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busting another load at work today…with my boss sitting in the next stall ;) #gay #gaymen #cum #publiccum #dickflash #cockflash #gayexhib #gaypublic #publicgay #publiccock #exhibgay #cumshot #goon #bate #semen #gaycruising #nakedmen The Rush of Cruising The Milkman Exhib Gram publiccumwhore 🇬🇧UK @ObliquesPhoto ExhibitionistsKingdom 2️⃣4️⃣5️⃣K
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I invited 200 guests to my 10th wedding anniversary just to play a video of my wife sleeping with her gym instructor on screen — Man narrates pathetic story 👇🏻 “My wife, Tolu, is currently rolling on the floor of the Event Hall in Ikeja, crying and begging. Her mother has fainted. Her pastor is pretending to be on a phone call. But I am sitting in my G-Wagon, drinking a cold bottle of water, feeling lighter than air. For the past ten years, I was the “Mugu.” The ATM. The foolísh husband. I work on an Oil Rig. I spend two weeks at sea, two weeks at home. I sent Tolu millions to start businesses that always “failèd.” I built a house in her father’s village. I bought her a Range Rover for her last birthday. We have three beautiful children. Or so I thought Six months ago, our last born, Davidson, fell sick. He needed blood. I rushed to the hospital, rolling up my sleeves, ready to donate. The Doctor, who is my old secondary school classmate, pulll invited 200 classmate, pulled me into his office. He looked uncomfortable. “Bro, your blood type is O Negative,” he said. “Tolu is O Positive. The boy is AB Positive.” I laughed. What does that mean? Biology was not my best subject.” He didn’t laugh. “It means, biologically, it is impossible for you to be the father.”My world stopped. I told him to run a DNA test on all three kids. I waited for two weeks. Those two weeks were hell. I looked at Tolu sleeping beside me, snoring peacefully, and I wanted to strangle her. But I kept quiet. The results came back. Child 1 (Junior): 0% Probability of Paternity. Child 2 (Sandra): 0% Probability of Paternity. Child 3 (Davidson): 0% Probability of Paternity. I had been training another man’s platoon for 10 years. I didn’t scream. I didn’t fight. I didn’t even ask her. Instead, I told her, “Baby, for our 10th Anniversary, I want to give you the wedding of your dreams. A Vow Renewal.” story by jerry smith. She screamed in excitement. She called all her friends. She bought Aso-ebi for her family. She booked the most expensive makeup artist in Lagos.paid for everything. I hired the biggest hall. I invited her entire village, her church members, her “Gym Instructor” (who I found out was the father of the second child), and my colleagues. Today was the D-Day The hall was packed. The MC announced, “And now, a special video tribute from the husband to his lovely wife!” Tolu was sitting on the high table, smiling like a queen, waving at the crowd. The lights went dim. The projector screen came down. Everyone expected a montage of our romantic photos. Instead, the DNA results appeared on the screen. Huge, bold letters. PROBABILITY OF PATERNITY: 0%. The crowd went silent. You could hear a pin drop. Then, the next slide played. It was a video I had paid a private investigator to record. It showed Tolu entering a hotel room with her gym instructor. It showed them kissing. The chaos that followed was beautiful. Tolu screamed and tried to run to the projector, but she tripped on her expensive gown. Her father stood up and held his chest. I simply walked up to the microphone. “The house has been sold,” I said calmly. “The cars have been retrieved. The divorce papers are on the table. Tolu, you can go home with your gym instructor. He is the father of your children.” I dropped the mic and walked out. As I drive to the airport now to catch my flight to the Maldives for a solo vacation, my phone is blowing up. Some people are saying I was too cruel. They say I should have covered her shame for the sake of the children. They say I am heartless to disgrace a woman publicly like that. But I feel peace. Did I go too far? Or did she deserve the public humiliation?”
Dami’ Adenuga
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![Today I’m going to tell you the strange story about how the Hong Kong Journalists’ Association went over to the dark side. The HKJA is in the news at the moment—for NOT telling its own members who’s running it. It’s pretty weird. If you go to their website and click to find out the names of the executive committee, you get this: “The Executive Committee has earlier decided not to publicise the list of Executive Committee members.” Odd, no? If there is ONE just one defining characteristic of journalists, it is that we love to see our names in print! So how can we be represented by a mystery group of people who are too shy to share their names?! . LOUD MEMBERS So who are they? Well, officially, no one knows. But Hong Kong does have a lively journalistic community, and they have worked out who are the dominant voices are in the organization. - There’s Selina Cheng who was famously sacked by the Wall Street Journal, which is not a Hong Kong newspaper. - There’s Danny Vincent who used to work for the BBC, which is not a Hong Kong news outlet. - There’s Mak Yin-Ting, freelance reporter for Radio France Internationale, which is not a Hong Kong radio station. - Then there is a Swiss photographer named Marc Progin, who achieved notoriety as the person who thoughtlessly shut a door, halting an innocent bank staff member’s journey, just before a violent protester who savagely attacked him. [vid clip provided] - The other person named is So Chun-yeung, a photographer for Channel WE, a new blog set up on the bones of Channel C, an online media outlet which collapsed in April, owing lots of unpaid salaries. These individuals may be very nice people. But do they epitomize the Hong Kong journalism community? These people who work for the infamous western mainstream media on the other side of the planet? Knowing the history of the HKJA is helpful. . 1. NO POLITICS The HKJA was founded in 1968 – by an Australian named Jack Spackman, who mainly worked for a Hong Kong newspaper called the China Mail. I knew him in the 1980s. The founder of the HKJA used to remind young journalists like me that we should report on political groups but never join them. (Yes, I was young once -- pic in the video.) The tall, thin, friendly Australian would say: “Leave politics to the politicians. But don’t let them get away with anything.” . 2. CIA ARRIVES Jack left Hong Kong in 1987. In 1989, various CIA and NED agents started long-term major operations in Hong Kong, with their usual modus operandi: setting up trade unions and groups to feed the media with the CIA's Three Weaponized Terms: freedom, democracy and human rights. In 1990, the NED started funding a new group called the Hong Kong Confederation of Trade Unions. In 1994, the NED started funding another new group: the Hong Kong Human Rights Monitor. And in the same period, the HKJA became a political body. I stopped going to the meetings when they were chaired by Emily Lau, tireless critic of China. . 3. TEAMING UP WITH THE N.E.D. In 2002, the two NED-financed groups in Hong Kong met with the Hong Kong Journalists Association and other groups to create a joint operation called the Civil Human Rights Front, to organize anti-China street protests and criticize the government. How did that fit with Spackman’s vision of “leaving politics to the politicians”? Another group joined the cluster – the Civic Party, which also went through a period of getting funding directly from the NED. . 4. TEAMING UP WITH THE UK By the early 2000s, the Hong Kong Journalists’ Association had got into the habit of producing an annual report saying that press freedom in Hong Kong was dead or dying – but it was produced in partnership with Article19, a UK-based political body. The HKJA did this every year until 2006. Why was a Hong Kong body working with the west to demonize its own community? Bit odd. . 5. QUOTING THE INFAMOUS RSF On similar lines, HKJA leaders started to quote the RSF press freedom index. But real journalists never quote that index because it had already been exposed as a CIA-NED scam. Originally RSF told people they were not US-financed, and got their money by book sales. Then real journalists discovered that they didn’t sell books! And RSF was forced to reveal their funding had really been from the CIA and later, the NED. . 