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Caitlin Clark on the Alyssa Thomas incident: "It seems like there's always a moment like that in every season that I've played so far. And I think for myself, like I just try to navigate it the best I can. It gets exhausting. It gets frustrating...That's a perfect example... of like yeah, it was a hard foul and it should have been dealt with in the moment and they should have decided what it was then and reviewed it. Great, we move on. You see it happen in the NBA all the time. It's not anything more than that. It's basketball. When I walk out of the locker room, I shouldn't be not fearful of what the conversation is gonna be...it's emotionally exhausting. It's draining. It makes your shoulders tense. Because, you know, people don't wanna talk about the basketball. They just wanna stir it up and make something else"show more

Oh No He Didn't

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968,827 views • 1 month ago •via X (Twitter)

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Caitlin Clark on the WNBA discourse: "You (Media) guys are the ones controlling the narratives about what people read. A lot of that is sometimes so far out of touch with reality and that can be confusing to someone who's 24. It gets exhausting, it gets frustrating. People don't want to talk about basketball, they just want to stir it up and make it something else.

Caitlin Clark on the WNBA discourse: "You (Media) guys are the ones controlling the narratives about what people read. A lot of that is sometimes so far out of touch with reality and that can be confusing to someone who's 24. It gets exhausting, it gets frustrating. People don't want to talk about basketball, they just want to stir it up and make it something else.

Ashwin

86,825 views • 1 month ago

Rick Rubin on being addicted to the miracle of creation: “I like the moment of revelation. So we're working on something and it's just okay. It's boring. I'd rather not be there. That's how it feels. But then something happens and it's like magic. Something appears. It's not like we made it. Something comes up in the process. It's conjured in the process. It’s like a miracle and that's the thing that's addictive. That feeling when it's like it's not good, it's not good, it's not good, it's not good. We try something and it doesn't work. Try something else and it doesn't work. But then all of the sudden what we're listening to is really cool. That's the [addictive] feeling, that moment of discovery where it goes from nothing to something really good. And then the whole rest of the process after that is protecting that because it's super delicate. When it happens it's like this miracle happened and this magic thing happened and now we have to protect it through the rest of the process to not ruin it. It's scary because you don't want it to end. You don't want it to stop because we know if it stops, we can't control it. We can't do it again. It's not like that. It's this moment in time where something magical happens. So we spend a lot of time waiting and I can't say that's fun. Waiting is not fun.”

Rick Rubin on being addicted to the miracle of creation: “I like the moment of revelation. So we're working on something and it's just okay. It's boring. I'd rather not be there. That's how it feels. But then something happens and it's like magic. Something appears. It's not like we made it. Something comes up in the process. It's conjured in the process. It’s like a miracle and that's the thing that's addictive. That feeling when it's like it's not good, it's not good, it's not good, it's not good. We try something and it doesn't work. Try something else and it doesn't work. But then all of the sudden what we're listening to is really cool. That's the [addictive] feeling, that moment of discovery where it goes from nothing to something really good. And then the whole rest of the process after that is protecting that because it's super delicate. When it happens it's like this miracle happened and this magic thing happened and now we have to protect it through the rest of the process to not ruin it. It's scary because you don't want it to end. You don't want it to stop because we know if it stops, we can't control it. We can't do it again. It's not like that. It's this moment in time where something magical happens. So we spend a lot of time waiting and I can't say that's fun. Waiting is not fun.”

David Senra

12,759 views • 3 months ago

"we spoke about it in the past in drivers' briefing, saying they should leave it out at least for a lap, so it's equal for everyone" lando: i need to speak to the team, but it's not a guessing game. so i was just unlucky. i was the only one on the whole grid that doesn't get a pit stop. so i lose 20 seconds on the whole grid. it's out of my control. it's out of their control. it's a rule that shouldn't define a race. a race should be won by a guy who can put in the best performance, who maybe takes a risk by going long in a stint, and maybe you get a safety car later on and things can help, because you know that's one of the big factors. but for everyone to get a safety car, vsc, pit loss, and me to get nothing. it's just unfair but it's happened in the past. others have won from it. i've probably won it from it in the past, and it's just i don't think many people have lost a race win over it. it's frustrating. i don't feel like it's the way you should lose. we spoke about it in the past in drivers' briefing, saying they should leave it out at least for a lap, so it's equal for everyone. today i was the only one that lost out, and i lost out about 20 seconds of race time, and that's not how it should be.

