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Caroline Vreeland embarrassed by her nip slips while doing jumping jacks #CarolineVreeland #BigNaturals #BigTits #MommyMilkers #JumpingJacks #BouncingBoobs #NipSlip #Perfect

Steve

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217,332 Aufrufe • vor 7 Monaten •via X (Twitter)

#CarolineVreeland #BigNaturals #BigTits #MommyMilkers #JumpingJacks #BouncingBoobs #NipSlip #Perfect

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Oh man, I've fallen in love! And how couldn't you when you watch the way the insanely hot Dina Cardone from Italy is lighting her ciggie in her car? You can immediately see the relaxing relief in her sultry eyes as soon as she does a double pump on her freshly lit ciggie. And she proceeds by doing double and triple pumps on every inhale, each time letting a hot plume of creamy smoke billow out from between her sexy lips. All the while she gives us a hypnotic look with her beautiful, hazy eyes; allowing us to look straight into the soul of this gorgeous woman. She doesn't rush; savouring every bit of nicotine that's entering her addicted lungs. And the ash on the tip keeps piling up as she sucks ever more pleasure deep into her hot body. Everything about Dina is pure perfection; her gorgeous, jet-black hair, wide eyebrows, hypnotic eyes, perfect nose, sculpted cheekbones, puffy lips, and luscious chest with a hot cross tattoo between her breasts. She's quite simply the perfect woman. Just imagine the luck of the guy whom she allows her second-hand smoke to penetrate his lungs. Dina's got every guy at her feet. Go to her Instagram page @dina_cardone to give her some love; she deserves it so much. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #smokinginthecar #lightingup #deepinhale #doublepump #triplepump #creamyexhale #sultrylips #puffylips #hypnoticeyes #hazyeyes #dinacardone #coolgirl #hotgirl #sexygirl #italiangirl #italiansmoker

Oh man, I've fallen in love! And how couldn't you when you watch the way the insanely hot Dina Cardone from Italy is lighting her ciggie in her car? You can immediately see the relaxing relief in her sultry eyes as soon as she does a double pump on her freshly lit ciggie. And she proceeds by doing double and triple pumps on every inhale, each time letting a hot plume of creamy smoke billow out from between her sexy lips. All the while she gives us a hypnotic look with her beautiful, hazy eyes; allowing us to look straight into the soul of this gorgeous woman. She doesn't rush; savouring every bit of nicotine that's entering her addicted lungs. And the ash on the tip keeps piling up as she sucks ever more pleasure deep into her hot body. Everything about Dina is pure perfection; her gorgeous, jet-black hair, wide eyebrows, hypnotic eyes, perfect nose, sculpted cheekbones, puffy lips, and luscious chest with a hot cross tattoo between her breasts. She's quite simply the perfect woman. Just imagine the luck of the guy whom she allows her second-hand smoke to penetrate his lungs. Dina's got every guy at her feet. Go to her Instagram page @dina_cardone to give her some love; she deserves it so much. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #smokinginthecar #lightingup #deepinhale #doublepump #triplepump #creamyexhale #sultrylips #puffylips #hypnoticeyes #hazyeyes #dinacardone #coolgirl #hotgirl #sexygirl #italiangirl #italiansmoker

Smoking girl lover

10,746 Aufrufe • vor 11 Monaten

HOW TO LOOK COOL & GET THE GIRL WHEN YOU APPROACH ❌ Home in on the girl you like and ignore her friend who’s also staring at you ✅ Open both girls at once, talk to both, win them both over ❌ Describe yourself as chasing after her (“courage to come up to you”) ✅ Use a chill opener instead (e.g., “Looks like you’re putting a lot of thought into that decision”) ❌ Ask her name unprompted (“What’s your name?”; you are seeking information from her) ✅ Offer your name first (“I’m Daniel”; you are offering value to her) ❌ Shake her hand like it’s a new business partnership ✅ Hold her hand a moment and give it a squeeze without shaking it ❌ Use her foreignness to compliment her looks in another language (“Muy bonita gracias”) ✅ Use her foreignness to ask what she’s doing here (creates an open loop) ❌ Compliment her looks a 3rd time while explaining yourself (“came up because you’re gorgeous”) ✅ Have her comply with you instead (“I love that bracelet. Let me have a look?” [beckon her]) ❌ Get her to show you the lingerie she bought then completely change the topic ✅ Get her to show you the lingerie she bought then flirt over it (“Oh… lingerie… what is THAT for??”) ❌ Ask her out 40 seconds in after on a non-high point not building any real attraction or connection ✅ Talk to her for at least 2 minutes, build attraction + connection, THEN ask her out on a HIGH point (i.e., she is really engaged, laughing hard, showing a lot of curiosity about you, etc.) Notes from the video: • During the initial moment, she smile genuinely and eyes him up and down (see her head to toe glance) while quickly finishing what she is doing. She shows initial openness to him. HOWEVER… • She gives the “Oh, gosh” eye shut and grimacing nod in response to his “chasing after you” opener. She acknowledges it’s ‘funny’ but still cringe. • She follows this by PICKING UP HER CUP (which she does not need to do) and holding it in front of herself defensively, creating a barrier between her and him. (If she was into the approach, she’d leave the cup there and face him without a barrier.) • After he blasts her with the fourth compliment, she backs away from him while laughing awkwardly and eye codes her friend (whom this guy’s still ignoring) in disbelief. • When he asks her out on “like a food date”, she takes two seconds to break eye contact to the side, still with her forced smile, briefly shakes her head “no”, then nods politely and says it “sounds good” and gives her number (while eye coding her friend again) just to get rid of him. • After he gets the number, he tells her “Next Friday?” and she doesn’t even need to think about what she has going on or check her schedule because she has no intention of actually meeting this guy, so she just says “Next Friday, perfect” to get this over with. Approach better & avoid these mistakes!

HOW TO LOOK COOL & GET THE GIRL WHEN YOU APPROACH ❌ Home in on the girl you like and ignore her friend who’s also staring at you ✅ Open both girls at once, talk to both, win them both over ❌ Describe yourself as chasing after her (“courage to come up to you”) ✅ Use a chill opener instead (e.g., “Looks like you’re putting a lot of thought into that decision”) ❌ Ask her name unprompted (“What’s your name?”; you are seeking information from her) ✅ Offer your name first (“I’m Daniel”; you are offering value to her) ❌ Shake her hand like it’s a new business partnership ✅ Hold her hand a moment and give it a squeeze without shaking it ❌ Use her foreignness to compliment her looks in another language (“Muy bonita gracias”) ✅ Use her foreignness to ask what she’s doing here (creates an open loop) ❌ Compliment her looks a 3rd time while explaining yourself (“came up because you’re gorgeous”) ✅ Have her comply with you instead (“I love that bracelet. Let me have a look?” [beckon her]) ❌ Get her to show you the lingerie she bought then completely change the topic ✅ Get her to show you the lingerie she bought then flirt over it (“Oh… lingerie… what is THAT for??”) ❌ Ask her out 40 seconds in after on a non-high point not building any real attraction or connection ✅ Talk to her for at least 2 minutes, build attraction + connection, THEN ask her out on a HIGH point (i.e., she is really engaged, laughing hard, showing a lot of curiosity about you, etc.) Notes from the video: • During the initial moment, she smile genuinely and eyes him up and down (see her head to toe glance) while quickly finishing what she is doing. She shows initial openness to him. HOWEVER… • She gives the “Oh, gosh” eye shut and grimacing nod in response to his “chasing after you” opener. She acknowledges it’s ‘funny’ but still cringe. • She follows this by PICKING UP HER CUP (which she does not need to do) and holding it in front of herself defensively, creating a barrier between her and him. (If she was into the approach, she’d leave the cup there and face him without a barrier.) • After he blasts her with the fourth compliment, she backs away from him while laughing awkwardly and eye codes her friend (whom this guy’s still ignoring) in disbelief. • When he asks her out on “like a food date”, she takes two seconds to break eye contact to the side, still with her forced smile, briefly shakes her head “no”, then nods politely and says it “sounds good” and gives her number (while eye coding her friend again) just to get rid of him. • After he gets the number, he tells her “Next Friday?” and she doesn’t even need to think about what she has going on or check her schedule because she has no intention of actually meeting this guy, so she just says “Next Friday, perfect” to get this over with. Approach better & avoid these mistakes!

Girls Chase 🏃‍♀️💨

65,755 Aufrufe • vor 4 Monaten

Since you guys love her so much, let's make a little intro video for her by Seedance 2.5. Prompt: You can also check it here: --- Create a 1-minute Japanese-style idol personal vlog. The video should feel like a young Japanese idol casually filming her private daily life for her fans. Not a commercial, not a music video, but a genuine personal diary captured with a small camera or smartphone. The mood is warm, intimate, soft, and slightly nostalgic. The main character is a young female idol with a gentle personality. If a reference image is provided, keep her exact face identity, hairstyle, facial features, body proportions, and overall appearance consistent throughout the entire video. She should feel natural and comfortable in front of the camera: small smiles, shy reactions, fixing her hair, looking away while thinking, small laughs, casual expressions. Camera style: handheld selfie vlog, compact digital camera feeling, Japanese lifestyle vlog aesthetic, soft CCD-like image quality, subtle film grain, slightly warm tones, gentle highlight bloom, natural skin texture, soft focus, slight autofocus adjustments, imperfect framing. The camera should feel like she is holding it herself or placing it casually around her room. No commercial lighting. No perfect poses. No dramatic acting. No artificial influencer energy. 0-8s: Morning bedroom introduction. The vlog starts with a close selfie shot. Soft sunlight comes through white curtains. The room feels cozy and personal: small decorations, books, cute accessories, a desk, plants, everyday objects. She looks into the camera with a sleepy smile. She waves softly and says: "Good morning. I'm filming a little vlog today." She laughs quietly, fixes her hair, and adjusts the camera. The feeling is like a private message to her fans. 8-18s: Introducing herself. She walks around her room while talking casually. She introduces herself: her personality, what kind of person she is, and what she likes doing in her free time. Show small everyday details: choosing clothes, making a drink, checking her schedule, looking through photos on her phone. She occasionally looks away from the camera naturally while talking. She feels like a real person, not performing. 18-30s: Introducing her cat Bubble. The mood becomes warmer and more playful. She calls: "Bubble..." The cat walks into the room. She smiles immediately and follows Bubble with the camera. Show cute natural moments: Bubble jumping onto the bed, sitting near the window, rubbing against her, looking curiously at the camera. She picks Bubble up gently and introduces: "This is Bubble. Bubble is my little family." She laughs because Bubble does not cooperate with the camera. The interaction feels spontaneous and real. 30-45s: Her everyday hobbies. A soft lifestyle montage filmed casually. Show her doing things she enjoys: listening to music with headphones writing in a diary reading a magazine making coffee or tea taking selfies organizing small things in her room playing with Bubble She talks casually: "I like simple days like this." "I think small moments are my favorite." The atmosphere is peaceful and comforting. 45-55s: A small outside moment. She goes outside for a short walk. Japanese neighborhood atmosphere: quiet streets, small cafes, bicycles, soft afternoon sunlight. She holds the camera while walking. She shows little things she finds interesting: a cute shop, flowers, a drink, a beautiful street corner. She smiles at the camera naturally. 55-60s: Ending the vlog. Back at home. She sits with Bubble beside her. Selfie camera close-up. She smiles warmly and says: "Thank you for spending this little day with me and Bubble." "See you next time." She waves softly. The video ends with a gentle smile, natural room lighting, and a cozy diary-like feeling. Overall style: Japanese idol private vlog. Soft and nostalgic. Like a personal video diary from a small digital camera. Warm everyday moments. Cute but natural. Quiet happiness. Authentic fan connection. Visual references: Japanese lifestyle vlog atmosphere, soft CCD camera texture, early 2000s digital diary feeling, modern idol off-duty content. Avoid: luxury influencer style, fashion commercial look, perfect cinematic shots, heavy makeup, overly staged reactions, AI-generated smoothness, unrealistic movements.