6. MILLIONS IN MYSTERY FUNDING In 2014, an over-staffed HK blog called House News closed down. This was no surprise. Few people read it, no one advertised in it, and it was reportedly losing HK$600,000 a month. But what happened next WAS a surprise. It was relaunched a few months later as wealthy anti-China website called Stand News, anonymously financed. On its board was Denise Ho, associated with the Oslo Freedom Forum, later revealed by the BBC to be secret US-based organizer of protests in Hong Kong. [clip provided] Stand News overseas director was a man named Evan Fowler, who had co-founded a China-hostile website called the Hong Kong Free Press, home of the notorious yellowface hoaxer named Brian P. Kern. A Stand News reporter, Ronson Chan, became chairman of the Hong Kong Journalists’ Association from June 2021. After the bosses of Stand News closed it down, investigators found the website had a reserve cash account containing $8 million US dollars. Lot of spare cash for a blog with no functioning business model! Later, at a court hearing, financial investigators revealed that they had found millions of dollars had been delivered to Stand News quote "in a clandestine manner" before the 2019 riots broke out. You decide who was really behind Stand News. . 7. THE $2.50 INSTANT JOURNALISTS During the violent insurgency of 2019, all pretense of professionalism at the HKJA was killed stone dead. It seemed like anybody could get an official HKJA membership, and it was just HK$20 if you said you were a student – that’s about US$2.50. I was teaching a screenwriting program at university and some of my students were reinventing themselves as journalists. No accreditation, no training course, no professional standards, no exams, nothing. . 8. SERVING THE WEST Today, it may seem obvious that the Hong Kong Journalists Association does not represent Hong Kong journalists. It comes across as a western political body with a relentlessly anti-China stance. Its job is to push the western media narrative. When the western media say Hong Kong is dead, China killed Hong Kong, there’s no freedom in Hong Kong, all the freedoms have been lost – the HKJA’s job is to say YES. . A NEW CHAPTER? Good stories have Epilogues, so let’s have one Journalism is an important part of a community’s civic services. For too long, Hong Kong's civic sector has been dominated by people paid, often secretly, by the west, to drive the west’s political anti-China narrative. It’s time to recapture the original spirit of the HKJA. Real journalists, citizen journalists, young journalists, who’s with me? I can still hear the voice of Jack Spackman, the Australian founder of HKJA. “Leave politics to the politicians. But don’t let them get away with anything.” Peace.](https://image.24vids.com/tw-2087477330285580790/amplify_video_thumb/2087470898194661376/img/gx0fF6019zavRfHq.jpg)
![The Economics of Europe’s Descent into Warmongering – and our duty now! My speech at the European Parliament on the theme of “The Economic Conditions of Peace”, Tuesday 10th June 2025 [INTRODUCTION] A year ago, I would have started this speech with a lament about the hitherto unimaginable conversion of the European Union from a Peace to a War Project. Not so today. Over the past year, warmongering has seeped into the very fabric of the Union, it has trickled into every policy, it has soaked every one of the thinktanks that generate Europe’s dominant narratives and creeds. Today, therefore, it makes no sense to lament what is now a fact: The EU is now a fully-fledged War Project – a project that will either land us in permanent war, or it will bankrupt us further, or probably both! Europe’s military Keynesianism, I shall be arguing, is guaranteed to make Europe less safe, more unequal, weaker. Only two interesting questions remain: Why has Europe taken this road? And, now that Europe is on this war path, what is ourduty to our people, to Europeans, to Peace? Let me begin at the very beginning. [THE EU WAS DESIGNED TO BE SUBSERVIENT TO THE UNITED STATES] At the risk of irking Europeanists who believe in their own creation myth, let me be clear: The European Union (from its beginnings as the European Communities of Coal & Steel) was an American Construction – a part of a US Global Plan that also comprised the Bretton Woods System, the Truman Doctrine and, of course, NATO. Yes, most Europeans hankered for no more war and no more totalitarianism. But the EU was designed in Washington DC. And it was designed specifically not as a competitive market but as a Big Business Cartel run by a democracy-free bureaucracy (also known as the European Commission) not coincidentally located a stone’s throw from NATO’s headquarters. From 1950 on, the EU was nurtured by and in tune with the interests of the United States – an inconvenient fact both for Europe’s self-important rulers and for Donald Trump. Looking back, a common thread runs through the entire history of the EU: its total economic dependence on the United States. Initially, the EU was deeply dependent on being part of the Dollar Zone. Then, from 1971 onwards, it was deeply dependent on the American trade deficit. So, one way or another, Europe’s deep dependence on the US was ingrained into its architecture. It will thus take much more than mere pronouncements - or a few hundred billion borrowed euros spent on weaponry - to shed Europe’s in-built dependence on the United States. The fact that the EU was, from the beginning, fashioned as a Big Business Cartel is the reason why the EU needed fixed exchange rates: Currency fluctuations destabilise any cartel, making it hard to maintain the necessary levels of collusion between its participating producers. From 1950 to 1971, the US took care of this problem on Europe’s behalf. As long as it was running a trade deficit with the United States, Europe’s cartel was embedded in the dollar zone – its currencies tied to the dollar But, when around 1969 Europe (and Japan) started running a trade surplus with the United States, it was game over. On 15th August 1971, the Donald Trump of that era, President Richard Nixon, jettisoned Europe from the dollar zone, his Treasury Secretary cynically telling the dumbfounded Europeans: “From today the dollar is our currency but it is your problem!” Two things happened next. First, to save their Big Business Cartel the Europeans scrambled to create their own fixed exchange rate regime. They tried everything: The Snake. The European Monetary System. The European Exchange Rate Mechanism. They all proved flimsy designs that speculators had no trouble crushing. So, in desperation, they created the most noxious currency the human spirit could fashion - the euro. The second development was that, as America expanded its budget and trade deficits, the Eurozone morphed into a German-led net exporting machine whose aggregate demand was subcontracted to the United States. In effect, America’s twin deficits operated like a huge vacuum cleaner that sucked into America Europe’s net exports as well as the European exporters’ profits which were thus invested in US Treasuries, US shares and US real estate. That’s how, once it was expelled from the dollar zone, Europe became addicted to the US deficits. That was what the Nixon Shock did: It converted Europe’s utter reliance on living within the dollar zone into an even greater dependence on the US deficits. [NEVER MISSING A CHANCE TO MISS AN OPPORTUNITY] Here in Brussels they love the expression that Europe progresses from crisis to crisis. That’s another delusion. The crisis of 2008 was our greatest opportunity to render the European Union viable, and to end its deep dependence on the United States. · The French and German banks went bankrupt. · The Eurozone’s impossible rules were in tatters. · A domino effect, beginning with Greece, was bankrupting our governments. It was the perfect opportunity to transform the EU from a Big Business Cartel, inherently reliant on the US for its aggregate demand, into a functional, internally balanced federation. Instead, Europe’s radical centre (both the centre right and the centre left) decided that