"we spoke about it in the past in drivers' briefing, saying they should leave it out at least for a lap, so it's equal for everyone" lando: i need to speak to the team, but it's not a guessing game. so i was just unlucky. i was the only one on the whole grid that doesn't get a pit stop. so i lose 20 seconds on the whole grid. it's out of my control. it's out of their control. it's a rule that shouldn't define a race. a race should be won by a guy who can put in the best performance, who maybe takes a risk by going long in a stint, and maybe you get a safety car later on and things can help, because you know that's one of the big factors. but for everyone to get a safety car, vsc, pit loss, and me to get nothing. it's just unfair but it's happened in the past. others have won from it. i've probably won it from it in the past, and it's just i don't think many people have lost a race win over it. it's frustrating. i don't feel like it's the way you should lose. we spoke about it in the past in drivers' briefing, saying they should leave it out at least for a lap, so it's equal for everyone. today i was the only one that lost out, and i lost out about 20 seconds of race time, and that's not how it should be.

ray

133,513 views • 2 days ago

"It just seems in many ways so 'not Liverpool' but then I need to accept the reality that it is because it's happening." "It's a reinforcement that we all need to protect it and that you can't be blasé like I have and just go 'oh yeah we're not like that." Watch in full 🚨👇

"It just seems in many ways so 'not Liverpool' but then I need to accept the reality that it is because it's happening." "It's a reinforcement that we all need to protect it and that you can't be blasé like I have and just go 'oh yeah we're not like that." Watch in full 🚨👇

The Anfield Wrap

96,416 views • 2 years ago

carlos: “my thoughts of spain winning. i don't know, i always had the feeling it was spain that was gonna win it, given the way they had been playing the whole championship. i don't know but i had like a feeling that it was spain's to win and i'm very glad they did. i think they deserve it. i think they played the best football of any other team in the world cup and yeah, happy, very proud to be a spaniard, to see them celebrate and to see them succeed. i think it was a great, great event, the world cup itself. i think it went great in the us, mexico and stuff so i think it was a great event. you know, it's still only football, life goes on. world cup match, we're world champions, it's great, but yeah, people take it so personally, this football, that sometimes it's crazy to see how people are so passionate about it. enjoyed it, had fun watching, great win and life continues and everything moves on.”

carlos: “my thoughts of spain winning. i don't know, i always had the feeling it was spain that was gonna win it, given the way they had been playing the whole championship. i don't know but i had like a feeling that it was spain's to win and i'm very glad they did. i think they deserve it. i think they played the best football of any other team in the world cup and yeah, happy, very proud to be a spaniard, to see them celebrate and to see them succeed. i think it was a great, great event, the world cup itself. i think it went great in the us, mexico and stuff so i think it was a great event. you know, it's still only football, life goes on. world cup match, we're world champions, it's great, but yeah, people take it so personally, this football, that sometimes it's crazy to see how people are so passionate about it. enjoyed it, had fun watching, great win and life continues and everything moves on.”

yoyo

24,317 views • 1 month ago

🗣️ Eric Collins to those saying he's "too much": "I totally get it. It is what it is. But I've done this the exact same way ever since I started doing it back in the '90s. It's just always been my thing. It's natural, it's organic, it's the way I feel in the moment." "It's just who I am. I could always try to be different and be like everyone else, but why be a bad version of someone else when you can try to be the best version of yourself? And that's just who I am. It's got me this far and I probably can't change, and if someone really wants me to change, I'm just going to have to leave. So it is what it is." Full segment on Wake Up Barstool:

🗣️ Eric Collins to those saying he's "too much": "I totally get it. It is what it is. But I've done this the exact same way ever since I started doing it back in the '90s. It's just always been my thing. It's natural, it's organic, it's the way I feel in the moment." "It's just who I am. I could always try to be different and be like everyone else, but why be a bad version of someone else when you can try to be the best version of yourself? And that's just who I am. It's got me this far and I probably can't change, and if someone really wants me to change, I'm just going to have to leave. So it is what it is." Full segment on Wake Up Barstool:

r/CharlotteHornets

89,233 views • 4 months ago

Taylor: I'm reading your body language & it seems like you're not ready. It's a sensitive conversation. Haley: I just don't want heavy. I've had a rough couple weeks. Taylor: Just know, when I talk about it in the DR, & if it becomes a thing, I tried to talk about it with you first. Haley: I came out here to chill. Taylor: I'm just warning you that it's a heavy conversation. If we don't talk about, you're going to see it in a DR. It might become a big thing later. Haley: In what, the real world, that makes me look bad? It kind of sounds like a threat. Taylor: If we don't talk about it, you will probably still see it. And we wouldn't have had the dialogue. So if it's something that you're not able to defend yourself... Production hid the rest of the conversation. #bb28

