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Cat??? Let's hope she doesn't bite or stratch! #Lynette animation released! Models by the always awesome DaB 🔵1080p unwatermarked video here: #GenshinImpact #nsfw #リネット #琳妮特

-BFuzz🔞

111,175 subscribers

131,139 görüntüleme • 2 yıl önce •via X (Twitter)

NSFW #Lynette #GenshinImpact #nsfw #リネット #琳妮特

Anya Rossi• Live Now

Private livecam show

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@BurryFuzzR18 @DaB_neko The best lynette animation I've ever seen, good job 👍👍

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From The Field1 yıl önce

When your From The Field Bulk Catnip order comes with a free cat! 😹📦 Watch as @mcfloofypants_creations unboxes our catnip and gets an unexpected furry surprise! 🐱❤️ #FromTheField #BulkCatnip #CatnipSurprise #Unboxing #CatLovers

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@BurryFuzzR18 @DaB_neko good job

Benzer Videolar

UPDATE—New racist video from restaurant owner who mocked the death of a Muslim child. She tried to blame it on a "Black person" or "mistake"—but new video proves history of racism. "Muslims should go back to one of their 50-plus countries." "If that boy lived in Muslim country his family would have killed him a long time ago." "No Muslim should be in any place of authority in America." Taste of Italy's official restaurant page posted that quote under a story about a local 7-year-old autistic Muslim boy who drowned. Now the owner has been photographed assaulting and pepper-spraying a neighborhood protester. Jon Romano says despite him being personally attacked by the woman—he asks that you please don't bring up her past criminal history of allegedly being a sex worker. "Let's not attack her for that. Let's not shame her for that." "Let's keep the focus on some of the bigoted things that she and her husband have said." Incident occurred in Latham, New York. He doesn't have an account on this platform—so posting first full length and credited video here to help raise awareness.

UPDATE—New racist video from restaurant owner who mocked the death of a Muslim child. She tried to blame it on a "Black person" or "mistake"—but new video proves history of racism. "Muslims should go back to one of their 50-plus countries." "If that boy lived in Muslim country his family would have killed him a long time ago." "No Muslim should be in any place of authority in America." Taste of Italy's official restaurant page posted that quote under a story about a local 7-year-old autistic Muslim boy who drowned. Now the owner has been photographed assaulting and pepper-spraying a neighborhood protester. Jon Romano says despite him being personally attacked by the woman—he asks that you please don't bring up her past criminal history of allegedly being a sex worker. "Let's not attack her for that. Let's not shame her for that." "Let's keep the focus on some of the bigoted things that she and her husband have said." Incident occurred in Latham, New York. He doesn't have an account on this platform—so posting first full length and credited video here to help raise awareness.

LongTime🤓FirstTime👨‍💻

12,277 görüntüleme • 3 ay önce

ICE detain mother with cancer on way to chemotherapy—a legal U.S. resident. She needs chemo every 21 days to stop growth—or she will die. "Please help me by sharing!" daughter asks. "I don't want to lose her because of this BS!" Agents say had to detain her for "their safety." The elderly woman remains locked up in ICE detention—despite lawyer providing both her legal & medical documentation proving her case. Her daughter says that agents demand more proof that her mother needs chemotherapy before she is released. Incident occurred outside an Allsup’s gas station in Chaparral, New Mexico—less than a mile across the Texas border. Marilyn doesn't have an account on this platform—so posting first full length and credited video here to help save her mother's life.

ICE detain mother with cancer on way to chemotherapy—a legal U.S. resident. She needs chemo every 21 days to stop growth—or she will die. "Please help me by sharing!" daughter asks. "I don't want to lose her because of this BS!" Agents say had to detain her for "their safety." The elderly woman remains locked up in ICE detention—despite lawyer providing both her legal & medical documentation proving her case. Her daughter says that agents demand more proof that her mother needs chemotherapy before she is released. Incident occurred outside an Allsup’s gas station in Chaparral, New Mexico—less than a mile across the Texas border. Marilyn doesn't have an account on this platform—so posting first full length and credited video here to help save her mother's life.

LongTime🤓FirstTime👨‍💻

130,184 görüntüleme • 2 ay önce

Dr. Michelle Davenport drops a mind-blowing grocery store fact: The average apple on supermarket shelves is over a year old—often 9–14 months from harvest. Apples are picked in late summer/fall, then stored in controlled-atmosphere warehouses (low oxygen, low temp) to halt ripening and keep them "fresh" year-round. Result? By the time you bite in during spring or summer, that crisp apple could be from last year's crop. She ties it to nutrition: Studies show vitamin C (a freshness proxy) drops significantly during long storage and shipping. Flash-frozen produce often retains more nutrients because it's locked in right after harvest—no waiting months. Clip from this 1:11 eye-opener—next time you're in the produce aisle, remember: "Fresh" doesn't always mean fresh-picked. Does this make you rethink supermarket produce? Opt for local/seasonal more? Or switch to frozen for better nutrition? Your thoughts—let's hear it.

Dr. Michelle Davenport drops a mind-blowing grocery store fact: The average apple on supermarket shelves is over a year old—often 9–14 months from harvest. Apples are picked in late summer/fall, then stored in controlled-atmosphere warehouses (low oxygen, low temp) to halt ripening and keep them "fresh" year-round. Result? By the time you bite in during spring or summer, that crisp apple could be from last year's crop. She ties it to nutrition: Studies show vitamin C (a freshness proxy) drops significantly during long storage and shipping. Flash-frozen produce often retains more nutrients because it's locked in right after harvest—no waiting months. Clip from this 1:11 eye-opener—next time you're in the produce aisle, remember: "Fresh" doesn't always mean fresh-picked. Does this make you rethink supermarket produce? Opt for local/seasonal more? Or switch to frozen for better nutrition? Your thoughts—let's hear it.