Since you guys love her so much, let's make a little intro video for her by Seedance 2.5. Prompt: You can also check it here: --- Create a 1-minute Japanese-style idol personal vlog. The video should feel like a young Japanese idol casually filming her private daily life for her fans. Not a commercial, not a music video, but a genuine personal diary captured with a small camera or smartphone. The mood is warm, intimate, soft, and slightly nostalgic. The main character is a young female idol with a gentle personality. If a reference image is provided, keep her exact face identity, hairstyle, facial features, body proportions, and overall appearance consistent throughout the entire video. She should feel natural and comfortable in front of the camera: small smiles, shy reactions, fixing her hair, looking away while thinking, small laughs, casual expressions. Camera style: handheld selfie vlog, compact digital camera feeling, Japanese lifestyle vlog aesthetic, soft CCD-like image quality, subtle film grain, slightly warm tones, gentle highlight bloom, natural skin texture, soft focus, slight autofocus adjustments, imperfect framing. The camera should feel like she is holding it herself or placing it casually around her room. No commercial lighting. No perfect poses. No dramatic acting. No artificial influencer energy. 0-8s: Morning bedroom introduction. The vlog starts with a close selfie shot. Soft sunlight comes through white curtains. The room feels cozy and personal: small decorations, books, cute accessories, a desk, plants, everyday objects. She looks into the camera with a sleepy smile. She waves softly and says: "Good morning. I'm filming a little vlog today." She laughs quietly, fixes her hair, and adjusts the camera. The feeling is like a private message to her fans. 8-18s: Introducing herself. She walks around her room while talking casually. She introduces herself: her personality, what kind of person she is, and what she likes doing in her free time. Show small everyday details: choosing clothes, making a drink, checking her schedule, looking through photos on her phone. She occasionally looks away from the camera naturally while talking. She feels like a real person, not performing. 18-30s: Introducing her cat Bubble. The mood becomes warmer and more playful. She calls: "Bubble..." The cat walks into the room. She smiles immediately and follows Bubble with the camera. Show cute natural moments: Bubble jumping onto the bed, sitting near the window, rubbing against her, looking curiously at the camera. She picks Bubble up gently and introduces: "This is Bubble. Bubble is my little family." She laughs because Bubble does not cooperate with the camera. The interaction feels spontaneous and real. 30-45s: Her everyday hobbies. A soft lifestyle montage filmed casually. Show her doing things she enjoys: listening to music with headphones writing in a diary reading a magazine making coffee or tea taking selfies organizing small things in her room playing with Bubble She talks casually: "I like simple days like this." "I think small moments are my favorite." The atmosphere is peaceful and comforting. 45-55s: A small outside moment. She goes outside for a short walk. Japanese neighborhood atmosphere: quiet streets, small cafes, bicycles, soft afternoon sunlight. She holds the camera while walking. She shows little things she finds interesting: a cute shop, flowers, a drink, a beautiful street corner. She smiles at the camera naturally. 55-60s: Ending the vlog. Back at home. She sits with Bubble beside her. Selfie camera close-up. She smiles warmly and says: "Thank you for spending this little day with me and Bubble." "See you next time." She waves softly. The video ends with a gentle smile, natural room lighting, and a cozy diary-like feeling. Overall style: Japanese idol private vlog. Soft and nostalgic. Like a personal video diary from a small digital camera. Warm everyday moments. Cute but natural. Quiet happiness. Authentic fan connection. Visual references: Japanese lifestyle vlog atmosphere, soft CCD camera texture, early 2000s digital diary feeling, modern idol off-duty content. Avoid: luxury influencer style, fashion commercial look, perfect cinematic shots, heavy makeup, overly staged reactions, AI-generated smoothness, unrealistic movements.

BubbleBrain

67,918 Aufrufe • vor 2 Monaten

i think it’s also worth mentioning, since everybody keeps asking “Why join the show NOW, Shamea?” & acting like she had a secret agenda by S16, #RHOA was no longer a marriage-focused show. most of the women were single or divorced, couples trips were gone, the literal plot & direction of the show had changed, making it the perfect time for Shamea & Gerald bc their marriage was no longer the focus. plus Porsha had changed her mind abt Shamea joining, but that’s when she thought it was gonna be all abt HER, not expecting what would happen next… Bravo was preparing this HUGE comeback for Porsha Stewart-Williams-McKinley-Guobadia, then the Simon marriage imploded, her storyline tanked & suddenly Shamea was positioned as CENTER peach, a huge BLOW to Porsha’s ego, like damn, i lost my man AND my status on RHOA? which made Porsha feel overshadowed & highlighted her ORIGINAL reservations for not wanting Shamea on the show to begin with but by then, the girl had already officially signed on. So the off camera tension & resentment btw the two grew to where it translated ON CAMERA bc Porsha was passive aggressively taking it out on Shamea by distancing herself & talking shit abt her, regretting ever vouching for Shamea cus she only wanted her there if it meant Shamea was beneath her. So ppl keep tryna make it like Shamea always planned to come on & expose Porsha, baby no…. What Shamea thought was gonna be her first Peach holding season w/ her bestie, aint how it panned out. they werent rly filming solo scenes together bc Porsha doesnt do good with REAL, VULNERABLE confrontations so she avoided it just like she used Drew to deflect from the Simon divorce. Shamea OVER compensated for the distance by tryna prove her loyalty to Porsha by taking on ALL her beefs & Shamea grew tired of faking it for TV & Social media, like their friendship wasnt falling apart IRL. but thats just it. Porsha wasnt willing to talk abt ANY real life issues on camera like Simon n Shamea unless she got an extra check for it. Which is why Shamea ran her mouth n vented to the other cast mates in the first place & THEY brought it onto camera as getback at Shamea being a lapdog. So NO, there was never no “Takedown Porsha Plot”, it was Porsha switching up when her life threw curve balls, Shamea having to pay for it, while still tryna please her & plead for their declining friendship, which ultimately lead to her doing a full audit of everything, completely reassessing their entire friendship, & THAT is why old issues started coming up.

i think it’s also worth mentioning, since everybody keeps asking “Why join the show NOW, Shamea?” & acting like she had a secret agenda by S16, #RHOA was no longer a marriage-focused show. most of the women were single or divorced, couples trips were gone, the literal plot & direction of the show had changed, making it the perfect time for Shamea & Gerald bc their marriage was no longer the focus. plus Porsha had changed her mind abt Shamea joining, but that’s when she thought it was gonna be all abt HER, not expecting what would happen next… Bravo was preparing this HUGE comeback for Porsha Stewart-Williams-McKinley-Guobadia, then the Simon marriage imploded, her storyline tanked & suddenly Shamea was positioned as CENTER peach, a huge BLOW to Porsha’s ego, like damn, i lost my man AND my status on RHOA? which made Porsha feel overshadowed & highlighted her ORIGINAL reservations for not wanting Shamea on the show to begin with but by then, the girl had already officially signed on. So the off camera tension & resentment btw the two grew to where it translated ON CAMERA bc Porsha was passive aggressively taking it out on Shamea by distancing herself & talking shit abt her, regretting ever vouching for Shamea cus she only wanted her there if it meant Shamea was beneath her. So ppl keep tryna make it like Shamea always planned to come on & expose Porsha, baby no…. What Shamea thought was gonna be her first Peach holding season w/ her bestie, aint how it panned out. they werent rly filming solo scenes together bc Porsha doesnt do good with REAL, VULNERABLE confrontations so she avoided it just like she used Drew to deflect from the Simon divorce. Shamea OVER compensated for the distance by tryna prove her loyalty to Porsha by taking on ALL her beefs & Shamea grew tired of faking it for TV & Social media, like their friendship wasnt falling apart IRL. but thats just it. Porsha wasnt willing to talk abt ANY real life issues on camera like Simon n Shamea unless she got an extra check for it. Which is why Shamea ran her mouth n vented to the other cast mates in the first place & THEY brought it onto camera as getback at Shamea being a lapdog. So NO, there was never no “Takedown Porsha Plot”, it was Porsha switching up when her life threw curve balls, Shamea having to pay for it, while still tryna please her & plead for their declining friendship, which ultimately lead to her doing a full audit of everything, completely reassessing their entire friendship, & THAT is why old issues started coming up.

Sky Santana

111,080 Aufrufe • vor 2 Monaten

Black Man Drops the Realest Truth Bomb on Black Democrats: I Love America, They Hate It While Living Off It. Listen up, America. This brother right here is speaking straight facts from the driver's seat. "The difference between me and a black Democrat? I live in the greatest country in the motherfucking world." Meanwhile they're out here doing whatever the hell they want, sucking up every government benefit, protected by the system they claim is "systemically racist," and still screaming this is the worst place on Earth. Bro, if it's so bad, why don't you leave? Oh that's right, you won't. Because nowhere else on this planet gives you the freedom, opportunity, and straight-up prosperity that America does, even when you badmouth her every single day. This is the based Black man energy we need more of. Patriots come in all colors. Real ones know America's not perfect, but she's still the greatest experiment in human freedom history has ever seen. The Democrat plantation is losing tenants. Keep speaking truth! What is your reaction?

Black Man Drops the Realest Truth Bomb on Black Democrats: I Love America, They Hate It While Living Off It. Listen up, America. This brother right here is speaking straight facts from the driver's seat. "The difference between me and a black Democrat? I live in the greatest country in the motherfucking world." Meanwhile they're out here doing whatever the hell they want, sucking up every government benefit, protected by the system they claim is "systemically racist," and still screaming this is the worst place on Earth. Bro, if it's so bad, why don't you leave? Oh that's right, you won't. Because nowhere else on this planet gives you the freedom, opportunity, and straight-up prosperity that America does, even when you badmouth her every single day. This is the based Black man energy we need more of. Patriots come in all colors. Real ones know America's not perfect, but she's still the greatest experiment in human freedom history has ever seen. The Democrat plantation is losing tenants. Keep speaking truth! What is your reaction?

AmericanPapaBear™

21,877 Aufrufe • vor 4 Monaten

Most brides spend their wedding day trying not to step on their dress. Gretchen had to dance in hers. This is one of those wedding videos that feels better the longer you watch it. Gretchen is out on a wooden floor, still in her wedding dress, doing Irish step dance with a group of women in black behind her. There's no big stage or elaborate production. You can see the grass, the house, the guests standing around in their suits and dresses. It feels like someone's backyard wedding rather than a performance venue. Then the shoes start hitting the floor, and suddenly the whole thing makes sense. Irish dance is so controlled that almost everything happens below the waist. The upper body barely moves while the feet keep a surprisingly fast rhythm. Gretchen has one hand busy holding her dress, but she doesn't look distracted by it. She already knows these steps. And that's probably what I like most about the video. She isn't doing a random wedding dance because everyone expects the bride to have a special moment. This looks like something she actually knows how to do. The other dancers behind her make it even more obvious. These aren't people thrown together for a five-minute surprise. They know the routine, they know each other, and they came to dance with her. There's something nice about seeing a person bring an old part of their life into a new one. A wedding is full of “firsts,” but it also brings together a lot of things that came before it: friends, family, old hobbies, stories, habits, the people who knew you before you became someone's husband or wife. Gretchen didn't have to put any of that away for the day. She just put on the dress, held it up with one hand, and danced. Years from now, she probably won't remember every detail of that wedding. But she may remember the sound of those shoes on the wooden floor, the people standing behind her, and what it felt like to do something she loved on the day she started a completely different chapter of her life. That's a much better wedding memory than trying to make everything look perfect.

