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British celebrity AJ Odudu, thick Blackburn, Lancashire accent going into a smoother TV voice. The Amazon-tall energy star has quintuplied her weight to 42 st, proudly fat, proudly iconic—serving curves & confidence. 💋💙 "Don't judge my accent... my ass just speaks first."

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Jay Tee

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13,149 görüntüleme • 7 ay önce •via X (Twitter)

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Cate Blanchett on how she prepared for the role of Katharine Hepburn in Martin Scorsese's "Aviator" (2004): "Interviewer: How do you deal with the problem of portraying someone like Katharine Hepburn who is so well known? Blanchett: I tried not to look at it like a problem. I tried to look at it as a challenge. But it was more than daunting, it was completely and utterly terrifying. I don’t know that I knew what I had agreed to do. When Martin Scorsese calls you just go into this reverie…I’m such a fan…and so when he asked of course I said yes. Then I realised the consequences but I had agreed to do it. You just have to get on. I find the technical work fascinating. You have to find a balance between paying a homage to her as an actress and being irreverent and serving the script and unlocking the private human being. She was enormously private. Interviewer: There must have been tons of material…books, films, TV interviews…for your homework? Blanchett: There is not a lot of newsreel footage actually. It’s not like now where there’s a lot of interviews with film actors outside the domain of the sound stage. The interview I found most helpful was one she gave in 1973 to Dick Cavett. I had read about that in a biography – and this is the great thing about working with Martin Scorsese, he is so into research and his research team found that TV interview for me. And that became my bible. It was listening to the woman herself, even though her voice had calcified, I think, as had her personality, as she approached or was in her seventies. But watching her be uncomfortable, it was like a gambler looking at another gambler – you could see where the ‘tell’ is. After watching that interview I went back and watched her films and tried to compare the awkward gestures with the gestures that she had as a young actress before she had really crystallised into Hepburn as we know her. Interviewer: What about getting to grips with her distinctive almost iconic voice? Blanchett: It’s a bit like a language lab, if you want to get a feeling for an accent you have to immerse yourself in it. Someone said you can tell if someone has the feeling for an accent because they’ll be able to hesitate in the language. That became very important to me. You learn it technically and then you have to get fluid with it and forget the preparation." ("The Aviator (2004) – Q&A interview with Cate Blanchett", Phase9 Editorial, 2004) P.S: Happy 57th birthday, Cate Blanchett!
1:18

Cate Blanchett on how she prepared for the role of Katharine Hepburn in Martin Scorsese's "Aviator" (2004): "Interviewer: How do you deal with the problem of portraying someone like Katharine Hepburn who is so well known? Blanchett: I tried not to look at it like a problem. I tried to look at it as a challenge. But it was more than daunting, it was completely and utterly terrifying. I don’t know that I knew what I had agreed to do. When Martin Scorsese calls you just go into this reverie…I’m such a fan…and so when he asked of course I said yes. Then I realised the consequences but I had agreed to do it. You just have to get on. I find the technical work fascinating. You have to find a balance between paying a homage to her as an actress and being irreverent and serving the script and unlocking the private human being. She was enormously private. Interviewer: There must have been tons of material…books, films, TV interviews…for your homework? Blanchett: There is not a lot of newsreel footage actually. It’s not like now where there’s a lot of interviews with film actors outside the domain of the sound stage. The interview I found most helpful was one she gave in 1973 to Dick Cavett. I had read about that in a biography – and this is the great thing about working with Martin Scorsese, he is so into research and his research team found that TV interview for me. And that became my bible. It was listening to the woman herself, even though her voice had calcified, I think, as had her personality, as she approached or was in her seventies. But watching her be uncomfortable, it was like a gambler looking at another gambler – you could see where the ‘tell’ is. After watching that interview I went back and watched her films and tried to compare the awkward gestures with the gestures that she had as a young actress before she had really crystallised into Hepburn as we know her. Interviewer: What about getting to grips with her distinctive almost iconic voice? Blanchett: It’s a bit like a language lab, if you want to get a feeling for an accent you have to immerse yourself in it. Someone said you can tell if someone has the feeling for an accent because they’ll be able to hesitate in the language. That became very important to me. You learn it technically and then you have to get fluid with it and forget the preparation." ("The Aviator (2004) – Q&A interview with Cate Blanchett", Phase9 Editorial, 2004) P.S: Happy 57th birthday, Cate Blanchett!

DepressedBergman

47,416 görüntüleme • 4 ay önce

This remote viewer allegedly went to a meeting with “hundreds of thousands” of aliens on the Moon. “There’s little troll beings.” “There’s gelatinous beings.” “There’s really freaking tall beings.” And there were “tens of thousands” of other remote viewers from Earth. This was Elizabeth April’s introduction to the “Galactic Federation.” First, she was visited in her room by a “seven foot tall” man in a “white light body.” “I open my eyes, and he’s gone.” “I close my eyes, and he’s there.” “Open my eyes, gone.” “Close my eyes, there.” “And he said: my name is Kinetic, and I’m a Pleiadian from the Galactic Federation of Light, and I want to invite you to a meeting.” “I’m like: yeah, sure.” “He said: there’s gonna be a meeting in, I think he said like two or three days … it’s gonna be at 2am your time.” “I’m sitting there, 2am on the dot, he comes back into my room and he says: follow me.” “He’s in this white light body … I’m gonna go follow him in my remote body.” “We’re just flying through the air … and we go off the planet.” “We’re going towards the Moon.” “I go inside the Moon, and there’s this huge … circular room.” “I’m talking like hundreds of thousands of seats and beings in this room.” “In the seats were two beings of each species or civilization.” And there were “tens of thousands of white light bodies.” “I could see the grounding cord from their body going outside of the Moon, back to planet Earth.” “I’m like, holy shit … these are a bunch of other remote viewers from Earth who also got invited to this meeting.” “There’s this floating platform in the center of the room, and standing on the platform is like this little being, and then this beautiful, tall, sort of a Grey hybrid woman.” “I now know her name is Mika.” “This is like December 21st, 2011, so right before 2012.” “She’s not only just saying it, but she’s projecting images into our minds as well.” “She talked a lot about … the splitting of the Earth, the shifting of the timelines.” “She talked about this huge energy wave that was going to hit the planet and propel us into this sort of new Earth.” “She talked extensively about this other species on planet Earth that has sort of been taking over, that’s gonna be kicked off of the planet.” “She was showing me these, I called them dinosaur-like beings, 8 to 10 foot tall, scaly, green, some had tails, some had wings.” “Reptilians.” “She was talking about: we have a history with them, we’ve been monitoring them, but now, it’s no longer time for them to be on planet Earth, they need to leave in order for humanity to make a choice, and they need to make that choice with their free will.” “And then that was that, and then I just went back into my body.” Elizabeth April Acid For Squares
7:43

This remote viewer allegedly went to a meeting with “hundreds of thousands” of aliens on the Moon. “There’s little troll beings.” “There’s gelatinous beings.” “There’s really freaking tall beings.” And there were “tens of thousands” of other remote viewers from Earth. This was Elizabeth April’s introduction to the “Galactic Federation.” First, she was visited in her room by a “seven foot tall” man in a “white light body.” “I open my eyes, and he’s gone.” “I close my eyes, and he’s there.” “Open my eyes, gone.” “Close my eyes, there.” “And he said: my name is Kinetic, and I’m a Pleiadian from the Galactic Federation of Light, and I want to invite you to a meeting.” “I’m like: yeah, sure.” “He said: there’s gonna be a meeting in, I think he said like two or three days … it’s gonna be at 2am your time.” “I’m sitting there, 2am on the dot, he comes back into my room and he says: follow me.” “He’s in this white light body … I’m gonna go follow him in my remote body.” “We’re just flying through the air … and we go off the planet.” “We’re going towards the Moon.” “I go inside the Moon, and there’s this huge … circular room.” “I’m talking like hundreds of thousands of seats and beings in this room.” “In the seats were two beings of each species or civilization.” And there were “tens of thousands of white light bodies.” “I could see the grounding cord from their body going outside of the Moon, back to planet Earth.” “I’m like, holy shit … these are a bunch of other remote viewers from Earth who also got invited to this meeting.” “There’s this floating platform in the center of the room, and standing on the platform is like this little being, and then this beautiful, tall, sort of a Grey hybrid woman.” “I now know her name is Mika.” “This is like December 21st, 2011, so right before 2012.” “She’s not only just saying it, but she’s projecting images into our minds as well.” “She talked a lot about … the splitting of the Earth, the shifting of the timelines.” “She talked about this huge energy wave that was going to hit the planet and propel us into this sort of new Earth.” “She talked extensively about this other species on planet Earth that has sort of been taking over, that’s gonna be kicked off of the planet.” “She was showing me these, I called them dinosaur-like beings, 8 to 10 foot tall, scaly, green, some had tails, some had wings.” “Reptilians.” “She was talking about: we have a history with them, we’ve been monitoring them, but now, it’s no longer time for them to be on planet Earth, they need to leave in order for humanity to make a choice, and they need to make that choice with their free will.” “And then that was that, and then I just went back into my body.” Elizabeth April Acid For Squares

Holden Culotta

238,093 görüntüleme • 4 ay önce

This is a grooming report from 2005 what the bbc did and their findings and MPs said they knew nothing about it! In 2005 I was 13 years old the height of my exploitation I was been trafficked up and down the country my mum was screaming for help but no one cared …. In this interview my mum is under the name Vicky and my name is dawn at the time I was missing from home when my mum took part in this documentary my mum speaks at around 19 minutes into the documentary. Today is the first time I’ve ever heard it and it really has broke me hearing my mums voice brake not knowing what to do or where to turn to. It’s a long 25 minutes but it’s definitely proof that people knew full well and did nothing about it and just like one of the other survivors in this interview I was put into children’s homes for my own protection I was in and out of them all the time I would also climb out of bathroom windows not because I wanted to but because I had no choice. I was 11 when this first started and at the time of this documentary I was still a victim and not a survivor like my mums says on here by time I’m 16 I’m going to be dead either of drugs or by my abusers 💔💔 After everything me and my mums been through she really is my bestest friend and we are closer than ever I regret what I put her through but unfortunately it was all out of my control. Everyone knew the authorities the police the government and no one cared ! Thank you to Julia rooke and Anne cryer even though they couldn’t do much they tried to raise awareness around this issue 21 years ago….
24:49