Camus

27,581 görüntüleme • 6 ay önce

I wanted to share this video to help anybody who is down in life or struggling and maybe can’t see a way out. We can all end up in situations like Tina here. Down on our luck in life. I should know because I nearly drank myself to death ending up in ICU. I’ve always suffered from depression and anxiety but by being sober for well over 2 years now have managed to turn my life around. As an alcoholic and with severe Anxiety I used to hate Sunday nights. The fear. I’m sure Tina also dreaded every single day of her life. She had the fear of solitude and never getting to experience the love she so desperately wanted to give and receive. So In summary it’s just a 5 minute video that someone, somewhere might need to see to give you a little hope yourself. Tina was down but she wasn’t out. Have a lovely Sunday evening 🥰🥰

I wanted to share this video to help anybody who is down in life or struggling and maybe can’t see a way out. We can all end up in situations like Tina here. Down on our luck in life. I should know because I nearly drank myself to death ending up in ICU. I’ve always suffered from depression and anxiety but by being sober for well over 2 years now have managed to turn my life around. As an alcoholic and with severe Anxiety I used to hate Sunday nights. The fear. I’m sure Tina also dreaded every single day of her life. She had the fear of solitude and never getting to experience the love she so desperately wanted to give and receive. So In summary it’s just a 5 minute video that someone, somewhere might need to see to give you a little hope yourself. Tina was down but she wasn’t out. Have a lovely Sunday evening 🥰🥰

Niall Harbison

260,784 görüntüleme • 3 yıl önce

Baddie from Korea Seedance 2.5 on OpenArt Prompt 👇 Prompt: Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary summer evening in the life of a young Korean woman. No reference image. MAIN SUBJECT Young Korean woman in her early 20s, naturally pretty, realistic skin texture, minimal makeup, relaxed and approachable personality. Long black hair loosely tied into a messy side ponytail with a few loose strands around her face. Wearing a fitted pastel-blue short top, loose cream pajama-style pants, black sneakers and a simple silver necklace. Maintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video. SETTING A quiet older Seoul residential neighborhood during a warm summer evening. Narrow concrete lanes, small houses, potted plants, bicycles, old walls, utility poles, overhead wires, a tiny neighborhood bakery, a public water tap and large leafy trees casting shadows across the street. Everything should feel lived-in, ordinary and peaceful. No tourist attractions, advertisements, recognizable brands or commercial activity. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder. Strong handheld shake, imperfect framing, autofocus hunting, exposure shifts, occasional motion blur, faded colors, soft digital detail, mild noise, accidental zooms and natural camera imperfections. No stabilization, drone footage, gimbal movement, dramatic lighting or polished commercial cinematography. — OUTSIDE THE HOUSE She steps outside carrying a small reusable shopping bag. She locks the door, adjusts her messy ponytail and looks toward the camera with a relaxed smile. A light summer breeze moves her hair as she starts walking down the lane. — BAKERY STOP She reaches a tiny neighborhood bakery and buys a warm pastry. She steps outside, takes her first bite and immediately smiles because it tastes good. She notices her friend filming and holds the pastry toward the camera playfully before taking another bite. — WALKING HOME She continues down the narrow street while eating. A neighborhood cat follows her for a few steps. She notices it, crouches down and gently pets it. The cat walks away and she laughs before continuing. — SMALL ACCIDENT She walks beneath a large tree when a few leaves fall onto her hair. She stops, looks confused, then realizes what happened and laughs. She brushes the leaves away while her friend zooms awkwardly toward her face. She looks directly into the camera and says: "Seriously?" — QUIET MOMENT She reaches a low concrete wall beside the street and sits down for a moment. She finishes the pastry while watching bicycles and neighbors passing through the lane. A gentle breeze moves her hair. She casually fixes her ponytail and looks around peacefully. — FINAL MOMENT She stands up and continues walking home. After a few steps, she turns back toward the camera with a small playful smile and says: "Come on." She keeps walking down the sunny lane while the camera follows behind. She disappears around the corner and the recording abruptly cuts to black. AUDIO Natural location sound only: birds, summer insects, footsteps, bicycle bells, distant scooters, leaves moving in the breeze, bakery sounds, neighborhood conversations and subtle camera-handling noise. No music. No narration. No artificial sound effects. Only the two spoken lines specified above. FINAL FEEL The entire video should feel like a forgotten summer recording from the early 2000s. Warm, feminine, casual, slightly playful, intimate and nostalgic. No dramatic events, no exaggerated acting, no model poses and no polished cinematic shots. The realism should come from ordinary surroundings, natural expressions, small accidents, realistic environmental movement and imperfect camcorder operation.

Baddie from Korea Seedance 2.5 on OpenArt Prompt 👇 Prompt: Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary summer evening in the life of a young Korean woman. No reference image. MAIN SUBJECT Young Korean woman in her early 20s, naturally pretty, realistic skin texture, minimal makeup, relaxed and approachable personality. Long black hair loosely tied into a messy side ponytail with a few loose strands around her face. Wearing a fitted pastel-blue short top, loose cream pajama-style pants, black sneakers and a simple silver necklace. Maintain the same face, hairstyle, clothing, body proportions and overall appearance throughout the entire video. SETTING A quiet older Seoul residential neighborhood during a warm summer evening. Narrow concrete lanes, small houses, potted plants, bicycles, old walls, utility poles, overhead wires, a tiny neighborhood bakery, a public water tap and large leafy trees casting shadows across the street. Everything should feel lived-in, ordinary and peaceful. No tourist attractions, advertisements, recognizable brands or commercial activity. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend on an early-2000s consumer DV camcorder. Strong handheld shake, imperfect framing, autofocus hunting, exposure shifts, occasional motion blur, faded colors, soft digital detail, mild noise, accidental zooms and natural camera imperfections. No stabilization, drone footage, gimbal movement, dramatic lighting or polished commercial cinematography. — OUTSIDE THE HOUSE She steps outside carrying a small reusable shopping bag. She locks the door, adjusts her messy ponytail and looks toward the camera with a relaxed smile. A light summer breeze moves her hair as she starts walking down the lane. — BAKERY STOP She reaches a tiny neighborhood bakery and buys a warm pastry. She steps outside, takes her first bite and immediately smiles because it tastes good. She notices her friend filming and holds the pastry toward the camera playfully before taking another bite. — WALKING HOME She continues down the narrow street while eating. A neighborhood cat follows her for a few steps. She notices it, crouches down and gently pets it. The cat walks away and she laughs before continuing. — SMALL ACCIDENT She walks beneath a large tree when a few leaves fall onto her hair. She stops, looks confused, then realizes what happened and laughs. She brushes the leaves away while her friend zooms awkwardly toward her face. She looks directly into the camera and says: "Seriously?" — QUIET MOMENT She reaches a low concrete wall beside the street and sits down for a moment. She finishes the pastry while watching bicycles and neighbors passing through the lane. A gentle breeze moves her hair. She casually fixes her ponytail and looks around peacefully. — FINAL MOMENT She stands up and continues walking home. After a few steps, she turns back toward the camera with a small playful smile and says: "Come on." She keeps walking down the sunny lane while the camera follows behind. She disappears around the corner and the recording abruptly cuts to black. AUDIO Natural location sound only: birds, summer insects, footsteps, bicycle bells, distant scooters, leaves moving in the breeze, bakery sounds, neighborhood conversations and subtle camera-handling noise. No music. No narration. No artificial sound effects. Only the two spoken lines specified above. FINAL FEEL The entire video should feel like a forgotten summer recording from the early 2000s. Warm, feminine, casual, slightly playful, intimate and nostalgic. No dramatic events, no exaggerated acting, no model poses and no polished cinematic shots. The realism should come from ordinary surroundings, natural expressions, small accidents, realistic environmental movement and imperfect camcorder operation.

