Video yükleniyor...

Video Yüklenemedi

Ana Sayfaya Dön

Camera illusion

sciencegirl's profile picture

Science girl

5,786,870 subscribers

35,141 görüntüleme • 6 ay önce •via X (Twitter)

SanatBilim & Teknoloji
LIVE

Anya Rossi• Live Now

Private livecam show

0 Yorum

Yorum bulunmuyor

Orijinal gönderinin yorumları burada görünecek

Benzer Videolar

3D Chalk Art – A New Perspective Step into the illusion with #DreamMachine. Where flat images become dimensional scenes. Powered by #Ray2 Camera Motion Concepts.
0:21

3D Chalk Art – A New Perspective Step into the illusion with #DreamMachine. Where flat images become dimensional scenes. Powered by #Ray2 Camera Motion Concepts.

Luma

58,314 görüntüleme • 1 yıl önce

🛸⚠️ Very Strange UFO Footage: Black Sphere Mimics Passenger Plane?! ✈️👀 Shape-Shifting Object Caught on Camera 🔥🌍 Illusion, Tech… or Something Unknown?
0:30

🛸⚠️ Very Strange UFO Footage: Black Sphere Mimics Passenger Plane?! ✈️👀 Shape-Shifting Object Caught on Camera 🔥🌍 Illusion, Tech… or Something Unknown?

World News X

133,844 görüntüleme • 5 ay önce

Walt Disney's explanation of the multiplane camera is unbelievably cool. It required a invention of completely new technology to create the illusion of depth. (Which of course we all take for granted today.)
1:30

Walt Disney's explanation of the multiplane camera is unbelievably cool. It required a invention of completely new technology to create the illusion of depth. (Which of course we all take for granted today.)

Acquired Podcast

15,626 görüntüleme • 2 ay önce

Limitless was released 15 years ago. The zoom-through-New York shots were done by stitching together thousands of images into seamless “infinite zooms,” creating the illusion that the camera could travel miles in seconds.
1:05

Limitless was released 15 years ago. The zoom-through-New York shots were done by stitching together thousands of images into seamless “infinite zooms,” creating the illusion that the camera could travel miles in seconds.

cinesthetic.

67,663 görüntüleme • 6 ay önce

A long take is basically a stress test for AI video. One bad camera turn, one misplaced character, or one broken spatial transition can expose the whole illusion. That’s what makes this workflow interesting. #GPT6Astra #AIVideo
0:30

A long take is basically a stress test for AI video. One bad camera turn, one misplaced character, or one broken spatial transition can expose the whole illusion. That’s what makes this workflow interesting. #GPT6Astra #AIVideo

RAVI KUMAR SAHU

117,987 görüntüleme • 13 gün önce

Israeli citizens are absolutely terrified. They admit on camera that their cities are taking direct hits from Iranian missiles and their safe rooms aren't enough to protect them from the massive blasts. The illusion of safety is gone.
0:39

Israeli citizens are absolutely terrified. They admit on camera that their cities are taking direct hits from Iranian missiles and their safe rooms aren't enough to protect them from the massive blasts. The illusion of safety is gone.

Furkan Gözükara

87,667 görüntüleme • 6 ay önce

For 30 seconds, CLIFHANGER convinces you this is a real mountain. The camera pullback doesn’t expose the trick. It proves how good the trick is. An enormous matte painting by Michelle Moen made the illusion possible. A beautiful practical VFX shot.
0:36

For 30 seconds, CLIFHANGER convinces you this is a real mountain. The camera pullback doesn’t expose the trick. It proves how good the trick is. An enormous matte painting by Michelle Moen made the illusion possible. A beautiful practical VFX shot.

Vashi Nedomansky, ACE

3,041,035 görüntüleme • 2 ay önce

🚨🚨THIS IS INSANE🚨🚨 THE #NFL DENIED #VIKINGS KICKER WILL REICHARD’S REQUEST TO REMOVE WEEK 5 MISSED KICK FROM STATS, SAYING THE BALL HITTING THE CAMERA WIRE WAS A “OPTICAL ILLUSION.” 😳😳😳 This is absolutely insane.
0:23

🚨🚨THIS IS INSANE🚨🚨 THE #NFL DENIED #VIKINGS KICKER WILL REICHARD’S REQUEST TO REMOVE WEEK 5 MISSED KICK FROM STATS, SAYING THE BALL HITTING THE CAMERA WIRE WAS A “OPTICAL ILLUSION.” 😳😳😳 This is absolutely insane.

MLFootball

19,346,206 görüntüleme • 11 ay önce

In kitchen scene in Eternal Sunshine of the Spotless Mind, there was no CGI. Michel Gondry used a technique called “forced perspective”. It uses set design and camera angles to create the illusion that objects are larger or smaller than they actually are.
1:41

In kitchen scene in Eternal Sunshine of the Spotless Mind, there was no CGI. Michel Gondry used a technique called “forced perspective”. It uses set design and camera angles to create the illusion that objects are larger or smaller than they actually are.

