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By Statique“Dragon Lookdev Turntable”For Stormfall by Plarium Statique;"materials rendering texturing compositing" Deforms;A Kratinov VFX;I Velichko Animation;O Rogoza Design;N Nikizar Rig;A Hrazhdan Director/Supervisor;V Lisovsky #dragon #animation #3D

Josh Purple

12,386 subscribers

62,425 Aufrufe • vor 3 Jahren •via X (Twitter)

Kunst #dragon #animation #3D

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11 Kommentare

Profilbild von rogue node

rogue nodevor 3 Jahren

wonderful!!

Profilbild von Josh Purple

Josh Purplevor 3 Jahren

🥳👍🏆!

Profilbild von Moescape AI

Moescape AIvor 1 Jahr

Sign up & create wholesome anime art on Moescape AI now!

Profilbild von もふもふ

もふもふvor 3 Jahren

360°cool♡^ - ^)b"

Profilbild von Josh Purple

Josh Purplevor 3 Jahren

😁👍🏆!

Profilbild von SOILA VFX 🇨🇦

SOILA VFX 🇨🇦vor 3 Jahren

Where can We download ?

Profilbild von Josh Purple

Josh Purplevor 3 Jahren

This has a download link for Stormfall; I'm guessing you are looking for the dragon model download? Not so sure about where to get that (I googled for the Stormfall dragon model download, etc. didn't find it). If I can find it, I'll let you know 🙂!

Profilbild von SATAN🇮🇱

SATAN🇮🇱vor 3 Jahren

i will hunt you dragon😏

Profilbild von Josh Purple

Josh Purplevor 3 Jahren

🥳👍🏆!

Profilbild von Ewerwolf

Ewerwolfvor 3 Jahren

@SOUTHCHINA421 Great job! It is not inferior in quality to Hollywood! Are you planning to portray him in flight? It would be very interesting to see this.

Profilbild von Josh Purple

Josh Purplevor 3 Jahren

@SOUTHCHINA421 Agreed, -their team did incredible work 🥳👍🏆! I believe the dragon is being used in the game Stormfall 🙂 .

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126,105 Aufrufe • vor 2 Monaten