Smiling Khan

712,523 görüntüleme • 1 ay önce

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)

Lovis Odin

58,950 görüntüleme • 1 yıl önce

Do you really know who Candace Amber Owens is? Or do you only know the version the media and limelight present? Candace has risen to her current position through a mix of luck, grit, and what many see as outright shadiness. She's climbed by biting every hand that feeds her, constantly playing the victim from her soapbox while monetizing the drama along the way. It started back in high school. As a teenager, she received a $37,500 settlement from the Stamford Board of Education after suing over alleged racial bullying and threats from classmates (including voicemails with racist slurs). No emails or further evidence ever fully surfaced publicly, but the case settled anyway. Before that, by her own accounts, she grew up in tough circumstances. Living in the projects, with her mother working long hours as an internet-of-things specialist (or similar), and being raised largely by her grandmother after her parents' divorce. This pattern repeats throughout her career. After high school, she tried to sue her apartment complex in Stamford for $15,000+, claiming dangerous mold and health issues. She stopped paying rent (around $3,550/month) for months, continued living there, lost the case, and ended up owing the landlord over $20,000 in damages and fees. She moved to New York City, dabbling in acting and modeling. There are persistent reports (though I've yet to verify photos) of her appearing on an Israeli-owned talent agency's site tied to adult or exploitative content—something that's circulated in conservative circles. Then came her conservative pivot: first with Blexit where financial records show massive shortfalls. Her budget was constantly in the red, especially on social media and events, while she reportedly overpaid herself by hundreds of thousands annually, jet-setting on the organization's dime and leaving it in debt. Whistleblowers from Blexit have confirmed these issues. Charlie Kirk has been linked closely—some claim he effectively started or backed Blexit behind the scenes, using Candace as the face since a white man couldn't launch it credibly. Blexit later merged with TPUSA. From there, she burned bridges everywhere: fact-checkers and Facebook labeled her content misleading, and a judge reportedly told her the problem was her material itself. At The Daily Wire, she got her own show, a big audience, and a team treating her like Oprah—yet she still wasn't satisfied. She's done the same at PragerU, Alex Jones circles, and beyond: blowing up every platform that gave her a graceful opportunity. In my video, I break this down in detail & why Candace is the way she is, and who she truly seems to be at her core. We need to spread the truth about this woman. I have nothing personal against her, except that she can't win this fight. As conservative Christians in America, we won't let her attack Charlie Kirk's legacy, his family, his work with orphans and widows. I'm The Coldblooded Christian, and I hope you'll watch the video. Drop comments, likes, dislikes, dunks, curses—bring it all. Want to debate? Let's hop on X Spaces. I'm ready. Outta here. ✝️

Do you really know who Candace Amber Owens is? Or do you only know the version the media and limelight present? Candace has risen to her current position through a mix of luck, grit, and what many see as outright shadiness. She's climbed by biting every hand that feeds her, constantly playing the victim from her soapbox while monetizing the drama along the way. It started back in high school. As a teenager, she received a $37,500 settlement from the Stamford Board of Education after suing over alleged racial bullying and threats from classmates (including voicemails with racist slurs). No emails or further evidence ever fully surfaced publicly, but the case settled anyway. Before that, by her own accounts, she grew up in tough circumstances. Living in the projects, with her mother working long hours as an internet-of-things specialist (or similar), and being raised largely by her grandmother after her parents' divorce. This pattern repeats throughout her career. After high school, she tried to sue her apartment complex in Stamford for $15,000+, claiming dangerous mold and health issues. She stopped paying rent (around $3,550/month) for months, continued living there, lost the case, and ended up owing the landlord over $20,000 in damages and fees. She moved to New York City, dabbling in acting and modeling. There are persistent reports (though I've yet to verify photos) of her appearing on an Israeli-owned talent agency's site tied to adult or exploitative content—something that's circulated in conservative circles. Then came her conservative pivot: first with Blexit where financial records show massive shortfalls. Her budget was constantly in the red, especially on social media and events, while she reportedly overpaid herself by hundreds of thousands annually, jet-setting on the organization's dime and leaving it in debt. Whistleblowers from Blexit have confirmed these issues. Charlie Kirk has been linked closely—some claim he effectively started or backed Blexit behind the scenes, using Candace as the face since a white man couldn't launch it credibly. Blexit later merged with TPUSA. From there, she burned bridges everywhere: fact-checkers and Facebook labeled her content misleading, and a judge reportedly told her the problem was her material itself. At The Daily Wire, she got her own show, a big audience, and a team treating her like Oprah—yet she still wasn't satisfied. She's done the same at PragerU, Alex Jones circles, and beyond: blowing up every platform that gave her a graceful opportunity. In my video, I break this down in detail & why Candace is the way she is, and who she truly seems to be at her core. We need to spread the truth about this woman. I have nothing personal against her, except that she can't win this fight. As conservative Christians in America, we won't let her attack Charlie Kirk's legacy, his family, his work with orphans and widows. I'm The Coldblooded Christian, and I hope you'll watch the video. Drop comments, likes, dislikes, dunks, curses—bring it all. Want to debate? Let's hop on X Spaces. I'm ready. Outta here. ✝️