This is a grooming report from 2005 what the bbc did and their findings and MPs said they knew nothing about it! In 2005 I was 13 years old the height of my exploitation I was been trafficked up and down the country my mum was screaming for help but no one cared …. In this interview my mum is under the name Vicky and my name is dawn at the time I was missing from home when my mum took part in this documentary my mum speaks at around 19 minutes into the documentary. Today is the first time I’ve ever heard it and it really has broke me hearing my mums voice brake not knowing what to do or where to turn to. It’s a long 25 minutes but it’s definitely proof that people knew full well and did nothing about it and just like one of the other survivors in this interview I was put into children’s homes for my own protection I was in and out of them all the time I would also climb out of bathroom windows not because I wanted to but because I had no choice. I was 11 when this first started and at the time of this documentary I was still a victim and not a survivor like my mums says on here by time I’m 16 I’m going to be dead either of drugs or by my abusers 💔💔 After everything me and my mums been through she really is my bestest friend and we are closer than ever I regret what I put her through but unfortunately it was all out of my control. Everyone knew the authorities the police the government and no one cared ! Thank you to Julia rooke and Anne cryer even though they couldn’t do much they tried to raise awareness around this issue 21 years ago….

Sarah

27,024 görüntüleme • 2 ay önce

Writing these words is incredibly difficult for me right now, but I'm afraid that if I don't write them now, I never will. I was only ten years old when I first saw the photo of Jennifer 'Precious' Finch below. I had just lost my mother after her long battle with cancer. Around that time, I was reading a book about Kurt Cobain and the author mentioned a bass player named Jennifer Finch. Nirvana's drummer Dave Grohl was her boyfriend and she was the one who introduced Courtney Love to Kurt, and she was an incredible bassist, artist, photographer and activist, and played in an all female band called L7. She seemed to have left her fingerprints all over the American punk scene. After reading everything written about Jennifer over and over again, I remember my childself self thinking: 'An all-female punk band?' I couldn't stop staring at her photos in amazement... The fire-red hair, the unbelievable energy bursting out of every image, the confidence, the attitude, the style... I threw the book into my bag, rushed to the nearest record store, showed it to the owner, and asked, "Do you have LPs of any of these bands? Hole? Babes in Toyland? Sugar Babydoll? L7? The Gits?" They had L7. I bought the record and ran straight back home. The years that followed were spent following these women... Their stage presence, their courage, their music, their politics. Even if Oliver Stone had opened Natural Born Killers with an explosion, it couldn't have made a bigger impact on me than hearing "Shitlist." I can't remember how many times that my childhood version watched the film just to hear L7. Or how many times I jumped off the couch when Jennifer appeared in a John Waters film. Or how many nights I stayed up in front of MTV, hoping they'd play another one of their videos. My childhood, my teenage years were shaped by that world. My worldview. My confidence. My taste in music. My politics. Even my closest circle of friends. Then life performed one of its impossible miracles. Jennifer Finch transformed from one of my childhood heroes into a musician I eventually had the privilege of working with, then into a close friend, then an older sister and ultimately someone I call family. The first real tour I ever organized with my friends as a teenager was for Jennifer's new band, The Shocker. Years later, in my twenties, we were sitting together in a kebab shop in Denmark talking about our shared love for Kanye and the Yeezy pop-up store in Los Angeles that had just opened. As I approached my thirties, we wandered through museums together in Nuremberg before going to watch British bands play. Another time, while I was visiting the incredible Raymond Pettibon retrospective in Moscow, I called her to show her the original SST fanzines. "Cali mention, Precious!!' From the day I discovered her as a child until today, Jennifer's influence never left my life. I admired her, learned from her, and never stopped learning from her. I honestly don't think anyone else has shaped my life so profoundly or in so many different ways. Jennifer was so down to earth that you could almost forget, for a moment, just how much she had lived through and how a legendary rockstar she really was. But then she'd start talking about music, art, photography, or politics, and you'd immediately realize the depth of her knowledge. I have met very few people in my life whose understanding of music stretched so effortlessly from hip-hop to metal, from punk to jazz. Jennifer wasn't just an icon of the Los Angeles punk scene. She reached people in the smallest underground communities all over the world and left a lasting mark on countless lives. You could write an entire book about the life she lived. Within seconds she could take you from a jaw dropping story to one that left you crying with laughter. One day she told me she was proud of me. I still remember thinking "Life has been incredibly hard but hey, if I can make my childhood hero proud then it's ok, I made it." I'm writing these words with incredible sadness, grief mixed with anger, because I truly believe that if the United States treated healthcare as a universal human right, Jennifer Finch would still be with us today. Instead, her treatment turned into a battle against private insurance companies that made everything harder, longer and more exhausting. So yes, my heart is broken. And yes, forever, Free Luigi. My deepest condolences to her life partner, Jack, and to everyone who loved her and everyone who was loved by her. Until we meet again, may the stars guide you home. Precious. I'll miss you forever. — Erin RIP Jennifer Precious Finch (1966-2026)
1:30

Writing these words is incredibly difficult for me right now, but I'm afraid that if I don't write them now, I never will. I was only ten years old when I first saw the photo of Jennifer 'Precious' Finch below. I had just lost my mother after her long battle with cancer. Around that time, I was reading a book about Kurt Cobain and the author mentioned a bass player named Jennifer Finch. Nirvana's drummer Dave Grohl was her boyfriend and she was the one who introduced Courtney Love to Kurt, and she was an incredible bassist, artist, photographer and activist, and played in an all female band called L7. She seemed to have left her fingerprints all over the American punk scene. After reading everything written about Jennifer over and over again, I remember my childself self thinking: 'An all-female punk band?' I couldn't stop staring at her photos in amazement... The fire-red hair, the unbelievable energy bursting out of every image, the confidence, the attitude, the style... I threw the book into my bag, rushed to the nearest record store, showed it to the owner, and asked, "Do you have LPs of any of these bands? Hole? Babes in Toyland? Sugar Babydoll? L7? The Gits?" They had L7. I bought the record and ran straight back home. The years that followed were spent following these women... Their stage presence, their courage, their music, their politics. Even if Oliver Stone had opened Natural Born Killers with an explosion, it couldn't have made a bigger impact on me than hearing "Shitlist." I can't remember how many times that my childhood version watched the film just to hear L7. Or how many times I jumped off the couch when Jennifer appeared in a John Waters film. Or how many nights I stayed up in front of MTV, hoping they'd play another one of their videos. My childhood, my teenage years were shaped by that world. My worldview. My confidence. My taste in music. My politics. Even my closest circle of friends. Then life performed one of its impossible miracles. Jennifer Finch transformed from one of my childhood heroes into a musician I eventually had the privilege of working with, then into a close friend, then an older sister and ultimately someone I call family. The first real tour I ever organized with my friends as a teenager was for Jennifer's new band, The Shocker. Years later, in my twenties, we were sitting together in a kebab shop in Denmark talking about our shared love for Kanye and the Yeezy pop-up store in Los Angeles that had just opened. As I approached my thirties, we wandered through museums together in Nuremberg before going to watch British bands play. Another time, while I was visiting the incredible Raymond Pettibon retrospective in Moscow, I called her to show her the original SST fanzines. "Cali mention, Precious!!' From the day I discovered her as a child until today, Jennifer's influence never left my life. I admired her, learned from her, and never stopped learning from her. I honestly don't think anyone else has shaped my life so profoundly or in so many different ways. Jennifer was so down to earth that you could almost forget, for a moment, just how much she had lived through and how a legendary rockstar she really was. But then she'd start talking about music, art, photography, or politics, and you'd immediately realize the depth of her knowledge. I have met very few people in my life whose understanding of music stretched so effortlessly from hip-hop to metal, from punk to jazz. Jennifer wasn't just an icon of the Los Angeles punk scene. She reached people in the smallest underground communities all over the world and left a lasting mark on countless lives. You could write an entire book about the life she lived. Within seconds she could take you from a jaw dropping story to one that left you crying with laughter. One day she told me she was proud of me. I still remember thinking "Life has been incredibly hard but hey, if I can make my childhood hero proud then it's ok, I made it." I'm writing these words with incredible sadness, grief mixed with anger, because I truly believe that if the United States treated healthcare as a universal human right, Jennifer Finch would still be with us today. Instead, her treatment turned into a battle against private insurance companies that made everything harder, longer and more exhausting. So yes, my heart is broken. And yes, forever, Free Luigi. My deepest condolences to her life partner, Jack, and to everyone who loved her and everyone who was loved by her. Until we meet again, may the stars guide you home. Precious. I'll miss you forever. — Erin RIP Jennifer Precious Finch (1966-2026)