they would change everything so as to ensure that nothingchanges. In this vein, they did their worst: Universal austerity for the many. And frantic money printing for the financiers and Big Business. What happens when you crush the incomes of the many and hand over trillions to the very few? Since the many are too poor to buy high value added goods, business stops investing in productive capital –– while the rich use the free cash to push through the roof house prices, share prices, Bitcoin prices, art, asset prices in general. The natural result is soul-crushing levels of inequality and deep popular discontent. The people got desperate. They even voted for radical progressives like me to enter the Eurogroup! Then, in horror, Brussels and Frankfurt overthrew us, or made Mr Tsipras overthrow his own government, using not the tanks, as they did in Greece in 1967, but the banks – not that much of a difference really! A coup d’ état is a coup d’ état. [TWO SYMBIOTIC AUTHORITARIANISMS] Guess what happened next: Just as in the mid-war period, xenophobic ultra-rightists rose up from the woodwork. They proved a godsent for the shockingly unpopular radical centre whose politicians could now say to voters: It is us or them! But it was equally a godsent for the ultra-right who needed the radical centre to impose the austerity policies which created the discontent which fuelled the anger that delivered the ultra-right votes. To put it differently, if Macron and Le Pen had any sense, they would each keep a framed picture of the other on their bedside tables, saying a little prayer in their hated opponent’s name every night before going to sleep. [SMOKE AND MIRRORS] Liberal Totalitarianism and Ultra-Right-Xenophobic Totalitarianism are accomplices, they feed off each other. Meanwhile, austerity for the many and money printing for the few depletes Europe’s productive foundations, its social fabric, its sense of purpose. That’s how the European Union lost any legitimacy it had in the eyes of the public. Sensing this, the Liberal Totalitarians in charge came up with one failed Grand Initiative after another. Who can forget the eminently forgettable Juncker investment plan, the Banking Union, the Green Deal, or the Draghi Report that has now joined them in History’s Dustbin? Impressive numbers were announced that, alas, dependably failed to materialise. It was inevitable. As long as our rulers said NO to the political union that could sustain a proper, macroeconomically significant, eurobond, the money to fund the necessary investment could never materialise. Even when they – finally – during the pandemic – did issue common debt, they ended up with common liabilities but no common purpose. Every Grand Initiative ever announced was a dance with failure, smoke and mirrors by which they disguised Europe’s nakedness. The result? After fifteen years of ZERO NET PRODUCTIVE INVESTMENT, · Germany is deindustrialising fast, and along with it Eastern and Central Europe, Austria, Northern Italy · Political paralysis grows on the back of fiscal pressures · Neofascism and xenophobia are rising up everywhere · Europe’s dependence on the United States grows stronger at the time Donald Trump is cutting Europe loose · The Rest of the World looks at Europe as a sad case of what could have been, an irritating irrelevance. In this sad context, our great and good leaders had another woeful idea for a Grand Initiative: Now that the Green Deal is dead-in-the-water and the Recovery Fund is spent, why not try Military Keynesianism? [THE FOLLY OF MILITARY KEYNESIANISM] Ladies and Gentlemen, Military Keynesianism works in the United States because America has the federal institutions, the monetary sovereignty, the fiscal power, the technostructure, and the common procurement process that are essential in implementing Military Keynesianism. Europe has none of that, nor does it have leaders interested in acquiring any of that. This is why Military Keynesianism cannot work in Europe. Thank goodness it can’t work, I say! For if it could work, Europe would have to emulate the United States in starting a war every year so that the stocks of ammunition, missiles et al could be depleted sufficiently to justify the new colossal orders necessary to maintain Military Keynesianism. Nevertheless, while Europe’s Military Keynesianism cannot and should not work, it serves a purpose – it is a kind of a solution for, say, Volkswagen: Now that Volkswagen can no longer sell its cars, it hands over whole production lines to Rheinmetall to produce Leopard tanks which von der Leyen makes Greece and Italy buy even though we neither want nor need them. Yes, Military Keynesianism will fail Europe badly, but not before it further bankrupts our states and throws more fuel onto the fire burning down lives and dreams in Ukraine’s killing fields. So, let me be frank: · No really-existing enemy of Europe shakes in his boots watching a stagnating, heavily indebted Europe, invest billions in weaponry. Quite the opposite! · Military Keynesianism will end up as Europe’s New Austerity for the many and a new money spinner for the few. · It will make Europe weaker while prolonging the Ukraine War in a manner that is detrimental to the stated aim of supporting Ukraine. [EUROPE’S SURRENDER TO NATO, ITS ROLE IN UKRAINE] It is at this point that angry yelps will rise up from the press gallery. Can’t you hear them ask: "“Is Russia not ante portas?” “Is Europe not in danger?” “Should Europe remain defenceless, especially now that Trump is abandoning Europe?” My answer is clear: Weakening ourselves economically through a Military Keynesianism that constitutes the New Austerity which will, with mathematical precision, diminish Europe further is no way to make Europe stronger! And lest we forget, Europe already has 1.5m men and women in uniform while, over the past decade, we spent €2.7 trillion on defence – a period during which our net productive investment was zero! Now, NATO demands that we spend three times as much - which is totally insane, given how wastefully that €2.7 trillion was spent. In this light, surrendering our foreign and defence policies to NATO, and sinking further in unsustainable debt just to satisfy President Trump’s demands for more military spending, is the surest way of making Europe more dependent, less secure, uglier and sadder. In this context, the powers-that-be here in Brussels are anxiously trying to keep their jobs and boost their budgets by spreading the lie that NATO had to expand in order to deter Russian aggression – when it is exactly the other way round: Like the Mafia, NATO expanded to create insecurity in order to sell us protection! Does this mean that Putin was right to invade the Ukraine? Of course not. What it means is that NATO and Putin are accomplices – that they needed one another in their joint bid for a confrontation that strengthened both – at Europe’s expense. It also means that anyone truly interested in Europe’s security and prosperity 1. must dispel the lie that Russia is about to invade us – it can’t even if it wants to 2. must work tirelessly to kill Europe’s Military Keynesianism, and 3. must work toward a European Peace Process which uses Russia’s confiscated monies not as a piggybank for more useless Leopard tanks and Leonardo missiles but as a bargaining chip to end the Ukraine War in the context of a comprehensive EU-Russia Peace Treaty. As for the politicians in this town who will not rest until they see Russia on its knees, I have this to say to them: If you really wanted to weaken Russia, to bring Russia to its knees, you should have worked hard to admit Russia into the… Eurozone. In one fell swoop the euro would have wrecked Russia’s productive basis, it would have indebted its people and its state, it would have made its leaders rush to Brussels and to Frankfurt with begging bowl in hand! You think I am joking. But there is too much truth in this joke for comfort! To sum up my argument so far, Europe’s economic stagnation was the product of its total dependence on the American deficits. This dependence yielded Europe’s complicity with the decade-long American project of inciting a war in Ukraine. And now that the US is decoupling, our rulers – resembling decapitated chickens – are running around without their heads