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Brighter ( Extended version ) Song Cover is OUT NOW on both SPOTIFY and YOUTUBE! Vocals : Azeru Official / @AzzyAudio Backup Vocals : Elveira 🌼🗝 & CeladonVA 💫🦴 Artwork : Chizuru MV : Winteraven Edits

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Azeru Official

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30,528 просмотров • 6 месяцев назад •via X (Twitter)

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INSANE is FINALLY OUT! INSANE ( Hazbin Hotel Song COVER ) | Datenshi Ver. Song Cover [ ] Vocals : Azeru Official Artwork : TOKI🥂 ((Working)) MV Editing : Avgrund Studio Production : Azeru Official team Enjoy~
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INSANE is FINALLY OUT! INSANE ( Hazbin Hotel Song COVER ) | Datenshi Ver. Song Cover [ ] Vocals : Azeru Official Artwork : TOKI🥂 ((Working)) MV Editing : Avgrund Studio Production : Azeru Official team Enjoy~

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Our new single “Mayday” featuring both Adam and Matt on vocals is out now! Listen everywhere & watch the official video ✈️ 🎥: circus head
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"Love Is A Long Road" by Tom Petty and the Heartbreakers Instrumental Cover from #GTAVI Trailer 1 OUT NOW on Spotify and all digital stores! 🩷 Listen to the full song & follow me on Spotify:
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"Love Is A Long Road" by Tom Petty and the Heartbreakers Instrumental Cover from #GTAVI Trailer 1 OUT NOW on Spotify and all digital stores! 🩷 Listen to the full song & follow me on Spotify:

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🔴 "Where Are We Going - Kingman Cover" is now available! 🔴 The full cover is now on YouTube. Spotify and other streaming platforms will be available soon. Disclaimer: This cover will not be monetized in respect to the original artists and Activision Inc. The original writers & composers are credited below. This is not intended for profit or sale. All copyright belongs to their respective owners. "Where Are We Going (2018 Edition)" by Jack Wall Vocals - Malukah Composer - Kevin Sherwood Composer - James McCawley Composer - Cindy Shapiro Distributed by Activision Publishing, Inc.

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The official music video for the Infinity Nikki Version 2.2 theme song is now live! "An endless night, the song persists, myriad spirits rise. Discarding fate's drawn lots, the role slips from my hand. Form and will I shape myself, heart's fire forges my world. I paint my own visage, now my soul commands." With music that paints a world, we’re honored to have acclaimed artist Gong Linna bring the theme song "Chromatic Beings Everbright" to life. Our heartfelt thanks to her for this magnificent performance! —— Vocals: Gong Linna Composer: Qiu Qiu@FoldEcho Arranger: Qiu Qiu Lyricists: Qi An, Qiu Qiu@FoldEcho, Iris Xiao@FoldEcho Children's Choir: Hulu Voice Music Supervisor: Roger@FoldEcho —— ➤ Infinity Nikki Version 2.2 Chromatic Beings Everbright launches globally on January 29 (UTC-7)! ➤ Download Now: ➤ Join us on Facebook Group: #InfinityNikki #ChromaticBeingsEverbright

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In an industry often centered on visibility and success, the Billboard Philippines’ #PPopRisingClass is choosing to lead with purpose and integrity. In this episode of Billboard Philippines Volumes, G22’s (G22 Official) Jaz and the P-pop Rising Class share how character and advocacy shape their journey not just as performers, but as artists with something to say. From championing causes to staying grounded, they’re redefining what it means to represent Filipino music with both heart and conviction. Watch the full conversation, out now on Spotify and YouTube. #BillboardPhilippines #BillboardPH #BBPHPpopRisingClass