erin/c

70,875 görüntüleme • 2 ay önce

Scarlett: I do have to admit that Zeudi and Maria Rosaria have changed my life with the aerosol. I've got to speak the truth. Zeudi: Do you remember when you judged me? Scar: I didn't judge you. Z: Yes, for the sound. Scar: Yeah, because obviously the sound of the aerosol is really loud, and Zeudi says to me that her whole family loves the sound of the aerosol. And when she sent me the YouTube recreation of the sound that they fall asleep to, I was like, "Oh my God, this is so intense. How?" And then when I started using the aerosol, I suddenly was like, I'm actually quite tired because it's quite ASMR, and now I get it. But her mum and her have literally saved my life with this because I have, or had, and I'm ashamed to admit it, an addiction to Sudafed Blue. It was actually quite severe. Five years strong. If I didn't have it on me, I would panic because my nose would get so blocked. Last time I was in Naples, I booked the wrong flight home. Look, happens to the best of us. Don't want to talk about it. It's actually an embarrassment at my age, but here we are. It's not the first time. I'm sure it won't be the last. And so I was panicking though because this is how bad it is. I was bargaining on getting back to the UK by midday because I'd ran out of my Sudafed blue, so I was like, "Right, I've got one spray left before I get to the UK, and then I've got it on speed dial." Because I knew they didn't have it in Italy. So first thing when I missed my flight is not, "Okay, I get to spend more time with my beautiful girlfriend." Sadly, my first thought is, "Shit, the Sudafed. What am I going to do?" So I can feel the panic in me rising. So Zeudi’s like, "Okay, don't worry. We go to my house. My mom will fix this." And I'm thinking, "No disrespect, but what could your mom possibly fix after five years?" And bless Maria Rosaria comes into the room with hot salt in a sock and starts dabbing my face. I'm sat there like, "what is going on?" And then Zeudi comes in with the aerosol kit, and I'm like, "Right, these Italians mean business." And I just surrender. Normally I'd be like, "No," but obviously I know better than to fight not one, but two Italian women, okay? So I'm just sat there like, they could've said, "Look, we're going to amputate your arm," and I would've just said, "Fair enough." And so Zeudi’s mom's dabbing my face with the salt and then holding the aerosol up my nose, and I'm just like... And then lo and behold, after an hour, I can suddenly blow my nose. Guys, I've not been able to blow my nose in four years. Long story short, I'm 11 days clean of Sudafed, all thanks to these two. And now… Zeudi: You can breathe. Scar: I can breathe and I can blow my nose again like a normal person. Five years, guys, five years through the British healthcare system and my two Italians fix it in one day. So I'm very grateful for this. Honestly, life-changing in more ways than one. Thank you. Grazie mille Maria Rosaria. ❤️❤️ Mariarosaria
3:51

Scarlett: I do have to admit that Zeudi and Maria Rosaria have changed my life with the aerosol. I've got to speak the truth. Zeudi: Do you remember when you judged me? Scar: I didn't judge you. Z: Yes, for the sound. Scar: Yeah, because obviously the sound of the aerosol is really loud, and Zeudi says to me that her whole family loves the sound of the aerosol. And when she sent me the YouTube recreation of the sound that they fall asleep to, I was like, "Oh my God, this is so intense. How?" And then when I started using the aerosol, I suddenly was like, I'm actually quite tired because it's quite ASMR, and now I get it. But her mum and her have literally saved my life with this because I have, or had, and I'm ashamed to admit it, an addiction to Sudafed Blue. It was actually quite severe. Five years strong. If I didn't have it on me, I would panic because my nose would get so blocked. Last time I was in Naples, I booked the wrong flight home. Look, happens to the best of us. Don't want to talk about it. It's actually an embarrassment at my age, but here we are. It's not the first time. I'm sure it won't be the last. And so I was panicking though because this is how bad it is. I was bargaining on getting back to the UK by midday because I'd ran out of my Sudafed blue, so I was like, "Right, I've got one spray left before I get to the UK, and then I've got it on speed dial." Because I knew they didn't have it in Italy. So first thing when I missed my flight is not, "Okay, I get to spend more time with my beautiful girlfriend." Sadly, my first thought is, "Shit, the Sudafed. What am I going to do?" So I can feel the panic in me rising. So Zeudi’s like, "Okay, don't worry. We go to my house. My mom will fix this." And I'm thinking, "No disrespect, but what could your mom possibly fix after five years?" And bless Maria Rosaria comes into the room with hot salt in a sock and starts dabbing my face. I'm sat there like, "what is going on?" And then Zeudi comes in with the aerosol kit, and I'm like, "Right, these Italians mean business." And I just surrender. Normally I'd be like, "No," but obviously I know better than to fight not one, but two Italian women, okay? So I'm just sat there like, they could've said, "Look, we're going to amputate your arm," and I would've just said, "Fair enough." And so Zeudi’s mom's dabbing my face with the salt and then holding the aerosol up my nose, and I'm just like... And then lo and behold, after an hour, I can suddenly blow my nose. Guys, I've not been able to blow my nose in four years. Long story short, I'm 11 days clean of Sudafed, all thanks to these two. And now… Zeudi: You can breathe. Scar: I can breathe and I can blow my nose again like a normal person. Five years, guys, five years through the British healthcare system and my two Italians fix it in one day. So I'm very grateful for this. Honestly, life-changing in more ways than one. Thank you. Grazie mille Maria Rosaria. ❤️❤️ Mariarosaria

Korslayage

14,962 görüntüleme • 4 ay önce

Gina Gershon explains why she didn't like Paul Verhoeven's "Showgirls" (1995) at first, but learnt to appreciate it over the years: "I couldn't watch "Showgirls" (1995) for years 'cause I was like, I was too, a little bit of PTSD, I think, in a very slight way, no disrespect to real PTSD, but I would get very tense and anxious when I thought about certain things and stories, and so I never really watched it again, and I would kind of use the excuse of like, 'Well,' and it was a real excuse, like, 'I can't deal with my accent, 'cause I had to lie about my accent. I thought the movie would be closer to one of [Verhoeven's] Dutch films, which are a little bit seedier, a little bit darker, and I think his American films, now that I've kind of studied it and I've stepped out of it, I mean, they're really interesting comments on America and fascism. Going 30 years later, 25 years later, a friend of mine, a writer friend, she said, 'No, you don't understand how great Showgirls is.' I'm like, 'I guess I really don't,' but when I saw it from afar, not being in it, and all of a sudden I'm like, 'Oh my god.' It was really a comment on ugly America and on capitalism and power struggles and dynamics and all those things. That r*** scene has to be there. It's the grossest thing in there and the powerful men, they're all protected and, you know, so that's why it's exciting when she kicks the guy's a$$. I thought it was gonna be a different movie than it was, but you know what? It's also an interesting lesson in, you know, when you get to the set or any situation really, you know, in your mind, you think what it is, but when you go there and it's not, then you have to assess and... You gotta make it make sense, but then I just changed my approach to the whole character, so that was kind of interesting. It was a good lesson." ("Gina Gershon Says Watching Her Performance in Showgirls Left Her Feeling 'Tense and Anxious': 'Like a Little Bit of PTSD'", Virginia Chamlee, People, 2026) P.S: Happy 64th birthday, Gina Gershon!
1:18

Gina Gershon explains why she didn't like Paul Verhoeven's "Showgirls" (1995) at first, but learnt to appreciate it over the years: "I couldn't watch "Showgirls" (1995) for years 'cause I was like, I was too, a little bit of PTSD, I think, in a very slight way, no disrespect to real PTSD, but I would get very tense and anxious when I thought about certain things and stories, and so I never really watched it again, and I would kind of use the excuse of like, 'Well,' and it was a real excuse, like, 'I can't deal with my accent, 'cause I had to lie about my accent. I thought the movie would be closer to one of [Verhoeven's] Dutch films, which are a little bit seedier, a little bit darker, and I think his American films, now that I've kind of studied it and I've stepped out of it, I mean, they're really interesting comments on America and fascism. Going 30 years later, 25 years later, a friend of mine, a writer friend, she said, 'No, you don't understand how great Showgirls is.' I'm like, 'I guess I really don't,' but when I saw it from afar, not being in it, and all of a sudden I'm like, 'Oh my god.' It was really a comment on ugly America and on capitalism and power struggles and dynamics and all those things. That r*** scene has to be there. It's the grossest thing in there and the powerful men, they're all protected and, you know, so that's why it's exciting when she kicks the guy's a$$. I thought it was gonna be a different movie than it was, but you know what? It's also an interesting lesson in, you know, when you get to the set or any situation really, you know, in your mind, you think what it is, but when you go there and it's not, then you have to assess and... You gotta make it make sense, but then I just changed my approach to the whole character, so that was kind of interesting. It was a good lesson." ("Gina Gershon Says Watching Her Performance in Showgirls Left Her Feeling 'Tense and Anxious': 'Like a Little Bit of PTSD'", Virginia Chamlee, People, 2026) P.S: Happy 64th birthday, Gina Gershon!

DepressedBergman

865,196 görüntüleme • 3 ay önce

Odumodu babe telling blaqbonez manager: "Just let your artist know I'm going to destroy him. I have told him before and he knows how crazy i am and he knows the things I would do and i can do. There's a time I was dating someone and after the breakup, i found a way to get into his house, picked up his Playstation and threw it from the third floor of his house. That's how crazy i get when things don't go my way." Apparently, Odumodu babe called blaqbonez manager and promised her she'll destroy his career and telling her how crazy she can be. This shouldn't come as a surprise. This is usually a woman's first plan as soon as things doesn't work out with a rich celebrity. Knowing you're a public figure, their priority is to attack your career, source of income and reputation online. Once a woman wants to ruin you as a man, their first target is your source of income and where you work. This is why countless times I have been dragged here, I see women talking about locating where I'm working so they can report me so I lose my job. Typical women behavior! They know nothing hits a man more than being broke, so they pause everything going on in their life and put all their energy into making you jobless in order to render you useless so they can broke shame you. They target your career, then your fans and other labels you're collaborating with by coming out to the public to say things that will get brands and other partnerships you have business with to discard you. This is literally how women are wired. If they don't ruin your career, they can never move on in peace. At the end of the day, you must be a big fool to see women as good people. The heart of a woman is evil.
2:36

Odumodu babe telling blaqbonez manager: "Just let your artist know I'm going to destroy him. I have told him before and he knows how crazy i am and he knows the things I would do and i can do. There's a time I was dating someone and after the breakup, i found a way to get into his house, picked up his Playstation and threw it from the third floor of his house. That's how crazy i get when things don't go my way." Apparently, Odumodu babe called blaqbonez manager and promised her she'll destroy his career and telling her how crazy she can be. This shouldn't come as a surprise. This is usually a woman's first plan as soon as things doesn't work out with a rich celebrity. Knowing you're a public figure, their priority is to attack your career, source of income and reputation online. Once a woman wants to ruin you as a man, their first target is your source of income and where you work. This is why countless times I have been dragged here, I see women talking about locating where I'm working so they can report me so I lose my job. Typical women behavior! They know nothing hits a man more than being broke, so they pause everything going on in their life and put all their energy into making you jobless in order to render you useless so they can broke shame you. They target your career, then your fans and other labels you're collaborating with by coming out to the public to say things that will get brands and other partnerships you have business with to discard you. This is literally how women are wired. If they don't ruin your career, they can never move on in peace. At the end of the day, you must be a big fool to see women as good people. The heart of a woman is evil.