The Coldblooded Christian

27,251 görüntüleme • 7 ay önce

Since you guys love her so much, let's make a little intro video for her by Seedance 2.5. Prompt: You can also check it here: --- Create a 1-minute Japanese-style idol personal vlog. The video should feel like a young Japanese idol casually filming her private daily life for her fans. Not a commercial, not a music video, but a genuine personal diary captured with a small camera or smartphone. The mood is warm, intimate, soft, and slightly nostalgic. The main character is a young female idol with a gentle personality. If a reference image is provided, keep her exact face identity, hairstyle, facial features, body proportions, and overall appearance consistent throughout the entire video. She should feel natural and comfortable in front of the camera: small smiles, shy reactions, fixing her hair, looking away while thinking, small laughs, casual expressions. Camera style: handheld selfie vlog, compact digital camera feeling, Japanese lifestyle vlog aesthetic, soft CCD-like image quality, subtle film grain, slightly warm tones, gentle highlight bloom, natural skin texture, soft focus, slight autofocus adjustments, imperfect framing. The camera should feel like she is holding it herself or placing it casually around her room. No commercial lighting. No perfect poses. No dramatic acting. No artificial influencer energy. 0-8s: Morning bedroom introduction. The vlog starts with a close selfie shot. Soft sunlight comes through white curtains. The room feels cozy and personal: small decorations, books, cute accessories, a desk, plants, everyday objects. She looks into the camera with a sleepy smile. She waves softly and says: "Good morning. I'm filming a little vlog today." She laughs quietly, fixes her hair, and adjusts the camera. The feeling is like a private message to her fans. 8-18s: Introducing herself. She walks around her room while talking casually. She introduces herself: her personality, what kind of person she is, and what she likes doing in her free time. Show small everyday details: choosing clothes, making a drink, checking her schedule, looking through photos on her phone. She occasionally looks away from the camera naturally while talking. She feels like a real person, not performing. 18-30s: Introducing her cat Bubble. The mood becomes warmer and more playful. She calls: "Bubble..." The cat walks into the room. She smiles immediately and follows Bubble with the camera. Show cute natural moments: Bubble jumping onto the bed, sitting near the window, rubbing against her, looking curiously at the camera. She picks Bubble up gently and introduces: "This is Bubble. Bubble is my little family." She laughs because Bubble does not cooperate with the camera. The interaction feels spontaneous and real. 30-45s: Her everyday hobbies. A soft lifestyle montage filmed casually. Show her doing things she enjoys: listening to music with headphones writing in a diary reading a magazine making coffee or tea taking selfies organizing small things in her room playing with Bubble She talks casually: "I like simple days like this." "I think small moments are my favorite." The atmosphere is peaceful and comforting. 45-55s: A small outside moment. She goes outside for a short walk. Japanese neighborhood atmosphere: quiet streets, small cafes, bicycles, soft afternoon sunlight. She holds the camera while walking. She shows little things she finds interesting: a cute shop, flowers, a drink, a beautiful street corner. She smiles at the camera naturally. 55-60s: Ending the vlog. Back at home. She sits with Bubble beside her. Selfie camera close-up. She smiles warmly and says: "Thank you for spending this little day with me and Bubble." "See you next time." She waves softly. The video ends with a gentle smile, natural room lighting, and a cozy diary-like feeling. Overall style: Japanese idol private vlog. Soft and nostalgic. Like a personal video diary from a small digital camera. Warm everyday moments. Cute but natural. Quiet happiness. Authentic fan connection. Visual references: Japanese lifestyle vlog atmosphere, soft CCD camera texture, early 2000s digital diary feeling, modern idol off-duty content. Avoid: luxury influencer style, fashion commercial look, perfect cinematic shots, heavy makeup, overly staged reactions, AI-generated smoothness, unrealistic movements.

Since you guys love her so much, let's make a little intro video for her by Seedance 2.5. Prompt: You can also check it here: --- Create a 1-minute Japanese-style idol personal vlog. The video should feel like a young Japanese idol casually filming her private daily life for her fans. Not a commercial, not a music video, but a genuine personal diary captured with a small camera or smartphone. The mood is warm, intimate, soft, and slightly nostalgic. The main character is a young female idol with a gentle personality. If a reference image is provided, keep her exact face identity, hairstyle, facial features, body proportions, and overall appearance consistent throughout the entire video. She should feel natural and comfortable in front of the camera: small smiles, shy reactions, fixing her hair, looking away while thinking, small laughs, casual expressions. Camera style: handheld selfie vlog, compact digital camera feeling, Japanese lifestyle vlog aesthetic, soft CCD-like image quality, subtle film grain, slightly warm tones, gentle highlight bloom, natural skin texture, soft focus, slight autofocus adjustments, imperfect framing. The camera should feel like she is holding it herself or placing it casually around her room. No commercial lighting. No perfect poses. No dramatic acting. No artificial influencer energy. 0-8s: Morning bedroom introduction. The vlog starts with a close selfie shot. Soft sunlight comes through white curtains. The room feels cozy and personal: small decorations, books, cute accessories, a desk, plants, everyday objects. She looks into the camera with a sleepy smile. She waves softly and says: "Good morning. I'm filming a little vlog today." She laughs quietly, fixes her hair, and adjusts the camera. The feeling is like a private message to her fans. 8-18s: Introducing herself. She walks around her room while talking casually. She introduces herself: her personality, what kind of person she is, and what she likes doing in her free time. Show small everyday details: choosing clothes, making a drink, checking her schedule, looking through photos on her phone. She occasionally looks away from the camera naturally while talking. She feels like a real person, not performing. 18-30s: Introducing her cat Bubble. The mood becomes warmer and more playful. She calls: "Bubble..." The cat walks into the room. She smiles immediately and follows Bubble with the camera. Show cute natural moments: Bubble jumping onto the bed, sitting near the window, rubbing against her, looking curiously at the camera. She picks Bubble up gently and introduces: "This is Bubble. Bubble is my little family." She laughs because Bubble does not cooperate with the camera. The interaction feels spontaneous and real. 30-45s: Her everyday hobbies. A soft lifestyle montage filmed casually. Show her doing things she enjoys: listening to music with headphones writing in a diary reading a magazine making coffee or tea taking selfies organizing small things in her room playing with Bubble She talks casually: "I like simple days like this." "I think small moments are my favorite." The atmosphere is peaceful and comforting. 45-55s: A small outside moment. She goes outside for a short walk. Japanese neighborhood atmosphere: quiet streets, small cafes, bicycles, soft afternoon sunlight. She holds the camera while walking. She shows little things she finds interesting: a cute shop, flowers, a drink, a beautiful street corner. She smiles at the camera naturally. 55-60s: Ending the vlog. Back at home. She sits with Bubble beside her. Selfie camera close-up. She smiles warmly and says: "Thank you for spending this little day with me and Bubble." "See you next time." She waves softly. The video ends with a gentle smile, natural room lighting, and a cozy diary-like feeling. Overall style: Japanese idol private vlog. Soft and nostalgic. Like a personal video diary from a small digital camera. Warm everyday moments. Cute but natural. Quiet happiness. Authentic fan connection. Visual references: Japanese lifestyle vlog atmosphere, soft CCD camera texture, early 2000s digital diary feeling, modern idol off-duty content. Avoid: luxury influencer style, fashion commercial look, perfect cinematic shots, heavy makeup, overly staged reactions, AI-generated smoothness, unrealistic movements.

