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can your idol pass 40 choreo after just two weeks? perform professionally with an injured ankle? has a bachelor's degree in practical dance specialising? professional dancer and choreographer specialising in Hiphop? joined huge dance competition (WOD)? went overseas as a teenager to dance? worked as a dance teacher at...

17,063 Aufrufe • vor 7 Monaten •via X (Twitter)

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Belly dancing history crosses many cultural boundaries, getting its start in Middle East and Africa, and moving on to evolve in western cultures as both a form of cultural dance and exotic entertainment. In 21st Century, genre has gained considerable popularity all around the world. Belly dance, an exotic form of dance that has a rich history that dates back over 6000 years. Some people consider ‘Oriental dance’ to be a dance of seduction, whilst others believe that belly dance originated as fertility ritual. Throughout Middle Eastern history, belly dance has been performed at special celebrations and occasions like weddings, birth announcements, and festivals. All over the world, belly dancing courses are taught to teach freedom of movement and to empower women to love their bodies and to have more confidence. Term "belly dance" a westernized name that originally referred to traditional Middle Eastern dancing. Earliest forms of belly dance were Egyptian ghawazi dance during 19th Century and Raqs Sharqi, an Arabic dance of 20th Century. Despite Egypt's location in Africa and contributions from other nations such as France, Turkey and United States, term belly dance is usually used today to include all traditional dances of Middle Eastern region, including those not geographically situated there. French explorers travelling in Egypt, in 18th Century CE, witnessed dancers performing an exotic dance that they decided to call ‘dance du ventre’ (dance of the stomach). In 1893 CE, promoter Sol Bloom, introduced belly dance to America, at Chicago World’s Fair. In those days, it was considered to be daring if a woman revealed so much as an ankle. Belly dance was therefore initially seen as being risqué and shocking. Interest in intriguing dance grew and quickly spread to other cities. Westernised form of belly dance grew in popularity following Hollywood film industry’s involvement in publicising dance as a form of entertainment. Egyptian dancers Tahia Carioca and Samia Gamal wore elaborate belly dance costumes in their movies and became international stars. Belly dance has been active in Turkey since 1400s, when travelling tribes known as ‘chengis’ performed on streets. Today, chengis still dance to entertain tourists and perform a style of belly dance that is authentically Turkish. In traditional Muslim society, women often gathered to perform a dance in evening. Known as Raks sharki (dance of the East), this type of belly dance helped women to ready stomach muscles for childbirth, and was also danced by young women to display their readiness for marriage. In present-day Egypt, it’s customary to hire a belly dancer to perform at a wedding, in order to bless happy couple with a fertility ritual blessing. In Egypt, belly dance performers used props like veils, canes and swords to entertain public on streets and during festivals and religious celebrations. Before 20th Century CE, public dance was not something that was tolerated by authorities, but it was accepted as part of cultural tradition. After this time, belly dancers performed at weddings, nightclubs and at other events. It was these Egyptian performers who popularised skirt and beaded bra (bedlah) that is widely accepted as being traditional belly dance costume of today. 🎥 : Helena Vlahos performing her Nine Quarters Belly Dance Act, 1979 ... #archaeohistories

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13,395 Aufrufe • vor 9 Monaten

kinjaz's mike song talks about hanging out with bailey sok and #jacksonwang during the kcon weekend in la, and highlighted their respect for dance "..and then you have jackson in the room, who is this other wild titan who, you know, his version is in pushing for dances. and he joined kinjaz after being an artist, after being a globally recognized artist. he joins the crew, and i know a lot of people might think that that's just something he says, but beyond having the kinjaz choreographer dance behind him, he is literally down to be a member of the crew. he has actually performed as a kinja fully masked, and just as a member of the crew. he did that by choice, because he wanted to have that experience, and not be "jackson" in front of the kinjaz. he literally, you can look it up, if you look at our cartier x kinjaz trinity performance from last year, that was a whole event that was produced by jackson and his team, but the guest performance was by kinjaz, and jackson is performing just as one of the crew members in that. he's not a musical performance, he's picking up props and pushing... he's literally lifting dancers and literally being a crew member. and i just say that, i bring that up in this overarching theme, as like, i think he's just another person where i want to give flowers to for putting dance on that level and being down to just be a part of the crew and respect dance on that level. and i feel like, yeah, i just want to give my flowers to jackson and bailey as fellow kinjaz, but also, like, global titans that are really pushing the envelope for dance, and it really makes me hopeful and grateful that we're in this kind of chapter."

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11,906 Aufrufe • vor 11 Monaten

Tamanna Bhatia 🩷 Created this by using a movement sheet as a reference image to animate the dance using Seedance 2.0 + ChatGPT image 2.0 GPT Image 2.0 Prompt: Dance Sequence Instruction Sheet [VISUAL STYLE] A composition featuring a highly detailed 3D-rendered female dancer. Designed like a professional choreography guide with a technical, diagram-inspired layout. Clean white background, soft studio lighting, and strong contrast to highlight body movement and posture. [GRID LAYOUT] Structured 4×4 panel grid (16 frames total), evenly spaced with thin black divider lines. Each panel is identical in size and clearly numbered from 1 to 16 to show a continuous dance progression. [CHARACTER] Use image1 as the base character. The same female dancer appears consistently across all panels with accurate likeness and proportions. [WARDROBE] The dancer wears a stylish, performance-ready outfit: a well-fitted top paired with a short, flowy skirt. The look should feel modern and visually appealing while still practical for dance movement. Fabric should subtly respond to motion (slight flow and folds), even in grayscale. [PANEL STRUCTURE – EACH FRAME] Top-left: Step number + short dance move title (e.g., “Step 5 – Spin Transition”) Center: Full-body pose capturing a precise moment in the choreography Bottom-left: 3–4 lines of concise instruction describing the move Overlay: Motion arrows and directional guides illustrating how the dancer transitions [MOTION INDICATORS] Incorporate curved arrows for fluid motion, straight arrows for directional steps, and circular indicators for spins or turns. Emphasize rhythm, weight shifts, and body isolation. [RENDER QUALITY] High-detail sculpted 3D style with smooth grayscale shading, subtle shadows, and clean linework. Maintain a polished, concept-art level finish with clarity in every pose. [RESTRICTIONS] No color, no background scenery, no extra characters, no visual clutter, only the dancer and instructional elements..

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11,457 Aufrufe • vor 2 Monaten