KING CHIDI

71,936 görüntüleme • 1 ay önce

someone is going to make millions with this in 2026 99% of people think this is a real human (or they fail to notice it’s an ai-generated video) but this video is completely ai-generated, including the background music. let me teach you how to create this in a few minutes follow this workflow step by step: first, create the base image of your ai influencer using nb pro. this is currently the best tool for character consistency i used a json prompt to generate the base image then i turn it into video (i will share the exact json prompt with you in this thread) now, to generate the video paste this prompt into google veo using the “frame to video” option “a man in his 40s sits on a 1980s living room couch, looking directly at the camera with a serious expression. he gestures naturally with one hand as he speaks in vintage tv broadcast aesthetic: "today is october 12th, 1985. what i'm about to tell you will sound impossible... but mark my words, these three predictions will come true. no background music, no sound effects” next, i gave it a chunk of script, i only changed the script dialogue each time and kept the rest of the prompt exactly the same using this method, you also get a little consintent voiceover here is the format for you to use: [character description] + [visual style] + [dialogue of your script for under 8 seconds] for example, for the next part dialogue; [A man in his 40s sits on a 1980s living room couch, looking directly at the camera with a serious expression. He gestures naturally with one hand as he speaks in Vintage TV broadcast aesthetic: "but mark my words, these three predictions will come true... ONE: You will carry a device no bigger than a playing card that holds ten thousand songs" ] rest things i adjusted in the editing, now how to clone the audio for these several clips we just generated? i got the best audio from the very first clip i generated using veo 3 but here is the trick: - export that clip to a video editor - detach the audio of it - duplicate it to make it 10+ seconds long - clone the voice over using elevenlabs (go to 11Labs-> click on voices-> click on "create or clone a voice" button in the top right side) (i named mine “1985 ai influencer” inside 11labs) then, finally export all your video clips into your video editor detach the audios of all clips, and export it to 11Labs to clone it with that "1985 AI Influencer" voice once you dubbed it, import it back to your editor that’s it. there are endless use cases where you can use such an ai influencer like this to promote your biz: - skincare - weight loss & nutrition - psychology and mental health - marketing and sales - predictions (like this video) - making money & career growth - dating, parenting, and so on… there are a few people already started using such ai influencers, you are just behind them, you can find their pages on instagram don't be lazy, create one such an ai influencer for your targeted biz 2026 is going to be yours
0:40

someone is going to make millions with this in 2026 99% of people think this is a real human (or they fail to notice it’s an ai-generated video) but this video is completely ai-generated, including the background music. let me teach you how to create this in a few minutes follow this workflow step by step: first, create the base image of your ai influencer using nb pro. this is currently the best tool for character consistency i used a json prompt to generate the base image then i turn it into video (i will share the exact json prompt with you in this thread) now, to generate the video paste this prompt into google veo using the “frame to video” option “a man in his 40s sits on a 1980s living room couch, looking directly at the camera with a serious expression. he gestures naturally with one hand as he speaks in vintage tv broadcast aesthetic: "today is october 12th, 1985. what i'm about to tell you will sound impossible... but mark my words, these three predictions will come true. no background music, no sound effects” next, i gave it a chunk of script, i only changed the script dialogue each time and kept the rest of the prompt exactly the same using this method, you also get a little consintent voiceover here is the format for you to use: [character description] + [visual style] + [dialogue of your script for under 8 seconds] for example, for the next part dialogue; [A man in his 40s sits on a 1980s living room couch, looking directly at the camera with a serious expression. He gestures naturally with one hand as he speaks in Vintage TV broadcast aesthetic: "but mark my words, these three predictions will come true... ONE: You will carry a device no bigger than a playing card that holds ten thousand songs" ] rest things i adjusted in the editing, now how to clone the audio for these several clips we just generated? i got the best audio from the very first clip i generated using veo 3 but here is the trick: - export that clip to a video editor - detach the audio of it - duplicate it to make it 10+ seconds long - clone the voice over using elevenlabs (go to 11Labs-> click on voices-> click on "create or clone a voice" button in the top right side) (i named mine “1985 ai influencer” inside 11labs) then, finally export all your video clips into your video editor detach the audios of all clips, and export it to 11Labs to clone it with that "1985 AI Influencer" voice once you dubbed it, import it back to your editor that’s it. there are endless use cases where you can use such an ai influencer like this to promote your biz: - skincare - weight loss & nutrition - psychology and mental health - marketing and sales - predictions (like this video) - making money & career growth - dating, parenting, and so on… there are a few people already started using such ai influencers, you are just behind them, you can find their pages on instagram don't be lazy, create one such an ai influencer for your targeted biz 2026 is going to be yours

ViralOps

14,371 görüntüleme • 9 ay önce

The Choreography of Rebellion: Why the 'Dirty Dancing' Finale is More Than Just a Lift We have all seen the lift. Even if you have never watched a single minute of Dirty Dancing, you know the exact silhouette of Johnny Castle holding Baby Houseman high above the cheering crowd to the triumphant chorus of "(I've Had) The Time of My Life." It is one of the most parodied, replicated, and universally recognized cinematic images of the 1980s. But reducing this iconic finale to a mere acrobatic stunt misses the true genius of the scene. The final dance isn't just a romantic climax; it is a meticulously choreographed social rebellion. To understand the actual weight of this sequence, you have to look away from the two leads for a moment and pay attention to the room. When Johnny interrupts the stuffy end-of-season talent show, he doesn't just quietly sneak onto the stage. He deliberately walks straight down the central aisle, dancing solo right through the seated audience of wealthy, conservative resort guests. It is an act of sheer, unapologetic defiance. He is forcing the elite patrons to look at the working-class entertainment they usually prefer to keep hidden away in the staff quarters. The brilliance of the scene lies in how it visually dismantles every social and generational barrier built up throughout the movie. Watch the subtle reactions of Baby's parents. When her mother watches her daughter perform with undeniable confidence, she turns to her husband and proudly notes, "I think she gets this from me." Moments later, when the fiercely protective Dr. Houseman instinctively tries to step forward and intervene, his wife simply pulls him back with a firm, "Sit down, Jake." In that brief, brilliant exchange, the conservative older generation finally yields. They step back and allow the liberated youth culture to take the floor. By the time the entire room erupts into a massive, joyous dance party, the strict class divisions of Kellerman’s Resort have completely collapsed. The wealthy vacationers and the blue-collar staff are suddenly moving together to the exact same rhythm. Even Max Kellerman, the rigid and traditional resort owner, is left delightfully bewildered, asking his bandleader, "You have sheet music on this stuff?" It provides the perfect touch of comedic grounding to a deeply cathartic moment. So, when Baby finally takes a running leap into Johnny's arms for that famous, gravity-defying lift, it represents far more than just trusting a dance partner. She is literally being elevated above the very society that tried to keep her in a corner. The movie doesn't just end with a quiet romantic kiss; it ends with a loud, joyful, and unstoppable revolution masquerading as a pop song. Do you think modern movies still manage to capture this kind of pure, unadulterated triumph, or has cinema become a bit too cynical to pull off moments like this today?
4:14

The Choreography of Rebellion: Why the 'Dirty Dancing' Finale is More Than Just a Lift We have all seen the lift. Even if you have never watched a single minute of Dirty Dancing, you know the exact silhouette of Johnny Castle holding Baby Houseman high above the cheering crowd to the triumphant chorus of "(I've Had) The Time of My Life." It is one of the most parodied, replicated, and universally recognized cinematic images of the 1980s. But reducing this iconic finale to a mere acrobatic stunt misses the true genius of the scene. The final dance isn't just a romantic climax; it is a meticulously choreographed social rebellion. To understand the actual weight of this sequence, you have to look away from the two leads for a moment and pay attention to the room. When Johnny interrupts the stuffy end-of-season talent show, he doesn't just quietly sneak onto the stage. He deliberately walks straight down the central aisle, dancing solo right through the seated audience of wealthy, conservative resort guests. It is an act of sheer, unapologetic defiance. He is forcing the elite patrons to look at the working-class entertainment they usually prefer to keep hidden away in the staff quarters. The brilliance of the scene lies in how it visually dismantles every social and generational barrier built up throughout the movie. Watch the subtle reactions of Baby's parents. When her mother watches her daughter perform with undeniable confidence, she turns to her husband and proudly notes, "I think she gets this from me." Moments later, when the fiercely protective Dr. Houseman instinctively tries to step forward and intervene, his wife simply pulls him back with a firm, "Sit down, Jake." In that brief, brilliant exchange, the conservative older generation finally yields. They step back and allow the liberated youth culture to take the floor. By the time the entire room erupts into a massive, joyous dance party, the strict class divisions of Kellerman’s Resort have completely collapsed. The wealthy vacationers and the blue-collar staff are suddenly moving together to the exact same rhythm. Even Max Kellerman, the rigid and traditional resort owner, is left delightfully bewildered, asking his bandleader, "You have sheet music on this stuff?" It provides the perfect touch of comedic grounding to a deeply cathartic moment. So, when Baby finally takes a running leap into Johnny's arms for that famous, gravity-defying lift, it represents far more than just trusting a dance partner. She is literally being elevated above the very society that tried to keep her in a corner. The movie doesn't just end with a quiet romantic kiss; it ends with a loud, joyful, and unstoppable revolution masquerading as a pop song. Do you think modern movies still manage to capture this kind of pure, unadulterated triumph, or has cinema become a bit too cynical to pull off moments like this today?

