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Brian De Palma on why he loves using split diopter technique in his films.

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Auteur House

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15,531 görüntüleme • 13 gün önce •via X (Twitter)

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Director Robert Wise is credited with over 340 'Split Diopter Shots' across all his films. The most of any director. Here's all 17 in THE HINDENBURG. Check out the incredible cast!
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MANHATTAN (1979) Legendary cinematographer Gordon Willis slid a SPLIT DIOPTER LENS in and out of this 50-second shot twice while dollying and racking focus on the fly. The skill of his camera crew kept the focus perfect and the split diopter shots invisible. #filmmaking #craft
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MANHATTAN (1979) Legendary cinematographer Gordon Willis slid a SPLIT DIOPTER LENS in and out of this 50-second shot twice while dollying and racking focus on the fly. The skill of his camera crew kept the focus perfect and the split diopter shots invisible. #filmmaking #craft

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Blow Out is Brian De Palma wielding every last filmmaking tool in his arsenal, none more than his use of sound. De Palma leverages sound to build tension & push the audience into a state of paranoia. This is one of those rare films that lasts a lifetime. Give me more De Palma.
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Blow Out is Brian De Palma wielding every last filmmaking tool in his arsenal, none more than his use of sound. De Palma leverages sound to build tension & push the audience into a state of paranoia. This is one of those rare films that lasts a lifetime. Give me more De Palma.

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67 Split Diopter Shots from THE ANDROMEDA STRAIN (1971) directed by Robert Wise and based on the novel written by Michael Crichton. The film has a total of 206 split diopter shots. The most of any film in history.
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Something he made in the 80s still influences new age directors: the legendary Brian De Palma. 🔥♥️
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Something he made in the 80s still influences new age directors: the legendary Brian De Palma. 🔥♥️

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Brian De Palma is still sitting in directors jail while half of modern cinema is borrowing his bag. Split screens, voyeurism, l the sense of menace baked into the camera itself. One of the most distinct visual stylists ever & Hollywood just moved on anyway.
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I love Brian De Palma. Full stop. End of story. My idea of a great Saturday night is locking my front door, turning on my TV & spending time with De Palma. I think De Palma is a creative genius: he’s unpredictable & never steps in the same spot twice. His work is worth your time.
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In Scarface, when Brian De Palma wants to emphasize psychological distance between two characters, he’ll place them on opposite sides of a wide shot, using the empty space between them to visually represent their emotional distance.
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