Most brides spend their wedding day trying not to step on their dress. Gretchen had to dance in hers. This is one of those wedding videos that feels better the longer you watch it. Gretchen is out on a wooden floor, still in her wedding dress, doing Irish step dance with a group of women in black behind her. There's no big stage or elaborate production. You can see the grass, the house, the guests standing around in their suits and dresses. It feels like someone's backyard wedding rather than a performance venue. Then the shoes start hitting the floor, and suddenly the whole thing makes sense. Irish dance is so controlled that almost everything happens below the waist. The upper body barely moves while the feet keep a surprisingly fast rhythm. Gretchen has one hand busy holding her dress, but she doesn't look distracted by it. She already knows these steps. And that's probably what I like most about the video. She isn't doing a random wedding dance because everyone expects the bride to have a special moment. This looks like something she actually knows how to do. The other dancers behind her make it even more obvious. These aren't people thrown together for a five-minute surprise. They know the routine, they know each other, and they came to dance with her. There's something nice about seeing a person bring an old part of their life into a new one. A wedding is full of “firsts,” but it also brings together a lot of things that came before it: friends, family, old hobbies, stories, habits, the people who knew you before you became someone's husband or wife. Gretchen didn't have to put any of that away for the day. She just put on the dress, held it up with one hand, and danced. Years from now, she probably won't remember every detail of that wedding. But she may remember the sound of those shoes on the wooden floor, the people standing behind her, and what it felt like to do something she loved on the day she started a completely different chapter of her life. That's a much better wedding memory than trying to make everything look perfect.

Emotion & Music

257,570 Aufrufe • vor 1 Monat

How Michael Caine’s Wife Got Cast in The Man Who Would Be King (1975) While filming in Marrakesh, director John Huston had dinner with Michael Caine and his wife, Shakira. Huston was unhappy with his casting for Roxanne, the “Arab princess.” He’d initially promised the role to Roald Dahl’s daughter, Tessa, who even lost weight and capped her teeth for it. But before she arrived, Huston decided the part needed someone with a more ethnically appropriate look for the story’s Kafiristan setting, leaving him without an actress. That’s when Huston and Caine turned to Shakira, who is of Guyanese-Indian descent. Huston spent the evening persuading her to take the role. She’d only modelled and had small TV parts, and didn’t feel ready for something that large. Shakira finally agreed as a favour to Huston, not as a bid for stardom. I’ve always wondered if Sean Connery’s line to Caine, “Just gazing, Peachy. Just gazing.” was added after Shakira was cast. Caine later said he didn’t mind her playing the role, but was very relieved she was Sean Connery’s wife in the film, not his, as he found the idea of doing romantic scenes with his spouse in front of a full camera crew deeply embarrassing. It didn't work out too well for Connery, though. His wife, Diane Cilento, just happened to visit the set to watch her husband kissing Caine's wife as part of their wedding scene. Visibly upset by the sheer intimacy on show, Cilento abruptly stormed off the set and left the location entirely, leading Caine to remark, "It’s the only time my missus got me into trouble without me doing anything". Shakira effectively retired from film acting after The Man Who Would Be King. Caine later reflected that if she was going to leave one lasting mark on cinema, appearing in an Oscar-nominated John Huston film alongside him and Connery was a perfect high note.

How Michael Caine’s Wife Got Cast in The Man Who Would Be King (1975) While filming in Marrakesh, director John Huston had dinner with Michael Caine and his wife, Shakira. Huston was unhappy with his casting for Roxanne, the “Arab princess.” He’d initially promised the role to Roald Dahl’s daughter, Tessa, who even lost weight and capped her teeth for it. But before she arrived, Huston decided the part needed someone with a more ethnically appropriate look for the story’s Kafiristan setting, leaving him without an actress. That’s when Huston and Caine turned to Shakira, who is of Guyanese-Indian descent. Huston spent the evening persuading her to take the role. She’d only modelled and had small TV parts, and didn’t feel ready for something that large. Shakira finally agreed as a favour to Huston, not as a bid for stardom. I’ve always wondered if Sean Connery’s line to Caine, “Just gazing, Peachy. Just gazing.” was added after Shakira was cast. Caine later said he didn’t mind her playing the role, but was very relieved she was Sean Connery’s wife in the film, not his, as he found the idea of doing romantic scenes with his spouse in front of a full camera crew deeply embarrassing. It didn't work out too well for Connery, though. His wife, Diane Cilento, just happened to visit the set to watch her husband kissing Caine's wife as part of their wedding scene. Visibly upset by the sheer intimacy on show, Cilento abruptly stormed off the set and left the location entirely, leading Caine to remark, "It’s the only time my missus got me into trouble without me doing anything". Shakira effectively retired from film acting after The Man Who Would Be King. Caine later reflected that if she was going to leave one lasting mark on cinema, appearing in an Oscar-nominated John Huston film alongside him and Connery was a perfect high note.

The Sting

75,701 Aufrufe • vor 2 Monaten

🔔🔔🔔🔔Daystar Joshua Brown accidentally tells the truth in a "gotcha moment". After telling the police a completely different story than Suzy Lamb and Joni's Housekeeper, Sylvia, he slips up. He previously told the police that the daughter of Jonathan and Suzy Lamb followed him up the stairs. However, two other witnesses tell the opposite story. Suzy and Sylvia saw him head up the stairs following the little girl. Suzy saw his eyes go black and he followed the chid up to the bedroom. He is a LIAR! In this moment below, he is betrayed by his own words. Joshua knew the little girl was going up to get changed into her bathing suit, as her mom told her to do, and then he did the sickest thing...he followed her up there. See this moment caught unguarded, even in front of his overbearing lawyer. Joshua Brown was reported to Pastor Russel Owens at Planetshakers by a church attendee for making homosexual advances to him while doing a work project. Pastor Russel said nothing....ever. Joshua Brown repeatedly showed up at Jonathan and Suzy Lamb's home when they were not there, only the nanny, and went into a private bedroom with Baby Lamb to see the "unicorn" he had bought her as a gift. He's a whackadoodle! Access was possible. JW and Rebecca report seeing Joshua Brown kiss the child on the lips and face inappropriately. Josh Brown denies this. Sylvia the Housekeeper reports seeing JB in the pool kissing the child who did not want this, all over her neck and face. Joshual Brown denies this. Who do you believe? Joshua Brown and Rachel Lamb Brown had the kids over for a sleepover early in their relationship as a married couple and even though Joni and Rachel know this happened and RB talked about it on the show, JB denies it. Access was possible. Watch the full broadcast here: Joseph Z Paula White-Cain James Robison Ted Shuttlesworth Sr Jack Hibbs Pastor John Hagee Pastor William F. Kumuyi Joel Osteen David Jeremiah @marilynandsarah April Osteen Simons Pastor Billy Burke Jordan Easley TTimberlake Kelvin L. Cobaris Jentezen Franklin Souls to the Polls Rabbi Schneider David Crank Nicole Crank Dr. Kynan Bridges T.D. Jakes Sid Roth Joseph Prince Drenda Keesee Andrew Wommack Joseph Prince Pastor Steven Furtick Troy Brewer Jimmy Evans Rodney Howard-Browne Rick Renner Greg Laurie Larry Huch Perry Stone Steve Strang Jonathan Cahn

🔔🔔🔔🔔Daystar Joshua Brown accidentally tells the truth in a "gotcha moment". After telling the police a completely different story than Suzy Lamb and Joni's Housekeeper, Sylvia, he slips up. He previously told the police that the daughter of Jonathan and Suzy Lamb followed him up the stairs. However, two other witnesses tell the opposite story. Suzy and Sylvia saw him head up the stairs following the little girl. Suzy saw his eyes go black and he followed the chid up to the bedroom. He is a LIAR! In this moment below, he is betrayed by his own words. Joshua knew the little girl was going up to get changed into her bathing suit, as her mom told her to do, and then he did the sickest thing...he followed her up there. See this moment caught unguarded, even in front of his overbearing lawyer. Joshua Brown was reported to Pastor Russel Owens at Planetshakers by a church attendee for making homosexual advances to him while doing a work project. Pastor Russel said nothing....ever. Joshua Brown repeatedly showed up at Jonathan and Suzy Lamb's home when they were not there, only the nanny, and went into a private bedroom with Baby Lamb to see the "unicorn" he had bought her as a gift. He's a whackadoodle! Access was possible. JW and Rebecca report seeing Joshua Brown kiss the child on the lips and face inappropriately. Josh Brown denies this. Sylvia the Housekeeper reports seeing JB in the pool kissing the child who did not want this, all over her neck and face. Joshual Brown denies this. Who do you believe? Joshua Brown and Rachel Lamb Brown had the kids over for a sleepover early in their relationship as a married couple and even though Joni and Rachel know this happened and RB talked about it on the show, JB denies it. Access was possible. Watch the full broadcast here: Joseph Z Paula White-Cain James Robison Ted Shuttlesworth Sr Jack Hibbs Pastor John Hagee Pastor William F. Kumuyi Joel Osteen David Jeremiah @marilynandsarah April Osteen Simons Pastor Billy Burke Jordan Easley TTimberlake Kelvin L. Cobaris Jentezen Franklin Souls to the Polls Rabbi Schneider David Crank Nicole Crank Dr. Kynan Bridges T.D. Jakes Sid Roth Joseph Prince Drenda Keesee Andrew Wommack Joseph Prince Pastor Steven Furtick Troy Brewer Jimmy Evans Rodney Howard-Browne Rick Renner Greg Laurie Larry Huch Perry Stone Steve Strang Jonathan Cahn

