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BROP is such a clean ASLR bypass. After brute-forcing the stack canary, the attacker starts overwriting the return address with guesses. Most guessed addresses jump into garbage or non-executable memory. The child process segfaults, and the socket closes. But occasionally, a guessed return address lands in real code that...

25,142 просмотров • 5 месяцев назад •via X (Twitter)

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Survival instinct unfolding in the rawest form. A wolf lunges straight at a deer standing near a waterhole. Both plunge into the shallow water, mud and earth exploding around them. The deer fights to keep its footing, thrashing to break free. The wolf does not let go, using the water itself to pin its prey. This is not a staged scene. This is survival instinct operating at its most primitive level. For the deer, water is not a death trap. It is a tactic. When pursued, many deer species instinctively run toward lakes, rivers, or shallow pools. On land, the wolf holds an overwhelming advantage in speed and endurance. In the water, that advantage is leveled. The deer can kick, twist, or simply throw its attacker off balance in the mud. Diving into the water is not panic. It is a response refined over millions of years: change the battlefield to buy a few more seconds of life — sometimes enough to escape. The wolf is the opposite. It does not hesitate to follow into the water. The hunting instinct here is not merely hunger. It is instant risk calculation. Water slows the prey, limiting the deer’s ability to accelerate or change direction. The wolf accepts the chance of being kicked, losing power, even being driven down into the mud, as long as its jaws remain locked on the opponent’s body. The decision to follow is not impulsive. It is the instinct of a predator: once contact is made, you do not let go. Both are simply doing what they were built to do. The deer is not “brave.” The wolf is not “cruel.” They are executing biological programs written into their genes. Fight-or-flight in the prey becomes “run into the water.” Persistence in the predator becomes “do not release, even when the terrain turns against you.” The final outcome of this struggle matters less than the process itself: each is putting everything it has into not going extinct in that exact moment.

Nature 🦜and Music 🎶

38,379 просмотров • 2 месяцев назад

HE MAKES MONEY IN REAL ESTATE WITHOUT BUYING, SELLING, OR EVEN SEEING A SINGLE HOUSE. HERE'S THE EXACT SETUP He never owns a property. He takes a single listing, turns it into a polished 30-second video, and sells that to the agent who posted it. Realtors need video for their feeds and almost none of them can make it. He sits in the middle and builds the whole thing once as a skill that runs on command Here is the exact process: 1. Pull the listing. Go to Zillow, open any listing, download the high-res images, and grab the property info. That is your raw material 2. Turn photos into video with Google Veo. Get a Google API key for Veo, the image-to-video model. It takes the listing photos and animates them into clean 30-second footage. This is the best one out right now 3. Add the voice with ElevenLabs. Get an ElevenLabs API key. Feed it the listing details and it returns a voiceover that sounds like a real human, not a robot. Lay it over the video with the text on screen 4. Send it with AgentMail. Get an AgentMail key so the system can send the finished email out on its own Then you wire it into one skill. Scrape the listing, send images to Veo, add the ElevenLabs voiceover and on-screen text, then send the email. Feed it each key one at a time and have it build each step Who you sell to: Pull realtors off Zillow and Realtor com whose listings have flat photos and zero video. That gap is your pitch. Send a free sample made from their own listing first, then charge a monthly rate for ongoing clips. One agent with ten listings is a recurring client, fully online Bookmark this

Yarchi

106,174 просмотров • 5 месяцев назад

2 Minutes before the launch of the Public sale !!! Remember: FCFS Here is a little tutorial to guide you: Remember the only website you have to use to participate to the public sale today is : How will it work ? 1⃣Go to : And click on "Invest in Elys Network" 2⃣You will then see the different whitelists : 30% / 15% / public sale choose the one available to you, if you are whitelisted for the 30% you'll be able to take the 30% deal. 3⃣Once this is done, put in the amount you want to invest, make sure you've checked all the information, accept all the conditions and click Confirm Investment. 4⃣Now you will see a new page on which you will asked to submit your cosmos wallet. Do the process, create your 2FA and then copy / Pasta your cosmos address (make sure that your address is starting with Cosmos and take the time to verify it) you can find your address on keplr. 5⃣After that you will have to do your investment for that click on "Complete paiement" make sure that the chain you choose is the one you want to use (click on edit if it's not the case) and Copy the address below. 6⃣Go on your Metamask / Rabby / Phantom wallet and use the send function to send your paiement to republic. You can find also a little tutorial for Rabby and Metamask at the end of the video In every step of the process make sure that : ◾️ You are using the right cosmos address, the one you want to use on mainnet. ◾️ You are using the right address to send the funds to Republic Here is a little video to guide you if you need help. Also if you need more guidance please come to us on discord or here on X and we will help you !