Taylor: I'm reading your body language & it seems like you're not ready. It's a sensitive conversation. Haley: I just don't want heavy. I've had a rough couple weeks. Taylor: Just know, when I talk about it in the DR, & if it becomes a thing, I tried to talk about it with you first. Haley: I came out here to chill. Taylor: I'm just warning you that it's a heavy conversation. If we don't talk about, you're going to see it in a DR. It might become a big thing later. Haley: In what, the real world, that makes me look bad? It kind of sounds like a threat. Taylor: If we don't talk about it, you will probably still see it. And we wouldn't have had the dialogue. So if it's something that you're not able to defend yourself... Production hid the rest of the conversation. #bb28

Tooms

408,979 views • 23 days ago

"It's a superhero movie that is for adults and has adult ideas in it. You don't have to think about it any harder than that. It goes way deeper. If you want to, you can tear it apart like a giant onion and keep peeling it until you're at its core. "But I think that it's cool to experience it just like when I read the comic book for the first time and I didn't know. No one was telling me what it's about or the why of it. You come to it fresh. And sometimes I wish I had that experience because I would love to see the movie or read the book for the first time again because that feeling was for me awesome. "Especially when you go into something with this anticipation that it's just a Hollywood superhero movie which is what a lot of people will think because they don't know. They see some guys fighting and then when you see the film you actually have this experience of it being taken apart. "Those archetypes, those mythological shapes, whether they be Batman or Superman or any of superheroes and how they're just turned around. Whether it's through sexual fetish or fighting, actually killing guys they fight. "Stuff like that or whether it's the end of the movie and there's this moral dilemma that is the end of the movie is also challenging on all those levels."

"It's a superhero movie that is for adults and has adult ideas in it. You don't have to think about it any harder than that. It goes way deeper. If you want to, you can tear it apart like a giant onion and keep peeling it until you're at its core. "But I think that it's cool to experience it just like when I read the comic book for the first time and I didn't know. No one was telling me what it's about or the why of it. You come to it fresh. And sometimes I wish I had that experience because I would love to see the movie or read the book for the first time again because that feeling was for me awesome. "Especially when you go into something with this anticipation that it's just a Hollywood superhero movie which is what a lot of people will think because they don't know. They see some guys fighting and then when you see the film you actually have this experience of it being taken apart. "Those archetypes, those mythological shapes, whether they be Batman or Superman or any of superheroes and how they're just turned around. Whether it's through sexual fetish or fighting, actually killing guys they fight. "Stuff like that or whether it's the end of the movie and there's this moral dilemma that is the end of the movie is also challenging on all those levels."

Zack Snyder Film

22,225 views • 8 months ago

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder Film

23,149 views • 8 months ago

Bam Adebayo GOES IN on the critics that says his 83 point game performance is unethical: "For the couch coaches, I mean, if you're in my shoes and you have, first of all, y'all are blaming me. You should be blaming the head coach. Get that first. I was not the one letting me go one-on-one the whole game until I had 70, and then you started to send a double. At that point, I got 70 with, like, what? nine minutes left to go in the game you think i'm not going for it like like and that's the thing that's crazy when they talk about the unethical part of the basketball i'm like if i have 70 points with 9 minutes to go Who would just be like, you know, coach, just take me out. Yeah, right. Anybody in my shoes with nine minutes left? Okay. A minute? All right. Nine? Yeah, I'm going for it. You can't be mad at that. If you are mad, I don't care because a lot of people, they're upset because if they did play, they never had a chance to get that close to chasing greatness. And then if you get that close to chasing greatness, that's the point of chasing it so you can surpass it. And some of the people have never played basketball. So like if you've been in the backyard and you and a couple of your homies have been playing 21 and you got 19. You're not going to get an easy look off. And four, they're going to talk about the free throws. It's not like I shoot 15 free throws a game. It's not like I average 10 free throws a game. You can watch the film. I was legitimately getting fouled every time. So I went to the free throw line."