Laura-Lynn Tyler Thompson

29,290 Aufrufe • vor 10 Monaten

Friend from Korea Seedance 2.5 on PolloAI Prompt : Young Korean woman in her early 20s, naturally attractive, realistic skin texture, minimal makeup, relaxed personality. Long black hair loosely tied into a messy side ponytail with a few loose strands around her face. Wearing a fitted pastel-pink short top, loose cream pajama-style pants, white sneakers and a simple silver necklace. Maintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video. SECOND WOMAN Another young Korean woman in her early 20s, naturally attractive and casual, with long dark hair loosely tied back. She wears a fitted pastel-yellow short top, light denim shorts, white sneakers and a simple necklace. She has a friendly, natural appearance and must remain visually consistent throughout her appearance. LOCATION A quiet older Korean residential neighborhood during a bright summer afternoon. Narrow concrete lanes, small houses, potted plants, bicycles, old walls, utility poles, overhead wires and a tiny neighborhood grocery shop. CAMERA / VISUAL STYLE Raw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder. Strong handheld shake, imperfect framing, autofocus hunting, faded colors, soft digital detail, exposure shifts, mild digital noise, occasional motion blur and accidental zooms. No stabilization, drone footage, gimbal movement or polished commercial cinematography. — LEAVING THE SHOP The main woman walks out of a tiny neighborhood grocery shop carrying a reusable shopping bag filled with vegetables, bread and several oranges. She smiles toward the camera and starts walking down the lane. — THE ORANGE As she walks, one orange slips from the open shopping bag and rolls down the slightly sloped concrete street. She doesn't notice at first. The camera follows the rolling orange, then quickly swings back toward her. — THE CHASE She suddenly realizes what happened and turns around. She laughs and jogs after the orange while the camcorder follows shakily. The orange rolls past a parked bicycle and stops near a small garden wall. — THE OTHER WOMAN A second young woman in the pastel-yellow top and denim shorts is walking toward the camera from the opposite direction. She notices the orange near her feet. She picks it up, looks down the street and sees the first woman running toward her. — HANDOVER The two women meet in the middle of the lane. The second woman holds the orange out toward her. The first woman takes it back, slightly embarrassed but laughing. They exchange a quick smile. The second woman jokingly points toward the shopping bag as if telling her to close it properly. — WALKING TOGETHER Instead of separating, they continue walking down the lane together. The first woman puts the orange safely back inside her bag. The second woman laughs and lightly taps the bag to make sure it is closed. The camera follows behind them as they chat casually. — FINAL MOMENT They reach a shaded area beneath a large tree. The first woman looks toward the camera, holds up the rescued orange and says: "This one almost escaped." Both women laugh. They continue walking together down the neighborhood lane as the camera shakily follows behind. AUDIO: Footsteps, rolling orange, bicycle sounds, birds, summer insects, distant scooters, quiet conversations, shopping-bag rustling and subtle camcorder handling noise. No music, narration or soundtrack. FINAL FEEL: A completely ordinary Korean summer afternoon accidentally captured by a friend — casual, spontaneous, slightly funny, nostalgic and believable. Natural chemistry between the two women, realistic walking and hand movements, no exaggerated acting, no model poses and no polished cinematic shot

Friend from Korea Seedance 2.5 on PolloAI Prompt : Young Korean woman in her early 20s, naturally attractive, realistic skin texture, minimal makeup, relaxed personality. Long black hair loosely tied into a messy side ponytail with a few loose strands around her face. Wearing a fitted pastel-pink short top, loose cream pajama-style pants, white sneakers and a simple silver necklace. Maintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video. SECOND WOMAN Another young Korean woman in her early 20s, naturally attractive and casual, with long dark hair loosely tied back. She wears a fitted pastel-yellow short top, light denim shorts, white sneakers and a simple necklace. She has a friendly, natural appearance and must remain visually consistent throughout her appearance. LOCATION A quiet older Korean residential neighborhood during a bright summer afternoon. Narrow concrete lanes, small houses, potted plants, bicycles, old walls, utility poles, overhead wires and a tiny neighborhood grocery shop. CAMERA / VISUAL STYLE Raw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder. Strong handheld shake, imperfect framing, autofocus hunting, faded colors, soft digital detail, exposure shifts, mild digital noise, occasional motion blur and accidental zooms. No stabilization, drone footage, gimbal movement or polished commercial cinematography. — LEAVING THE SHOP The main woman walks out of a tiny neighborhood grocery shop carrying a reusable shopping bag filled with vegetables, bread and several oranges. She smiles toward the camera and starts walking down the lane. — THE ORANGE As she walks, one orange slips from the open shopping bag and rolls down the slightly sloped concrete street. She doesn't notice at first. The camera follows the rolling orange, then quickly swings back toward her. — THE CHASE She suddenly realizes what happened and turns around. She laughs and jogs after the orange while the camcorder follows shakily. The orange rolls past a parked bicycle and stops near a small garden wall. — THE OTHER WOMAN A second young woman in the pastel-yellow top and denim shorts is walking toward the camera from the opposite direction. She notices the orange near her feet. She picks it up, looks down the street and sees the first woman running toward her. — HANDOVER The two women meet in the middle of the lane. The second woman holds the orange out toward her. The first woman takes it back, slightly embarrassed but laughing. They exchange a quick smile. The second woman jokingly points toward the shopping bag as if telling her to close it properly. — WALKING TOGETHER Instead of separating, they continue walking down the lane together. The first woman puts the orange safely back inside her bag. The second woman laughs and lightly taps the bag to make sure it is closed. The camera follows behind them as they chat casually. — FINAL MOMENT They reach a shaded area beneath a large tree. The first woman looks toward the camera, holds up the rescued orange and says: "This one almost escaped." Both women laugh. They continue walking together down the neighborhood lane as the camera shakily follows behind. AUDIO: Footsteps, rolling orange, bicycle sounds, birds, summer insects, distant scooters, quiet conversations, shopping-bag rustling and subtle camcorder handling noise. No music, narration or soundtrack. FINAL FEEL: A completely ordinary Korean summer afternoon accidentally captured by a friend — casual, spontaneous, slightly funny, nostalgic and believable. Natural chemistry between the two women, realistic walking and hand movements, no exaggerated acting, no model poses and no polished cinematic shot

Smiling Khan

37,321 Aufrufe • vor 1 Monat

On the tour of North Baton Rouge this week, we stopped in Ghost Town to see a house redevelopment project being led by Taneshia Nash Laird.flowers. A few years ago, Taneshia called me about the challenges she was facing trying to acquire a house across the street from her grandmother. I told her she needed to take her issue directly to Mayor Broome because many of the people she was dealing with simply didn’t have the authority to help. She got the meeting, and the result was her being able to acquire the property. I wanted to highlight Taneshia’s project because it shows what’s possible when government works with people instead of creating obstacles. It also serves as an example for this administration of how cutting red tape can help move communities forward. Last year, Taneshia called me again after some kids in her neighborhood got into trouble for jumping a fence to swim in a BREC pool. I reached out to people whose organizations receive funding to serve that community. One response I got was, “You expect me to knock on their door?” My answer was simple: yes. Those young people needed resources, guidance, and engagement—not arrests. It’s important people know that community members were actively trying to help those kids before things escalated. A tour with me is never a fluff session. I’m not under contract with the Mayor’s Office or anyone else to do this. I agreed to do this tour because I’ve spent more than a decade pushing for investment in North Baton Rouge. No matter who occupies City Hall, I’m going to advocate for taxpayers in North Baton Rouge to receive the investment and opportunities we deserve. The question for Mayor Edwards is whether his administration can execute and improve the quality of life in the neighborhoods we toured. Time will tell. I show up because I care about my people and my community in every season. This is what consistency looks like. No matter who’s in power, I’m going to push for North Baton Rouge while highlighting both what has been done and what is still possible. Doing my part. Share if you care 🦾

On the tour of North Baton Rouge this week, we stopped in Ghost Town to see a house redevelopment project being led by Taneshia Nash Laird.flowers. A few years ago, Taneshia called me about the challenges she was facing trying to acquire a house across the street from her grandmother. I told her she needed to take her issue directly to Mayor Broome because many of the people she was dealing with simply didn’t have the authority to help. She got the meeting, and the result was her being able to acquire the property. I wanted to highlight Taneshia’s project because it shows what’s possible when government works with people instead of creating obstacles. It also serves as an example for this administration of how cutting red tape can help move communities forward. Last year, Taneshia called me again after some kids in her neighborhood got into trouble for jumping a fence to swim in a BREC pool. I reached out to people whose organizations receive funding to serve that community. One response I got was, “You expect me to knock on their door?” My answer was simple: yes. Those young people needed resources, guidance, and engagement—not arrests. It’s important people know that community members were actively trying to help those kids before things escalated. A tour with me is never a fluff session. I’m not under contract with the Mayor’s Office or anyone else to do this. I agreed to do this tour because I’ve spent more than a decade pushing for investment in North Baton Rouge. No matter who occupies City Hall, I’m going to advocate for taxpayers in North Baton Rouge to receive the investment and opportunities we deserve. The question for Mayor Edwards is whether his administration can execute and improve the quality of life in the neighborhoods we toured. Time will tell. I show up because I care about my people and my community in every season. This is what consistency looks like. No matter who’s in power, I’m going to push for North Baton Rouge while highlighting both what has been done and what is still possible. Doing my part. Share if you care 🦾

Gary Chambers

12,003 Aufrufe • vor 4 Monaten

jihoon said in the middle of the concert there was a gentle arm holding his back and he paid no mind to it until there was a part of the show that u had to put ur arms around each other so he thought it was about time to know what this person looks like.. AND IT TURNED OUT TO BE A GUY PROTECTING HIS GIRLFRIEND FROM BUMPING INTO JIHOON’S HIGH ENERGY BODY EUSHSJSH HE WAS PROTECTING HIS GIRLFRIEND NOT HIM 😭😭😭😭 he thought he was having his y/n moment im cackling 🐶 thinking about it now, since it was standing, i was pushing forward getting pushed around pushing people back getting pushed backward. u know, just constantly pushing and getting pushed 🐶 but at some point, maybe about an hour after the show started? 🐶 everyone started headbanging together. we were all headbanging and then… i felt this really gentle hand behind me. someone was kind of supporting me while headbanging. i could feel this really gentle touch on my back 🐶 i was thinking to myself “what is this?” u know? i was just doing my thing, doing what I came there to do, just going crazy and all that 🐶 but from then on whenever i was watching the show and we were jumping around or doing something, i kept feeling this really gentle hand behind me. like this really considerate hand 🐶 so i thought “ is this person worried about me? are they looking out for me?” 🐶 then during “Stand Out Fit In” when everyone was trying to put their arms around each other’s shoulders.. i turned around. i thought “ah i should see who this person is” 🐶 i turned around because i wanted to put my arm around this person’s shoulder.. with the thought that “who is this person that keeps taking care of me like this?” 🐶 but then I realized… the guy was actually holding his girlfriend in his arms. and because i was being so freaking intense, he was blocking me so that i wouldn’t bump into his girlfriend 🐶 i guess his left and right sides were just synchronized, you know? his left arm and right arm were moving together, so while he was taking care of his girlfriend like this, that same motion ended up taking care of me too. 🐶 “AH SO THAT’S WHY” and i got all embarrassed. like “ah okay that makes sense” feeling kinda awkward 🐶 he had his girlfriend tucked right into his arms, holding her close, and then he was using his right arm to support me”

jihoon said in the middle of the concert there was a gentle arm holding his back and he paid no mind to it until there was a part of the show that u had to put ur arms around each other so he thought it was about time to know what this person looks like.. AND IT TURNED OUT TO BE A GUY PROTECTING HIS GIRLFRIEND FROM BUMPING INTO JIHOON’S HIGH ENERGY BODY EUSHSJSH HE WAS PROTECTING HIS GIRLFRIEND NOT HIM 😭😭😭😭 he thought he was having his y/n moment im cackling 🐶 thinking about it now, since it was standing, i was pushing forward getting pushed around pushing people back getting pushed backward. u know, just constantly pushing and getting pushed 🐶 but at some point, maybe about an hour after the show started? 🐶 everyone started headbanging together. we were all headbanging and then… i felt this really gentle hand behind me. someone was kind of supporting me while headbanging. i could feel this really gentle touch on my back 🐶 i was thinking to myself “what is this?” u know? i was just doing my thing, doing what I came there to do, just going crazy and all that 🐶 but from then on whenever i was watching the show and we were jumping around or doing something, i kept feeling this really gentle hand behind me. like this really considerate hand 🐶 so i thought “ is this person worried about me? are they looking out for me?” 🐶 then during “Stand Out Fit In” when everyone was trying to put their arms around each other’s shoulders.. i turned around. i thought “ah i should see who this person is” 🐶 i turned around because i wanted to put my arm around this person’s shoulder.. with the thought that “who is this person that keeps taking care of me like this?” 🐶 but then I realized… the guy was actually holding his girlfriend in his arms. and because i was being so freaking intense, he was blocking me so that i wouldn’t bump into his girlfriend 🐶 i guess his left and right sides were just synchronized, you know? his left arm and right arm were moving together, so while he was taking care of his girlfriend like this, that same motion ended up taking care of me too. 🐶 “AH SO THAT’S WHY” and i got all embarrassed. like “ah okay that makes sense” feeling kinda awkward 🐶 he had his girlfriend tucked right into his arms, holding her close, and then he was using his right arm to support me”