Elys Network

25,378 просмотров • 1 год назад

This scene always makes me think about what markets do once a simple asset story is no longer enough. At first people buy the thing itself. Then, at some point, that stops being exciting enough. So the market starts building layers around it. A structure. A wrapper. A more financial version of the same idea. That is why MSTR comes to mind for me here. Not because it is the same as a synthetic CDO. It obviously is not. But because the instinct feels familiar. If you believe in Bitcoin, the clean path is simple. You buy Bitcoin. If you want a more traditional route, you buy the ETF. That should be enough. But MSTR is something else entirely. It is Bitcoin, turned into a corporate vehicle, then turned into a capital markets machine, then turned into a narrative people are willing to value differently from the asset underneath it. And that is where it starts feeling less like pure exposure and more like financial engineering built around exposure. We have seen this movie before in different forms. Markets love taking a real asset, wrapping it in a new story, and then assigning the wrapper a value that starts drifting away from the thing it actually holds. As long as that premium stays alive, the machine keeps working. More demand for the structure. More capital raised. More accumulation. Bigger story. More believers. On the way up, it all looks brilliant. That is always the seductive part. In strong markets, even very simple reflexive loops can look like genius. The real question only shows up later, when the mood changes and people start asking whether the value was in the underlying asset all along, or in the extra meaning the market temporarily assigned to the structure built around it. That is why I find this clip so relevant. It is not just a reminder of 2008. It is a reminder of a deeper market habit. People rarely stop at owning the thing. They almost always find a way to build another layer on top of it. And to me, that is the more interesting question around MSTR. Not how much more Bitcoin it can buy. But how long the market will keep rewarding the wrapper more than the thing inside it.

Mercek

14,644 просмотров • 6 месяцев назад

The fire inside my chest burns hotter than anyone I know. It wakes before the sun. It watches the interstate fill with faces that do not belong to the men who poured the concrete. It does not cool when the rest of White America learns how to smile through the replacement and call the smile manners. Look around. They have gone numb on purpose. They will sell the last acre, baptize the last school in a language their grandfathers never spoke, and still sleep like the land is not being used as a designated shitting street to pop a squat on. It feels like nobody else BUT me actually cares about this country. Not the politicians. Not the churches. Not the men who still think a vote is going to unfuck a demographic death spiral. They are not “enriching” America. They are turning it into a melting pot of shit and piss. black and brown orc waste poured into a republic built by people who could read a blueprint, keep a city from rotting, and look a century in the eye without blinking. You can smell it in the airports. You can see it in the emergency rooms. You can hear it in the schools where the children of the people who built the place are now the problem to be managed. A country is not a charity pit. It is not a boarding house for tribes that cannot run a power grid without stealing the copper. It is not a womb for every low trust, high impulse brood that treats the White man’s house like a public restroom and then demands the deed. I am done pretending the stench is a symphony. This land was paid for in White blood and it will be taken back the same way it was made: hard, without apology, and without a seat at the table for the people who turned it into an open sewer. The fire in me is not a mood. It is a verdict. When the hour comes, there will be no melting pot left. Only the men who still have the will to scrape the filth off the marble.