Music over time🎻

19,491 görüntüleme • 20 gün önce

"Eventually you'll come into my Matrix. And you will nourish me for a long, long time." "You need me to agree, don't you? I have to go voluntarily." ~~~ When Your Father Is Not Really Your Father Star Trek: Voyager, The Soul Trap and Parasites Feeding Off Our Energy First aired in 1997 - This alien took on the form of her father. Joe McMoneagle reported something similar in a RVing session that turned into an OBE (see below). For years, we've heard the idea that certain ideas are "downloaded" into the minds of Hollywood writers from an intelligence that wants to get messages to humanity in order to help us wake the hell up. Or, it just might be cool idea for an STV episode. I first saw this on Howdie Mickoski's YT: ~~~ Captain Janeway (CJ): "You're an alien. You created all these hallucinations, haven't you?" Alien: "This is what my species does. At the moment, just before death, one of us comes to help you understand what's happening, to make the crossing over an occasion of Joy." CJ: "And what is that?" Alien: "Our Matrix, where your consciousness will live." CJ: "Why pretend to be my father?" Alien: "Usually, people are comforted to see their loved ones. It makes the crossing over a much less fearful occasion. I've done this many times, but I've never encountered someone who's so resistant." CJ: "You're only interested in my agreeing to come with you. You're more like a vulture (parasite), preying on people at the moment of their death when they're most vulnerable. What's the real reason you want me in that Matrix? Somehow, I don't think it has anything to do with everlasting joy." Alien: "You must go with me." CJ: "If you could force me to go, you would have done it already. You need me to agree, don't you? I have to go voluntarily. We can stand here for all eternity and I will never choose to go with you!" (This goes to the IDEA of us having free will and these beings using deception or ignorance (on our part) to get us reincarnating back here, over and over. Don't follow the light being and don't go into the light. Use your intuition. That's the theory.) ~~~ Alien: "There'll be another time and I'll be waiting. Eventually you'll come into my Matrix. And you will nourish me for a long, long time." CJ: "Go back to Hell, coward." ("Nourish me" goes to the theory that we're some kind of food or energy for them.) ~~~ One of the best remote viewers on the planet. 👇🏼 Joe McMoneagle: "I did a remote viewing in early 1980s, 82 or 83, where a UFO target was mixed in with other targets so I had no idea it was a UFO target. It was very general – the targeting material was a newspaper clipping from 1952 referring to a sighting in Tacoma WA, a pattern of lights dancing on the horizon, people getting out of their cars and watching for a few minutes. It was double-wrapped in a thick envelope. "My actual remote viewing was unique in that it was not the dissociative kind of RM, it was an automatic out-of-body experience. I found myself inside a white cube. That had never happened and has not happened since. Finding myself in this cube, I started to look for windows, doors, some kind of ingress-egress, and while I was looking, an apparition of my father appeared. He had died three years earlier. The apparition was very angry and told me to leave, that I had no business being where I was, which was not my father’s nature. He would never have done that. So I knew it was a projection of some kind. My response was to continue to look for an ingress-egress point. The apparition seemed to be confused for a minute and then vanished, to be replaced by a light being that folded into two of itself, it seemed to be arguing with itself in some strange language. "My first perception was to be concerned, my second was that I was supposed to be concerned, so I wasn’t going to be, which confused the light being. I was then threatened with a light being which I thought was ridiculous, I almost said it out loud. The entity argued with itself some more than folded up and disappeared. I had a sense that something reached inside my being and strummed a nerve ending that instantly made me ill. I felt I was going to projectile vomit and found myself slam bang back in my body sitting bold upright and I collided heads with my monitor. Both of us were walking around the room holding our heads in pain. I explained to him what had happened and it turned out I had gone almost comatose, slipped backwards on the chair, and he became concerned. He figured things were out of control and we terminated the remote viewing. "We recorded the material and opened the envelope and discovered that the target was the UFO target. Now, here’s the fascinating part: the length of the remote viewing session was almost identical to the length of the UFO event. In the newspaper report, they said the lights just winked out at the end of the UFO event. The particular physicist who had given us the target said, jeez, I wonder if you’re the reason why the lights winked out. Or are you the reason why there were lights in 1952? "You have to start wondering where reality begins and ends when you get involved in these kinds of things. For me this experience was very real but I can only report it. I think there is a great deal of similarity between that experience and the sorts of interactions people have reported where they have not been in control. not the standard abduction experience. It may be a tangency of realities that we have perhaps learned to invade because of the increase of sophistication in the way we think." #ufoX #aliens #ufos #uapX #uap #reincarnation #simulation
2:09

"Eventually you'll come into my Matrix. And you will nourish me for a long, long time." "You need me to agree, don't you? I have to go voluntarily." ~~~ When Your Father Is Not Really Your Father Star Trek: Voyager, The Soul Trap and Parasites Feeding Off Our Energy First aired in 1997 - This alien took on the form of her father. Joe McMoneagle reported something similar in a RVing session that turned into an OBE (see below). For years, we've heard the idea that certain ideas are "downloaded" into the minds of Hollywood writers from an intelligence that wants to get messages to humanity in order to help us wake the hell up. Or, it just might be cool idea for an STV episode. I first saw this on Howdie Mickoski's YT: ~~~ Captain Janeway (CJ): "You're an alien. You created all these hallucinations, haven't you?" Alien: "This is what my species does. At the moment, just before death, one of us comes to help you understand what's happening, to make the crossing over an occasion of Joy." CJ: "And what is that?" Alien: "Our Matrix, where your consciousness will live." CJ: "Why pretend to be my father?" Alien: "Usually, people are comforted to see their loved ones. It makes the crossing over a much less fearful occasion. I've done this many times, but I've never encountered someone who's so resistant." CJ: "You're only interested in my agreeing to come with you. You're more like a vulture (parasite), preying on people at the moment of their death when they're most vulnerable. What's the real reason you want me in that Matrix? Somehow, I don't think it has anything to do with everlasting joy." Alien: "You must go with me." CJ: "If you could force me to go, you would have done it already. You need me to agree, don't you? I have to go voluntarily. We can stand here for all eternity and I will never choose to go with you!" (This goes to the IDEA of us having free will and these beings using deception or ignorance (on our part) to get us reincarnating back here, over and over. Don't follow the light being and don't go into the light. Use your intuition. That's the theory.) ~~~ Alien: "There'll be another time and I'll be waiting. Eventually you'll come into my Matrix. And you will nourish me for a long, long time." CJ: "Go back to Hell, coward." ("Nourish me" goes to the theory that we're some kind of food or energy for them.) ~~~ One of the best remote viewers on the planet. 👇🏼 Joe McMoneagle: "I did a remote viewing in early 1980s, 82 or 83, where a UFO target was mixed in with other targets so I had no idea it was a UFO target. It was very general – the targeting material was a newspaper clipping from 1952 referring to a sighting in Tacoma WA, a pattern of lights dancing on the horizon, people getting out of their cars and watching for a few minutes. It was double-wrapped in a thick envelope. "My actual remote viewing was unique in that it was not the dissociative kind of RM, it was an automatic out-of-body experience. I found myself inside a white cube. That had never happened and has not happened since. Finding myself in this cube, I started to look for windows, doors, some kind of ingress-egress, and while I was looking, an apparition of my father appeared. He had died three years earlier. The apparition was very angry and told me to leave, that I had no business being where I was, which was not my father’s nature. He would never have done that. So I knew it was a projection of some kind. My response was to continue to look for an ingress-egress point. The apparition seemed to be confused for a minute and then vanished, to be replaced by a light being that folded into two of itself, it seemed to be arguing with itself in some strange language. "My first perception was to be concerned, my second was that I was supposed to be concerned, so I wasn’t going to be, which confused the light being. I was then threatened with a light being which I thought was ridiculous, I almost said it out loud. The entity argued with itself some more than folded up and disappeared. I had a sense that something reached inside my being and strummed a nerve ending that instantly made me ill. I felt I was going to projectile vomit and found myself slam bang back in my body sitting bold upright and I collided heads with my monitor. Both of us were walking around the room holding our heads in pain. I explained to him what had happened and it turned out I had gone almost comatose, slipped backwards on the chair, and he became concerned. He figured things were out of control and we terminated the remote viewing. "We recorded the material and opened the envelope and discovered that the target was the UFO target. Now, here’s the fascinating part: the length of the remote viewing session was almost identical to the length of the UFO event. In the newspaper report, they said the lights just winked out at the end of the UFO event. The particular physicist who had given us the target said, jeez, I wonder if you’re the reason why the lights winked out. Or are you the reason why there were lights in 1952? "You have to start wondering where reality begins and ends when you get involved in these kinds of things. For me this experience was very real but I can only report it. I think there is a great deal of similarity between that experience and the sorts of interactions people have reported where they have not been in control. not the standard abduction experience. It may be a tangency of realities that we have perhaps learned to invade because of the increase of sophistication in the way we think." #ufoX #aliens #ufos #uapX #uap #reincarnation #simulation