shan

89,813 Aufrufe • vor 1 Monat

WHY YOU CAN'T BLAME MRS OLUREMI TINUBU A member of the OVATION MEDIA GROUP team called me from Ile-Ife last night, frantically. I could feel him almost panting. "Sir, your Sister has done it again", he said matter-of-factly... "Who's my Sister and what has she done again?," "Haa, the First Lady MRS OLUREMI TINUBU insulted GOVERNOR ADELEKE today in public..." "Why and how?, I asked, almost rhetorically, knowing what my Sister was capable of doing when angry. I was once a victim, shortly before the family attained full blown power. Please, let me digress a little. We had met at the funeral of CHIEF MRS KEMI NELSON, inside the holy sanctuary of the ARCHBISHOP VINING MEMORIAL CHURCH in Ikeja GRA, Lagos... "Good morning Ma," I said, most repectfully. Standing by were Dr Femi Olowolafe and Senator Tokunbo Abiru. Suddenly, there was an explosion, totally unprovoked. Mrs Tinubu went like, "Bob Dee, you mean you won't campaign for my husband?" I wasted no time in responding: "I can't Ma, I'm in a different party!!" Her Excellency was livid. She said things that were not factual but out of respect for "Uncle Bola" I let it slip... 1. This latest tirade against an elected Governor was totally beneath her for several reasons: She's not an elected officer of government and has no role assigned to her in the Constitution of the Federal Republic. It is totally repugnant to openly disgrace, insult, and bully the Chief Executive of Osun State before a global audience, including his own wife. She went too far. 2. It is unbelievable that a self-professed Pastor of the Redeemed Christian Church of God would frown at a Governor praising God. Her Church should be very embarrassed. 3. Would she have tried this with a Northern Governor reciting the Holy Koran before a speech? 4. Why does she think her family owns Nigeria and can publicly go on rampage as she wishes. 5. Many commentators have said she was lucky that Governor Ademola Adeleke is a perfect gentleman. But I can't really blame MRS OLUREMI TINUBU. I blame the squeamish Nigerians who chose to be voluntary slaves in their own country. Shame on the cowardly people who've sold their inalienable rights for power...

WHY YOU CAN'T BLAME MRS OLUREMI TINUBU A member of the OVATION MEDIA GROUP team called me from Ile-Ife last night, frantically. I could feel him almost panting. "Sir, your Sister has done it again", he said matter-of-factly... "Who's my Sister and what has she done again?," "Haa, the First Lady MRS OLUREMI TINUBU insulted GOVERNOR ADELEKE today in public..." "Why and how?, I asked, almost rhetorically, knowing what my Sister was capable of doing when angry. I was once a victim, shortly before the family attained full blown power. Please, let me digress a little. We had met at the funeral of CHIEF MRS KEMI NELSON, inside the holy sanctuary of the ARCHBISHOP VINING MEMORIAL CHURCH in Ikeja GRA, Lagos... "Good morning Ma," I said, most repectfully. Standing by were Dr Femi Olowolafe and Senator Tokunbo Abiru. Suddenly, there was an explosion, totally unprovoked. Mrs Tinubu went like, "Bob Dee, you mean you won't campaign for my husband?" I wasted no time in responding: "I can't Ma, I'm in a different party!!" Her Excellency was livid. She said things that were not factual but out of respect for "Uncle Bola" I let it slip... 1. This latest tirade against an elected Governor was totally beneath her for several reasons: She's not an elected officer of government and has no role assigned to her in the Constitution of the Federal Republic. It is totally repugnant to openly disgrace, insult, and bully the Chief Executive of Osun State before a global audience, including his own wife. She went too far. 2. It is unbelievable that a self-professed Pastor of the Redeemed Christian Church of God would frown at a Governor praising God. Her Church should be very embarrassed. 3. Would she have tried this with a Northern Governor reciting the Holy Koran before a speech? 4. Why does she think her family owns Nigeria and can publicly go on rampage as she wishes. 5. Many commentators have said she was lucky that Governor Ademola Adeleke is a perfect gentleman. But I can't really blame MRS OLUREMI TINUBU. I blame the squeamish Nigerians who chose to be voluntary slaves in their own country. Shame on the cowardly people who've sold their inalienable rights for power...

Dele Momodu Ovation

477,235 Aufrufe • vor 10 Monaten

Thank you Evans for this. I have always said this and I love that more people are seeing it as well. When Meg lied on Oprah that a senior royal has worried about what colour of skin Archie would be, I always said It was herself she was talking about. Narcissists ALWAYS accuse their victims of doing what they do themselves. They projects constantly. Every accusation is a self confession and you can clearly see Meg's desperation to be seen as a White british royal; She is desperate🔥 That is why she writes the titles everywhere even on her own clothes and front door rug🤡 She is not trying to be relatable, she treats americans like "illiterate villagers"; and she sees herself as the british royal there to teach them about life and impress her "Lofty" knowledge on "peasant americans." That is how she treated her guests who all had to sing how pretty she is and how great she is; that is how she treats Serena and all her "Friends". She is superior, they are there to do her bidding and worship her😏 Yet the general public can see what an incredibly insecure woman she is. She has done everything she could to "white pass" and erased her black carribean roots from her mother. At one point Meg even claimed yo be italian; Anything but accepting her afro carribean and american roots🤦🏽‍♀️ She only use Doria as a "black card" when she needs to attack the RF and cosplay a victim of Racism. But in real life Meghan is desperate to be seen as a white british royal. She is so desperate that she sat on Drew Barrymore show and pretended that her children, born and raise in the US; by an american mother and a black carribean grandmother "Still have british accent" STILL?!!!🤡 The boy left the UK when he was 6 months and has never been back. The daughter was born in the US and Has never been to the UK. Harry's british accent has become so washed out it is embarrassing. So what British Accent do they STILL have?!🤡 This donkey is so delusional and obsessed with Great Britian, it is embarrasing how pathologically she lies. Meghan has never taken pride in her black features: she had surgery to correct her nose and she permanently altered her curls chemically to look more White. She has one daughter and did not bother to name that daughter after her black mother or any black family member or black feminists. She picked two white british women🤡 More to the point, while living in California, she dresses or rather photoshop that girl wearing english garments with tights exactly like Princess Charlotte dressed as a little girl. But remember this is the Meghan who refused and mocked Catherine for wanting the bridesmaids to wear tights at her wedding🤡 Meg has never praised Archie's features or brown eyes, but she has been gushing about her daughter blue eyes "like Diana". She has never praised ANY feature that could be associated with the black skin🔥 But she quasi-orgasmed on Netflix about her daughter blue eyes and red hair Screaming "Blue blue blue eyes!"🤦🏽‍♀️ My goodness... how embarrasing. No Meg has never wanted to be relatable or black; she wants to feel superior and wants to be identified as a white british royal. This is why she clinge to those titles like glue. She takes zero pride in her black caribbean or american roots; None. Yes, she was the one who worried, Doria's blood would come through and show in her children🤡 She sat there days and nights worrying Archie might not be white enough to fit her ideal of the perfect little white boy...maybe blond with "blue, blue, blue eyes" looking so eerily like Diana..😏☕️ 📹Queer Lips of Truth II 🇸🇱🇬🇧

Thank you Evans for this. I have always said this and I love that more people are seeing it as well. When Meg lied on Oprah that a senior royal has worried about what colour of skin Archie would be, I always said It was herself she was talking about. Narcissists ALWAYS accuse their victims of doing what they do themselves. They projects constantly. Every accusation is a self confession and you can clearly see Meg's desperation to be seen as a White british royal; She is desperate🔥 That is why she writes the titles everywhere even on her own clothes and front door rug🤡 She is not trying to be relatable, she treats americans like "illiterate villagers"; and she sees herself as the british royal there to teach them about life and impress her "Lofty" knowledge on "peasant americans." That is how she treated her guests who all had to sing how pretty she is and how great she is; that is how she treats Serena and all her "Friends". She is superior, they are there to do her bidding and worship her😏 Yet the general public can see what an incredibly insecure woman she is. She has done everything she could to "white pass" and erased her black carribean roots from her mother. At one point Meg even claimed yo be italian; Anything but accepting her afro carribean and american roots🤦🏽‍♀️ She only use Doria as a "black card" when she needs to attack the RF and cosplay a victim of Racism. But in real life Meghan is desperate to be seen as a white british royal. She is so desperate that she sat on Drew Barrymore show and pretended that her children, born and raise in the US; by an american mother and a black carribean grandmother "Still have british accent" STILL?!!!🤡 The boy left the UK when he was 6 months and has never been back. The daughter was born in the US and Has never been to the UK. Harry's british accent has become so washed out it is embarrassing. So what British Accent do they STILL have?!🤡 This donkey is so delusional and obsessed with Great Britian, it is embarrasing how pathologically she lies. Meghan has never taken pride in her black features: she had surgery to correct her nose and she permanently altered her curls chemically to look more White. She has one daughter and did not bother to name that daughter after her black mother or any black family member or black feminists. She picked two white british women🤡 More to the point, while living in California, she dresses or rather photoshop that girl wearing english garments with tights exactly like Princess Charlotte dressed as a little girl. But remember this is the Meghan who refused and mocked Catherine for wanting the bridesmaids to wear tights at her wedding🤡 Meg has never praised Archie's features or brown eyes, but she has been gushing about her daughter blue eyes "like Diana". She has never praised ANY feature that could be associated with the black skin🔥 But she quasi-orgasmed on Netflix about her daughter blue eyes and red hair Screaming "Blue blue blue eyes!"🤦🏽‍♀️ My goodness... how embarrasing. No Meg has never wanted to be relatable or black; she wants to feel superior and wants to be identified as a white british royal. This is why she clinge to those titles like glue. She takes zero pride in her black caribbean or american roots; None. Yes, she was the one who worried, Doria's blood would come through and show in her children🤡 She sat there days and nights worrying Archie might not be white enough to fit her ideal of the perfect little white boy...maybe blond with "blue, blue, blue eyes" looking so eerily like Diana..😏☕️ 📹Queer Lips of Truth II 🇸🇱🇬🇧