BubbleBrain

67,918 görüntüleme • 2 ay önce

What if I told you Naomi Campbell and Tyra Banks were pimps and both were highly involved and connected to Epstein? Let's start with Naomi Cambell who's name showed up on Epstein's flight logs numerous times, over and over agian, who would find women throughout the modeling world and bring them to Epstein and other Hollywood elites. Naomi also had huge ties to Diddy, Kevin Spacey, Alan, and Robin Thicke, who she would constantly find and allegedly bring underage girls and women to for God only knows. She would regularly scout models to take to Epstein's island of horros. You could even say that Naomi was almost like another business partner but lower in the hierarchy of the pyramid. Then we have Miss Tyra Banks, who allegedly used to also find underage girls and women, especially throughout the model world, for Epstein and especially Steve Harvey, allegedly, who have both apparently left the country. Tyra allegedly moved to Australia, where she has a small ice cream business and was caught eating a cheeseburger in a rental car at McDonald's looking very worried and depressed. I wonder what she could be so worried about. You must realize that all these people are connected to each other, it's literally one big club and everyone has dirt on each other. They're all connected, and so are the Epstein and Diddy client list. It's all the same circles. They were all trafficking children and rubbed shoulders with everyone. The people on Epstein's list will most likely coincide with Diddy's. Yes, there might be a couple of names here and there that are different, but in the end, it's all connected. There are no coincidences. When it all comes down, it doesn't matter if you're a Republican or Democrat. What matters is if you're for saving the children and this country or protecting these sick, corrupt criminals. There is no in between. Video credit: LIZ CROKIN

What if I told you Naomi Campbell and Tyra Banks were pimps and both were highly involved and connected to Epstein? Let's start with Naomi Cambell who's name showed up on Epstein's flight logs numerous times, over and over agian, who would find women throughout the modeling world and bring them to Epstein and other Hollywood elites. Naomi also had huge ties to Diddy, Kevin Spacey, Alan, and Robin Thicke, who she would constantly find and allegedly bring underage girls and women to for God only knows. She would regularly scout models to take to Epstein's island of horros. You could even say that Naomi was almost like another business partner but lower in the hierarchy of the pyramid. Then we have Miss Tyra Banks, who allegedly used to also find underage girls and women, especially throughout the model world, for Epstein and especially Steve Harvey, allegedly, who have both apparently left the country. Tyra allegedly moved to Australia, where she has a small ice cream business and was caught eating a cheeseburger in a rental car at McDonald's looking very worried and depressed. I wonder what she could be so worried about. You must realize that all these people are connected to each other, it's literally one big club and everyone has dirt on each other. They're all connected, and so are the Epstein and Diddy client list. It's all the same circles. They were all trafficking children and rubbed shoulders with everyone. The people on Epstein's list will most likely coincide with Diddy's. Yes, there might be a couple of names here and there that are different, but in the end, it's all connected. There are no coincidences. When it all comes down, it doesn't matter if you're a Republican or Democrat. What matters is if you're for saving the children and this country or protecting these sick, corrupt criminals. There is no in between. Video credit: LIZ CROKIN

The SCIF

361,506 görüntüleme • 1 yıl önce

Tina - The Best Girl There Ever Was 🎾🩷 So many people ask me who Tina was as when I shared her story I think I had about half the followers I do now. I’ve had loads of footage on my phone of private moments with her that I always look at every night before bed and I wanted to use that to share her story here in this video. I think you probably had to see her stories and her life in real time to appreciate how special she was but this video does capture her beautifully. Her hospital is starting to gather some serious pace now and it will be the legacy she deserves. I think everybody has soul mates in life and even though it was only 6 months Tina was mine (I just had a little 😢 writing that line) and thinking about her. But I don’t think it was just me. In fact I know that even though 99.99% of people never met her she touched people around the world. I know that people who were sick in hospital, people who only had a short time to live or others suffering from depression or other struggles were deeply moved by her. There’s not an hour that goes past I don’t think about her. I’d give absolutely anything for one more hour of her company. But having said that I’m also grateful. To have met her and to be inspired by her. It’s crazy to think a dog could have such an impact. Every bit of Happy Doggo and what is being built and achieved is done with Tina’s loving DNA and memory weaved throughout it. If you didn’t know Tina I hope this helps. If you did follow her at the time I’m sure these clips will bring you 50% smiles and 50% moist eyes. Thats what they do for me. The very last shot is about 15 mins before Tina passed. Even though her body had given up she couldn’t have been happier. ❤️

