正在加载视频...

视频加载失败

4,662,964 次观看 • 1 年前 •via X (Twitter)

11 条评论

movesnyc 的头像
movesnyc1 年前

Song?

☯️ 的头像
☯️1 年前

I sat n waited to see he final product & was only left with disappointment 😭

William Barrett 的头像
William Barrett1 年前

Unreinforced mortar or cement Not even gravel. In other-words, performative nonsense, because none of it will last for shit

Michael Dorausch 的头像
Michael Dorausch1 年前

Underappreciated skills.

Croudemar 的头像
Croudemar1 年前

Minecraft Lego sets: where Minecraft and Lego meet! I think they did an especially good job on the little figures. Click an image below or see them all at:

Cody Savage 的头像
Cody Savage1 年前

Eye candy!

James Hague 的头像
James Hague1 年前

I can't be the only one waiting until the end to see the finished article and it never comes 😂

brotherdarul 🇺🇸🟠 的头像
brotherdarul 🇺🇸🟠1 年前

So is this for a theme park, like Disney World, where they often build structures that mimic other materials, but are more durable for all the traffic they get?

iiTzRonin 的头像
iiTzRonin1 年前

Song ? :3

Gator Stephens the Pilot of the 4 Winds 的头像
Gator Stephens the Pilot of the 4 Winds1 年前

Captain The most difficult part of my journey to release my creativity is finding worth in my efforts and time spent on them. A big part of my early programming was focused on how something was gonna make money or some tangible physical product. I can only spend a few minutes doing “nothing” otherwise known as the creative process before the negative voice comes in. But I am working daily to silent that thinking which was put there. Always looking for an aide to do so. It’s horrible to always feel you must produce or it’s worthless. Horrible.

Ronnie 的头像
Ronnie1 年前

😎

相关视频

First traces of Greek Theatre of Pergamon, situated on west side of castle hill, Bergama - Türkiye 🇹🇷 can be dated back to early 5th Century BC. Today dominating cavea was built in late 5th Century BC. Spectators had access to their seats via theatre terrace. Current theatre was built in mid 3rd Century BC, at the beginning of Attalid dynasty and renovated extensively by King Eumenes II (r. 197-159 BC). Theatre is said to have had seating capacity of 10,000 and the cavea (seating area) was steepest in the ancient world. The 80 rows of seats were arranged on three levels, divided by 3 walkways (diazomata) around width of cavea. At the front of second row in centre of cavea are remains of royal box. The orchestra (performance area) was on 246.5m long, 17.4m wide colonnaded terrace along the front of the theatre. The stage itself was a wooden construction which could be removed when not in use, in order to clear the terrace and the approach to Temple of Dionysus at its north end. Today, all that remains of monumental terrace is a footpath, along which lie some of fragments of stoa (colonnade). Due to limitations of steep hillside site, cavea could not be built wider than a semi-circle as in other Greek theatres, however it was extended upwards to 37m above the orchestra. Standing at the top, looking over Selinus valley can be quite dizzying, and visitors should watch their step. The stage house consisted entirely of wood and was only erected and dismantled during seasons. This construction method was retained until change from 2nd-1st Century BC, as a marble stage house would have permanently obstructed the theatre terrace. To accommodate the supporting beams, recesses called "quivers" were made in floor. These are numerously verifiable and can be assigned to different construction phases. For square inlet holes still visible today, there were capstones with which a smooth continuous terrace could be restored after the stage had been dismantled. The hill of Pergamon Acropolis and many other nearby hills consist of this purplish-red, igneous, volcanic rock. Since it was in plentiful supply, it was used extensively for building in and around the city. However, it is not suitable for large building projects because, although it can bear a lot of weight, it breaks relatively easily, which is not an ideal quality in such a highly earthquake-prone area. Stones used for building walls had to be cut quite small, as can be seen in stone blocks immediately to left of millstone. At the end of 3rd Century BC, Pergamon took control of island of Proconnesos (today Marmara), and its marble quarries became royal property. Proconnesian marble was used thereafter in great quantites for building and sculpture in city. In Roman times quarries belonged to emperors. Since, the late 18th Century AD, architects and scholars, including William Martin Leake, have attempted to estimate the seating areas and audience capacities of ancient theatres using mathematical formulae and other methods. The resulting estimates often vary considerably. Roughly, a width of 50cm is allowed for each of "bums on seats". 🎥© arkeolojidoga (IG) #archaeohistories