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Rassoul Edji

268,448 Aufrufe • vor 1 Jahr

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Ibrahim Boona

58,625 Aufrufe • vor 3 Monaten

A brave knight. A legendary dragon. An adventure that ends in the most unexpected way. ⚔️✨ Made on FlovaAI with the help of Nano Banana Pro and Seedance 2.0 #Flovaai #Flovacpp The Dragon Doesn't Want a Knight (60 Seconds) Prompt: Ultra-high-quality 3D animated fantasy film, DreamWorks/Pixar-level animation, cinematic storytelling, rich medieval fantasy world, highly expressive facial animation, lush forests, ancient moss-covered mountains, warm volumetric lighting, magical atmosphere, realistic fire, detailed dragon scales, cinematic depth of field, dynamic camera movement, smooth transitions, emotional comedy, orchestral fantasy score, 4K HDR, vibrant colors. Characters: Knight: Young, determined but inexperienced, around 20 years old. Polished silver armor with a royal blue cape, expressive face, messy brown hair, slightly awkward but brave. Dragon: Enormous emerald-green dragon with glowing amber eyes, large horns, weathered scales, intimidating appearance but surprisingly gentle and sarcastic personality. Deep, warm voice. PART 1 (0:00–0:15) — The Hero Arrives 0:00–0:05 Camera: Epic aerial drone shot soaring above mist-covered mountains at sunrise. The camera dives toward an ancient cave carved into a towering cliff. Smoke lazily drifts from the entrance as birds scatter into the sky. Action: A lone knight climbs the rocky trail with determination, gripping his sword tightly while his blue cape billows dramatically in the wind. Audio: Grand orchestral score builds with distant dragon roars echoing through the valley. 0:05–0:10 Camera: Low-angle tracking shot following behind the knight as he enters the cave. The environment grows darker, illuminated only by glowing lava cracks and shafts of sunlight breaking through the ceiling. Action: He stops, raises his sword toward the darkness, and takes a deep breath. Knight (shouting heroically): "Fear me, beast! I've come to slay the dragon!" 0:10–0:15 Camera: Slow cinematic dolly through the darkness until an enormous emerald dragon is revealed sleeping peacefully atop a mountain of treasure. Close-up on one sleepy amber eye opening as it lets out a massive yawn, releasing a tiny puff of fire. Dragon (half asleep): "...Can you come back tomorrow?" The knight freezes in complete confusion. PART 2 (0:15–0:30) — The Most Tired Dragon 0:15–0:20 Camera: Medium two-shot. The knight awkwardly lowers his sword while the dragon stretches lazily, scratching behind one horn. Dragon (with a sigh): "I'm exhausted." The epic music abruptly stops, leaving only awkward silence. Knight: "...Wait... what?" 0:20–0:25 Camera: Slow pan across the cave, revealing piles of broken swords, shattered shields, cracked armor, and bent spears stacked in one corner. Dragon (casually): "I've had six knights this week." 0:25–0:30 Camera: Close-up of the dragon rolling its eyes. Dragon: "None of them even introduced themselves." A tiny baby dragon peeks out from behind a treasure chest, gives the knight a cheerful little wave, then quickly hides again. The knight blinks, completely speechless. PART 3 (0:30–0:45) — The Truth 0:30–0:35 Camera: Slow push-in on the knight as he relaxes and carefully places his sword on the ground. Knight: "...So..." "What do you actually want?" 0:35–0:40 Camera: Close-up on the dragon's face. Its playful smile fades as it gazes toward the cave entrance, where golden evening light shines across the valley. A long, quiet pause. 0:40–0:45 Camera: Extreme close-up of the dragon's eyes. Dragon (softly): "Honestly..." Small pause. "...A friend." The soundtrack shifts into a gentle piano melody. PART 4 (0:45–1:00) — A Different Kind of Victory 0:45–0:50 Camera: Warm montage with smooth cinematic transitions. The knight and dragon sit beside a campfire inside the cave. The dragon carefully roasts marshmallows using tiny controlled flames. Knight (laughing): "This wasn't in knight school." Dragon (smiling): "Neither was loneliness." 0:50–0:55 Camera: Wide shot outside the cave. The King leads hundreds of armored soldiers charging up the mountain, banners waving and dust rising beneath galloping horses. King (shouting): "Did you defeat the dragon?" 0:55–1:00 Camera: Heroic medium shot of the knight standing beside the dragon at the cave entrance. The dragon nervously peeks from behind him. The knight smiles. Knight: "No." A brief pause. "...I met him." Final Camera: The camera slowly cranes upward, revealing the knight and dragon standing together against the glowing sunset as the music reaches an emotional crescendo. Fade to Black.