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Ash Echoes | Official Release Date Announced Dear Director, We are excited to announce that Ash Echoes will be released on November 13 at 4:00 PM (UTC-5)! ✦Pre-register Now: The theme song "BEYOND THE RIFT" by Mika Kobayashi (小林未郁 ) is making its debut! Both English and Japanese versions are now available on our YouTube channel. Make sure to check it out! ✦English Version: ✦Japanese Version: Tips from Vein>> ▼How to Participate GIVEAWAY: Follow Ash Echoes and retweet this post for a chance to win an RTX 4090 and other amazing rewards! ▼Duration: The event ends at 11:59p.m. on October 31 (UTC-5). - Vein has uploaded the whole message. We look forward to your participation! #AshEchoesEN #AshEchoes #MikaKobayashi #小林未郁

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635,020 просмотров • 1 год назад

✨ OUT NOW! ✨ I AM THE SUN, SHE IS THE MOON. 🌕🌙 By LAST BEE ON EARTH. --- The Sun has returned to Earth! I'm excited to release the 2nd Single from my new album 'Broken Boy / Woken Wizard'. If you like the track, the single best thing you could do for me and my PR team of none is to share it out! 🙏🐔 I am but a Bee of One, it is Greatly Appreciated x Thank-you One and All! ✨️ -- Spotify / Apple / Itunes Bandcamp YOUTUBE - Extended HD 4k Version Social Links -- An Original Work (c) Mike Bee All Copyright My Own. (So don't delete it...) Written and Recorded in Siem Reap, Koh Rong Sanleom, Cambodia. #iamthesunsheisthemoon #lastbeeonearth #newmusic #newmusicfriday #sun #moon #psychedelicrock #psychedelicrockmusic #psychedelicmusic #psychedelic #electronicmusic #indiemusic #IndieRock #indieartist #musiclover #musicloversonly #alternativerock #alternativehiphop #Spotify #applemusic #warrington #manchester #Cambodia ☀️
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✨ OUT NOW! ✨ I AM THE SUN, SHE IS THE MOON. 🌕🌙 By LAST BEE ON EARTH. --- The Sun has returned to Earth! I'm excited to release the 2nd Single from my new album 'Broken Boy / Woken Wizard'. If you like the track, the single best thing you could do for me and my PR team of none is to share it out! 🙏🐔 I am but a Bee of One, it is Greatly Appreciated x Thank-you One and All! ✨️ -- Spotify / Apple / Itunes Bandcamp YOUTUBE - Extended HD 4k Version Social Links -- An Original Work (c) Mike Bee All Copyright My Own. (So don't delete it...) Written and Recorded in Siem Reap, Koh Rong Sanleom, Cambodia. #iamthesunsheisthemoon #lastbeeonearth #newmusic #newmusicfriday #sun #moon #psychedelicrock #psychedelicrockmusic #psychedelicmusic #psychedelic #electronicmusic #indiemusic #IndieRock #indieartist #musiclover #musicloversonly #alternativerock #alternativehiphop #Spotify #applemusic #warrington #manchester #Cambodia ☀️

Solar Kantari ✨️ DIARY OF A COSMIC MAN ✨️

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[Rick Beato] 251001 Rick Beato, the ultimate power influencer in the guitar world, performed Jin’s Don’t Say You Love Me! His YouTube channel has 5 million subscribers! As a musician, he often uses his wide network to reveal exclusive stories on his channel before they hit the media. One Korean journalist even call him the “YouTube president of the electric guitar world” in terms of influence. Being featured on his channel already means a certain level of recognition! He praised it as a very well-crafted album, saying that all the tracks are well made. He mentioned that the era of putting instruments in the center is over, and that vocals are now much more prominent. It’s impressive how he immediately figured out the chords and played Jin’s song as soon as he heard it! Thank you for the amazing performance. #JIN #방탄소년단진 #RUNSEOKJIN_epTOUR_ECORE 방탄소년단
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[Rick Beato] 251001 Rick Beato, the ultimate power influencer in the guitar world, performed Jin’s Don’t Say You Love Me! His YouTube channel has 5 million subscribers! As a musician, he often uses his wide network to reveal exclusive stories on his channel before they hit the media. One Korean journalist even call him the “YouTube president of the electric guitar world” in terms of influence. Being featured on his channel already means a certain level of recognition! He praised it as a very well-crafted album, saying that all the tracks are well made. He mentioned that the era of putting instruments in the center is over, and that vocals are now much more prominent. It’s impressive how he immediately figured out the chords and played Jin’s song as soon as he heard it! Thank you for the amazing performance. #JIN #방탄소년단진 #RUNSEOKJIN_epTOUR_ECORE 방탄소년단

