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Burn the midnight oil… Edit the draft again… Practice the slides one more time… Create the follow up script for that one off scenario… There’s no shortcut. You can take longer to do it. But it still needs to get done.

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Alex Hormozi

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55,567 просмотров • 8 месяцев назад •via X (Twitter)

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30,000 of you across two nights at The O2 🤯 We can’t believe it. It’s still processing, and we can’t thank you enough. And to think there’s one more show here on the 20th so we’ll get to do it one more time…unreal. Next up Newcastle tomorrow 🤘
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30,000 of you across two nights at The O2 🤯 We can’t believe it. It’s still processing, and we can’t thank you enough. And to think there’s one more show here on the 20th so we’ll get to do it one more time…unreal. Next up Newcastle tomorrow 🤘

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Madison Keys on title defense: 'Everyone keeps asking if I'm gonna do it again - hopefully - but at the same time, no one can ever take that away from me. So, whether or not I do repeat, I still get to keep Daphne [the Australian Open trophy] at home.'
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Madison Keys on title defense: 'Everyone keeps asking if I'm gonna do it again - hopefully - but at the same time, no one can ever take that away from me. So, whether or not I do repeat, I still get to keep Daphne [the Australian Open trophy] at home.'

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• Parkinson's Law Work expands to fill the time available for its completion. Setting tighter deadlines gets tasks done more quickly and efficiently. If you have one day to clean your room, it will take one day. You'll probably get it done in one hour if you have one hour.
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• Parkinson's Law Work expands to fill the time available for its completion. Setting tighter deadlines gets tasks done more quickly and efficiently. If you have one day to clean your room, it will take one day. You'll probably get it done in one hour if you have one hour.

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On this day, 41 years ago, Terry Gilliam's "Brazil" (1985) was released in the United Kingdom. Terry Gilliam on how he dreamt up 'Brazil' (1985): "1984 was approaching and I thought it was time to do the cautionary tale, to do 1984 for 1984. I haven't actually read Orwell. But, I mean, I know the book. It was more Kafka than Orwell I was thinking of; the atmosphere of Kafka intrigues me more, the inability to get hold of this thing that seems to be controlling or determining your life. It was interesting that the thing ended up being as close to the story of 1984, because I didn't plan it that way. It just seemed to be close to the natural course of events. I had a script that no one was interested in giving me any money for, So I wrote 'Time Bandits' with Michael [Palin], and after the success of that, people said, "Well, now you can really do all sorts of things." They were saying I ought to do something like a follow-up, that it would work well to do another romp. And I figured it was time to do the one that no one would give me any money for." (Terry Gilliam's interview with Owen Gleiberman, 1986)
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On this day, 41 years ago, Terry Gilliam's "Brazil" (1985) was released in the United Kingdom. Terry Gilliam on how he dreamt up 'Brazil' (1985): "1984 was approaching and I thought it was time to do the cautionary tale, to do 1984 for 1984. I haven't actually read Orwell. But, I mean, I know the book. It was more Kafka than Orwell I was thinking of; the atmosphere of Kafka intrigues me more, the inability to get hold of this thing that seems to be controlling or determining your life. It was interesting that the thing ended up being as close to the story of 1984, because I didn't plan it that way. It just seemed to be close to the natural course of events. I had a script that no one was interested in giving me any money for, So I wrote 'Time Bandits' with Michael [Palin], and after the success of that, people said, "Well, now you can really do all sorts of things." They were saying I ought to do something like a follow-up, that it would work well to do another romp. And I figured it was time to do the one that no one would give me any money for." (Terry Gilliam's interview with Owen Gleiberman, 1986)

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So over the years as a Content Creator for World of Warcraft, I've picked up a few great camera tricks that can make your footage look more professional. Not sure how widely known these are but I'll share some that I know and hopefully it will be helpful to someone! So firstly, let me show you how to do a smooth rotation shot. You're going to want to create a Macro for this with this script; /script MoveViewRightStart(0.15) To modify the direction, you can change the word "Right" to Left, In, Out, Up or Down. The number at the end indicates the speed of the rotation, the higher the number the faster the rotation. I tend to keep this fairly low for a nice non-sickening rotation. Now you can combine as many of these as you like. So if you wanted a smooth shot that zoomed in on your Character while rotating Right you would make a macro like this; /script MoveViewRightStart(0.15) /script MoveViewInStart(0.15) It is fun to play around with but you will also need to create a "Stop" macro. I go with a generic one like this which will stop all rotation in all directions; /script MoveViewLeftStop() /script MoveViewDownStop() /script MoveViewRightStop() /script MoveViewUpStop() /script MoveViewInStop() /script MoveViewOutStop() Another trick to get the best possible shots of areas or up close combat is to hide your Character model. This is done with a simple console command; /console showplayer To show your player character again just type it again. I'm sure there are easier ways to do this, but that's just the way I've always done it to get nice smooth footage of World of Warcraft for videos. Let me know if you have any questions or have any other cool tips to share!
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So over the years as a Content Creator for World of Warcraft, I've picked up a few great camera tricks that can make your footage look more professional. Not sure how widely known these are but I'll share some that I know and hopefully it will be helpful to someone! So firstly, let me show you how to do a smooth rotation shot. You're going to want to create a Macro for this with this script; /script MoveViewRightStart(0.15) To modify the direction, you can change the word "Right" to Left, In, Out, Up or Down. The number at the end indicates the speed of the rotation, the higher the number the faster the rotation. I tend to keep this fairly low for a nice non-sickening rotation. Now you can combine as many of these as you like. So if you wanted a smooth shot that zoomed in on your Character while rotating Right you would make a macro like this; /script MoveViewRightStart(0.15) /script MoveViewInStart(0.15) It is fun to play around with but you will also need to create a "Stop" macro. I go with a generic one like this which will stop all rotation in all directions; /script MoveViewLeftStop() /script MoveViewDownStop() /script MoveViewRightStop() /script MoveViewUpStop() /script MoveViewInStop() /script MoveViewOutStop() Another trick to get the best possible shots of areas or up close combat is to hide your Character model. This is done with a simple console command; /console showplayer To show your player character again just type it again. I'm sure there are easier ways to do this, but that's just the way I've always done it to get nice smooth footage of World of Warcraft for videos. Let me know if you have any questions or have any other cool tips to share!

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Abdul was able to get the bar off of the rack, bring it down to his chest, but couldn’t get it back up for one rep? Cute…
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Abdul was able to get the bar off of the rack, bring it down to his chest, but couldn’t get it back up for one rep? Cute…

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Anne Lamott coined “shitty first drafts” in her book, Bird by Bird, where you “let it romp all over the place, knowing that no one is going to see it and that you can shape it later.” So, how do you shape it? You take it through three drafts: 1) The child's draft / shitty first draft: be firm but friendly. "I like this. I like your description, but we're going to maybe use it somewhere else." 2) The adult draft: you take out, you fix, you find the stronger verbs. 3) The dental draft: "You go twos by twos. You wiggle and jiggly floss. Some teeth might need a little attention. Some teeth are fine. You go on to the next one, and that's really what good writing is." Great writing rarely emerges on the first pass. It’s an iterative process where you get it all on the page, remove and strengthen, and then tweak the details to end up with a great piece. ANNE LAMOTT

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