Canellecitadelle

49,242 Aufrufe • vor 1 Jahr

You may be wondering why one of the MSP Troopers who investigated Officer #JohnOKeefe’s murder is glaringly absent from the prosecutions witness list in the #KarenReadTrial. Is that because her testimony might be devastating for the claim that Jen McCabe didn’t make that google search at 2:27am? Yes, it’d appear so! (Part 1 of 2). Attorney Yannetti gave us some insight yesterday into why Massachusetts State Police Trooper Kathleen Prince is notably missing from the state’s witness list, but is on the defense’s witness list. Why would the state want to avoid calling the Trooper that interviewed star “witness” Jen McCabe on February 1, 2022? After all, unlike Lead Investigator Michael Proctor’s unrecorded & unsigned interview of Jen, Trooper Prince’s interview is far more detailed and thorough, and Prince also didn’t wait several months to write down & document her interview like Proctor did. Well, perhaps it’s because Trooper Prince’s is the only interview of Jen McCabe’s that ever even mentions anything about the Google search & from Jen McCabe herself. However, this is not the only lie seemingly told by Jen McCabe that Trooper Prince’s interview will expose. McCabe claims that: “Karen was told to sit in a car. Jen went over to Karen when she was in the car…Jen also stated that while her and Karen were in the back of the car, Karen was yelling and screaming one moment and then completely calm the next. Jen said that they prayed the "Our Father" together. Karen then immediately yelled at Jen two times to Google, "How long do you have to be left outside to die from hypothermia?" That’s a big problem for McCabe, which the state probably later realized, hence why they took the creative liberty to completely distort & change Jen’s statements in their later court filings, particularly about how the Google search came about. Why? Jen probably didn’t realize when making this statement to Trooper Prince, who she’s not close friends with unlike Michael Proctor, that the Police cars have dash-cams in them. Thus, if this conversation ever actually happened, like Jen claims, then it’d all be recorded on dash-cam footage. It’s convenient how Jen’s story about when #KarenRead purportedly asked her to Google such a thing also happened inside a car where nobody else would be able to hear it to corroborate Jen’s story. But again, in this early stage of the investigation, Jen likely was unaware that her entire claim would be debunked by the dash-cams that would’ve captured it as proof. So to her, being inside a car was the perfect explanation for why no one else at the scene heard Karen ask that. Because Karen never actually asked it! THIS is Jen McCabe framing Karen Read. But beyond this, we also now have confirmation from Officer Mullaney that Karen & Jen never got into a car together while he was there. So this entire story seems to have been fabricated altogether. In a desperate attempt to remedy this critical fact issue, the state just completely fabricated new testimony in its documents, stating that immediately upon finding John’s body, ‘The defendant then yelled at Ms. McCabe twice to Google, "How long do you have to be left outside to die from hypothermia?’, or something to that effect.” What else was fabricated? The claim that Jen McCabe was taking any measures to try to help save Officer O’Keefe’s life, unlike Read who was. In her interview with Prince, Jen claims: “[She] observed Karen to have blood on her hands and face. Karen was holding her hands up and was saying, ‘I have my period.’ Jen said that she told Karen that was not her blood that it was John's blood from them doing CPR.” Jen McCabe’s trying to win favor for trying to help save John’s life—something she did not do—when she says that the blood on Karen’s face “was John’s blood from them doing CPR”. Except “they” didn’t do CPR. Only Karen Read did CPR as confirmed by yesterday’s 3 state’s first responder witnesses who confirmed as such. #FreeKarenRead

You may be wondering why one of the MSP Troopers who investigated Officer #JohnOKeefe’s murder is glaringly absent from the prosecutions witness list in the #KarenReadTrial. Is that because her testimony might be devastating for the claim that Jen McCabe didn’t make that google search at 2:27am? Yes, it’d appear so! (Part 1 of 2). Attorney Yannetti gave us some insight yesterday into why Massachusetts State Police Trooper Kathleen Prince is notably missing from the state’s witness list, but is on the defense’s witness list. Why would the state want to avoid calling the Trooper that interviewed star “witness” Jen McCabe on February 1, 2022? After all, unlike Lead Investigator Michael Proctor’s unrecorded & unsigned interview of Jen, Trooper Prince’s interview is far more detailed and thorough, and Prince also didn’t wait several months to write down & document her interview like Proctor did. Well, perhaps it’s because Trooper Prince’s is the only interview of Jen McCabe’s that ever even mentions anything about the Google search & from Jen McCabe herself. However, this is not the only lie seemingly told by Jen McCabe that Trooper Prince’s interview will expose. McCabe claims that: “Karen was told to sit in a car. Jen went over to Karen when she was in the car…Jen also stated that while her and Karen were in the back of the car, Karen was yelling and screaming one moment and then completely calm the next. Jen said that they prayed the "Our Father" together. Karen then immediately yelled at Jen two times to Google, "How long do you have to be left outside to die from hypothermia?" That’s a big problem for McCabe, which the state probably later realized, hence why they took the creative liberty to completely distort & change Jen’s statements in their later court filings, particularly about how the Google search came about. Why? Jen probably didn’t realize when making this statement to Trooper Prince, who she’s not close friends with unlike Michael Proctor, that the Police cars have dash-cams in them. Thus, if this conversation ever actually happened, like Jen claims, then it’d all be recorded on dash-cam footage. It’s convenient how Jen’s story about when #KarenRead purportedly asked her to Google such a thing also happened inside a car where nobody else would be able to hear it to corroborate Jen’s story. But again, in this early stage of the investigation, Jen likely was unaware that her entire claim would be debunked by the dash-cams that would’ve captured it as proof. So to her, being inside a car was the perfect explanation for why no one else at the scene heard Karen ask that. Because Karen never actually asked it! THIS is Jen McCabe framing Karen Read. But beyond this, we also now have confirmation from Officer Mullaney that Karen & Jen never got into a car together while he was there. So this entire story seems to have been fabricated altogether. In a desperate attempt to remedy this critical fact issue, the state just completely fabricated new testimony in its documents, stating that immediately upon finding John’s body, ‘The defendant then yelled at Ms. McCabe twice to Google, "How long do you have to be left outside to die from hypothermia?’, or something to that effect.” What else was fabricated? The claim that Jen McCabe was taking any measures to try to help save Officer O’Keefe’s life, unlike Read who was. In her interview with Prince, Jen claims: “[She] observed Karen to have blood on her hands and face. Karen was holding her hands up and was saying, ‘I have my period.’ Jen said that she told Karen that was not her blood that it was John's blood from them doing CPR.” Jen McCabe’s trying to win favor for trying to help save John’s life—something she did not do—when she says that the blood on Karen’s face “was John’s blood from them doing CPR”. Except “they” didn’t do CPR. Only Karen Read did CPR as confirmed by yesterday’s 3 state’s first responder witnesses who confirmed as such. #FreeKarenRead

Olivia

193,892 Aufrufe • vor 2 Jahren

Enjoy the long story short~~💙💕 #TayNew portrayed as *My Girl* - Faen Chun (แฟนฉัน 2003) in #PEBACAconcert 🐋🐻‍❄✨️ *My Girl* is a famous Thai romantic-comedy film that tells a heartwarming story of childhood love and friendship through the perspective of Jeab (Tay) and Noi Na (New), two best friends growing up together. Long story short💙💕🎞: Jeab and Noi Na have been inseparable since they were kids, doing everything together, like playing house, hide-and-seek, and even getting into small fights. Noi Na is a brave and mischievous girl, while Jeab is a boy who sometimes feels pressured by his male friends (including Jack, the group leader; this is why P'Jack their manager, was chosen for the role) to avoid portraying him as too close to a girl). As Jeab grows older, he tries to fit in with the boys and, at times, disregards Noi Na's feelings, upsetting her. He even cuts her red rubber band (which she loves to play with every day). Eventually, Noi Na moves away, and only then does Jeab realize how much she truly meant to him, but it is too late, as she has married another man. However, in the TayNew version, Tay joins the wedding ceremony, confesses his feelings, and returns the red rubber band (which becomes their signature red thread) to show how they love and won’t let another one go as they have been binded by the red thread.➰️♥️ *Loop song is the one that they chose and it's just perfect fit. The song means that If we see each other again, I won't let you go again. (I can imply that after their dark era, they finally come back together and won't let eo again) TAYNEW WHAT A PERFORMANCE #PEBACAconcert #เตนิว #TayNew 💙 #Tawan_V #Newwiee Enjoy the story special for you, Polca. TN crafted their best. แฟนฉัน is my fav movie of all time. I got goosebumps yesterday.💙💕 They chose the right movie!🎞

Enjoy the long story short~~💙💕 #TayNew portrayed as My Girl - Faen Chun (แฟนฉัน 2003) in #PEBACAconcert 🐋🐻‍❄✨️ My Girl is a famous Thai romantic-comedy film that tells a heartwarming story of childhood love and friendship through the perspective of Jeab (Tay) and Noi Na (New), two best friends growing up together. Long story short💙💕🎞: Jeab and Noi Na have been inseparable since they were kids, doing everything together, like playing house, hide-and-seek, and even getting into small fights. Noi Na is a brave and mischievous girl, while Jeab is a boy who sometimes feels pressured by his male friends (including Jack, the group leader; this is why P'Jack their manager, was chosen for the role) to avoid portraying him as too close to a girl). As Jeab grows older, he tries to fit in with the boys and, at times, disregards Noi Na's feelings, upsetting her. He even cuts her red rubber band (which she loves to play with every day). Eventually, Noi Na moves away, and only then does Jeab realize how much she truly meant to him, but it is too late, as she has married another man. However, in the TayNew version, Tay joins the wedding ceremony, confesses his feelings, and returns the red rubber band (which becomes their signature red thread) to show how they love and won’t let another one go as they have been binded by the red thread.➰️♥️ *Loop song is the one that they chose and it's just perfect fit. The song means that If we see each other again, I won't let you go again. (I can imply that after their dark era, they finally come back together and won't let eo again) TAYNEW WHAT A PERFORMANCE #PEBACAconcert #เตนิว #TayNew 💙 #Tawan_V #Newwiee Enjoy the story special for you, Polca. TN crafted their best. แฟนฉัน is my fav movie of all time. I got goosebumps yesterday.💙💕 They chose the right movie!🎞