Joe Murgia

96,743 görüntüleme • 3 yıl önce

This picture was taken of me January 6, 2021 at the Ellipse Park in Washington DC. I took the stand wearing my QPATRIOT Captain America coat September 28, 2022. I won't get into what I want to say about my defenseless attorney or the Barry Soetoro appointed judge. I just want to say one of the things I said on the stand to the jury and the whole court was that January 6, 2021 was the most patriotic day of my whole life. It's like I took every bit of air in the room. I meant it then and I mean it now. After the jury found me guilty of unlawful entry public the judge asked if I had anything to say at my sentencing. I said if jail is what I get for fighting for We the People of the United States for America Republic then take me to jail. Ohhhh the judge was PISSED and slammed his gavel and said there is no need to talk about probation, she obviously has no remorse and would do it again. So he gave me 180 day max sentence and held my 21 years of military service in the Air Force and a war veteran against me. He said because I know how to follow orders. I said lawful orders yes, but they weren't giving me lawful orders. Here is the thing, they went HARD after us J6er veterans and J6er war veterans. They know we have proven we will lay down our life for our country. We took an oath to support and defend the Constitution against all enemies foreign and domestic. It is my honest belief, and I believed it January 6, 2021, that we have politicians inside of our Capitol that are domestic enemies to our REPUBLIC masquerading as our Representatives. . I had heard Ashli Babbitt, another female Air Force combat war veteran was shot and killed by a Capitol Police. That is what I was told at that time. I made up my mind that Capitol Hill was the Hill I was willing to die on January 6, 2021 and so I refused to walk down those stairs. With 3 years of TRUTH, not JUST the stolen election, I decided I would rather die than just walk down those stairs and hand over our Republic to TRAITORS pretending to be our Representatives. I don't regret my actions January 6 and the only decision I regret about my case is that I didn't fire my defenseless attorney, at the beginning, when he said he was on the opposite side of the coin as me and he didn't believe the election was stolen and he wasn't going to fight about it. .I knew I almost got blown up twice in Iraq and before January 6, 2021 I knew our own government did Operation Northwoods against us as well as our so-called allies. I know the evil those politicians, and others in our government have done to children. I knew they made up a plannedemic to steal our government from We the People election day. I knew too much and the world will understand soon enough. My ONLY hope is that my Granddaughter Ellie looks at me like I used to look at my Grandpa Pete, A HERO, HER HERO. I don't get to see because I won't shut up about the dangers of the vaccines and my daughter, her Mom is a nurse. Ellie was born December 31, 2024, but I haven't seen her since the Super Bowl. I won't stay silent because God heaven forbid something horrible happens to my first Grandchild because of vaccines, I have to know I did everything I could to try to protect her. May TRUTH and JUSTICE come soon to all humanity. Micki Lynn Larson-Olson AKA QPATRIOT 21 years United States Air Force Iraq War Veteran Navy Mom PARDONED January 6th inmate 376303 President Donald J. Trump Donald J. Trump il Donaldo Trumpo Dan Scavino Jr.🇺🇸🦅 Elon Musk
0:42

This picture was taken of me January 6, 2021 at the Ellipse Park in Washington DC. I took the stand wearing my QPATRIOT Captain America coat September 28, 2022. I won't get into what I want to say about my defenseless attorney or the Barry Soetoro appointed judge. I just want to say one of the things I said on the stand to the jury and the whole court was that January 6, 2021 was the most patriotic day of my whole life. It's like I took every bit of air in the room. I meant it then and I mean it now. After the jury found me guilty of unlawful entry public the judge asked if I had anything to say at my sentencing. I said if jail is what I get for fighting for We the People of the United States for America Republic then take me to jail. Ohhhh the judge was PISSED and slammed his gavel and said there is no need to talk about probation, she obviously has no remorse and would do it again. So he gave me 180 day max sentence and held my 21 years of military service in the Air Force and a war veteran against me. He said because I know how to follow orders. I said lawful orders yes, but they weren't giving me lawful orders. Here is the thing, they went HARD after us J6er veterans and J6er war veterans. They know we have proven we will lay down our life for our country. We took an oath to support and defend the Constitution against all enemies foreign and domestic. It is my honest belief, and I believed it January 6, 2021, that we have politicians inside of our Capitol that are domestic enemies to our REPUBLIC masquerading as our Representatives. . I had heard Ashli Babbitt, another female Air Force combat war veteran was shot and killed by a Capitol Police. That is what I was told at that time. I made up my mind that Capitol Hill was the Hill I was willing to die on January 6, 2021 and so I refused to walk down those stairs. With 3 years of TRUTH, not JUST the stolen election, I decided I would rather die than just walk down those stairs and hand over our Republic to TRAITORS pretending to be our Representatives. I don't regret my actions January 6 and the only decision I regret about my case is that I didn't fire my defenseless attorney, at the beginning, when he said he was on the opposite side of the coin as me and he didn't believe the election was stolen and he wasn't going to fight about it. .I knew I almost got blown up twice in Iraq and before January 6, 2021 I knew our own government did Operation Northwoods against us as well as our so-called allies. I know the evil those politicians, and others in our government have done to children. I knew they made up a plannedemic to steal our government from We the People election day. I knew too much and the world will understand soon enough. My ONLY hope is that my Granddaughter Ellie looks at me like I used to look at my Grandpa Pete, A HERO, HER HERO. I don't get to see because I won't shut up about the dangers of the vaccines and my daughter, her Mom is a nurse. Ellie was born December 31, 2024, but I haven't seen her since the Super Bowl. I won't stay silent because God heaven forbid something horrible happens to my first Grandchild because of vaccines, I have to know I did everything I could to try to protect her. May TRUTH and JUSTICE come soon to all humanity. Micki Lynn Larson-Olson AKA QPATRIOT 21 years United States Air Force Iraq War Veteran Navy Mom PARDONED January 6th inmate 376303 President Donald J. Trump Donald J. Trump il Donaldo Trumpo Dan Scavino Jr.🇺🇸🦅 Elon Musk

Micki Larson-Olson

54,330 görüntüleme • 8 ay önce

Going for a relaxing cruise through Rainbow Road in Mario Kart 64... on my Sega Dreamcast, of course! Let's take a look at this footage I just barely recorded directly from my DC of jnmartin's latest build! First of all, yes, there's still no audio. No, I don't care how blasphemous it is to put the Sonic R soundtrack to Mario Kart! 😂 BUT BEYOND THAT, omg, look at how freaking good everything looks and how smoothly its all running! All of the texture corruption has been fixed, the smoke particles coming from the carts are no longer blocks, the star sprite animations are present, and the trails from the koopa shells are no longer bright blue! The biggest change; however, is the fact that the background textures of the characters in the sky are no longer so corrupted and distorted that they look like evil demons from hell! ...and you won't believe what the cause was! The decompilation code for this particular level has a bunch of lookup tables for the color palettes associated with each character texture in the night sky. Each CLUT is declared as a constant static array of 256 color values, defined sequentially. Then there's a routine that initializes the night sky texture for a given character, using its respective table... and the freaking thing decided that it could just treat these disjoint tables as though they were one big-ass table, being able to grab the table associated with a given character programmatically by doing some pointer arithmetic on the address of the first table to jump to the correct one! ...there's just one problem. Who said the order in which you define these tables dictates the order in which they are put into the .rodata segment of the binary!? C and C++ certainly don't give a shit about your ordering! So the problem? The MIPS GCC compiler used on N64 does maintain this ordering within the compiled binary, while the SH GCC compiler used for Dreamcast (and even x86, apparently), do it in the opposite order! The result? Hellish nightmare demons in the sky whose texture colors were initialized from another character's palette! WHOOPS!
1:28

Going for a relaxing cruise through Rainbow Road in Mario Kart 64... on my Sega Dreamcast, of course! Let's take a look at this footage I just barely recorded directly from my DC of jnmartin's latest build! First of all, yes, there's still no audio. No, I don't care how blasphemous it is to put the Sonic R soundtrack to Mario Kart! 😂 BUT BEYOND THAT, omg, look at how freaking good everything looks and how smoothly its all running! All of the texture corruption has been fixed, the smoke particles coming from the carts are no longer blocks, the star sprite animations are present, and the trails from the koopa shells are no longer bright blue! The biggest change; however, is the fact that the background textures of the characters in the sky are no longer so corrupted and distorted that they look like evil demons from hell! ...and you won't believe what the cause was! The decompilation code for this particular level has a bunch of lookup tables for the color palettes associated with each character texture in the night sky. Each CLUT is declared as a constant static array of 256 color values, defined sequentially. Then there's a routine that initializes the night sky texture for a given character, using its respective table... and the freaking thing decided that it could just treat these disjoint tables as though they were one big-ass table, being able to grab the table associated with a given character programmatically by doing some pointer arithmetic on the address of the first table to jump to the correct one! ...there's just one problem. Who said the order in which you define these tables dictates the order in which they are put into the .rodata segment of the binary!? C and C++ certainly don't give a shit about your ordering! So the problem? The MIPS GCC compiler used on N64 does maintain this ordering within the compiled binary, while the SH GCC compiler used for Dreamcast (and even x86, apparently), do it in the opposite order! The result? Hellish nightmare demons in the sky whose texture colors were initialized from another character's palette! WHOOPS!