Bam Adebayo GOES IN on the critics that says his 83 point game performance is unethical: "For the couch coaches, I mean, if you're in my shoes and you have, first of all, y'all are blaming me. You should be blaming the head coach. Get that first. I was not the one letting me go one-on-one the whole game until I had 70, and then you started to send a double. At that point, I got 70 with, like, what? nine minutes left to go in the game you think i'm not going for it like like and that's the thing that's crazy when they talk about the unethical part of the basketball i'm like if i have 70 points with 9 minutes to go Who would just be like, you know, coach, just take me out. Yeah, right. Anybody in my shoes with nine minutes left? Okay. A minute? All right. Nine? Yeah, I'm going for it. You can't be mad at that. If you are mad, I don't care because a lot of people, they're upset because if they did play, they never had a chance to get that close to chasing greatness. And then if you get that close to chasing greatness, that's the point of chasing it so you can surpass it. And some of the people have never played basketball. So like if you've been in the backyard and you and a couple of your homies have been playing 21 and you got 19. You're not going to get an easy look off. And four, they're going to talk about the free throws. It's not like I shoot 15 free throws a game. It's not like I average 10 free throws a game. You can watch the film. I was legitimately getting fouled every time. So I went to the free throw line."

Ahmed/The Ears/IG: BigBizTheGod 🇸🇴

374,056 views • 6 months ago

Trump: Angela is not there anymore. They tried it. Solar, they had solar fields so big. I mean, I saw a solar field come… But it's not the same thing. It's got to fire up these massive plants. It's not gonna, but I saw a solar field the other day that looked like it took up half the desert. I've never seen anything like it. It's all steel and glass and wires and it looks like hell. And you see rabbits, they get caught in it and every, you know, for the environmentalists, it's just terrible.. But, but I'm looking at solar fields that are like miles and miles of just and what it does to your desert areas or the areas that you're putting. It's just crazy

Trump: Angela is not there anymore. They tried it. Solar, they had solar fields so big. I mean, I saw a solar field come… But it's not the same thing. It's got to fire up these massive plants. It's not gonna, but I saw a solar field the other day that looked like it took up half the desert. I've never seen anything like it. It's all steel and glass and wires and it looks like hell. And you see rabbits, they get caught in it and every, you know, for the environmentalists, it's just terrible.. But, but I'm looking at solar fields that are like miles and miles of just and what it does to your desert areas or the areas that you're putting. It's just crazy

Headquarters

455,009 views • 1 year ago

Doc says he doesn't like what's going on with Giannis: "I decided long ago that's not for me to get involved in the rest of this [Giannis] stuff. I don't like it, though. I don't. I think this is a grown man's game, and it should be handled that way by everybody. And so I don't like when it's this 'he said she said stuff'. It's not good. Just from that seat — the fact that I have to sit up here and keep addressing it — it bothers me. We need to do something about it."

Doc says he doesn't like what's going on with Giannis: "I decided long ago that's not for me to get involved in the rest of this [Giannis] stuff. I don't like it, though. I don't. I think this is a grown man's game, and it should be handled that way by everybody. And so I don't like when it's this 'he said she said stuff'. It's not good. Just from that seat — the fact that I have to sit up here and keep addressing it — it bothers me. We need to do something about it."

Bucks Lead

24,458 views • 5 months ago

Do you ever get imposter syndrome? Yunjin : Guys, imposter syndrome is a real thing and it's really hard But, um, I think if you have imposter syndrome it's not... well, nothing in life nothing in this world is 100% good, 100% bad but, I think with imposter syndrome there's more good than there is bad That's kind of how I try to like stabilize myself whenever I feel like I'm having imposter syndrome and that's wrong of me I try to remind myself that "Oh it's better than having like a huge ego Because if you are doubting yourself, it's good to a point It gets to a point, you know? So I try not to get like... because I feel like a lot of problems often stem from me feeling like some way and then like demonizing that feeling when when it's not something that you should like demonize Yeah, so imposter syndrome, I get it But I also try to tell myself it's just a way of humbling myself, I guess It can be crippling though, sometimes And the way out of it is by keeping people that I respect and admire around me So that when they tell me that they trust me then I can trust them Because when I don't trust myself, I trust those people And thankfully, I have four of those people in my life, in my team And' then I have a bunch of staff who I feel the same way about