Djinnt

12,729 просмотров • 1 месяц назад

Christina Aguilera Didn’t Recreate the ’40s. She Made It Dance. “Candyman” sounds like the 1940s. But Christina Aguilera makes it feel more alive than most pop videos from 2006. That sentence alone should start an argument. Before anyone brings up Back to Basics, Linda Perry, or the Billboard chart, the video drops you into another decade: sailor hats, pin-up curls, a hangar full of soldiers, swing dancers cutting the floor. Then Christina appears not as one star, but as three — a wartime trio moving like The Andrews Sisters walked onto a twenty-first-century set and refused to behave like a tribute act. It does not look like a normal mid-2000s clip. It looks like a musical that escaped its own era. The sound follows the pictures. The song borrows swing, close harmonies in the spirit of “Boogie Woogie Bugle Boy,” blues phrasing, and a Marines cadence that gives the track its barked pulse. Those ingredients could have produced a costume replica. They didn’t. Christina never vanishes into the period. The voice is too large, too elastic, too modern. She is not playing a 1940s singer. She is a 2006 pop star walking into the 1940s and turning the room up. That is the real trick. Plenty of artists borrow the past. Very few make the past keep up with them. Watch the dancing and the argument gets sharper. Benji Schwimmer is not a cameo. The swing steps, the group formations, the three Christinas trading lines — the video treats rhythm as something you should be able to see. You don’t just hear “Candyman.” You can almost watch the beat move from a jukebox to a row of soldiers to a girl in a sailor hat who will not stand still. Which raises the question fans still dodge: if the idea, the performance, and the world-building were this strong, why did it stall at No. 25 on the Billboard Hot 100? It reached No. 17 in the UK and No. 9 in Canada. Catchy enough. Stylish enough. Distinct enough. And still treated like a clever album cut instead of a defining hit. Maybe that is why the video aged better than the chart position. It is not cozy nostalgia. It is nostalgia used as a playground. The 1940s supply the silhouette. Christina supplies the voltage. The past becomes clothing, not a museum. So here is the comment section question, and it is not rhetorical. Was “Candyman” Christina playing dress-up with history — or one of the smartest pop videos of the 2000s, hiding in plain sight because it refused to look like everything else that year? And if you had to choose: the trio in white uniforms, the diner stools, or the sailor-and-soldiers finale — which version of Christina actually won?

Music over time🎻

15,212 просмотров • 2 месяцев назад

Parrots care for their chicks in a remarkable way, you know. They do not spoon-feed them. They also have no mammary glands the way mammals do. And yet a chick still grows from a naked, blind, soft-beaked creature into a bird that can fly, mimic, and live a very long life. The secret lies in an organ that seems, at first, to be nothing more than a food pouch: the crop at the base of the neck. A newly hatched parrot belongs to the group of helpless young. It cannot keep itself warm, cannot find food, and certainly cannot crack a seed. If the parents merely brought whole seeds back to the nest, the chick would starve before their eyes. Evolution chose another path: the parents eat first, process the food inside their own bodies, and then regurgitate it. The process begins away from the nest. The father, and later the mother as well, searches for seeds, fruit, flowers, and sometimes insects. The food is swallowed into the crop, an elastic muscular sac in the esophagus. There, saliva, mucus, and body heat turn hard seeds into a warm, mash-like mixture. Cells lining the crop also slough off and mix into the food, adding a thick substance rich in protein and fat, rather like the “crop milk” of pigeons. It is not milk in the mammalian sense, but it is enough for a still-developing digestive system to absorb. Back at the nest, the scene changes completely. The chicks stretch their necks, gape, and call without pause. A parent locks its beak into the chick’s mouth in a crosswise grip, then contracts the crop in rhythm. Food is pumped in bursts. The chick answers with a pumping reflex, opening its throat at the right moment to swallow and closing the glottis so it does not choke. The motion looks rough, but it is extremely precise. This is not vomiting. Vomiting forces stomach contents outward without control. Regurgitation delivers a prepared portion, aimed and timed. In the first days, the work is clearly divided. The mother hardly leaves the nest because she must brood. The father forages, returns, and feeds the mother; she then feeds the chicks. Once the young can regulate their own temperature, both parents go out to forage and both feed the chicks directly. Each return to the nest is not a ceremony. It is a work shift, repeated through the day and, in the earliest stage, sometimes through the night. This way of feeding also explains why parrots lay so few eggs. A clutch is usually only a few. The eggs hatch on different days, so one nest always holds larger chicks with wider gapes. The first-hatched are easily favored. In some species, such as macaws, if a youngest chick hatches several days too late, the parents may feed it less, or even abandon it. That is the cold side of an expensive strategy: invest heavily in each individual, rather than spread care evenly across the brood. As the chicks grow, the meals change. The thick mash of the first days becomes coarser, with pieces of fruit and softened seeds. Near weaning, the parents deliberately space out the feedings. They do not indulge. They push the young to eat on their own, to fly, and to recognize what can be eaten in the wild. This stage lasts weeks to months, depending on the species. Large parrots may still be guided long after they have left the nest.

Nature 🦜and Music 🎶

44,845 просмотров • 2 месяцев назад