A brave knight. A legendary dragon. An adventure that ends in the most unexpected way. ⚔️✨ Made on FlovaAI with the help of Nano Banana Pro and Seedance 2.0 #Flovaai #Flovacpp The Dragon Doesn't Want a Knight (60 Seconds) Prompt: Ultra-high-quality 3D animated fantasy film, DreamWorks/Pixar-level animation, cinematic storytelling, rich medieval fantasy world, highly expressive facial animation, lush forests, ancient moss-covered mountains, warm volumetric lighting, magical atmosphere, realistic fire, detailed dragon scales, cinematic depth of field, dynamic camera movement, smooth transitions, emotional comedy, orchestral fantasy score, 4K HDR, vibrant colors. Characters: Knight: Young, determined but inexperienced, around 20 years old. Polished silver armor with a royal blue cape, expressive face, messy brown hair, slightly awkward but brave. Dragon: Enormous emerald-green dragon with glowing amber eyes, large horns, weathered scales, intimidating appearance but surprisingly gentle and sarcastic personality. Deep, warm voice. PART 1 (0:00–0:15) — The Hero Arrives 0:00–0:05 Camera: Epic aerial drone shot soaring above mist-covered mountains at sunrise. The camera dives toward an ancient cave carved into a towering cliff. Smoke lazily drifts from the entrance as birds scatter into the sky. Action: A lone knight climbs the rocky trail with determination, gripping his sword tightly while his blue cape billows dramatically in the wind. Audio: Grand orchestral score builds with distant dragon roars echoing through the valley. 0:05–0:10 Camera: Low-angle tracking shot following behind the knight as he enters the cave. The environment grows darker, illuminated only by glowing lava cracks and shafts of sunlight breaking through the ceiling. Action: He stops, raises his sword toward the darkness, and takes a deep breath. Knight (shouting heroically): "Fear me, beast! I've come to slay the dragon!" 0:10–0:15 Camera: Slow cinematic dolly through the darkness until an enormous emerald dragon is revealed sleeping peacefully atop a mountain of treasure. Close-up on one sleepy amber eye opening as it lets out a massive yawn, releasing a tiny puff of fire. Dragon (half asleep): "...Can you come back tomorrow?" The knight freezes in complete confusion. PART 2 (0:15–0:30) — The Most Tired Dragon 0:15–0:20 Camera: Medium two-shot. The knight awkwardly lowers his sword while the dragon stretches lazily, scratching behind one horn. Dragon (with a sigh): "I'm exhausted." The epic music abruptly stops, leaving only awkward silence. Knight: "...Wait... what?" 0:20–0:25 Camera: Slow pan across the cave, revealing piles of broken swords, shattered shields, cracked armor, and bent spears stacked in one corner. Dragon (casually): "I've had six knights this week." 0:25–0:30 Camera: Close-up of the dragon rolling its eyes. Dragon: "None of them even introduced themselves." A tiny baby dragon peeks out from behind a treasure chest, gives the knight a cheerful little wave, then quickly hides again. The knight blinks, completely speechless. PART 3 (0:30–0:45) — The Truth 0:30–0:35 Camera: Slow push-in on the knight as he relaxes and carefully places his sword on the ground. Knight: "...So..." "What do you actually want?" 0:35–0:40 Camera: Close-up on the dragon's face. Its playful smile fades as it gazes toward the cave entrance, where golden evening light shines across the valley. A long, quiet pause. 0:40–0:45 Camera: Extreme close-up of the dragon's eyes. Dragon (softly): "Honestly..." Small pause. "...A friend." The soundtrack shifts into a gentle piano melody. PART 4 (0:45–1:00) — A Different Kind of Victory 0:45–0:50 Camera: Warm montage with smooth cinematic transitions. The knight and dragon sit beside a campfire inside the cave. The dragon carefully roasts marshmallows using tiny controlled flames. Knight (laughing): "This wasn't in knight school." Dragon (smiling): "Neither was loneliness." 0:50–0:55 Camera: Wide shot outside the cave. The King leads hundreds of armored soldiers charging up the mountain, banners waving and dust rising beneath galloping horses. King (shouting): "Did you defeat the dragon?" 0:55–1:00 Camera: Heroic medium shot of the knight standing beside the dragon at the cave entrance. The dragon nervously peeks from behind him. The knight smiles. Knight: "No." A brief pause. "...I met him." Final Camera: The camera slowly cranes upward, revealing the knight and dragon standing together against the glowing sunset as the music reaches an emotional crescendo. Fade to Black.

Caden Flux

30,264 Aufrufe • vor 12 Tagen

NOT AI - Spider-Man Iron Suit vs GIANTPENI with help from WHITEFOX Giant tech robot vs Spideys techies suit! I love getting to do animations like this. I always had a specific idea of how Iron Spider would move and I think we did a lot of cool stuff. Once I knew Whitefox would turn into an Actual giant Fox, I immediately wanted to do a KAIJU fight! Also this one was a massive dream come true since we got to work with my favourite version of Spider-man! Josh Keaton . Thank you marvel rivals for sponsoring this video! Play Marvel Rivals FREE Directed by Sarp Serter Lighting and lookdev Gaucho Digital Animated by Sarp Serter Teko 🌌🥐 Keaton Logsdon @loopin_art Zeemvfx JC Jimmy Saunders Benjamín. Asset Models @diego_peralta3d Asset Textures berkay kaya.tk 2D FX benjamin.wahl Composer @Marcus_Hedges_Composer Audio Direction @Marcus_Hedges_Composer Sound Design @curtisfalkingham Electric Guitar - Julian 'Julz' Villarreal - @julzznghosts Voice acting - Josh Keaton . #marvelrivals #marvel #animation #whitefox #spiderman