screwed on, struggling to find ways of continuing to impede Peace in Ukraine so as to use military funds to prop up Europe’s faltering Big Business Cartel. [WHAT’S BEHIND EUROPE’S ETHICAL DECAY: GAZA, TOTALITARIANISM] Ladies and Gentlemen, as we speak here today, Europe is falling headlong into another ethical void: complicity in the Palestinian genocide. It is not just the embarrassment, also known as Mrs Ursula von der Leyen, posing like a cheerleader of Israel’s genocidal army in front of its tanks hours before they stormed Gaza. No, the European Union is not merely complicit due to our subservience to the United States. No, the European Union is also enabling, it is in fact funding, the war criminals of its own accord. Directly. Cynically. With no compunction. · BNP PARIBAS and ALLIANZ underwrite the issues of the Israeli government bonds that fund the Israeli meatgrinder in the Palestinian Occupied Territories · MAERSK is the prime transporter of the military machine at work in Gaza · Since 2007, the European Union has channelled €2 billion of research funding to Israeli entities producing the means by which Palestinians are ethnically cleansed, targeted, murdered and maimed. But there is something even scarier going on: Some of our top institutions depend financially on backing Israel’s genocide. If Europe were to do its duty and sanction Israel, the Technical University of Munich stands to lose €195.4 million from the EU’s HORIZON program which funds the University to carry out joint research with Israeli institutions. Ladies and Gentlemen, Europe carries an enormous guilt. The pogroms against the Jews started here, in Europe. Europeans carried out genocides across Africa, in the Americas, in Australia. By forming the EU as a Peace Project, we claimed a chance to make amends for Europe’s past genocides. However, our dependence on the US and our ruling class’s penchant to profit from imperialism have made this impossible – and so Europe’s hands are, again, covered in the blood of innocents, in Gaza, in Ukraine, in the Sudan, in Libya, in Yemen, in Syria. It has also brought totalitarianism back into our midst, here in Europe. When the German authorities banned me from entering Germany for the crime of co-organising with German Jews a conference on the theme of ‘A Just Peace in the Middle East’, they were making a point: To them, letting the rivers of Palestinian blood flow unimpeded represented their chance of washing off their hands the guilt over the Holocaust, over the other German genocide in Namibia, of Belgium’s crimes against humanity in the Congo… It is, therefore, a clear warning to us: Economic stagnation begets warmongering which begets a revived European white settler mentality. This Europe has fallen so far into a moral crevice that it cannot easily climb out of it. Europe’s Liberal Totalitarianism, which we in Greece experienced in all its horror ten years ago, is now everywhere – and it is throwing wide open the gates through which Xenophobic Ultra-Right Totalitarianism arrives to darken our doorstep. The time to rise up against both forms of totalitarianism is now. On behalf of the peoples of Europe. [WHAT MUST WE DO?] So, what must we do? Let us begin by grasping that: · The economic condition for Peace is to de-couple Europe's economy from America's wars! · But for that we must end, once and for all, Europe’s dependence on the United States. · This entails ending Europe’s dependence on net exports to America. · Which means rebalancing Europe’s internal economy through o new productive green investments, o an end to structural austerity o an end to the madness of cartel-infested electricity ‘markets’ o a new monetary commons by which to end the bankers’ monopoly over payments and to institute a personal dividend for all o a new EU-China deal that liberates us from America’s agenda of intensifying a pointless New Cold War at our expense. Only by transforming Europe’s political economy can we end the never-ending fragmentation which breeds war, totalitarianism and the embarrassment of being led by cheerleaders of genocide and permanent war with Russia, like Ursula von der Leyen and Kaja Kallas. How can we accomplish that? In two ways. First, we need a Credible Plan for a Europe worth fighting for. Second, we must organise a campaign of civil and governmental disobedience in our countries and, potentially, in the European Council until our Plan for Europe gets a chance. We, DiEM25, have worked for a decade on this Plan – our Green New Deal for Europe – and are happy to share it with you, so that you can refine, revise, adapt it. You, the 5S Movement and other parties eager to partake across Europe, have the organisation that we lack so that, together with our MERA25 transnational parties, we can together help organise the campaign of civil and governmental disobedience without which nothing will change, nothing will impede Europe’s, Italy’s, Greece’s, indeed Germany’s secular decline. [CONCLUSION] So, to conclude, seventy-five years of this European Union teach us that we face a stark choice. A choice between a Dependent-on-the-United States, Warmongering, Stagnating Europe. Or an Independent, Non-Aligned, Prosperous, Green Europe. A choice between a von der Leyen-type Commission that greenlights genocide, impedes Peace, illegally deletes her Pfizer chat history, lobbies for Lockheed Martin, and borrows money we can’t repay to buy weaponry we do not need - while condemning People and Planet to impecunity. Or European Institutions optimised against raw power and in favour of common prosperity. A choice between being at the beck and call of the boardrooms of Rheinmetall, Leonardo and Pfizer, blind to the tax havens where war profits and tax fraud hide, while our coastguards turn refugees into corpses. Or a Europe of rational, that is a radical, humanism. To even have this choice, our immediate task must be to end war, to end genocide and to terminate before it is too late the New Austerity going by the name of Military Keynesianism.](https://image.24vids.com/tw-1933459747866316884/amplify_video_thumb/1933456380167364608/img/Up__hbhEoJPhHmsi.jpg)
![Ch. 14 of NITRO: The Inside Story of Hulk Hogan's heel turn - #OTD 30 Years Ago (7/7/96)! AS DAY BECAME NIGHT at the Sullivan home, Bollea deliberated his participation in the pay-per-view. “Everybody was telling him that it was the wrong thing to do,” Kevin Sullivan says. “He was getting booed out of the arena, but they were all saying, ‘this is gonna kill him’.” With no end to the discussion in sight, the wily booker casually suggested that Bollea and Young make use of his two guest rooms until the morning. “I isolated [them],” Sullivan admits. “I was just afraid that at the last minute, he was going to use his creative control [clause] and pull out.” If Sullivan could deliver Bollea to the arena by showtime, the finish of the match called for Hogan to star in the most dramatic of surprise endings. In a sequence devised by Kevin Nash, an unannounced Hulkster would shockingly interfere in the match, but only after the heels gained an unfair advantage through cheating. It would be a brilliant misdirection, Nash thought, as fans would instinctively believe Hogan’s appearance to be in support of the babyface team. “I knew there were gonna be 55 different ideas,” Nash says, thinking back to the eve of the event, “[so] I actually put a lot of thought into it. I called Scott [Hall] two or three days before that, and said ‘what do you think about this?’ “We had to make it a 2-on-2 match with Lex Luger getting injured [during the match] and going out. We would cheat to get Macho [Man] in trouble and all of a sudden Hulk comes down, which of course would mean ‘ok, here comes Hulk to make the save’. [Hall] said, ‘I love it’.” There was, however, the looming possibility that Bollea could reject his turn at the eleventh hour. Thinking ahead, Eric Bischoff developed a contingency plan in which Sting would play the role, ultimately revealing himself - despite not having prior experience with the WWF - as the ‘third man’ instead. “I remember Eric came in to the locker room,” recalls Marcus 'Buff' Bagwell, “and said [to Sting], ‘I wanna talk to you about something’. I could hear them going over the idea, and then when they got done, Sting told me what they were talking about. He said that [Eric said], ‘there are only two guys that could turn heel where it would really matter’. That would be Hogan and Sting.” “He was offering Sting the job first, [as I recall], and Sting didn’t wanna do it. He didn’t really say it wouldn’t work, but he just said, ‘it doesn’t intrigue me. I don’t wanna do it’.” According to Andre Freitas, a special effects artist who worked in costume design and character development for WCW, the proposed Sting swerve was to involve the use of a doppelganger - or ‘phony’ Sting - presumably in an effort to fool fans that the real character had switched sides. “That was their original plan,” says Freitas. “Eric showed me a picture of Jeff Farmer (a lower-card wrestler) and said ‘can you make him Sting?’ I told him that they have similar bodies...then we looked at Sting’s hair and Jeff’s hair...and talked about all that stuff. I did a head cast for [Farmer] and some prosthetic and test make-ups. But when they secured Hogan, we didn’t do [the angle].” ----------- Amazingly, even as Bash at the Beach began, Bischoff continued to consider Plan B. “I remember walking by this perforated wall in the Ocean Center,” divulges Nash, “and Eric said to me, ‘Hulk is with Sullivan, and he’s not sure he’s gonna do it yet’. It was up in the air.” Meanwhile, viewers of the pay-per-view - and, for that matter, WCW’s own production staff - speculated as to the identity of the third man. “They were trying to ‘work’ everyone,” asserts Jason Douglas, a WCW producer backstage at his first pay-per-view event. “‘Rocket’ (staff member Rick Sancher) came up to me - they were kinda testing me because I was new on the road - and said ‘hey, I think it’s gonna be [WWF wrestler] Bret Hart’. I guess it was to see if I would leak something, and so I was just like ‘oh, cool, Bret Hart’.” In reality, aside from Bischoff, Bollea, Young, Hall, Nash and Sullivan, the turn would be concealed from everyone - even the announcers, according to orders from Bischoff - as to ensure their most realistic reactions. With less than an hour before the main event began, production staffer Woody Kearce discovered a revealing clue in the parking lot. A Hulk Hogan motorcycle had appeared mysteriously in one of the spaces, sparking another round of backstage conjecture. Finally, with what Sullivan recalls as “thirty minutes” and Bischoff remembers as “forty-five to sixty minutes” left on the air, Bollea belatedly arrived at the Ocean Center. The mood suddenly changed. Upon realizing that his star had been convinced, Bischoff began to relax. “Once he got to the building, I recall a sense of calm,” he reveals. “All of the anxiety, all of the tension, all of the worry, all of the effort to make sure things stayed quiet...all of that just kind of dissipated. It was like fog lifting when the sun comes out - it all just went away. I was thinking, ‘it is what it is, there’s nothing more I can do...so let’s just roll with it’.” To cement the turn, Bollea knew, he would have to deliver a monumental post-match promo to explain his actions. While typically, he enjoyed using Bischoff as a sounding board to rehearse interviews, the need for complete privacy - on this occasion - was unquestionably paramount. And so, away from prying eyes - and ears - the two met up in the most unglamorous of clandestine locations - a utility closet. In the midst of the run-through, Bischoff stopped to emphasize an important point: When you grab that microphone, I want you to say...‘this is the beginning of the new...world...order’. The phrase - ‘new world order’ - lingered auspiciously in the air. Bischoff surprised himself with the utterance, realizing slowly that the term encapsulated everything that the invasion storyline could represent. In 1990, then-president George H.W. Bush famously utilized the same expression in a speech to Congress, although its origin could actually be traced back to the 28th President, Woodrow Wilson. But if Bischoff was unsure as to the source of his spontaneous inspiration, perhaps the answer could be found closer to home - on the preceding Nitro, just six days earlier, announcer Larry Zybysko serendipitously made the following proclamation: “This Sunday, I promise you, there will be a new world order of wrestling…” Fans at the Ocean Center waited anxiously to see if Zybysko’s prophecy would materialize; for after all the hoopla, it was suddenly time for the main event. Before the opening bell, the audience was already on its feet for ring announcer@Michael_Buffer’s pre-match introductions. As Hall and Nash sauntered to the ring for The Hostile Takeover match, Buffer set the scene with theatrical aplomb: “Ladies and gentleman, at this time, let me introduce the men whose plan and goal is to takeover the WCW with force and hostility. We were told there would be three of these interlopers, and I must apologize as I have been informed - as you can see - there are only two. Ladies and gentleman, introducing...the Outsiiiiiders!” In a moment that played off perfectly on television, Sting’s entrance music began - and quickly ended - as ‘Mean Gene’ Okerlund traipsed cautiously into the ring. After exchanging quizzical looks with Buffer and referee Randy Anderson, Okerlund confronted the Outsiders to get some answers, an inspired plot device designed to build the tension even further. “Gentleman,” began Okerlund, “if I could have your attention...I don’t have police protection with me at this time, but I wanna confront you in front of this full house here at the Ocean Center, and millions of others watching across the country and around the world. I don’t see three men here tonight. Where is your partner?” Responding in a manner consistent with their WWF characters, Hall and Nash assured Okerlund that the third man was present - and ready. “Let me tell you something,” announced a confident Nash, “we got enough to handle it right now, right here.” Once more, Sting’s entrance music blared from the arena speakers, this time preceding the man himself, accompanied by Luger and Savage. “Here we go!” screamed color commentator Bobby Heenan as the wrestlers passed an unusually large contingent of security personnel on the entrance way. “The war is on!” Less than two minutes into the bout, Luger collapsed to the outside, a move in accordance with Nash’s plan to even the sides before the climactic reveal. “Now it’s two against two!” yelled Heenan. After a brief delay, the concerned crowd looked on as Luger left the arena on a stretcher, leaving Sting and Savage alone to fight valiantly for WCW. As the match progressed, the contemptible Outsiders used every trick to stall their opponent’s momentum, until a revitalized Savage began a furious rally at the fifteen-and-a-half minute mark. The invaders were suddenly down, but not out - as with the referee distracted, Nash landed a low-blow to bring the Macho Man to his knees. All four men lay on the canvas, exhausted, as referee Anderson started a ten count. As Anderson yelled ‘ONE’, several rows of spectators rose to their feet. Within seconds, the reaction diffused from section to section, the noise level increasing with each passing beat. On the live broadcast, viewers at home caught glimpse of a familiar figure making his way down the ramp. “Hulkamania!” screamed Dusty Rhodes on commentary while Hogan walked methodically towards the ring. Noticeably, the Hulkster seemed oddly disaffected - even out-of-character - but after exchanging the briefest of glances with the crowd, he continued stride with the din reaching fever pitch. “Whose side is he on?” bellowed Heenan, a question that seemed inexplicable given the history of Hogan’s on-screen persona. “Whose side is he on?” repeated Heenan, who as longtime fans could recall, had opposed Hogan for years as a manager in the WWF. For that reason, the comment flew over the heads of most (but not all) viewers; meanwhile, the live crowd was cheering as if their team had won the World Series. Nash and Hall retreated to the floor as Hogan tore off his shirt, an apparent signal that the archetypal good guy was here to save the day again. “Who’s bad now boys?” taunted play-by-play man Tony Schiavone on commentary, confident that WCW’s honor was no longer in jeopardy. Savage lay prone on the mat as Hogan surveyed the scene. Above the cheapest of cheap seats, peeking through a curtain with palpable anticipation, was Eric Bischoff. “I knew that something big was about to happen,” he recalls. “It was either gonna be a big failure, or a big success.” Seemingly out of nowhere, with his unsuspecting devotees enveloped in celebration, Hulk backed up to the corner. With the coldness of a serial killer, the once-honorable hero shockingly shoved referee Anderson, and executed his patented finishing move - the leg drop - to the helpless Macho Man below. The audience became completely, utterly unglued. “I was standing back with the announcers,” remembers Michelle Baines, newly hired as a production assistant. “One of the producers turned to me and said, ‘you need to go to the back’. “‘I said, ‘what do you mean?’ “She said, ‘it’s gonna get ugly real quick’.” “She was right - the crowd turned ugly quick.” In retrospect, it was clear that even as Hogan’s body approached the canvas - contact with Savage just milliseconds away - the gravity of the assault started to hit home. “What has he done?” questioned a crestfallen Rhodes, “is he the third man? What the hell is going on here?” Heenan was even more direct - “Hulk Hogan has betrayed WCW! He is the third man in this picture!” A breathless Schiavone could barely muster more than three words: Oh My God, he repeated. Oh My God, he continued, as Hogan high-fived a grinning Hall and Nash. The courageous Sting, stumbling to his feet to stop the injustice, was quickly dispatched, and in the coup de grace, Hogan tossed Anderson to the floor. Sardonically, he covered Savage for the pin, the contest now clearly a farce. “I hope you love it,” a disappointed Rhodes wailed on commentary. “You just sold your soul to the devil.” The third man was a mystery no more, and Hall, Nash, and Hogan raised their hands in victory to a genuinely astonished audience. The immediate outrage, which first gave way to shock, was now inspiring unmitigated rage. Simultaneously, the evil trio continued to taunt, pose, and antagonize while the announcers lamented WCW’s future. As Sting and Savage hobbled back to the locker room, a visibly distraught Okerlund returned to conduct an explanatory interview, based around the one Hogan and Bischoff had mapped out earlier. “Mean Gene,” commanded Hogan, “the first thing you need to do is to tell these people to shut up if you wanna hear what I gotta say.” For the next four minutes, Hogan rationalized his turn with remarkable clarity. “The first thing you gotta realize, brother, is this right here is the future of wrestling. You can call this the new...world...order of wrestling. These two men right here came from a great big organization up north, and everybody was wondering who the third man was. Well, who knows more about that organization than me, brother? I made that organization a monster. I made people rich up there. I made the people that ran that organization rich up there. And when it all came to pass, the name Hulk Hogan, the man Hulk Hogan, got bigger than the whole organization!” Bischoff watched from his secretive seat in amazement - he had not seen, nor had anyone, this intensity of emotion on display at a wrestling show before. It was almost as if the assembled masses had lost themselves in the performance, perhaps even forgetting, if only for a moment, that they were witnesses to a pre-determined event. Hogan’s actions had ostensibly interrupted their critical faculties; in other words, they had suspended their disbelief by reacting to the incident as if it were real. Moreover, the shock was manifesting in the most volatile ways imaginable, as in an incident edited out of future showings of the pay-per-view, a rather large man, likely intoxicated, ran into the ring before being knocked down by Hall and Nash. Concurrently, a stream of debris rained down from the stands, with one object hitting Okerlund, and the rest filling the ring in a stunningly unique visual. Hogan continued as the trash piled up around him, even referencing Ted Turner in his diatribe: “Billionaire Ted promised me movies brother. Billionaire Ted promised me millions of dollars. And Billionaire Ted promised me world caliber matches. And as far as Billionaire Ted, Eric Bischoff, and the entire WCW goes, I’m bored brother! That’s why I want these two guys here, these so-called Outsiders. These are the men I want as my friends. They are the new blood of professional wrestling, and not only are we going to take over the whole wrestling business...with Hulk Hogan, the new blood and the monsters with me, we will destroy everything in our path, Mean Gene.” “Look at all the crap in this ring,” responded Okerlund. “This is what’s in the future for you if you want to hang around the likes of this man Hall, and this man Nash.” Hogan raised his finger as if to stop the interviewer midstream, the perfect line instantly coming to mind. “As far as I’m concerned, all this crap in the ring represents these fans out here,” he boomed defiantly. “For two years, I held my head high,” ranted Hogan, alluding to his rather uninspired WCW tenure. “I did everything for the charities. I did everything for the kids. And the reception I got when I came out here, you fans can stick it brother! Because if it wasn’t for Hulk Hogan, you people wouldn’t be here. If it wasn’t for Hulk Hogan, Eric Bischoff would still be selling meat from a truck in Minneapolis. And if it wasn’t for Hulk Hogan, all of these ‘Johnny come latelys’ that you see out here wrestling wouldn’t be here. I was selling the world out, brother, while they were bumming gas to put in their car to get to high school!” In closing, Hogan foreshadowed the future state of affairs in WCW with a prophetic preview of coming storylines: “With Hulk Hogan and the new world organization of wrestling, brother...me and the new blood by my side...whatcha gonna do when the new world organization runs wild on you? Whatcha gonna do? What are you gonna do??” Despite mistakenly bungling the ‘new world order’ phrase at the conclusion of his speech, Hogan still provided the perfect punctuation to a sensational heel turn. His promo, inarguably the most dynamic of his career, came across as strikingly authentic (“it felt real, because it was real’,” offered a proud Eric Bischoff upon reflection years later). On commentary, Schiavone - who most inspiredly suggested that Hogan had planned to double-cross WCW all along, since his debut in 1994 no less - added to the realism with some mournful final comments: “We have seen the end of Hulkamania,” he grieved. “Hulk Hogan, you can go to hell! We’re outta here. Straight to hell.” ---- To the layman, there appeared an obvious explanation for the feverous crowd response that accompanied Hogan’s turn. Clearly, the element of surprise - one of the key elements of Nitro’s success - had been exploited to a masterful degree (“nobody on earth thought that the third man was going to be Hulk Hogan,” highlights Nash). To Kevin Sullivan, however, there were several layers of story at play. “People thought that it was an invasion from the WWF,” he begins, implying that the success of the angle could be correlated to its realism. “They really bought into it, and when Hogan turned heel...they were sure of it. “So while Hogan gets the credit for the reaction, it was [Nash and Hall] who set the whole thing up. Those guys built the foundation of heat, and when Hogan came down, it just blew up.” “We were red hot coming off WWF television,” agrees Nash, “and then you had the biggest turn in the world on top of that. The biggest babyface of all-time finally turned heel!” To the ever-meticulous Sullivan, always a keen observer of the nuances present in a wrestling angle, an often overlooked element was also noteworthy. “He did it to Randy [Savage],” the booker emphasizes, speaking of Hogan’s betrayal. “People knew there was real-life heat there. That helped out too, but everyone played an intricate part. “Lightning...you can’t catch it in a bottle but one time.” The above is an excerpt from the book, NITRO: The Incredible Rise and Inevitable Collapse of Ted Turner's WCW. Amazon USA: Amazon UK: Amazon Canada: Amazon Australia: 17+ Hour Audiobook Available at Audible and Apple Books Audible USA: Audible UK: Audible Canada: Audible Australia: Apple Books: Ultimate NITRO Bundle: Deep Cuts - Wrestling Stories in 60 Seconds! David Penzer AdFreeShows.com 83 Weeks with Eric Bischoff On This Day in WWE Allan Conrad the Mortgage Guy IandrewDiceClay WCW Archive Because WCW WCW4Life ᴀʀᴅᴀ Öᴄᴀʟ 90s WWE Secrets of WCW Nitro #WCW #nWo #HulkHogan #BashattheBeach #HeelTurn #Wrestling #WrestlingBooks #OTD #WWE #WorldChampionshipWrestling #Nitro](https://image.24vids.com/tw-2074461260037472650/amplify_video_thumb/2074458245859618816/img/LGSM61_LAq--YROA.jpg)