Falco Girgis

21,472 görüntüleme • 1 yıl önce

Shared by Rebecca Lynn Hutcheson RN- "Wake up America... just one more Medical Professional putting their life, career and reputation on the line... Published on Jul 1, 2019 Neonatologist Dr. Paul Byrne, president of the Life Guardian Foundation, addresses the 2019 John Paul II Academy for Human Life and Family conference in Rome. May 20, 2019. Hear his voice it can save the life of your loved one... this is a long video, so go to the last 11 minutes and start there ...It is imperative for you to hear all when you have the time... I know this one first hand, a year ago this month my daughter was in ICU on a ventilator unresponsive they said. But she was unresponsive and, why did they have her on a high dose of Fentanyl? They were setting my daughter up for failure and then so she could be an organ donor ..had I not had the medical background that I did and another critical care nurse that I could reach out to they would have been successful and harvesting her organs and my daughter would not be here today... My daughter is the love of my life and it breaks my heart to think about all the families that were convinced that there was nothing left to do and signed those organ harvesting papers. When they kept telling me that my daughter was unresponsive I had to fight with them to pull her off the fentanyl. I told them you cannot possibly determine neuro status with that strong opiate. They told me that it was to keep her comfortable . I said she doesn't need to be kept comfortable if she's comatose she doesn't know anything, take her off the drug. What I was screaming on the inside was not what I could verbalize, I had to be more patient and kind because you can get thrown out of these rooms, yes that is true, they can remove you from your childs side.. So not only am I trying to save my daughter I'm trying to keep my composure , when I know what they are doing is so wrong. Another example of them setting my daughter up for failure is normal platelet count is 150000 to 400,000 my daughter's was 60, 000 that means that she was under normal limits that means that her blood was not clotting and this is why all of her IV sites were bleeding.. The CCU doctors wanted to start her on heparin, Heparin makes the blood thin for somebody who's got thick blood . my daighter was already well below limits and I said absolutely not, she is already thrombocytopenic(low platelets a bleeding disorder) Those 4 doctors come up against me again telling me "this was protocol she'll throw a clot, she could have a stroke." I said "there's no way for her to clot she has no platelets " and then I pointed at the Carousel of drugs they had her on and I said" those will drop her platelet count even lower." I had to sign refusals , this Heparin they wanted to put her on with no clotting factors already could/ would have caused a brain bleed in my child. I know the side effects of these Dangerous Drugs, but how many people do not? how many people do not even know what normal lab values are? without having all of the information and knowing what you need to know how can you make the right decision? It sickens me to the core of my being to know this is happening... If you want to gain some inside knowledge before you're ever put into this position watch this video in in its entirety. It's an hour and 11 minutes long if you don't have time, go to the last 11 minutes. Normally I don't have time to take and spend an hour watching a video because of school and all my other duties in my home with my animals, but when I started watching this video it brought back a lot of what I had to go through , people need to know this information. You have a doctor here trying to do the right thing but even with his background couldn't make things happen in a hospital setting. There's something very criminal taking place in our medical system and we just have to be aware of it."
0:58

Shared by Rebecca Lynn Hutcheson RN- "Wake up America... just one more Medical Professional putting their life, career and reputation on the line... Published on Jul 1, 2019 Neonatologist Dr. Paul Byrne, president of the Life Guardian Foundation, addresses the 2019 John Paul II Academy for Human Life and Family conference in Rome. May 20, 2019. Hear his voice it can save the life of your loved one... this is a long video, so go to the last 11 minutes and start there ...It is imperative for you to hear all when you have the time... I know this one first hand, a year ago this month my daughter was in ICU on a ventilator unresponsive they said. But she was unresponsive and, why did they have her on a high dose of Fentanyl? They were setting my daughter up for failure and then so she could be an organ donor ..had I not had the medical background that I did and another critical care nurse that I could reach out to they would have been successful and harvesting her organs and my daughter would not be here today... My daughter is the love of my life and it breaks my heart to think about all the families that were convinced that there was nothing left to do and signed those organ harvesting papers. When they kept telling me that my daughter was unresponsive I had to fight with them to pull her off the fentanyl. I told them you cannot possibly determine neuro status with that strong opiate. They told me that it was to keep her comfortable . I said she doesn't need to be kept comfortable if she's comatose she doesn't know anything, take her off the drug. What I was screaming on the inside was not what I could verbalize, I had to be more patient and kind because you can get thrown out of these rooms, yes that is true, they can remove you from your childs side.. So not only am I trying to save my daughter I'm trying to keep my composure , when I know what they are doing is so wrong. Another example of them setting my daughter up for failure is normal platelet count is 150000 to 400,000 my daughter's was 60, 000 that means that she was under normal limits that means that her blood was not clotting and this is why all of her IV sites were bleeding.. The CCU doctors wanted to start her on heparin, Heparin makes the blood thin for somebody who's got thick blood . my daighter was already well below limits and I said absolutely not, she is already thrombocytopenic(low platelets a bleeding disorder) Those 4 doctors come up against me again telling me "this was protocol she'll throw a clot, she could have a stroke." I said "there's no way for her to clot she has no platelets " and then I pointed at the Carousel of drugs they had her on and I said" those will drop her platelet count even lower." I had to sign refusals , this Heparin they wanted to put her on with no clotting factors already could/ would have caused a brain bleed in my child. I know the side effects of these Dangerous Drugs, but how many people do not? how many people do not even know what normal lab values are? without having all of the information and knowing what you need to know how can you make the right decision? It sickens me to the core of my being to know this is happening... If you want to gain some inside knowledge before you're ever put into this position watch this video in in its entirety. It's an hour and 11 minutes long if you don't have time, go to the last 11 minutes. Normally I don't have time to take and spend an hour watching a video because of school and all my other duties in my home with my animals, but when I started watching this video it brought back a lot of what I had to go through , people need to know this information. You have a doctor here trying to do the right thing but even with his background couldn't make things happen in a hospital setting. There's something very criminal taking place in our medical system and we just have to be aware of it."

Jessica Rojas 🇺🇸💪

71,160 görüntüleme • 1 yıl önce

MoistCr1TiKaL dropped a follow up response to his Ethan iDubbbz lawsuit video where he addressed those such as MikeFromPA calling into question his explanation as to why he waited so long to cover Klein In the video he denies avoiding the topic, reaffirms his disavowal of the lawsuits, and touches on Denims's tentative victory "Had a feeling it was going to a pretty poisonous topic..I treat this channel like a diary, I just blabber about things that I feel like talking on..I did as much as research on it as I could..watched iDubbbz stream, watched h3h3 stream..and I talked to both parties..then I just gave u my view" "Ur always welcome to disagree with me..I value differences of opinion..I made the mistake..of taking a peak of what the discussion was..on Reddit and Twitter..there was some very valid critiques and some information..but boy howdy there was a lot of hoopla that I couldn't have even imagined would have been a controversial thing" "There were ppl that were proudly stating they didn't watch the video and then getting angry at things they assumed I might have said..it just feels f'in useless to engage in the topic in that case" "Just me mentioning that I'm not online as much as I used to be was a highly debated topic..when I was talking about the defamation lawsuits..I also mentioned that Ethan has other active lawsuits against other creators and I called him the Nintendo of YouTubers..didn't dive in bc I didn't know much about them..everyone assumes I'm terminally online like I used to be 2-3 years ago" "U can look at my Twitter page and see that I have 2 tweets in like the last 2 years..or on IG I make a post every month and a half and a lot them are just me hanging out with my farm animals..u can check my streaming history..not streaming with the same frequency..I just don't see everything that happens online..can't believe..that's so unbelievable" "Throughout my entire time on YT..I think I have made it beyond crystal clear how much I dislike this litigious approach to online discourse..this excessive use of the legal system for strong arming or silencing" "After learning more about those other lawsuits..guess what, I don't agree with those either..obviously I don't know the nitty gritty around all the lawsuits..from everything I've seen, there's nothing in there that makes me think this is the right way of doing things..or this is different than other times in the past where creators have sued each other over disputes..maybe he has some strong cases..one of the streamers it did seem like they were uninterrupted playing the video without even an attempt to transform it" "I really think if the targets were different..the response would be very different..rn a lot of ppl celebrate them bc they just hate the ppl that Ethan is suing so they go yee haw for it but these individuals..they are a fraction of the size of Ethan so to me, it's a hard case that he was genuinely losing eyeballs bc of them streaming it on their twitch..ya big a hole thing to do but it's not hurting u, it's just u don't like them and they don't like u" "U already won against that kind of behavior..the internet from what I can tell..no one was really on the side of the streamers that were just blatantly streaming it without any kind of transformation..u already won, what's the point in continuing this further just so u can also financially hurt them” "Big one I spent the most time looking into is the Denims case..I don't know what a tentative loss really means bc it's not an official loss..still an ongoing lawsuit but the judge had like a very seemingly stern view on it that even cited Ethan Klein's previous fair use victory against him"
10:22

MoistCr1TiKaL dropped a follow up response to his Ethan iDubbbz lawsuit video where he addressed those such as MikeFromPA calling into question his explanation as to why he waited so long to cover Klein In the video he denies avoiding the topic, reaffirms his disavowal of the lawsuits, and touches on Denims's tentative victory "Had a feeling it was going to a pretty poisonous topic..I treat this channel like a diary, I just blabber about things that I feel like talking on..I did as much as research on it as I could..watched iDubbbz stream, watched h3h3 stream..and I talked to both parties..then I just gave u my view" "Ur always welcome to disagree with me..I value differences of opinion..I made the mistake..of taking a peak of what the discussion was..on Reddit and Twitter..there was some very valid critiques and some information..but boy howdy there was a lot of hoopla that I couldn't have even imagined would have been a controversial thing" "There were ppl that were proudly stating they didn't watch the video and then getting angry at things they assumed I might have said..it just feels f'in useless to engage in the topic in that case" "Just me mentioning that I'm not online as much as I used to be was a highly debated topic..when I was talking about the defamation lawsuits..I also mentioned that Ethan has other active lawsuits against other creators and I called him the Nintendo of YouTubers..didn't dive in bc I didn't know much about them..everyone assumes I'm terminally online like I used to be 2-3 years ago" "U can look at my Twitter page and see that I have 2 tweets in like the last 2 years..or on IG I make a post every month and a half and a lot them are just me hanging out with my farm animals..u can check my streaming history..not streaming with the same frequency..I just don't see everything that happens online..can't believe..that's so unbelievable" "Throughout my entire time on YT..I think I have made it beyond crystal clear how much I dislike this litigious approach to online discourse..this excessive use of the legal system for strong arming or silencing" "After learning more about those other lawsuits..guess what, I don't agree with those either..obviously I don't know the nitty gritty around all the lawsuits..from everything I've seen, there's nothing in there that makes me think this is the right way of doing things..or this is different than other times in the past where creators have sued each other over disputes..maybe he has some strong cases..one of the streamers it did seem like they were uninterrupted playing the video without even an attempt to transform it" "I really think if the targets were different..the response would be very different..rn a lot of ppl celebrate them bc they just hate the ppl that Ethan is suing so they go yee haw for it but these individuals..they are a fraction of the size of Ethan so to me, it's a hard case that he was genuinely losing eyeballs bc of them streaming it on their twitch..ya big a hole thing to do but it's not hurting u, it's just u don't like them and they don't like u" "U already won against that kind of behavior..the internet from what I can tell..no one was really on the side of the streamers that were just blatantly streaming it without any kind of transformation..u already won, what's the point in continuing this further just so u can also financially hurt them” "Big one I spent the most time looking into is the Denims case..I don't know what a tentative loss really means bc it's not an official loss..still an ongoing lawsuit but the judge had like a very seemingly stern view on it that even cited Ethan Klein's previous fair use victory against him"