star_jin

26,665 просмотров • 9 месяцев назад

Here's something I've been working on for a long time. Butter Flavored Butter Does Not Contain Butter is an industrial metal song with a guest vocalist most of you know and love and some of you really hate which makes it even better. It started as a joke sent my way that that phrase would make a cool avant garde industrial metal song title (thanks Ceri J Phillips 🏴󠁧󠁢󠁷󠁬󠁳󠁿🌲) that grew from there. I kept thinking about how pertinent artificiality layered on top of artificiality was to so much happening right now. Turns out there's a name for that, which is Baudrillard's concept of hyperreality, something I learned about on the New Discourses podcast. Wokal Distance has a way to explain hyperreality that is really useful too (which has something to do with his current pfp). George Soros' concept of reflexivity feels like where the rubber meets the road with hyperreality, the weaponization of the concept. So this song describes both. We are in a virtualized, hyperreal world, likely more than any of us realize, in ways we don't realize. It'll be on YouTube, Spotify, Apple etc soon, but thought I'd show it to you all first here.
4:43

Here's something I've been working on for a long time. Butter Flavored Butter Does Not Contain Butter is an industrial metal song with a guest vocalist most of you know and love and some of you really hate which makes it even better. It started as a joke sent my way that that phrase would make a cool avant garde industrial metal song title (thanks Ceri J Phillips 🏴󠁧󠁢󠁷󠁬󠁳󠁿🌲) that grew from there. I kept thinking about how pertinent artificiality layered on top of artificiality was to so much happening right now. Turns out there's a name for that, which is Baudrillard's concept of hyperreality, something I learned about on the New Discourses podcast. Wokal Distance has a way to explain hyperreality that is really useful too (which has something to do with his current pfp). George Soros' concept of reflexivity feels like where the rubber meets the road with hyperreality, the weaponization of the concept. So this song describes both. We are in a virtualized, hyperreal world, likely more than any of us realize, in ways we don't realize. It'll be on YouTube, Spotify, Apple etc soon, but thought I'd show it to you all first here.

Entropyrian

14,613 просмотров • 8 месяцев назад

BOWIE EXITS THE 70s IN THE UK WITH KENNY EVERETT “Can you hear me, Major Tom?” 45 years ago today, David Bowie’s re-recording of Space Oddity was broadcast on the Will Kenny Everett Make It To 1980? Show. You'll be familiar with this broadcast (Shot 18 September 1979 | Broadcast 31 December 1979), but this From the river to the sea, Palestine will be free edit bears repeating. The original footage was directed for the show by Bowie’s video director of the time, David Mallet, the action takes place in a high-ceilinged padded cell and an exploding kitchen with an unflappable nurse. Speaking to Angus MacKinnon in the NME in 1980, Bowie said: “That came about because (David) Mallet wanted me to do something for his show and he wanted Space Oddity. I agreed as long as I could do it again without all its trappings and do it strictly with three instruments. Having played it with just an acoustic guitar onstage early on, I was always surprised as how powerful it was just as a song, without all the strings and synthesizers. In fact the video side of it was secondary; I really wanted to do it as a three-piece song.” Both scenes were recreated for the May 1980 filming of Ashes To Ashes, the continuity experts among you will notice the very obvious differences. So, ten years after it was originally a hit, Major Tom also had the last word of the 70s for Bowie. Another 45 years on and the impact of this version is still as powerful. Read Nacho's notes with more detail regarding the recording of both the sound and vision, along with the complete video, here: Audio Source: David Bowie | Space Oddity | Recorded Good Earth Studios | Soho, London | September 1979 | Released as B side of Alabama Song | 15 February 1980 Vocals & 12-string guitar | David Bowie Bass | Zaine Griff Piano | Hans Zimmer Drums | Andy Duncan Producer | Tony Visconti FOOTNOTE: In the US Bowie appeared on Dick Clark's Salute to the Seventies TV broadcast. Bowie mimed to an edit of the 1969 Space Oddity recording. Stills from this show were utilised for the sleeve of the aforementioned Alabama Song 45. Sadly, a decent quality version of this broadcast has yet to surface. You can find it on YouTube, but hopefully Nacho will get his hands on a higher quality version to work his magic on. #SpaceOddity55 #SpaceOddityKennyEverett #NachoBowie #NachosVideos
1:00