Tina - The Best Girl There Ever Was 🎾🩷 So many people ask me who Tina was as when I shared her story I think I had about half the followers I do now. I’ve had loads of footage on my phone of private moments with her that I always look at every night before bed and I wanted to use that to share her story here in this video. I think you probably had to see her stories and her life in real time to appreciate how special she was but this video does capture her beautifully. Her hospital is starting to gather some serious pace now and it will be the legacy she deserves. I think everybody has soul mates in life and even though it was only 6 months Tina was mine (I just had a little 😢 writing that line) and thinking about her. But I don’t think it was just me. In fact I know that even though 99.99% of people never met her she touched people around the world. I know that people who were sick in hospital, people who only had a short time to live or others suffering from depression or other struggles were deeply moved by her. There’s not an hour that goes past I don’t think about her. I’d give absolutely anything for one more hour of her company. But having said that I’m also grateful. To have met her and to be inspired by her. It’s crazy to think a dog could have such an impact. Every bit of Happy Doggo and what is being built and achieved is done with Tina’s loving DNA and memory weaved throughout it. If you didn’t know Tina I hope this helps. If you did follow her at the time I’m sure these clips will bring you 50% smiles and 50% moist eyes. Thats what they do for me. The very last shot is about 15 mins before Tina passed. Even though her body had given up she couldn’t have been happier. ❤️

Niall Harbison

535,804 görüntüleme • 2 yıl önce

Test of Vidu 2.0 Update Vidu is the equivalent of Veo 2 for creating Anime with AI! #vidu #viduspeed (Music by Takachan: Hi everyone, hope you're well ^^ 😄👍 It's been a while since I posted because I've been working on an animation. I struggled a lot with character and background consistency issues, so it's still in production! 😉 Today, we are here to test Vidu version 2.0, which will be released in 6 days (By the way, did you spot the Anime references I included? ha ha). Here’s what you need to know: In 3 words: Speed, stability, dynamism ✔ Speed: This new version allows you to animate an image in a few seconds, much faster than previous versions. ✔ Stability: Until now, Vidu was way too dynamic, and we had very little control over it, making storytelling particularly complicated. This version is extremely stable, allowing you to create stories easily. ✔ Image Style Fidelity: This version is extremely faithful to your image styles, something the previous version of Vidu had a lot of trouble with, as it always tried to change the appearance and texture of characters. This version perfectly retains the image style! For example, at 00:19. ✔ Transitions: The transitions have been greatly improved; they are also very stable! At 00:16, you have examples of transitions. It's also a big step forward! ✔ Better Prompt Understanding: Another excellent thing for storytelling! ✔ I also note Vidu 2.0's ability to identify tiny characters and animate them dynamically, which is really great!! You can see it at 00:22. In this animation, I tried to use all of these features. ❌ Negative Point: This exceptional stability gain is at the expense of movement. To continue having very dynamic renders (for example, a character running extremely fast), you'll either need to use keyframes or switch to version 1.5 (which has also been improved). Music by Takachan : ai aiart aianimation aianime ainews anime animenews aitools aitool Animations created with the help of Vidu AI: @Viduforhuman

Test of Vidu 2.0 Update Vidu is the equivalent of Veo 2 for creating Anime with AI! #vidu #viduspeed (Music by Takachan: Hi everyone, hope you're well ^^ 😄👍 It's been a while since I posted because I've been working on an animation. I struggled a lot with character and background consistency issues, so it's still in production! 😉 Today, we are here to test Vidu version 2.0, which will be released in 6 days (By the way, did you spot the Anime references I included? ha ha). Here’s what you need to know: In 3 words: Speed, stability, dynamism ✔ Speed: This new version allows you to animate an image in a few seconds, much faster than previous versions. ✔ Stability: Until now, Vidu was way too dynamic, and we had very little control over it, making storytelling particularly complicated. This version is extremely stable, allowing you to create stories easily. ✔ Image Style Fidelity: This version is extremely faithful to your image styles, something the previous version of Vidu had a lot of trouble with, as it always tried to change the appearance and texture of characters. This version perfectly retains the image style! For example, at 00:19. ✔ Transitions: The transitions have been greatly improved; they are also very stable! At 00:16, you have examples of transitions. It's also a big step forward! ✔ Better Prompt Understanding: Another excellent thing for storytelling! ✔ I also note Vidu 2.0's ability to identify tiny characters and animate them dynamically, which is really great!! You can see it at 00:22. In this animation, I tried to use all of these features. ❌ Negative Point: This exceptional stability gain is at the expense of movement. To continue having very dynamic renders (for example, a character running extremely fast), you'll either need to use keyframes or switch to version 1.5 (which has also been improved). Music by Takachan : ai aiart aianimation aianime ainews anime animenews aitools aitool Animations created with the help of Vidu AI: @Viduforhuman

