape or delays. Application to UNHRD: Streamlined Fund Distribution: Whether it's grant money or proceeds from NFT sales, the protocol ensures swift and accurate distribution to artists and other beneficiaries. Transparency and Trust: Every transaction, from donation to disbursement, is recorded on the blockchain, fostering trust and transparency among artists, donors, and the public. Reduced Overhead: By automating many of the administrative tasks, we reduce overhead costs, ensuring more funds directly support the artists. At UNHRD, we believe that through blockchain technology, we can create a more equitable and accessible platform for artists worldwide. Our commitment goes beyond just funding - it's about building a community, nurturing talent, and paving the way for a new era of digital art and philanthropy. Join us in this exciting journey as we redefine what's possible at the confluence of art, technology, and philanthropy.

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i wanted to tell you how we made the visuals for nerve-bloom i did it with Natalia Kleszczewska and Natalie Liu . Natalia Kleszczewska is a painter , she painted the creatures and the backgrounds . Natalie Liu is a computer graphics director , she shaped the digital dimension of the work . my role in it was a creative director , bringing in the singer-songwriter tradition , where emotionally precise things happen inside the structure of a song . i guided colour pallettes , textures and the environments the music happens in . to make this possible , during the process , natalia often had to paint many shapes and sizes , different textures and layers of colours . natalie then developed the visuals, designing and overseeing CGI elements , and finding ways for the digital to sit organically alongside Natalia’s world . and include my dramaturgy and creative direction. we spent 7 months talking and working together , dedicated to relish in the craft of blending hand-made visuals with digital experimentation , 3D design and commit it to physical display technology . a lot of time was spent on researching different tools and techniques to find what worked best at each stage in the song . like i’ve done before , i wanted to merge old things with tech , giving it soul & a meaning . to paint a painting is an analog craft but computer programming is craftmanship too !! and both can co-exist , .....encouraging each other to bloom even further towards a mutual world . there is a tradition in pop music for the mucisian to choose a video director . in the art world , this is called “curation” , but where we came from , it was natural that the musician would have strong opinions on what your song needed , which mood , colours , textures & storyline . today this is called “creative director” and it is something we didn’t credit ourselves with in the 90s , but i am starting to understand this better now . i don´t think of me as a visual artist . because my heart is music . everything i do comes from a sonic point of view . this is something i have called “sonic symbolism” , sound made visual , a reverse synesthesia . when you listen to a song for the first time , it is like swallowing a whale , you need to feel the whole musical sculpture in one go . the structure of a song has always been extremely important to me : what shape it is . this is part of the craft of being a singer-songwriter ........... we are tune sculpturors ....... since i am talking about the visuals for nerve bloom it is impossible to not mention the avatars in my music videos . they have replaced the storyteller with anattempt to connect to the more universal element of music , through animation, avatars , puppetry both digital and analog . for me they are marionettes in a puppet-theatre , hopefully in a similar realm as the jungian archetypes ( which we all can act out the characteristics of ...) .... i feel nerve-bloom is a natural continuation .... an animated avatar archetype singing you a song ––––– Avatars, animation and archetypes: Nerve Bloom (remix) – on display at Listasafn Íslands / National Gallery of Iceland until September 20th 2026. The production of this film was made possible with the generous support of #bottegaveneta.

björk

1,310,690 Aufrufe • vor 2 Monaten