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Casino (1995) The story is multilayered, complex and utterly compelling. While Goodfellas (1990) gave us the ground-level view of blue-collar New York gangsters, Casino (1995) shows the ones who run the whole show: the guys controlling the flow of money, the power, the lust, and the inevitable fall. Casino... show more

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Many of the De Niro–Pesci dialogue scenes in Casino (1995) were improvised. Scorsese gave them the start and the end then let them run with it.

Many of the De Niro–Pesci dialogue scenes in Casino (1995) were improvised. Scorsese gave them the start and the end then let them run with it.

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Many of the "background" actors in the casino scenes of Casino (1995) were actual high-level casino pit bosses and dealers from Las Vegas. Martin Scorsese hired them to ensure the hand movements and floor management looked 100% authentic to the era.

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Casino (1995) is Scorsese firing on every cylinder. The rise and collapse of Vegas played like a fever dream, De Niro and Pesci locked in at full power, and Sharon Stone giving one of the great performances of the decade.

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Unlike Goodfellas (1990), much of Casino (1995) is based on people who were still alive when the film was made. Several characters are thinly disguised versions of real figures connected to the Las Vegas mob.

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In the 1995 film Casino, much of the dialogue between Joe Pesci and Robert De Niro wasn't scripted. Director Martin Scorsese typically provided the duo with a starting point and a final goal for a scene, then allowed them to fill in the middle through improvisation.

In the 1995 film Casino, much of the dialogue between Joe Pesci and Robert De Niro wasn't scripted. Director Martin Scorsese typically provided the duo with a starting point and a final goal for a scene, then allowed them to fill in the middle through improvisation.

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When Nicholas Pileggi decided to write a book about Las Vegas, he researched the story of Frank "Lefty" Rosenthal and became very interested. At first, however, Frank "Lefty" Rosenthal was not interested in Pileggi's idea to write a book about him. It was only after Rosenthal read that a movie would be adapted from the book by Martin Scorsese, and that it would star Robert De Niro, that he became interested, because he loved Goodfellas (1990) and De Niro's performance in the film. This film marks the 3rd collaboration between Martin Scorsese, Robert De Niro and Joe Pesci. Casino (1995).

When Nicholas Pileggi decided to write a book about Las Vegas, he researched the story of Frank "Lefty" Rosenthal and became very interested. At first, however, Frank "Lefty" Rosenthal was not interested in Pileggi's idea to write a book about him. It was only after Rosenthal read that a movie would be adapted from the book by Martin Scorsese, and that it would star Robert De Niro, that he became interested, because he loved Goodfellas (1990) and De Niro's performance in the film. This film marks the 3rd collaboration between Martin Scorsese, Robert De Niro and Joe Pesci. Casino (1995).

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Oh to be threatened by Kate Hudson with the words of Casino (1995)

Oh to be threatened by Kate Hudson with the words of Casino (1995)

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The older I get, the stronger I feel that Casino is a better film than Goodfellas. I think a big reason for that is Robert De Niro. De Niro is brilliant in both films but he’s underutilized in Goodfellas. In Casino, that’s not the case- Bob is given the keys to the car & he drives the shit out of it. I think Casino is the best De Niro-Scorsese collaboration behind Taxi Driver.

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On the set of Casino (1995), Don Rickles roasted Robert De Niro’s method acting by cutting straight through it: “Read the lines and let’s get outta here.”

On the set of Casino (1995), Don Rickles roasted Robert De Niro’s method acting by cutting straight through it: “Read the lines and let’s get outta here.”

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To ensure technical accuracy in Casino (1995), Martin Scorsese hired real-life dealers and pit bosses from Las Vegas. They were tasked with watching the actors' hands to ensure the "mechanics" of cheating and dealing were 100% authentic to the era.

To ensure technical accuracy in Casino (1995), Martin Scorsese hired real-life dealers and pit bosses from Las Vegas. They were tasked with watching the actors' hands to ensure the "mechanics" of cheating and dealing were 100% authentic to the era.

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The only person that can rip Robert De Niro a new one and get away with it is Joe Pesci 😎 🎥 Casino (1995)

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Martin Scorsese on how 'Touchez pas au grisbi' (1954) influenced his works: "Jacques Becker's 'Touchez pas au grisbi' (1954) is a very famous early ’50s French gangster film with Jean Gabin. When I was shooting [Robert De Niro] in 'Casino' (1995), I felt he was taking on the stature of a late-to-middle-age Gabin. He had a lot of power to him but he had a serenity to him too and a coolness. Bob felt I was getting that way in 'Casino'. 'Grisbi' has a similar [theme] in the sense that they are older gangsters in Paris and they are getting involved in stuff they don’t want to get involved with. It’s really the tone, but I like the Gabin feeling of his deportment, how he presented himself. In fact, we used some of the harmonica music of 'Grisbi' in 'The Irishman' (2019) and Robbie Robertson did the harmonica based on the French noir music of the early 50s." ("Martin Scorsese on the Films and Books that Influenced ‘The Irishman’", Jordan Raup, The Film Stage, 2019)

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