NOT AI - Spider-Man Iron Suit vs GIANTPENI with help from WHITEFOX Giant tech robot vs Spideys techies suit! I love getting to do animations like this. I always had a specific idea of how Iron Spider would move and I think we did a lot of cool stuff. Once I knew Whitefox would turn into an Actual giant Fox, I immediately wanted to do a KAIJU fight! Also this one was a massive dream come true since we got to work with my favourite version of Spider-man! Josh Keaton . Thank you marvel rivals for sponsoring this video! Play Marvel Rivals FREE Directed by Sarp Serter Lighting and lookdev Gaucho Digital Animated by Sarp Serter Teko 🌌🥐 Keaton Logsdon @loopin_art Zeemvfx JC Jimmy Saunders Benjamín. Asset Models @diego_peralta3d Asset Textures berkay kaya.tk 2D FX benjamin.wahl Composer @Marcus_Hedges_Composer Audio Direction @Marcus_Hedges_Composer Sound Design @curtisfalkingham Electric Guitar - Julian 'Julz' Villarreal - @julzznghosts Voice acting - Josh Keaton . #marvelrivals #marvel #animation #whitefox #spiderman

Sarp Serter

1,516,595 Aufrufe • vor 4 Monaten

T H I S N F T P R O J E C T I S H I D I N G S O M E T H I N G And its about to change everything So you have seen Good Vibes Club 🤙 But did you know they own and run their own animation studio called TOAST Operating successfully for over 5 years run by brothers Chris Guyot 🤙 & Tyler Guyot 🤙 Chris the artist is very connected to other artists in the space and Good Vibes Club is a dream he worked on for 3 years before minting in March 2025. The project has l deep support from artists and collections across the space. TOAST worked on animation projects for Facebook, Microsoft, Google, Reddit, Ford, American Express, Lyft and many more But now that passion is being focussed into Good Vibes Club And more specifically VIBETOWN Theres a lot going on in web3 and crypto and always a new shiny thing to chase These guys are the most genuine and passionate guys I have met in the space to date Excited to see where they take Good Vibes Club And when people work out theres a lot more to this project than the insane 3d art pfps

T H I S N F T P R O J E C T I S H I D I N G S O M E T H I N G And its about to change everything So you have seen Good Vibes Club 🤙 But did you know they own and run their own animation studio called TOAST Operating successfully for over 5 years run by brothers Chris Guyot 🤙 & Tyler Guyot 🤙 Chris the artist is very connected to other artists in the space and Good Vibes Club is a dream he worked on for 3 years before minting in March 2025. The project has l deep support from artists and collections across the space. TOAST worked on animation projects for Facebook, Microsoft, Google, Reddit, Ford, American Express, Lyft and many more But now that passion is being focussed into Good Vibes Club And more specifically VIBETOWN Theres a lot going on in web3 and crypto and always a new shiny thing to chase These guys are the most genuine and passionate guys I have met in the space to date Excited to see where they take Good Vibes Club And when people work out theres a lot more to this project than the insane 3d art pfps

𝐁𝐋𝐎𝐗𝐗

11,048 Aufrufe • vor 1 Jahr

Speed of Love is a high-octane show created by 3D Generalist Yoon Ho Choi. Niagara and Sequencer were combined to create fast-paced action with stylized impact, allowing for precise timing and real-time visual feedback throughout production 🚀 Regarding tips around the project, here's what Yoon Ho Choi had to share: "The CineCamera Rig played a significant role in bringing the spaceship chase scenes to life. It’s a powerful tool for crafting dynamic, cinematic animation. I assembled all the spaceship components using a Blueprint, which gave me flexibility and control throughout the workflow. Unreal Engine’s Nanite feature also allowed me to build a large-scale, detailed world without compromising performance."

Speed of Love is a high-octane show created by 3D Generalist Yoon Ho Choi. Niagara and Sequencer were combined to create fast-paced action with stylized impact, allowing for precise timing and real-time visual feedback throughout production 🚀 Regarding tips around the project, here's what Yoon Ho Choi had to share: "The CineCamera Rig played a significant role in bringing the spaceship chase scenes to life. It’s a powerful tool for crafting dynamic, cinematic animation. I assembled all the spaceship components using a Blueprint, which gave me flexibility and control throughout the workflow. Unreal Engine’s Nanite feature also allowed me to build a large-scale, detailed world without compromising performance."