Naegiko

20,293 görüntüleme • 1 yıl önce

(1/2) Last night's Aidan Kearney meltdown over his falling out with Karen Read on an X Space is the peak of catharsis and real-time online toxicity: It starts with the the bombshell claim about Aidan recorded Karen Read, moves to Karen's newly-released texts about being "done" with Aidan after "someone" sent a recording of that conversation to David Yannetti and Alan Jackson, then spirals into ad hominems, and ends with Kearney storming off to counter-publish. The flood of primary source documents posted on online overnight, thus, acts as the host's (Chris) victory lap over Kearney. FULL TRANSCRIPT; *(Cleaned for grammar/spelling, punctuated for flow, and line-broken for readability. Some errors are expected.)* **Aidan:** Am I on? **Host/Other:** You're on. **Aidan:** So who are you? Who is this? **Chris:** Don't worry about it. It doesn't matter who I am. **Aidan:** Well, it does. You're some fucking kangaroo court motherfucker talking about her. What the fuck do you know about anything? **Chris:** Well, I don't know exactly what you've been doing. **Aidan:** So what are your sources? What are your sources? What are your sources you're talking about? Huh? You don't know your sources? What do you talk about? No, your sources. Shut up. Let's see 'em. Let's see your sources. **Lily:** Hang on, Aidan. I'm the host. I'm Lily. **Aidan:** Yes, Lily. Hi, Lily. How are you? **Lily:** I'm good. I'm just going to wait. I know you may not know it, Chris, but you know me. And so I just wanted to say hi. **Aidan:** Yeah, I know, but this Koala motherfucker is up here making shit up, running his mouth nonsense. Let's see the receipts. I mean, what were you talking to Karen Read about? What are you talking about? Who the fuck are you? **Chris:** I'm asking you flat out: Did you or did you not record her phone calls between yourself and Karen? **Aidan:** I did not. I did not. **Chris:** Okay, so Karen is lying? **Aidan:** You talked to Karen Read? Karen isn't talking to anyone in the media, but she's talking to this call-the-motherfucker. That's what you're telling me right now. **Chris:** Like I said, If you want to go down this hill, stand ten toes down." **Aidan:** I'm calling you out because you're making shit up. **Chris:** Who? I'm not making anything up. I'm not making anything up. I'm not making anything up. **Aidan:** So let's see it. Let's see the fucking evidence. Let's see your communications with Karen Read where she says that. Let's see it. **Lily:** Hang on. Chris, you're going to have to provide the receipts. **Chris:** I'm going to tell you, the guy who's doing this—you know, he's going to put them out. **Chris:** Do you really want to prove it? You want to prove it to me? I've got all the mistakes that come out. I can't. Literally. Yeah. Yeah. Sure. What's that? Let's see it. Let's see it. Produce it. Tweet it out right now. **Aidan:** So I'm denying it—like, hardcore, 100%. I'm the guy you have to deny it to. I don't, because you've become a bit of a fuck-up. It's about as fucking legitimate as Lindsey trying to be a rake. Let's fucking see it, motherfucker. You got it, right? 'Cause I—accusations—I always bring fucking receipts. Where's your receipt, bitch? **Aidan:** You got 'em? **Chris:** I've got 'em now. I think you want me to be saying—to be honest—hang a room on the fucker with no receipt. **Aidan:** You got 'em? Yes or no? **Chris:** I've got a receipt. Where's your fuck? **Chris:** You just need, bro—you just need to like chill, because you're gonna have a lot of fucking neck on your face, because I don't really care. **Chris:** I said to the people who bought this story: If I end up having egg on my face, I'll put everyone's name in it, and I'm given—I have a... Just shut your fucking mouth for one fucking minute. **Aidan:** Right. Let's see it. **Chris:** I've just messaged the person. **Aidan:** Joe Flipp, you want to talk about a fucking psychopath? That motherfucker is—just, Joe Flipp. Really want to fucking go there?" 'Cause it's Joe. You can just say it's Nick from Philadelphia, isn't it? Yeah, I know all about Nick from Philadelphia. If you fucking want to go there and the fucking hell—that psychopath—what Olivia Lambo went through. You just don't want to come out. Does he want to talk about all that? Does he want to launch? **Chris:** Okay? You know what? How was your lunch with Meredith the other week. Fuck it. I don't care. How was your lunch with Meredith? How's your lunch with Meredith? **Aidan:**What the fuck? **Chris:** Chat, what, what am I talking about? How is your lunch with Meredith here? We got—you know what you want to do? You want to carry on and be a fuck with me here? I like you—always up. **Chris:** How was your lunch with Meredith a couple weeks ago, and what did you play for her? What the fuck are you talking about? Yeah, what the fuck am I talking about? You know exactly what I'm talking about. And I'm trying to do this respectfully, but you come in hot like you always do. So now I'm just gonna fucking do it. How was your lunch with Meredith the other week? **Aidan:** I didn't have one with Meredith. Yeah, bullshit. Okay, so that's it. So someone else is lying now. **Chris:** So you're gonna call Meredith a liar? Why? Meredith's a liar? **Aidan:** Are you talking to Meredith? **Chris:**I'm not talking to Meredith. **Aidan:** What are you talking about? **Chris:** Okay, well, so you have great Meredith in an Oscar. If you said that to Meredith, you just spread rumors. That's what you do—you don't spread any rumors. I want to laugh tonight about this. **Erika Walsh:** I warned you, Chris, about this last night. **Aidan:** You got no—Joe Flipp—fucking feeding you nonsense. That slimy psychopath, fucking nut job who called in Olivia's entire family to harass them—to the point where she had the fucking... Nothing to do with Olivia. And Joe's Flipp— **Chris:* this is to do with you. Stop deflecting, that motherfucker. **Aidan:** I'm telling you this—he's the one telling you this. **Chris:** I've been told by three different people. Three different people. There's people in this chat who know about this. There's people in chat—they won't stand up and say anything, but I know the people who know about this. **Aidan:** Bring all these lame cons up one by one so I can slam 'em down one by one, because none of you motherfuckers got a receipt to back up any of this shit. None of you do. Bring it. By adding them. **Chris:** Stand by. Stand by. Stand by. **Joe Flipperhead:** You have the text, bro. You know I saw the screenshot. **Aidan:** So we gonna talk about what you did to Olivia Lambo? We have a lot of things, dude. **Joe:** You're deflecting. When you... **Aidan:** You want to go there? Mark Bedderow? Oh, of being in on a fucking conspiracy against you? To tell us—if when we told you Olivia Lambo... You made us fucking get on a FaceTime with her because you thought she was dead. You thought you were being catfished by her, fucking... I was, and so we agreed to do a Zoom call with her. And when I called you and I told you Olivia Lambo is real—I just saw her face. What did you do? You accused me and Mark Bedderow of lying to you, of being in on it, because you are a fucking psychopathic motherfucker. And I didn't put it there because I don't want to fuck... **Joe:** Yeah, you