ᴛᴛ.ᴅᴀʏʟɪɢʜᴛ ☀️

76,565 Aufrufe • vor 1 Jahr

BRO… THE SINGER JUST LOOKED STRAIGHT INTO HER until you realize this entire concert video is AI-generated. Generated with Seedance 2.5 on FlovaAI Try it with prompt : “FRONT ROW GIRL” 30 SECONDS | 9:16 | PHOTOREALISTIC SMARTPHONE CONCERT VIDEO | SEEDANCE 2.5 | MULTISHOT CAMERA The entire video is captured on a modern smartphone by a beautiful young adult woman standing directly against the front-row barricade at a massive sold-out concert featuring a fictional male singer. It feels like authentic personal phone footage uploaded immediately after the concert. Front-facing selfie camera mixed with quick flips to the rear camera. Natural arm movement. Handheld shake. Imperfect framing. Occasional face cropping. Autofocus hunting. Exposure pumping from intense stage lights. Digital sharpening. High-ISO noise in dark areas. Rolling-shutter distortion during fast movement. Accidental fingers near the lens. No professional camera. No cinematic gimbal. No drone. No polished concert-film cinematography. CHARACTER YOUNG WOMAN: Beautiful adult woman in her 20s. Long dark hair. Natural attractive facial features. Minimal glamorous concert makeup. Gold hoop earrings. Simple necklace. Fitted black concert outfit with a stylish leather jacket. She looks like a real concertgoer, not a professional model. Natural skin texture. Slight perspiration from the heat and crowd. Her hair becomes increasingly messy as she moves and dances. She is genuinely excited to be seeing the fictional headliner from the front row. FICTIONAL HEADLINER: Original male singer in his late 20s. Dark curly hair. Short beard. Black layered stage outfit. Distinctive but completely original appearance. Handheld microphone. Confident live-performance presence. He performs directly toward the front-row audience. Do not resemble any real-world singer or celebrity. SETTING Massive sold-out stadium concert at night. She is standing directly against the barricade. The stage is only a few meters away. The fictional singer is performing directly in front of her. Thousands of fans behind her. Hands and smartphones constantly entering the frame. Security personnel between the barricade and stage. Huge LED screens. Deep red stage lighting. White spotlights. Heavy atmospheric haze. Smoke drifting through the stage lights. The entire environment feels loud, crowded and physically overwhelming. STORY 00:00–00:02.5 — SELFIE Front-facing smartphone camera. She is already in the front row, smiling directly into the camera. Her hair moves from the crowd and stage fans. She raises one arm and screams excitedly: “I’M SO CLOSE!” The stage is visible behind her. 00:02.5–00:05 — THE SINGER APPEARS She quickly flips the camera to the rear camera. The fictional singer walks toward the front of the stage. Massive red lights illuminate him. The phone struggles to expose the scene. Her hand shakes from excitement. Several fans’ phones appear in front of the lens. 00:05–00:07.5 — CLOSE She digitally zooms toward the fictional singer. He approaches the edge of the stage. The camera briefly loses focus. It locks back onto him. He is only a few meters away. The woman screams off-camera. 00:07.5–00:10 — BACK TO SELFIE The phone flips back to her face. She is laughing and screaming. Her eyes are wide with excitement. The crowd behind her is jumping. She turns the camera slightly sideways, trying to fit herself and the stage into the same frame. 00:10–00:12.5 — THE PERFORMANCE Rear camera again. The fictional singer performs directly toward the front row. He holds the microphone toward the audience. The crowd sings along. The phone shakes heavily as she jumps. A raised arm briefly blocks the entire frame. 00:12.5–00:15 — EYE CONTACT She moves the phone around the obstruction. The fictional singer becomes visible again. He looks directly toward the front-row section. For a brief moment, he appears to make eye contact with her. The phone becomes surprisingly steady. She freezes for half a second. Then screams. 00:15–00:17.5 — CHAOS Front-facing camera. She turns the camera back toward herself. She is laughing uncontrollably. Her hair is messy. Red stage light illuminates one side of her face. She shouts: “NO WAY!” The camera shakes violently. 00:17.5–00:20 — LIGHTS OUT Rear camera. The stage suddenly goes dark. Thousands of phone flashlights appear throughout the stadium. The camera slowly moves across the audience. Fans are singing together. Her breathing and laughter are audible close to the microphone. 00:20–00:22.5 — LIGHT EXPLOSION The stage suddenly erupts in intense red and white light. The fictional singer appears at the front of the stage. The crowd explodes. She raises her phone higher. The image briefly becomes overexposed. 00:22.5–00:25 — FRONT ROW The fictional singer walks directly along the edge of the stage. The camera follows him. Fans reach toward him. Security is visible below. Her phone struggles to focus between hands, phones and the performer. Natural motion blur. 00:25–00:27.5 — SELFIE REACTION The phone flips back to her. She is completely overwhelmed, laughing and shouting while trying to catch her breath. Her friends are visible behind her. Everyone is screaming. The stage remains visible over her shoulder. 00:27.5–00:30 — FINAL RECORDING Rear camera. The fictional singer stands beneath enormous red lights. Thousands of phones glow behind the barricade. The woman holds her phone as high as possible. The frame is tilted. Hands partially block the performer. The crowd screams. The phone suddenly drops slightly as she jumps. The recording ends abruptly. LIGHTING Authentic live-concert lighting. Deep red dominant lighting. White spotlights. Dark shadows. LED screen illumination. Strong backlighting. Stage haze. Occasional lens flare. Bright lights causing temporary smartphone exposure clipping. Natural skin tones whenever lighting allows. No beauty lighting. HUMAN PERFORMANCE The woman must behave like a genuine excited fan. She laughs. She screams. She dances. She loses her framing. She forgets the camera is recording. She reacts naturally to the fictional singer. She does not constantly pose. She does not behave like an influencer filming an advertisement. The surrounding crowd behaves independently. AUDIO RAW SMARTPHONE AUDIO. Massive crowd screaming. Fans singing. The fictional singer’s amplified voice. Heavy bass distortion. Microphone clipping. Nearby fans shouting. The woman’s laughter and screaming close to the microphone. Occasional muffled audio when the phone moves against clothing or another person. No studio-quality vocals. No added soundtrack. No cinematic sound design. VISUAL CHARACTER Photorealistic modern smartphone footage. Natural smartphone HDR. High-ISO noise. Digital sharpening. Subtle compression artifacts. Rolling-shutter distortion. Autofocus hunting. Exposure pumping. Natural motion blur. Occasional blown highlights. Realistic skin texture. Realistic hair movement. No beauty-filter smoothing. No plastic skin. No perfect framing. No professional camera look. The footage should look indistinguishable from a real fan’s concert video. CONTINUITY Same woman throughout. Same hairstyle. Same outfit. Same jewelry. Same concert. Same front-row position. The phone remains the only recording device. The fictional singer remains consistent. Selfie camera and rear camera transitions must feel physically motivated by the woman flipping her phone. The crowd becomes progressively more chaotic as the performance intensifies. The woman’s hair and clothing become naturally more disheveled from dancing and crowd movement. NO MUSIC VIDEO. NO PROFESSIONAL CONCERT FILM. NO MODEL POSES. NO STAGED REACTIONS. NO PERFECT CAMERA MOVEMENT. NO AI-SLOP.

BRO… THE SINGER JUST LOOKED STRAIGHT INTO HER until you realize this entire concert video is AI-generated. Generated with Seedance 2.5 on FlovaAI Try it with prompt : “FRONT ROW GIRL” 30 SECONDS | 9:16 | PHOTOREALISTIC SMARTPHONE CONCERT VIDEO | SEEDANCE 2.5 | MULTISHOT CAMERA The entire video is captured on a modern smartphone by a beautiful young adult woman standing directly against the front-row barricade at a massive sold-out concert featuring a fictional male singer. It feels like authentic personal phone footage uploaded immediately after the concert. Front-facing selfie camera mixed with quick flips to the rear camera. Natural arm movement. Handheld shake. Imperfect framing. Occasional face cropping. Autofocus hunting. Exposure pumping from intense stage lights. Digital sharpening. High-ISO noise in dark areas. Rolling-shutter distortion during fast movement. Accidental fingers near the lens. No professional camera. No cinematic gimbal. No drone. No polished concert-film cinematography. CHARACTER YOUNG WOMAN: Beautiful adult woman in her 20s. Long dark hair. Natural attractive facial features. Minimal glamorous concert makeup. Gold hoop earrings. Simple necklace. Fitted black concert outfit with a stylish leather jacket. She looks like a real concertgoer, not a professional model. Natural skin texture. Slight perspiration from the heat and crowd. Her hair becomes increasingly messy as she moves and dances. She is genuinely excited to be seeing the fictional headliner from the front row. FICTIONAL HEADLINER: Original male singer in his late 20s. Dark curly hair. Short beard. Black layered stage outfit. Distinctive but completely original appearance. Handheld microphone. Confident live-performance presence. He performs directly toward the front-row audience. Do not resemble any real-world singer or celebrity. SETTING Massive sold-out stadium concert at night. She is standing directly against the barricade. The stage is only a few meters away. The fictional singer is performing directly in front of her. Thousands of fans behind her. Hands and smartphones constantly entering the frame. Security personnel between the barricade and stage. Huge LED screens. Deep red stage lighting. White spotlights. Heavy atmospheric haze. Smoke drifting through the stage lights. The entire environment feels loud, crowded and physically overwhelming. STORY 00:00–00:02.5 — SELFIE Front-facing smartphone camera. She is already in the front row, smiling directly into the camera. Her hair moves from the crowd and stage fans. She raises one arm and screams excitedly: “I’M SO CLOSE!” The stage is visible behind her. 00:02.5–00:05 — THE SINGER APPEARS She quickly flips the camera to the rear camera. The fictional singer walks toward the front of the stage. Massive red lights illuminate him. The phone struggles to expose the scene. Her hand shakes from excitement. Several fans’ phones appear in front of the lens. 00:05–00:07.5 — CLOSE She digitally zooms toward the fictional singer. He approaches the edge of the stage. The camera briefly loses focus. It locks back onto him. He is only a few meters away. The woman screams off-camera. 00:07.5–00:10 — BACK TO SELFIE The phone flips back to her face. She is laughing and screaming. Her eyes are wide with excitement. The crowd behind her is jumping. She turns the camera slightly sideways, trying to fit herself and the stage into the same frame. 00:10–00:12.5 — THE PERFORMANCE Rear camera again. The fictional singer performs directly toward the front row. He holds the microphone toward the audience. The crowd sings along. The phone shakes heavily as she jumps. A raised arm briefly blocks the entire frame. 00:12.5–00:15 — EYE CONTACT She moves the phone around the obstruction. The fictional singer becomes visible again. He looks directly toward the front-row section. For a brief moment, he appears to make eye contact with her. The phone becomes surprisingly steady. She freezes for half a second. Then screams. 00:15–00:17.5 — CHAOS Front-facing camera. She turns the camera back toward herself. She is laughing uncontrollably. Her hair is messy. Red stage light illuminates one side of her face. She shouts: “NO WAY!” The camera shakes violently. 00:17.5–00:20 — LIGHTS OUT Rear camera. The stage suddenly goes dark. Thousands of phone flashlights appear throughout the stadium. The camera slowly moves across the audience. Fans are singing together. Her breathing and laughter are audible close to the microphone. 00:20–00:22.5 — LIGHT EXPLOSION The stage suddenly erupts in intense red and white light. The fictional singer appears at the front of the stage. The crowd explodes. She raises her phone higher. The image briefly becomes overexposed. 00:22.5–00:25 — FRONT ROW The fictional singer walks directly along the edge of the stage. The camera follows him. Fans reach toward him. Security is visible below. Her phone struggles to focus between hands, phones and the performer. Natural motion blur. 00:25–00:27.5 — SELFIE REACTION The phone flips back to her. She is completely overwhelmed, laughing and shouting while trying to catch her breath. Her friends are visible behind her. Everyone is screaming. The stage remains visible over her shoulder. 00:27.5–00:30 — FINAL RECORDING Rear camera. The fictional singer stands beneath enormous red lights. Thousands of phones glow behind the barricade. The woman holds her phone as high as possible. The frame is tilted. Hands partially block the performer. The crowd screams. The phone suddenly drops slightly as she jumps. The recording ends abruptly. LIGHTING Authentic live-concert lighting. Deep red dominant lighting. White spotlights. Dark shadows. LED screen illumination. Strong backlighting. Stage haze. Occasional lens flare. Bright lights causing temporary smartphone exposure clipping. Natural skin tones whenever lighting allows. No beauty lighting. HUMAN PERFORMANCE The woman must behave like a genuine excited fan. She laughs. She screams. She dances. She loses her framing. She forgets the camera is recording. She reacts naturally to the fictional singer. She does not constantly pose. She does not behave like an influencer filming an advertisement. The surrounding crowd behaves independently. AUDIO RAW SMARTPHONE AUDIO. Massive crowd screaming. Fans singing. The fictional singer’s amplified voice. Heavy bass distortion. Microphone clipping. Nearby fans shouting. The woman’s laughter and screaming close to the microphone. Occasional muffled audio when the phone moves against clothing or another person. No studio-quality vocals. No added soundtrack. No cinematic sound design. VISUAL CHARACTER Photorealistic modern smartphone footage. Natural smartphone HDR. High-ISO noise. Digital sharpening. Subtle compression artifacts. Rolling-shutter distortion. Autofocus hunting. Exposure pumping. Natural motion blur. Occasional blown highlights. Realistic skin texture. Realistic hair movement. No beauty-filter smoothing. No plastic skin. No perfect framing. No professional camera look. The footage should look indistinguishable from a real fan’s concert video. CONTINUITY Same woman throughout. Same hairstyle. Same outfit. Same jewelry. Same concert. Same front-row position. The phone remains the only recording device. The fictional singer remains consistent. Selfie camera and rear camera transitions must feel physically motivated by the woman flipping her phone. The crowd becomes progressively more chaotic as the performance intensifies. The woman’s hair and clothing become naturally more disheveled from dancing and crowd movement. NO MUSIC VIDEO. NO PROFESSIONAL CONCERT FILM. NO MODEL POSES. NO STAGED REACTIONS. NO PERFECT CAMERA MOVEMENT. NO AI-SLOP.