![HYBE and Min Hee-jin NewJeans Controversy from the Perspective of a 20-Year Entertainment Industry Expert | Kim Yoon-ji, Senior Researcher at the Overseas Economic Research Institute of the Export-Import Bank of Korea #1 [Investment Insight] 증시각도기TV HYBE has shown a somewhat immature side throughout this process. The essence of the issue has become less important. Hello, viewers and investors of Stock TV. Recently, there has been a lot of societal concern about the entertainment industry. Last year, it did well, but the question remains about how it will fare this year. We’re joined by Kim Yoon-ji, Senior Researcher at the Korea Eximbank Overseas Economic Research Institute, to discuss this. Welcome. Today, I brought a drink because this topic is not easy to discuss soberly. The situation between HYBE, Min Hee-jin, and NewJeans has escalated, and unfortunately, it’s no longer just management fighting but the artists have joined the fray. I’ve heard from someone in the industry that the close relationship between a producer and an artist is inevitable. In the past, there have been similar cases where producers and artists were tightly knit. Now, something similar has happened with Min Hee-jin and HYBE. Most people outside the industry don’t know the exact terms of the contract between Min Hee-jin and HYBE. As my own son works in the entertainment field, I’m well aware of how important it is to work with a good producer. For a company like HYBE, which has invested tens or even hundreds of billions of won, it’s unthinkable that they would allow NewJeans to separate and go independent after establishing their position. Many in the industry agree that this doesn’t make sense. To the general public, NewJeans might seem like the underdogs, and people might feel they should be allowed to leave. But from the perspective of the entertainment industry, which requires substantial capital to grow, the relationship between investors and artists is key. You can’t discuss this industry without acknowledging the role of investors. This case is different from situations where individual members leave, as seen in the past with groups that had Chinese members. This isn’t about a single member leaving; it’s more about the fact that, in this industry, the producers are as important as the artists themselves. From the beginning, NewJeans has been marketed as Min Hee-jin’s girl group, so the idea of them continuing without her feels different. We need to approach this from a different angle. That said, it doesn’t mean HYBE should completely cut ties. Many people have different initial thoughts about the situation, but the core issue here is the importance of the relationship between producers and the company, especially when substantial investment is involved. From my perspective, the fundamental question is: what exactly was attempted? I still find this unclear. In any company, it's common to hear people say, "I want to quit, I can't work with this boss, I'm leaving tomorrow." We all talk about this with friends or colleagues. Sometimes, we even ask others to let us know if there’s a good opportunity elsewhere. But actually submitting a resignation is a whole different issue. But in the new premise, I still wonder what exactly they were trying to do. What exactly was attempted? We always talk about it at work, right? "I'm going to quit. I can't work with that boss anymore. I'm leaving tomorrow." We always have those conversations. We talk about it with our friends, with team members, and even ask friends outside of work to let us know if they hear of any good positions. But actually submitting a resignation is a whole different issue, isn't it? Looking at how the situation first unfolded, it seems like HYBE was the one to bring things to light. They shared a lot with the press, and Min Hee-jin, the CEO, responded with a strong counterstatement. HYBE was saying, "Min Hee-jin is trying to do this and that," but CEO Min was like, "What else have I done apart from that message on KakaoTalk?" The court also judged that they weren't sure what actions had actually been attempted. To me, this seems like the fact of the matter. Clearly, HYBE's relationship with CEO Min Hee-jin might not be good. There could have been friction about how a subsidiary operates so independently from the parent company. There were likely various issues internally, but they should have been resolved within the company without making the problems visible externally. The fact that they let it spill outside before resolving it was a huge mistake on HYBE's part, revealing weaknesses in their management abilities. In my view, this has greatly devalued HYBE, becoming a powerful force that has dragged down their valuation. Throughout this process, HYBE displayed a level of immaturity, and the core of the issue became less important. The real concern for investors now is whether the company can effectively handle issues like these. Once this problem is resolved, can the remaining HYBE groups continue to grow securely? This business is all about reputation. HYBE is now seen as a company that ousts female CEOs simply because she didn't follow their orders. That perception leaves a lasting impression on people's minds, damaging the company's future operations. From an investor's perspective, two major incidents have happened in quick succession. The first was the boost in value during 2020 when HYBE sold a huge number of albums during COVID-19, creating the sense that the entertainment industry was Korea's next big sector. But then, this recent issue with Min Hee-jin, alongside BLACKPINK's contract situation, has put a serious damper on things. BLACKPINK didn't renew their contract as a group, and though they claim to continue working together in some capacity, it's not the same as before. YG Entertainment's profitability has plummeted, revealing how dependent they were on BLACKPINK. This has left investors wondering whether the entertainment business is just a limited-time, seven-year affair. If BLACKPINK had carried on smoothly into the next generation, it would have seemed like a sustainable business, and investors would have continued to trust in the long-term future of Korean entertainment. But now, we're seeing the cracks in that perception. It’s become a question of how to invest in a business with a lifespan of only seven years, when even the manufacturing industry lasts longer than that. The BLACKPINK incident and the NewJeans situation have both severely harmed investor confidence. HYBE's struggles with its artists are analogous to a manufacturing company facing a revolt from its workers. When investors look at this instability, they start questioning whether the business is even viable. The concept of sustainability has been seriously undermined, and the fact that the seven-year contract issue has been a long-standing concern doesn’t make it any easier to deal with. What used to reassure investors was the belief that when a seven-year contract ended, the company would already have the next seven years planned out, ready to sustain their business. That faith in the big entertainment companies has been shaken. Achieving the kind of success that BTS or BLACKPINK did is incredibly difficult, and passing the baton to the next generation is no simple task. Even though investors had faith that YG would produce another BLACKPINK-level group, now that trust is faltering. However, I do think people are now looking at contracts a bit differently. In the past, when a group disbanded, the members would scatter. But now, groups like BLACKPINK continue to work together even while pursuing solo projects. This shows that they understand the importance of sticking together, and I thought that this might help extend the longevity of these groups. But in reality, very