Archaeo - Histories

11,984 次观看 • 1 年前

Acropolis Theater of Pergamon in Bergama - Türkiye 🇹🇷 The first traces of Greek Theatre of Pergamon, situated on west side of castle hill, can be dated back to early 5th Century BC. Today dominating cavea was built in late 5th Century BC. Spectators had access to their seats via theatre terrace. Current theatre was built in mid 3rd Century BC, at the beginning of Attalid dynasty and renovated extensively by King Eumenes II (r. 197-159 BC). Theatre is said to have had seating capacity of 10,000 and the cavea (seating area) was steepest in the ancient world. The 80 rows of seats were arranged on three levels, divided by 3 walkways (diazomata) around width of cavea. At the front of second row in centre of cavea are remains of royal box. The orchestra (performance area) was on 246.5m long, 17.4m wide colonnaded terrace along the front of the theatre. The stage itself was a wooden construction which could be removed when not in use, in order to clear the terrace and the approach to Temple of Dionysus at its north end. Today, all that remains of monumental terrace is a footpath, along which lie some of fragments of stoa (colonnade). Due to limitations of steep hillside site, cavea could not be built wider than a semi-circle as in other Greek theatres, however it was extended upwards to 37m above the orchestra. Standing at the top, looking over Selinus valley can be quite dizzying, and visitors should watch their step. The stage house consisted entirely of wood and was only erected and dismantled during seasons. This construction method was retained until change from 2nd-1st Century BC, as a marble stage house would have permanently obstructed the theatre terrace. To accommodate the supporting beams, recesses called "quivers" were made in floor. These are numerously verifiable and can be assigned to different construction phases. For square inlet holes still visible today, there were capstones with which a smooth continuous terrace could be restored after the stage had been dismantled. The hill of Pergamon Acropolis and many other nearby hills consist of this purplish-red, igneous, volcanic rock. Since it was in plentiful supply, it was used extensively for building in and around the city. However, it is not suitable for large building projects because, although it can bear a lot of weight, it breaks relatively easily, which is not an ideal quality in such a highly earthquake-prone area. Stones used for building walls had to be cut quite small, as can be seen in stone blocks immediately to left of millstone. At the end of 3rd Century BC, Pergamon took control of island of Proconnesos (today Marmara), and its marble quarries became royal property. Proconnesian marble was used thereafter in great quantites for building and sculpture in city. In Roman times quarries belonged to emperors. Since, the late 18th Century AD, architects and scholars, including William Martin Leake, have attempted to estimate the seating areas and audience capacities of ancient theatres using mathematical formulae and other methods. The resulting estimates often vary considerably. Roughly, a width of 50cm is allowed for each of "bums on seats". 🎥© arkeolojievreni #archaeohistories

Archaeo - Histories

19,711 次观看 • 1 年前

There are only nine days left for YEYE’s solo exhibition “Telepathy,” currently on view at Kaikai Kiki Gallery. Displayed at the center of the tatami-floored space is a ceramic sculpture of “Moonge”, measuring 340×210×180mm. YEYE only recently began working with three-dimensional forms and continued to attend a ceramics studio while developing this new practice. Although her first attempt exploded in the kiln and did not survive, this second piece marks her first successful work, making its debut in the current exhibition. This piece, created from photographs and YEYE’s memories of Moonge’s physical presence, led her to share: “(After Moonge passed away,) the sensation of him started to fade, and that gradually became something that weighed on me. But when I close my eyes and feel the shape of this sculpture, it somehow feels similar—especially around the head.” The exhibition will remain open until December 6. . . カイカイキキギャラリーで開催中のYEYE 個展「テレパシー」も残りあと9日となりました。 ギャラリー内の畳のフロア中央に展示されているのは、340×210×180mm のムンゲのセラミックの作品です。 立体作品を手がけるようになったのはごく最近で、現在も陶芸教室に通いながら制作を続けているという YEYE。1作目は窯の中で爆発してしまい残らなかったものの、今回2作目として初めて成功に至り、本展で初公開となりました。 生前のムンゲの写真や感触を参考にしたという本作について、YEYE は次のように語っています。 「(ムンゲがいなくなって)感覚が薄れる感じがあって、それがだんだん自分を追い詰めるようになったんですけど、目をつぶってムンゲの立体を触ると、なんとなくおんなじような気がするんですよ。頭の方とか、特に。」 展覧会は12月6日までです。 . . YEYE Solo Exhibition: “Telepathy” November 5 – December 6, 2025 11:00 AM – 7:00 PM Closed: Sundays, Mondays, and public holidays Venue: B1F, Motoazabu Crest Building, 2-3-30 Motoazabu, Minato-ku, Tokyo 106-0046, Japan . . YEYE個展「テレパシー」 会期:2025年11月5日(水)〜12月6日(土) 開廊時間:11:00〜19:00 休廊:日曜・月曜・祝日 会場:〒106-0046 東京都港区元麻布2-3-30 元麻布クレストビルB1F . . ©YEYE

Kaikai Kiki Gallery

11,243 次观看 • 8 个月前