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Bong Joon-ho designed the creature in The Host (2006) to be physically incompetent. He hated perfect movie monsters and specifically instructed the animators to make the beast trip and slip to make it feel like a mutated biological error.

Best Movie Moments 🍿

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Bong Joon-ho designed the creature in The Host (2006) to move badly on purpose. He wanted it tripping and slipping so it felt like a real biological mistake, not a sleek movie monster.

Bong Joon-ho designed the creature in The Host (2006) to move badly on purpose. He wanted it tripping and slipping so it felt like a real biological mistake, not a sleek movie monster.

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The Host was released 20 years ago today. Unlike most monster movies that hide the creature, Bong Joon-ho reveals it in full daylight within minutes, shifting the tension from mystery to pure chaos and human reaction.

The Host was released 20 years ago today. Unlike most monster movies that hide the creature, Bong Joon-ho reveals it in full daylight within minutes, shifting the tension from mystery to pure chaos and human reaction.

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Bong Joon-ho on the "American-bashing" in 'The Host' (2006) & why he was surprised by the film's success: "Cineaste: Why did you put so much political subtext into 'The Host' (2006)? Do Korean audiences like that? Bong Joon-ho: It’s fun for me to bury my political comments here and there in a film, but this is also part of the tradition of the monster or sci-fi genre. It was a double blessing for me to convey some political commentary in the film and have it work within a genre. For instance, the opening scene, when the two scientists are pouring chemicals into the Han River refers to an actual event that took place six years ago. But at the same time it’s a very typical monster movie opening. So for me it was great to hit both at the same time. It’s not like I’m putting raw social commentary in the film. It is integrated into the entertainment value of the film. Some Koreans believe that 'The Host' (2006) is a moving family story; others say, “Wow, we’re totally bashing America!” But there are more of the former. Cineaste: Is there a lot of “America bashing” in Korean films? Bong Joon-ho: Some films do to some extent, once in a while. But to quote a famous Korean critic: “This is Korea’s first legitimate anti-American film.” And she gave me four stars. Cineaste: Perhaps this may start a trend in Korean films. Bong Joon-ho: It would be hard for this to become a trend. When The Host first came out, some critics said that by drawing America in this satiric way, the film would limit its appeal to mass audiences, that the satire would make them uncomfortable. Of course, after it became such a big hit, critics reevaluated and said that the younger generation really likes those elements in the film. But overall, those elements weren’t the focus of the film. (....) Cineaste: So is the incredible response of the Korean audience what you expected? Bong Joon-ho: I was so preoccupied just trying to finish the film because there were many technical difficulties that I had no time to think about how audiences would react. When the box office was so big, I was puzzled. At this point I still can’t analyze why people love it." (Bong Joon-ho's interview with Kevin B. Lee, Cineaste, 2007)

Bong Joon-ho on the "American-bashing" in 'The Host' (2006) & why he was surprised by the film's success: "Cineaste: Why did you put so much political subtext into 'The Host' (2006)? Do Korean audiences like that? Bong Joon-ho: It’s fun for me to bury my political comments here and there in a film, but this is also part of the tradition of the monster or sci-fi genre. It was a double blessing for me to convey some political commentary in the film and have it work within a genre. For instance, the opening scene, when the two scientists are pouring chemicals into the Han River refers to an actual event that took place six years ago. But at the same time it’s a very typical monster movie opening. So for me it was great to hit both at the same time. It’s not like I’m putting raw social commentary in the film. It is integrated into the entertainment value of the film. Some Koreans believe that 'The Host' (2006) is a moving family story; others say, “Wow, we’re totally bashing America!” But there are more of the former. Cineaste: Is there a lot of “America bashing” in Korean films? Bong Joon-ho: Some films do to some extent, once in a while. But to quote a famous Korean critic: “This is Korea’s first legitimate anti-American film.” And she gave me four stars. Cineaste: Perhaps this may start a trend in Korean films. Bong Joon-ho: It would be hard for this to become a trend. When The Host first came out, some critics said that by drawing America in this satiric way, the film would limit its appeal to mass audiences, that the satire would make them uncomfortable. Of course, after it became such a big hit, critics reevaluated and said that the younger generation really likes those elements in the film. But overall, those elements weren’t the focus of the film. (....) Cineaste: So is the incredible response of the Korean audience what you expected? Bong Joon-ho: I was so preoccupied just trying to finish the film because there were many technical difficulties that I had no time to think about how audiences would react. When the box office was so big, I was puzzled. At this point I still can’t analyze why people love it." (Bong Joon-ho's interview with Kevin B. Lee, Cineaste, 2007)

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Bong Joon-ho says he tried to make Parasite (2019) deeply specific to Korean culture, but audiences around the world all reacted the same way: “Essentially, we all live in the same country, called Capitalism.”

Bong Joon-ho says he tried to make Parasite (2019) deeply specific to Korean culture, but audiences around the world all reacted the same way: “Essentially, we all live in the same country, called Capitalism.”