few cases of disbanded groups have seen much success with individual members pursuing separate careers. There aren’t many examples where groups have stayed active for long, especially when individual members run into personal issues. Take Big Bang, for instance—they’ve been around for a while, but their personal scandals have made it hard for the group to recover fully. In the entertainment business, it’s rare for groups to last more than seven years, and age is also a factor. Once a group surpasses the seven-year mark, the members tend to be quite a bit older. With BTS, they need to show a fresh side if they’re to keep running strong. One of the most disheartening things mentioned by the members was that they didn’t feel respected. This ties into a larger issue in our society, as we're seeing with the national discussion around workplace bullying. If we think about how BTS achieved success, it's clear why this is such a serious issue. Back when BTS rose to fame, they shared how they weren’t from one of the top three agencies and positioned themselves as underdogs who worked hard to gain recognition. This resonated with many young people who felt that if you work hard enough, you can succeed, even without the backing of a major company. This message gave hope to many, not only in Korea but also globally. BTS’s fan base, especially in the U.S., includes many people who identify as outsiders, those who don’t feel they belong to the mainstream—whether in terms of race, culture, or social standing. For them, BTS was a source of inspiration, showing that you can still succeed even if you start from the margins. With NewJeans, though there’s talk about Min Hee-jin, the allegations of bullying within the company are hitting a sensitive nerve for fans. It’s unfortunate that the company allowed things to reach a point where such accusations were made. Even if the situation was mostly an internal conflict among the adults in charge, they should have handled it better to avoid involving the artists. In the past, we've seen similar issues, like with Big Bang’s various scandals, which were almost at the level of criminal activity. The current situation with NewJeans might not be as severe, but bullying and exclusion are still serious concerns. Ultimately, experiences like these can serve as valuable lessons for the entertainment industry. This situation has highlighted that the entertainment business is fundamentally about human relationships. From the artists to the products they create, everything revolves around people. The moment someone’s feelings are hurt or relationships are damaged, the entire business can collapse. The entertainment business is all about personal connections, something I've always believed. Recently, I heard about Naver Webtoon’s global success, and it's fascinating to think about how it has outgrown Kakao Webtoon, despite being a later player. Many factors contributed to this success, but someone mentioned that webtoons are also a "personal connection" business. Webtoon creators are tough to manage—they're artists, after all, and keeping them on schedule, especially with weekly deadlines, is a challenging task. CEO Kim Joong has managed to nurture relationships with these creators, making personal connections the backbone of the business. In the entertainment industry, particularly with idols, you can't overlook the importance of personal relationships. The key skill for managing this industry is the ability to connect deeply with both the creators and the artists. HYBE, for instance, doesn’t just need skilled managers who are good with finance or operations. What they truly need are people who can foster those personal relationships, especially when they’re dealing with artists as young as 13 or 15. It’s about ensuring that these young talents feel understood and cared for, so they can be inspired to do their best work. Managing young artists is tricky because their idea of success might be completely different from what adults think. A 13-year-old might not care about owning multiple houses—they might just want to spend time with their family or have the freedom to eat out whenever they want. The manager’s job is to tap into what motivates them and help them thrive in a way that’s meaningful to them. This kind of nurturing is not easy to scale. When a company grows too big, it’s challenging to maintain those close relationships. That's why multi-label approaches, like those seen in large entertainment agencies, are supposed to help. But if personal connections within those labels break down, the whole system can fall apart. This business model seems uniquely suited to Korea. It’s hard to imagine it working the same way in Japan, where there's a more hierarchical, command-driven structure. Japan's entertainment industry often depends on strong, central producers who direct everything. In contrast, Korean idols often rise through collective effort and personal connection, like BTS did. Despite the challenges, I believe Korea’s entertainment sector has room for long-term growth. Many of today’s youth are drawn to this field because it allows them to express their talents and passions. If scandals like the one with NewJeans continue to arise, however, it might dissuade some young people from pursuing these dreams. When you look at what NewJeans members have said, there’s not much to disagree with. They simply want to keep doing what they’ve always done and follow their own creative paths. Ensuring they have the freedom to do so can lead to even greater success. These days, if you ask middle or elementary school students what they want to be when they grow up, many of them will say they want to become idols or YouTubers. They believe that with enough effort, they can make it. The entertainment industry needs to be able to channel that passion and potential into something positive. If Min Hee-jin were to leave HYBE, it’s clear that many companies would be eager to work with her. She mentioned once that “everyone is crazy about money,” and I think that’s why there would be a long line of people wanting to meet with her if she decided to move on. Right now, for example, there are people in the entertainment industry, like CJ, who may not have fully established themselves, or even private investors, just waiting for an opportunity. Many of them are keeping an eye on Min Hee-jin leaving HYBE. This was evident during the recent Tokyo performance, where her creativity was on full display. It was incomparable. That’s why this situation is even more unfortunate. Some people say, "If it wasn’t for the money, how could that group have been created?" But I believe there are people who could have made it happen with or without money. That’s the crucial difference in this case. While I'm not an expert, I was touched by the process of recreating a hit song from a legendary Japanese female singer from the '80s. It felt like a major event. It was amazing because I had never seen anything like it before. Even though I wasn’t familiar with the original song, just seeing it was enough to draw in so much attention and make it feel like a historic moment. That’s what talent is—turning something simple, like a cover song, into a major event. I remember thinking, "How do the Japanese people feel about this?" because the crowd's reaction was incredible. The enthusiasm was surprising, and I wondered what they were thinking while watching it. This is the true power of Korean culture—it’s not just about promoting our own culture but also deeply resonating with others. The entertainment industry’s core business is making audiences happy and even obsessed. Min Hee-jin is undeniably a top-tier artist in this field. If she were to leave HYBE, there would be countless opportunities for her. But if HYBE mishandles this situation, it won’t just be about losing one person—it could destabilize everything. They really need to handle this carefully. As for stocks and investments, that's up to everyone’s individual decisions. We're just having a casual chat here about the entertainment industry. As someone with a child in the business and another who's analyzed the industry, we’re just relaxing with a casual discussion. So, let’s pour a drink and enjoy this conversation. 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