yeet

112,921 görüntüleme • 3 ay önce

Cher Didn’t Need Auto-Tune to Prove What “Believe” Had Already Changed “Believe” has a funny history. In 1998, Cher walked into the future almost by accident. The strange, robotic vocal effect on the record was so unfamiliar that it became part of the song’s identity. It wasn't just a production trick. It became the sound of a new era of pop. Twenty-six years later, at the Rock & Roll Hall of Fame, Dua Lipa stood onstage and sang the song again. Without that trick. That is what caught my attention. Dua takes the opening herself. The song sounds cleaner, warmer, more like a straight vocal performance than the record people grew up with. Then Cher appears for the bridge, and suddenly the performance stops being a young singer covering an older star. It becomes something else. You can hear the distance between them, but you don't hear a fight for ownership. Dua doesn't try to impersonate Cher. That's important. Her voice sits differently — lower, smoother, more contemporary — so the first part almost feels like someone opening a door into a song she knows belongs to another generation. Then Cher walks through it. And now the same lyric has a different history behind it. “Believe” was already a song about surviving the end of a relationship. In 1998, its futuristic production made that survival sound almost defiant: I'm hurt, but I'm moving forward. In 2024, Cher is singing those words after a career that has survived fashion changes, musical fashions, film careers, television, reinvention and decades in which plenty of artists who were enormous for five years simply disappeared. So when she sings the chorus now, I don't hear the question in quite the same way. I hear evidence. She really did survive. There is also something beautifully backwards about the whole thing. Dua Lipa belongs to the generation that inherited the pop world Cher helped reshape. Cher is standing beside her, singing a song whose production once sounded impossibly modern. And the younger artist isn't introducing Cher to the future. She's introducing the future to Cher. That's why the performance works better than a conventional tribute would have. A tribute can turn an artist into a museum piece. This doesn't. Cher is not being presented as someone whose best work happened a long time ago. She is being placed inside the song again, next to an artist who grew up in a musical world that Cher helped make possible. Even the missing Auto-Tune feels appropriate. The original record needed technology to make people hear something new. Cher doesn't need it anymore. The song has already done its job. The machine became ordinary. The woman who used it became the landmark. And perhaps that is the most satisfying part of watching Cher sing “Believe” in 2024. Dua Lipa can sing the song beautifully. But when Cher arrives, you suddenly remember something that has nothing to do with vocal technique. **Some artists don't need to sound like the future. They become part of the reason the future sounds the way it does.**
3:49

Cher Didn’t Need Auto-Tune to Prove What “Believe” Had Already Changed “Believe” has a funny history. In 1998, Cher walked into the future almost by accident. The strange, robotic vocal effect on the record was so unfamiliar that it became part of the song’s identity. It wasn't just a production trick. It became the sound of a new era of pop. Twenty-six years later, at the Rock & Roll Hall of Fame, Dua Lipa stood onstage and sang the song again. Without that trick. That is what caught my attention. Dua takes the opening herself. The song sounds cleaner, warmer, more like a straight vocal performance than the record people grew up with. Then Cher appears for the bridge, and suddenly the performance stops being a young singer covering an older star. It becomes something else. You can hear the distance between them, but you don't hear a fight for ownership. Dua doesn't try to impersonate Cher. That's important. Her voice sits differently — lower, smoother, more contemporary — so the first part almost feels like someone opening a door into a song she knows belongs to another generation. Then Cher walks through it. And now the same lyric has a different history behind it. “Believe” was already a song about surviving the end of a relationship. In 1998, its futuristic production made that survival sound almost defiant: I'm hurt, but I'm moving forward. In 2024, Cher is singing those words after a career that has survived fashion changes, musical fashions, film careers, television, reinvention and decades in which plenty of artists who were enormous for five years simply disappeared. So when she sings the chorus now, I don't hear the question in quite the same way. I hear evidence. She really did survive. There is also something beautifully backwards about the whole thing. Dua Lipa belongs to the generation that inherited the pop world Cher helped reshape. Cher is standing beside her, singing a song whose production once sounded impossibly modern. And the younger artist isn't introducing Cher to the future. She's introducing the future to Cher. That's why the performance works better than a conventional tribute would have. A tribute can turn an artist into a museum piece. This doesn't. Cher is not being presented as someone whose best work happened a long time ago. She is being placed inside the song again, next to an artist who grew up in a musical world that Cher helped make possible. Even the missing Auto-Tune feels appropriate. The original record needed technology to make people hear something new. Cher doesn't need it anymore. The song has already done its job. The machine became ordinary. The woman who used it became the landmark. And perhaps that is the most satisfying part of watching Cher sing “Believe” in 2024. Dua Lipa can sing the song beautifully. But when Cher arrives, you suddenly remember something that has nothing to do with vocal technique. **Some artists don't need to sound like the future. They become part of the reason the future sounds the way it does.**

Emotion & Music

38,907 görüntüleme • 18 gün önce

New: Annie Jacobsen on Rogan "Extraterrestrial beings [are] certainly going to be a lot more [intelligent] than us. It wouldn't be visible to our spectrum." ~AJ "A lot of really legitimate-thinker people that didn't have an opinion about [UFOs] before, [are now] more open to the idea." ~AJ (Most of the full segment (cued up in the replies) is AJ expressing her skepticism, leaning towards government deception and disinformation, and her disinterest in the UFO subject. But this was interesting.) ~ Annie Jacobsen: "I find the most interesting concept is something that Jacques Vallée explained to me. This has to be a decade ago, where he said, 'The problem with UFOs is they're not a military problem; they're an intelligence-community problem,' for precisely the reason you're talking about. "Like, if you're actually talking about extraterrestrial beings, their certainly going to be a lot more [intelligent] than us, and certainly if they got here. And that's where I think a lot of that idea of invisibility. And again, that's like - I'm using the word poetically - comes up, right? That an extraterrestrial being would be, would be intel(ligent). You know, it wouldn't be visible to our spectrum. It's not like hardware, like military hardware." Rogan: "Right. What is your take on all these videos then, of these objects? You think these things are some top-secret military program?" AJ: "I mean, I've seen them, but again, I enter into it... You know, sometimes when you have a bias, and mine is certainly biased towards disinformation. So I'm just totally aware of it. And it's also...it's not that interesting to me. It just actually really isn't. I've got all these other serious interests. "But I do call up people I know who might have a more interesting take than me, who do not have the horse in the race of absolutely being convinced that aliens are among us. So, I would, for example, I'll call up fighter pilots and talk to them, or I'll talk to someone, an astronaut who is on the ISS, Jeff Ashby, who's married to my cousin Mary. "And it's interesting to hear them talk about the possibility. And these are people who do look at the objects more, also sometimes from their military-training background. And I will say that there has been a shift from 15, 18 years ago when I first wrote 'Area 51' and was reporting it, where it was definitely like a like a stigmatized subject. To a lot of really legitimate thinker people that didn't have an opinion about it before, being more open to the idea. And that kind of thing I find really interesting. Those are conversations I like having." Rogan: "Well, that really changed with the New York Times article, right?" AJ: "I don't know because I felt like that article was written by a lot of, and interviewed a lot of, people who already were very serious believers." Rogan: "Yes, but it was in the New York Times."
2:43

New: Annie Jacobsen on Rogan "Extraterrestrial beings [are] certainly going to be a lot more [intelligent] than us. It wouldn't be visible to our spectrum." ~AJ "A lot of really legitimate-thinker people that didn't have an opinion about [UFOs] before, [are now] more open to the idea." ~AJ (Most of the full segment (cued up in the replies) is AJ expressing her skepticism, leaning towards government deception and disinformation, and her disinterest in the UFO subject. But this was interesting.) ~ Annie Jacobsen: "I find the most interesting concept is something that Jacques Vallée explained to me. This has to be a decade ago, where he said, 'The problem with UFOs is they're not a military problem; they're an intelligence-community problem,' for precisely the reason you're talking about. "Like, if you're actually talking about extraterrestrial beings, their certainly going to be a lot more [intelligent] than us, and certainly if they got here. And that's where I think a lot of that idea of invisibility. And again, that's like - I'm using the word poetically - comes up, right? That an extraterrestrial being would be, would be intel(ligent). You know, it wouldn't be visible to our spectrum. It's not like hardware, like military hardware." Rogan: "Right. What is your take on all these videos then, of these objects? You think these things are some top-secret military program?" AJ: "I mean, I've seen them, but again, I enter into it... You know, sometimes when you have a bias, and mine is certainly biased towards disinformation. So I'm just totally aware of it. And it's also...it's not that interesting to me. It just actually really isn't. I've got all these other serious interests. "But I do call up people I know who might have a more interesting take than me, who do not have the horse in the race of absolutely being convinced that aliens are among us. So, I would, for example, I'll call up fighter pilots and talk to them, or I'll talk to someone, an astronaut who is on the ISS, Jeff Ashby, who's married to my cousin Mary. "And it's interesting to hear them talk about the possibility. And these are people who do look at the objects more, also sometimes from their military-training background. And I will say that there has been a shift from 15, 18 years ago when I first wrote 'Area 51' and was reporting it, where it was definitely like a like a stigmatized subject. To a lot of really legitimate thinker people that didn't have an opinion about it before, being more open to the idea. And that kind of thing I find really interesting. Those are conversations I like having." Rogan: "Well, that really changed with the New York Times article, right?" AJ: "I don't know because I felt like that article was written by a lot of, and interviewed a lot of, people who already were very serious believers." Rogan: "Yes, but it was in the New York Times."

Joe Murgia

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