BOWIE EXITS THE 70s IN THE UK WITH KENNY EVERETT “Can you hear me, Major Tom?” 45 years ago today, David Bowie’s re-recording of Space Oddity was broadcast on the Will Kenny Everett Make It To 1980? Show. You'll be familiar with this broadcast (Shot 18 September 1979 | Broadcast 31 December 1979), but this From the river to the sea, Palestine will be free edit bears repeating. The original footage was directed for the show by Bowie’s video director of the time, David Mallet, the action takes place in a high-ceilinged padded cell and an exploding kitchen with an unflappable nurse. Speaking to Angus MacKinnon in the NME in 1980, Bowie said: “That came about because (David) Mallet wanted me to do something for his show and he wanted Space Oddity. I agreed as long as I could do it again without all its trappings and do it strictly with three instruments. Having played it with just an acoustic guitar onstage early on, I was always surprised as how powerful it was just as a song, without all the strings and synthesizers. In fact the video side of it was secondary; I really wanted to do it as a three-piece song.” Both scenes were recreated for the May 1980 filming of Ashes To Ashes, the continuity experts among you will notice the very obvious differences. So, ten years after it was originally a hit, Major Tom also had the last word of the 70s for Bowie. Another 45 years on and the impact of this version is still as powerful. Read Nacho's notes with more detail regarding the recording of both the sound and vision, along with the complete video, here: Audio Source: David Bowie | Space Oddity | Recorded Good Earth Studios | Soho, London | September 1979 | Released as B side of Alabama Song | 15 February 1980 Vocals & 12-string guitar | David Bowie Bass | Zaine Griff Piano | Hans Zimmer Drums | Andy Duncan Producer | Tony Visconti FOOTNOTE: In the US Bowie appeared on Dick Clark's Salute to the Seventies TV broadcast. Bowie mimed to an edit of the 1969 Space Oddity recording. Stills from this show were utilised for the sleeve of the aforementioned Alabama Song 45. Sadly, a decent quality version of this broadcast has yet to surface. You can find it on YouTube, but hopefully Nacho will get his hands on a higher quality version to work his magic on. #SpaceOddity55 #SpaceOddityKennyEverett #NachoBowie #NachosVideos