Unreal Engine

12,336 Aufrufe • vor 1 Jahr

I built an AI renovation visualizer that replaces $2K+ in 3D rendering costs with a 10-minute workflow. Contractors and real estate pros are using these media assets to close more deals faster. It's all powered by a CustomGPT + Calico AI. Here's how it actually works: → Upload any room photo to the AI Room Renovator GPT → It analyzes the space and generates 12 style-matched renovation concepts → Use the prompts to generate renovated images from your original photo → Kling 3.0 within Calico animates the transformation. Original room morphing into the finished design → Stack start frame, animation, and end frame in CapCut — done The result: contractors send clients a cinematic renovation preview before a single wall gets touched. That's how you close the project before the client shops around. If you want the full step-by-step tutorial and a link to the tools used: comment "RENO" and I'll send over. (must be following so I can DM)

I built an AI renovation visualizer that replaces $2K+ in 3D rendering costs with a 10-minute workflow. Contractors and real estate pros are using these media assets to close more deals faster. It's all powered by a CustomGPT + Calico AI. Here's how it actually works: → Upload any room photo to the AI Room Renovator GPT → It analyzes the space and generates 12 style-matched renovation concepts → Use the prompts to generate renovated images from your original photo → Kling 3.0 within Calico animates the transformation. Original room morphing into the finished design → Stack start frame, animation, and end frame in CapCut — done The result: contractors send clients a cinematic renovation preview before a single wall gets touched. That's how you close the project before the client shops around. If you want the full step-by-step tutorial and a link to the tools used: comment "RENO" and I'll send over. (must be following so I can DM)

David Roberts

22,956 Aufrufe • vor 4 Monaten

theorocq made a killer BTS of luther’s ALED music video, Made with AI experimentally over the span of two months. Walkthrough of the entire pipeline that was developed to achieve and produce this video. From the technical R&D, to the final delivery, we envisioned completely experimental AI workflows alongside the director, combining AI-generated visuals, conventional photo manipulation, and animation with traditional 3D and VFX techniques. Tools for our fellow nerds : ComfyUI, Stable Diffusion, Midjourney, InvokeAI, Photoshop, Runway, Luma, Miro , Magnific.ai, After Effects, Davinci Resolve, Cinema4D, Topaz Labs Just me on X, insta names below. Directed by comelart Lead post-prod: Artists: theorocq ai.s.a.m (THATS ME YO) nikamlinova glebsazonov_ Color: tm_canu VHS treatment: wetrustprocess

theorocq made a killer BTS of luther’s ALED music video, Made with AI experimentally over the span of two months. Walkthrough of the entire pipeline that was developed to achieve and produce this video. From the technical R&D, to the final delivery, we envisioned completely experimental AI workflows alongside the director, combining AI-generated visuals, conventional photo manipulation, and animation with traditional 3D and VFX techniques. Tools for our fellow nerds : ComfyUI, Stable Diffusion, Midjourney, InvokeAI, Photoshop, Runway, Luma, Miro , Magnific.ai, After Effects, Davinci Resolve, Cinema4D, Topaz Labs Just me on X, insta names below. Directed by comelart Lead post-prod: Artists: theorocq ai.s.a.m (THATS ME YO) nikamlinova glebsazonov_ Color: tm_canu VHS treatment: wetrustprocess

AI.S.A.M

31,165 Aufrufe • vor 1 Jahr

I built a fully playable 3D platformer game in exactly 3 days, using almost entirely AI-generated assets. To test whether AI can really replace the asset grind, I came up with a steampunk cat universe from scratch and brought it straight into Unreal Engine 5. Here is how it was done, step by step: 👇 🎨 World and prop concepting 🧩 Tripo 3.1 for low-poly smart meshes and PBR textures 🩹 Blender for geometry cleanup and AO baking 🦴 AccuRIG for character animation 🚀 UE5 for level design and blueprints The craziest part is that AI handled the routine, and I still had the creative energy to make the level actually fun. Watch the full workflow and gameplay reveal: #GameDev #TripoAI #UnrealEngine5 #3DModeling #IndieDev #Blender3D

I built a fully playable 3D platformer game in exactly 3 days, using almost entirely AI-generated assets. To test whether AI can really replace the asset grind, I came up with a steampunk cat universe from scratch and brought it straight into Unreal Engine 5. Here is how it was done, step by step: 👇 🎨 World and prop concepting 🧩 Tripo 3.1 for low-poly smart meshes and PBR textures 🩹 Blender for geometry cleanup and AO baking 🦴 AccuRIG for character animation 🚀 UE5 for level design and blueprints The craziest part is that AI handled the routine, and I still had the creative energy to make the level actually fun. Watch the full workflow and gameplay reveal: #GameDev #TripoAI #UnrealEngine5 #3DModeling #IndieDev #Blender3D

Stefan 3D AI

17,426 Aufrufe • vor 2 Monaten