Emir Han

22,633 görüntüleme • 6 ay önce

Camera motion with thermal cameras can often create the illusion of motion because the camera's burnt-in noise is often higher contrast than the ocean surface. Stabilize on the object to see the motion relative to the ocean of these birds from PR135
0:32

Camera motion with thermal cameras can often create the illusion of motion because the camera's burnt-in noise is often higher contrast than the ocean surface. Stabilize on the object to see the motion relative to the ocean of these birds from PR135

Mick West

15,309 görüntüleme • 2 gün önce

Aashram Actress Tridha Choudhury Reveals the Truth About Int*mate Scenes😭 - She Says🎙: It's all about camera angles, lighting, and the right lens. What looks real on screen is carefully planned. - Every movement is choreographed to create the illusion of int*macy—it's acting, not reality.🤯
1:13

Sensitive content

Aashram Actress Tridha Choudhury Reveals the Truth About Int*mate Scenes😭 - She Says🎙: It's all about camera angles, lighting, and the right lens. What looks real on screen is carefully planned. - Every movement is choreographed to create the illusion of int*macy—it's acting, not reality.🤯

Sumit

167,512 görüntüleme • 2 ay önce

THE NATURAL (1984) The first shot is Robert Redford and a real moving train in New York. The next two shots of Redford were filmed months later with a stationary museum train in California. The camera is on a dolly moving away from the train to create the illusion of movement. 🎥
0:22

THE NATURAL (1984) The first shot is Robert Redford and a real moving train in New York. The next two shots of Redford were filmed months later with a stationary museum train in California. The camera is on a dolly moving away from the train to create the illusion of movement. 🎥

Vashi Nedomansky, ACE

316,893 görüntüleme • 1 yıl önce

They told you the Earth is a globe. They told you the curvature is proven, the photos are real, the science is settled. But what if a man with a camera, a horizon, and no special effects just proved everything you were taught about the shape of the world is a carefully curated illusion?
1:20

They told you the Earth is a globe. They told you the curvature is proven, the photos are real, the science is settled. But what if a man with a camera, a horizon, and no special effects just proved everything you were taught about the shape of the world is a carefully curated illusion?

Lisa

932,461 görüntüleme • 4 ay önce

This is always a pretty clever technique to see In Xenoblade Chronicles every bush in Gaur Plains is the same way. Just a flat 2D plane that rotates as you move the 3D camera to give the illusion its 3D All the wizardry Monolithsoft needed to do to get this world on the Wii 😭
1:16

This is always a pretty clever technique to see In Xenoblade Chronicles every bush in Gaur Plains is the same way. Just a flat 2D plane that rotates as you move the 3D camera to give the illusion its 3D All the wizardry Monolithsoft needed to do to get this world on the Wii 😭

Aero

2,724,334 görüntüleme • 9 ay önce

🚨 Breaking - Artemis II footage is being shared with claims a fast-moving object passes behind distant structures mid-shot. Some say it shows depth and controlled movement, others argue it’s debris, lens artifact, or tracking illusion from the camera. The “behind the structure” moment is what’s being focused on. Could it be some drones ?
0:38

🚨 Breaking - Artemis II footage is being shared with claims a fast-moving object passes behind distant structures mid-shot. Some say it shows depth and controlled movement, others argue it’s debris, lens artifact, or tracking illusion from the camera. The “behind the structure” moment is what’s being focused on. Could it be some drones ?

T R U T H P O L E

41,327 görüntüleme • 5 ay önce

Director Sam Mendes designed the Oscar-winning WWI epic 1917 to unfold in real time as a single, uninterrupted shot. A technique that immerses the audience directly alongside two soldiers on a desperate mission. To pull off this illusion without actual non-stop recording, the filmmakers relied on precision engineering and invisible craft of Clever Hidden Cuts, Tailored set blueprinting, Complex camera movement and Strict natural light.
1:10

Director Sam Mendes designed the Oscar-winning WWI epic 1917 to unfold in real time as a single, uninterrupted shot. A technique that immerses the audience directly alongside two soldiers on a desperate mission. To pull off this illusion without actual non-stop recording, the filmmakers relied on precision engineering and invisible craft of Clever Hidden Cuts, Tailored set blueprinting, Complex camera movement and Strict natural light.

Every Movie Plug

70,683 görüntüleme • 12 gün önce

This is how Bergman filmed this impossible walk. In Hour of the Wolf, the sequence gives the impression of an impossible movement, which is walking on the floor to the wall to the ceiling, as the camera shifts its orientation between distinct shots. The camera set up is re-established each time the movie shifts to a reaction shot of Max von Sydog. When the action comes back, the frame has been rotated (or reoriented) so the same type of walking will be interpreted as having changed the gravity. The effect isn’t a continuous transformation in one shot, but a carefully edited sequence of multiple setups stitched together, where changes in camera angle between cuts create the illusion of a collapsing, unstable space. #filmtwt
0:20

This is how Bergman filmed this impossible walk. In Hour of the Wolf, the sequence gives the impression of an impossible movement, which is walking on the floor to the wall to the ceiling, as the camera shifts its orientation between distinct shots. The camera set up is re-established each time the movie shifts to a reaction shot of Max von Sydog. When the action comes back, the frame has been rotated (or reoriented) so the same type of walking will be interpreted as having changed the gravity. The effect isn’t a continuous transformation in one shot, but a carefully edited sequence of multiple setups stitched together, where changes in camera angle between cuts create the illusion of a collapsing, unstable space. #filmtwt

Auteur House

42,693 görüntüleme • 4 ay önce