Do you ever get imposter syndrome? Yunjin : Guys, imposter syndrome is a real thing and it's really hard But, um, I think if you have imposter syndrome it's not... well, nothing in life nothing in this world is 100% good, 100% bad but, I think with imposter syndrome there's more good than there is bad That's kind of how I try to like stabilize myself whenever I feel like I'm having imposter syndrome and that's wrong of me I try to remind myself that "Oh it's better than having like a huge ego Because if you are doubting yourself, it's good to a point It gets to a point, you know? So I try not to get like... because I feel like a lot of problems often stem from me feeling like some way and then like demonizing that feeling when when it's not something that you should like demonize Yeah, so imposter syndrome, I get it But I also try to tell myself it's just a way of humbling myself, I guess It can be crippling though, sometimes And the way out of it is by keeping people that I respect and admire around me So that when they tell me that they trust me then I can trust them Because when I don't trust myself, I trust those people And thankfully, I have four of those people in my life, in my team And' then I have a bunch of staff who I feel the same way about

le sserafim pics

53,704 views • 7 months ago

Asked Alex Caruso about his shoe block: "I've never been in that situation before. And, I don't know, it came to me. I just thought I was gonna block it, and I honestly don't know what I thought the call would be. I didn't know it was going to be a goaltending and a tech. If I would've known that, I probably wouldn't have done it because it's three points. It's an automatic bucket, and he didn't even put the ball above the rim. As soon as I had my shoe in my hand, it crept in my mind to use it. Not like in a malicious way, but like 'Let me try to make a play to stop the ball.' It's just one of those weird NBA plays that probably won't happen for like another 10 years."

Asked Alex Caruso about his shoe block: "I've never been in that situation before. And, I don't know, it came to me. I just thought I was gonna block it, and I honestly don't know what I thought the call would be. I didn't know it was going to be a goaltending and a tech. If I would've known that, I probably wouldn't have done it because it's three points. It's an automatic bucket, and he didn't even put the ball above the rim. As soon as I had my shoe in my hand, it crept in my mind to use it. Not like in a malicious way, but like 'Let me try to make a play to stop the ball.' It's just one of those weird NBA plays that probably won't happen for like another 10 years."

Justin Martinez

591,222 views • 6 months ago

Harry about why he chose to do residencies in certain cities on Zane Lowe “I think it makes the show better. I think you can build something that doesn't have to travel every night. I think the show itself is better. I think there's something in this that allows me to like stay in my life while I'm doing it and therefore I think allows me to take care of myself better, which I think makes me better at doing the thing. It's not like I'm saying I'll never travel again, but I want to see what it looks like if you do it a different way. And you know, people in my band have like families now and kids and some aspect of that, too. It's really important to me that they're on the road that I would love to like have them and I don't want to make it like near impossible for them to be able to do that with me.”

Harry about why he chose to do residencies in certain cities on Zane Lowe “I think it makes the show better. I think you can build something that doesn't have to travel every night. I think the show itself is better. I think there's something in this that allows me to like stay in my life while I'm doing it and therefore I think allows me to take care of myself better, which I think makes me better at doing the thing. It's not like I'm saying I'll never travel again, but I want to see what it looks like if you do it a different way. And you know, people in my band have like families now and kids and some aspect of that, too. It's really important to me that they're on the road that I would love to like have them and I don't want to make it like near impossible for them to be able to do that with me.”

HSNews

282,165 views • 6 months ago

“Because I think a lot of people are familiar with you know, pop stars have these alter egos on stage and then they're also a little bit potentially different behind the scenes. Can you talk about what the difference is between those two personas?” ROSÉ: I think, you know, like I started off as, my whole career started as Blackpink and I feel like it was so much fun creating this character on stage because I'm just from like Australia, like in my bedroom, but like it was so much fun creating this like pop star, like character. It was so much fun. And then I think creating my first solo album, it was my discover of like, you know, who am I? And like when I was naming the album, I really thought a lot about it. There was like options like, you know, number one girl. And then a lot of people did like, what about Rosie? And at first I was like, it seems a bit like narcissistic. I'm not sure. And then it slowly grew on me. And then, you know, just the idea of it being Rosie because Rosé has been such a big part of my life. And that's what we present ourselves as Blackpink, Blackpink Rosé. And I felt like this was very opposite. And so I noticed that it was closer to kind of introducing a different version of me, like because it combined all the stories I would talk about with my friends and family. And they call me Rosie at home. And of course, the online name that the company had made for me from at the beginning of Blackpink, I remember when it happened was like the day before they released my picture, profile picture, they were like, Rosé. And like the name got announced.

rosie

47,583 views • 7 months ago