David Bowie Official

110,908 просмотров • 1 год назад

monsta x’s jooheon made a video reaction of 5th gen’s groups mv, and one of them is ‘overdrive’ by tws! 😻💙 #TWS #투어스 🥟: lastly, we surely can’t skip overdrive, right? tws’ official debut is on january 22nd, 2024. they’re under hybe - pledis. that means they’re seventeen buddies’ hoobae (junior), right? oooh~ let’s watch it, overdrive 🥟: ah, they also did some acting? it starts with, “i’ve lost count of how many times i’ve been to the dentist this year”. then we, monsta x, we’ll start with some words first on our next album! i’ll go with “i’ve lost count of how many times i’ve watched jooheonie’s youtube channel this year already” 😁 i’m sorry.. 🥟: (youngjae gets out from the car on the mv) OHHH WAIT!! WHOOOOAAA WAIT!! the car is on its way tho??? this one is such a new way to act rebellious tho??? ohh.. 🥟: ah, but everyone is so handsome.. 👤: but what’s the meaning of ‘overdrive’? 🥟: overdrive? when they’re overdrive, what else.. 👥: 😂😂😂 🥟: didn’t you see it earlier? he just went out of the car like that.. just went out without a care.. heheh 🥟: but tws’ line (words/lyrics) sounds exactly like seventeen buddies back then in their early debut days. both the melody and the line, they have refreshing vibes 🥟: the hook (uuuung~) is the key point, right? like this? (does the finger-biting angtal pose) uuuung~~ ah.. i’m also the member in charge of cuteness in my group, by the way~ uuung~ 🥟: whoah, but their (tws & svt) dance styles are different, seriously. tws members do it refreshingly, they have so many moves like this, alright? like, spreading their arms wide. and back then seventeen did this a lot! well, seventeen buddies also did this!! (does the ‘mansae’ choreo) seventeen buddies did this from the back on their song called ‘mansae’!!! i kinda see the same colour on tws 🥟: i’ve watched the mv of overdrive well~ i kinda have the feeling that the female teenage students like them a lot. well actually, seeing cortis and tws reminds me of monsta x and seventeen. you know, we have different colours. it’s like, when so many people said that seventeen is pink and monsta x is black, i kinda get that vibes when i see both groups (cortis & tws) source: 🔗
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monsta x’s jooheon made a video reaction of 5th gen’s groups mv, and one of them is ‘overdrive’ by tws! 😻💙 #TWS #투어스 🥟: lastly, we surely can’t skip overdrive, right? tws’ official debut is on january 22nd, 2024. they’re under hybe - pledis. that means they’re seventeen buddies’ hoobae (junior), right? oooh~ let’s watch it, overdrive 🥟: ah, they also did some acting? it starts with, “i’ve lost count of how many times i’ve been to the dentist this year”. then we, monsta x, we’ll start with some words first on our next album! i’ll go with “i’ve lost count of how many times i’ve watched jooheonie’s youtube channel this year already” 😁 i’m sorry.. 🥟: (youngjae gets out from the car on the mv) OHHH WAIT!! WHOOOOAAA WAIT!! the car is on its way tho??? this one is such a new way to act rebellious tho??? ohh.. 🥟: ah, but everyone is so handsome.. 👤: but what’s the meaning of ‘overdrive’? 🥟: overdrive? when they’re overdrive, what else.. 👥: 😂😂😂 🥟: didn’t you see it earlier? he just went out of the car like that.. just went out without a care.. heheh 🥟: but tws’ line (words/lyrics) sounds exactly like seventeen buddies back then in their early debut days. both the melody and the line, they have refreshing vibes 🥟: the hook (uuuung~) is the key point, right? like this? (does the finger-biting angtal pose) uuuung~~ ah.. i’m also the member in charge of cuteness in my group, by the way~ uuung~ 🥟: whoah, but their (tws & svt) dance styles are different, seriously. tws members do it refreshingly, they have so many moves like this, alright? like, spreading their arms wide. and back then seventeen did this a lot! well, seventeen buddies also did this!! (does the ‘mansae’ choreo) seventeen buddies did this from the back on their song called ‘mansae’!!! i kinda see the same colour on tws 🥟: i’ve watched the mv of overdrive well~ i kinda have the feeling that the female teenage students like them a lot. well actually, seeing cortis and tws reminds me of monsta x and seventeen. you know, we have different colours. it’s like, when so many people said that seventeen is pink and monsta x is black, i kinda get that vibes when i see both groups (cortis & tws) source: 🔗

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