ᴍᴜʀᴘʜʏ

17,773 Aufrufe • vor 16 Tagen

Meghan Markle infamous curtsy reenactment in the Netflix series was not a quirky anecdote. It was a glaring window into Meghan’s character, & it spectacularly backfired. By turning a simple gesture of respect into an over the top, sarcastic performance, complete with the mocking “Pleasure to meet you, Your Majesty,” she did not merely poke fun at royal protocol. She openly disrespected her husband’s grandmother and the cultural traditions she was marrying into. You do not have to adore the monarchy to show basic decency. Mocking it on a global stage is not empowerment. It is pettiness wrapped in self righteousness. It is contempt. What makes it worse is the attempt to sell this as innocence. She was not a sheltered teenager from another planet. She was a middle aged actress who had dated a prince, lived in the UK, and actively sought proximity to that world. She knew she was joining one of the most scrutinised families on earth. She could have asked. She could have researched. She could have practised quietly. Instead, she weaponised the moment years later. And Harry fares no better in this story. A man raised in palaces mentions curtsying in the car, yet apparently never bothers to explain what actually matters. Then he sits back while his wife mocks the moment on camera. Pretending she thought curtsying was some medieval parody is performative ignorance. That is not naïveté. It is affectation. Harry was complicit in the shade throwing, prioritising their grievance narrative over basic respect for his own family. What Meghan failed to understand is that respecting another culture does not diminish you. It elevates you. Courtesy is not submission. Learning customs is not erasure. When you marry into another family, another country, another culture, the basic adult response is to observe, learn, and show respect. Millions of people move across cultures every day. They learn greetings, gestures, and etiquette not because they are forced to, but because respect is universal. You honour others and in doing so you show character. Meghan chose the opposite. She treated unfamiliarity as something to sneer at, as if curiosity and humility were beneath her. The late Queen would not have cared about a perfect curtsy during their first meeting. She met presidents, dictators, pop stars, and children. She was pragmatic, warm, and famously forgiving of protocol mishaps. A genuine smile and a simple “Nice to meet you” would have been more than enough. Instead, Meghan chose theatrical disdain, reducing a lifetime of duty and service into a punchline for Netflix dollars. It was not funny. It was mean spirited, and it revealed someone who views other people’s customs as beneath her. That exaggerated curtsy was not for the Queen. It was for the audience Meghan always imagines watching her. The moment was not lived. It was stored, packaged, and later monetised. That is the pattern. Nothing is private. Everything is content. Every interaction is reduced to a punchline that flatters her and diminishes others. This moment was never really about a curtsy. It was about attitude. A woman secure in herself does not need to belittle someone else’s traditions to feel superior. She does not turn cultural difference into comedy and later into grievance. She adapts. She listens. She observes. That is how you gain respect without asking for it. If anything, that exaggerated curtsy made her look small, not modern. True confidence does not perform contempt. It practises respect quietly, even when the cameras are off. She did not merely reveal herself. She ruined herself, slowly and publicly, through moments like this. She did not need the press to torpedo her image. Her own words and performances did that for her. Respect is not about agreement. It is about not being gratuitously rude. Meghan’s mockery achieved the opposite. It made her appear insecure, arrogant, and unwilling to bridge any gap.

Meghan Markle infamous curtsy reenactment in the Netflix series was not a quirky anecdote. It was a glaring window into Meghan’s character, & it spectacularly backfired. By turning a simple gesture of respect into an over the top, sarcastic performance, complete with the mocking “Pleasure to meet you, Your Majesty,” she did not merely poke fun at royal protocol. She openly disrespected her husband’s grandmother and the cultural traditions she was marrying into. You do not have to adore the monarchy to show basic decency. Mocking it on a global stage is not empowerment. It is pettiness wrapped in self righteousness. It is contempt. What makes it worse is the attempt to sell this as innocence. She was not a sheltered teenager from another planet. She was a middle aged actress who had dated a prince, lived in the UK, and actively sought proximity to that world. She knew she was joining one of the most scrutinised families on earth. She could have asked. She could have researched. She could have practised quietly. Instead, she weaponised the moment years later. And Harry fares no better in this story. A man raised in palaces mentions curtsying in the car, yet apparently never bothers to explain what actually matters. Then he sits back while his wife mocks the moment on camera. Pretending she thought curtsying was some medieval parody is performative ignorance. That is not naïveté. It is affectation. Harry was complicit in the shade throwing, prioritising their grievance narrative over basic respect for his own family. What Meghan failed to understand is that respecting another culture does not diminish you. It elevates you. Courtesy is not submission. Learning customs is not erasure. When you marry into another family, another country, another culture, the basic adult response is to observe, learn, and show respect. Millions of people move across cultures every day. They learn greetings, gestures, and etiquette not because they are forced to, but because respect is universal. You honour others and in doing so you show character. Meghan chose the opposite. She treated unfamiliarity as something to sneer at, as if curiosity and humility were beneath her. The late Queen would not have cared about a perfect curtsy during their first meeting. She met presidents, dictators, pop stars, and children. She was pragmatic, warm, and famously forgiving of protocol mishaps. A genuine smile and a simple “Nice to meet you” would have been more than enough. Instead, Meghan chose theatrical disdain, reducing a lifetime of duty and service into a punchline for Netflix dollars. It was not funny. It was mean spirited, and it revealed someone who views other people’s customs as beneath her. That exaggerated curtsy was not for the Queen. It was for the audience Meghan always imagines watching her. The moment was not lived. It was stored, packaged, and later monetised. That is the pattern. Nothing is private. Everything is content. Every interaction is reduced to a punchline that flatters her and diminishes others. This moment was never really about a curtsy. It was about attitude. A woman secure in herself does not need to belittle someone else’s traditions to feel superior. She does not turn cultural difference into comedy and later into grievance. She adapts. She listens. She observes. That is how you gain respect without asking for it. If anything, that exaggerated curtsy made her look small, not modern. True confidence does not perform contempt. It practises respect quietly, even when the cameras are off. She did not merely reveal herself. She ruined herself, slowly and publicly, through moments like this. She did not need the press to torpedo her image. Her own words and performances did that for her. Respect is not about agreement. It is about not being gratuitously rude. Meghan’s mockery achieved the opposite. It made her appear insecure, arrogant, and unwilling to bridge any gap.

Queen Esther

185,709 Aufrufe • vor 9 Monaten

Thursday’s MG SHOW , Jeffrey Pedersen ( Q drop # 1350) if America fails the worlds fails, God Bless our brave fighting men & women, their deserve our deepest gratitude, through their strength , and the millions of United Patriots around the world, we will succeed in the fight , Peace through strength, now comes the pain , so was Peace through strength a banner for her comes the pain? Wow ! Shadygrooove you were called in a falls sense of security by those who were willing to destroy you , by those who were willing to harm you , by those who were willing to steal from you, by those who were willing to look down on you and say that you were less , they lorded over you with some moral insignificance, look at what happened in the corse of the last 35 years , and if you are not stone cold , there is something that isn’t right in you , that is the bottom line , that is the reason that we are here , that is the reason that your leader Donald J Trump , is breaking his back and doing his dear level best to correct the absolute corrupt and despicable, and disgusting nature of those that came before him , e saying that they were painting this beautiful picture doing something for you , giving you security, when in the world you read In Constitution in the time of your founding father that people that are in charge can give you security? When did you see that ? Is that what they said? Fight to be American and own a gun and let someone else protect you ? Fight for your right and let someone else speak for you ? Fight for your right and let them put a mask on you ? Let them put a face diaper on you ? Let them put shots in your children’s arm stuff that you don’t want only because they say so ?! That is the people that lorded over you , that is people that took advantage of you , that is no different of the people that are ankle bitting Donald Trump, literally trying to tear him down, while he goes out there representing the most beautiful great on God’s earth, called Americans , God Bless you, God Bless this country! We are not a perfect Nation, we have flaws , we acknowledge them, we work through them, we try to better ourselves, has not to do with the people that try to control the narratives , none of this shit matter to me or to you, in matters that your country survives, what matters is for us being together away from these creeps that pretend that you are less , that’s why I am tired my friend, that why I picket up a microphone, that’s why I fell that we produce here at the MGshow , the best broadcast to keep you oriented with what is going own with Donald Trump and with the fight , for what is truly right , not the fight for what they tell you you should think about! or care about ! no! Your child your grandchildren, your future, that is what is in stake !

Thursday’s MG SHOW , Jeffrey Pedersen ( Q drop # 1350) if America fails the worlds fails, God Bless our brave fighting men & women, their deserve our deepest gratitude, through their strength , and the millions of United Patriots around the world, we will succeed in the fight , Peace through strength, now comes the pain , so was Peace through strength a banner for her comes the pain? Wow ! Shadygrooove you were called in a falls sense of security by those who were willing to destroy you , by those who were willing to harm you , by those who were willing to steal from you, by those who were willing to look down on you and say that you were less , they lorded over you with some moral insignificance, look at what happened in the corse of the last 35 years , and if you are not stone cold , there is something that isn’t right in you , that is the bottom line , that is the reason that we are here , that is the reason that your leader Donald J Trump , is breaking his back and doing his dear level best to correct the absolute corrupt and despicable, and disgusting nature of those that came before him , e saying that they were painting this beautiful picture doing something for you , giving you security, when in the world you read In Constitution in the time of your founding father that people that are in charge can give you security? When did you see that ? Is that what they said? Fight to be American and own a gun and let someone else protect you ? Fight for your right and let someone else speak for you ? Fight for your right and let them put a mask on you ? Let them put a face diaper on you ? Let them put shots in your children’s arm stuff that you don’t want only because they say so ?! That is the people that lorded over you , that is people that took advantage of you , that is no different of the people that are ankle bitting Donald Trump, literally trying to tear him down, while he goes out there representing the most beautiful great on God’s earth, called Americans , God Bless you, God Bless this country! We are not a perfect Nation, we have flaws , we acknowledge them, we work through them, we try to better ourselves, has not to do with the people that try to control the narratives , none of this shit matter to me or to you, in matters that your country survives, what matters is for us being together away from these creeps that pretend that you are less , that’s why I am tired my friend, that why I picket up a microphone, that’s why I fell that we produce here at the MGshow , the best broadcast to keep you oriented with what is going own with Donald Trump and with the fight , for what is truly right , not the fight for what they tell you you should think about! or care about ! no! Your child your grandchildren, your future, that is what is in stake !

Lydia Formichella

16,038 Aufrufe • vor 1 Jahr