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From Snowpiercer and Okja to Parasite and Mickey 17, Bong Joon Ho breaks down the dangerous mix of monsters, machines and men that frequents his filmography 🚀 Watch the full video:

From Snowpiercer and Okja to Parasite and Mickey 17, Bong Joon Ho breaks down the dangerous mix of monsters, machines and men that frequents his filmography 🚀 Watch the full video:

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In Mickey 17 (2025), Robert Pattinson plays multiple versions of Mickey — but Bong Joon-ho kept him in the dark about which one until just before shooting. The confusion wasn’t acting — it was deliberate, to make the identity crisis feel real.

In Mickey 17 (2025), Robert Pattinson plays multiple versions of Mickey — but Bong Joon-ho kept him in the dark about which one until just before shooting. The confusion wasn’t acting — it was deliberate, to make the identity crisis feel real.

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Bong Joon-ho designed the final shot of Memories of Murder (2003) to lock eyes with the real killer, believing he’d watch the film. In 2019, DNA finally identified Lee Chun-jae as the culprit. He had indeed seen the movie.

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Bong Joon Ho on the meaning of "The Host" (2006) & what makes a good movie similar to a tasty Pizza: "BJH: If you look up 'Host' in the dictionary there are various meanings. One is as you just said in terms of the virus. A host is the opposite of the word of parasite. But if you were to expand on that here in the film, the central focal point of the film is the protagonists family. This loser family. Whatever is tormenting this family, that is making life hard for them or oppressing them, you could say that whoever, whatever is not helping them on the whole--its a host of all those things. It could be the creature itself, it could be the system that doesn't help this family, Korean society, America, a wide spectrum of meaning for the host. Interviewer: The movie plays very well as an entertaining monster movie but it also has a social commentary. What do you like about mixing those elements? BJH: When you say mixing together it could almost be heard as these things are so different elements or different from each other but just like you mix all these different ingredients and toppings to make a very tasty pizza. I feel that a film needs to be that way too. So instead of distinguishing between these things it could be like an exciting monster movie and at the same time have political comments and satire. And for that to work I believe you need something as a focus point and like I said before its the family. This family fighting against the monster, being repressed and tormented by the state and society, the thing that ties everything together is the family." (Bong Joon Ho's interview with Beth Accomando, KPBS, 2007) P.S: On this day, 20 years ago, "The Host" (2006) premiered at the Cannes Film Festival, France.

Bong Joon Ho on the meaning of "The Host" (2006) & what makes a good movie similar to a tasty Pizza: "BJH: If you look up 'Host' in the dictionary there are various meanings. One is as you just said in terms of the virus. A host is the opposite of the word of parasite. But if you were to expand on that here in the film, the central focal point of the film is the protagonists family. This loser family. Whatever is tormenting this family, that is making life hard for them or oppressing them, you could say that whoever, whatever is not helping them on the whole--its a host of all those things. It could be the creature itself, it could be the system that doesn't help this family, Korean society, America, a wide spectrum of meaning for the host. Interviewer: The movie plays very well as an entertaining monster movie but it also has a social commentary. What do you like about mixing those elements? BJH: When you say mixing together it could almost be heard as these things are so different elements or different from each other but just like you mix all these different ingredients and toppings to make a very tasty pizza. I feel that a film needs to be that way too. So instead of distinguishing between these things it could be like an exciting monster movie and at the same time have political comments and satire. And for that to work I believe you need something as a focus point and like I said before its the family. This family fighting against the monster, being repressed and tormented by the state and society, the thing that ties everything together is the family." (Bong Joon Ho's interview with Beth Accomando, KPBS, 2007) P.S: On this day, 20 years ago, "The Host" (2006) premiered at the Cannes Film Festival, France.

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Monsters vs. Aliens was released 17 years ago. Reese Witherspoon’s character Susan grows to 49 feet tall, and the animators had to rethink scale in every scene, redesigning environments and camera angles to make her size feel believable.

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Out Run creator Yu Suzuki actually scouted locations across Europe to make the game feel authentic 🏎️☀️ He drove a BMW through the Alps and along the Riviera with a camera to capture the scenery. It wasn't just a racer; it was designed to feel like a luxury vacation ⛱️

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PARASITE was released 7 years ago today. Director Bong Joon-ho based the film’s message and themes on a personal experience he had in his 20s, which eventually formed the core of the Parasite movie.

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When he was cast as 007, Daniel Craig had his own ideas on playing the role and in an interview with Jonathan Ross on the set of this movie, he stated that he wanted to be faithful to the book and show the character's raw vulnerability by having him make a few mistakes and that the drama would be there when he gets it right and make the audience think that it's all going to go wrong and that when it all goes right, the audience would get more excited. 🎬Casino Royale (2006)

When he was cast as 007, Daniel Craig had his own ideas on playing the role and in an interview with Jonathan Ross on the set of this movie, he stated that he wanted to be faithful to the book and show the character's raw vulnerability by having him make a few mistakes and that the drama would be there when he gets it right and make the audience think that it's all going to go wrong and that when it all goes right, the audience would get more excited. 🎬Casino Royale (2006)

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