did put it out there, though. If you want to get into the Olivia thing, that's fine, and I'll go down that road. But you're calling me a psychopath You fucking recorded Karen Read's fucking calls and sent them to people. **Chris:** I'm just gonna keep muting him because he's yelling. You can say it. **Aidan:** Is this Lily's space or yours? **Joe:** I have the text, dude. I'll put it on one of our... Your—She told me she's fucking done with you, dude. **Aidan:** All right. I'm going on my own right now. I'm calling out fucking Joe Flipp-ed life. If I get muted one more fucking time. I'm gonna do a whole fucking... Thank you. I'm publishing all your fucking texts—the whole world can see what a fucking sadistic psychopath you are. You controlling predator piece of shit. You fucking go there. **Chris:** This is completely the actions of a normal innocent person. **Aidan:* You're a pyscho freak. **Joe:** Yeah, says the guy that recorded Karen. **Aidan:** Oh, yeah, let's hear it. See the fucking recording. Can I hear it? **Joe:** I got the text saying you recorded. But the text says there's a recording, so where's the fucking recording? *Aidan:** Hey, let's hear Joe. Why? I just got asked if I'm—what would you say if I'm a massage in this? Like, go— **Joe:** Why does Liv still text me to this day? **Aidan:** You text her. Oh, you want to see the receipts, dude? I've seen the receipts—all of them. Okay, I got all the receipts. **Joe:** You got the August ones, the September ones where she misses me and hates how things ended? You got those? Fuck, I see 'em. Publish 'em. I will do it. I don't plan—I talk about you. Go for it. **Chris:** You're doing everything back. **Joe:** When I told you how she wouldn't FaceTime me for three months, how she puts up month-old pictures if you wouldn't fucking... **Aidan:** Yeah, you know why? You know why she wouldn't do that? She's just not into you. Ever have you do this with every girl you fucking talk to? **Joe:**You said to me, after reading the text from her sister— **Chris:** Says the guy who is swining on a 19-year old. **Joe:** You said Aidan, that she said to you, "she's love with you," bro. That's what you said. She's in love with you. That's what you said. Yeah, when her sister—and then he can get you caught by somebody. Let's just get back to you. Deflection from Aidan, who doesn't want to be on the line. **Joe:** As you wish—she wouldn't FaceTime me. She wouldn't meet up with me, and she lied to me constantly. Yeah, why would she meet up? **Aidan:** Maybe she's just not that into you. Ever think about that? Maybe she's just not that into you. Maybe you saw the text. I know, I know—it's hard for you to accept that the girl just doesn't want you. You have to accept the person doesn't want nothing to do with you, isn't it? I did, and you got clingy and possessive. And so she fucking stopped talking to you, so you called her mother and you talked—you don't even know because you're psychotic, bro. I'm fucking... you. *Joe:** You're just deflecting, bro. This is fucking pathetic. I'm not your one. She's talking about this. **Aidan:** I got no fucking thing—you—you are a fucking psychopath. **Joe:** You're first of all—she doesn't want you to fucking be talking about this because why? **Aidan:** You're the one fucking airing it out now, motherfucker. **Chris:** You're the one airing it because you got caught recording Karen. **Aidan:** So let's hear the recording. Let's play the recording. You got a recording of me, right? **Joe:** I know you did it, dude. **Aidan:** What? **Joe:** I know you recorded. Are you lying? Karen Read's a liar? All right, am I...? **Aidan:** You are the fucking coward. Where's the recording? What recording you talking about? You're—you're— **Joe:** You're accusing Karen Read of lying about this? **Aidan:** Yes. **Joe:** You're really—are you really serious? How many fucking—serious? **Aidan:** Let's hear the fucking recording. **Lily** Chris or Joe? Please play it. Did it? You didn't have... for people. Can you please provide a receipt? Just like I think it's fair. **Joe:** Aidan has it. **Aidan:: I thought you had it. I thought you had it. Let's hear it. Let's hear the recording. **Joe:** All right, you sent me the text that I sent. You haven't... **Aidan:** Yeah, let's—so let's hear the actual recording. Does it exist, though? **Joe:** So Karen is lying. **Aidan:: Karen Read would never lie (sarcastic tone). Oh, yeah. **Chris:** True color. *Joe:** So yeah, let me just run this: You recorded it. You recorded the conversation. You showed it to people, and then the very next day she randomly accused you of fucking doing it. That's what happened. That's what your story is, right? **Aidan:** There's no fucking recording. **Joe:** There is, dude. Where is it? **Aidan:** So let me hear it. Play it. **Joe:** I don't fucking have it. **Aidan:** Oh, you don't know if there's a recording, do you? Thank you. Because you're full of shit. I know—I just fucking caught you. That's what you just said. Those—bring it up here. I talked to somebody—bring her up here. Bring Karen Read up here, bro. You talked to her? Bring her on up here. **Joe:** I spoke to somebody that you played the recording for. Okay, oh—you know, just—I just say I've already said it, so just say it. Okay, I said I wanted to not say her name, but you know who—you played it for. **Aidan:** I haven't played it for anyone just— there's no recording. **Joe:** Stop fucking lying. Let's hear it from the point. *Aidan:** Let's hear it. Let's hear it. **Joe:** Aidan, this is fucking crazy, dude. **Aidan:** I'm not the one that fucking caught it—got blocked by Olivia's mother, and fucking brother... **Joe** Here we go. This is deflecting, and dude—that's admitting how fucking guilty you are right here. **Aidan:** Let's hear a fucking recording. You said you got a fucking recording, right? **Joe:** Nobody said that. We said—oh, Karen Read doesn't want to talk to you anymore because you recorded her calls, set them to people, and it got back to her. **Chris:** I got a question for you, Aidan, I didn't know—so sure. When you went on your little pity party and then you— **Joe:** The worst part is you lied to everybody acting on it. You had no idea what was wrong and why she she fucking set you straight—trying to get sympathy. That, my friend, is fucking psychotic. **Aidan:** Okay, okay, sure thing. Yeah, you said I sent the recording out. Where's the recording? *Joe:** Dude? It's not—I'm not obligated to fucking get the recording. **Aidan:** Oh, yeah, you wouldn't want to back it up, right? **Joe:** You're so—you're going to go on record that Karen is lying? Say it. You're caling Karen Read a liar about this. **Aidan:** There is no fucking recording. **Joe:** You're lying, dude. It's fucking crazy. This is what's here. It—play the note. You played it for somebody. You got it. I don't got it. **Aidan:** Let's hear you play it. You're the one that says there's a fucking record. **Chris:** I mean, that's—you have a history of recording people. **Lily:** Wait, we have—well, I feel like we have a responsibility as me as a host to Chris and... You're both—you're actually both not providing a receipt, and I'm—Aidan is actually asking for a receipt. I have to—for the recording. **Joe and Chris** He has—asking for the recording. **Lily:** You guys—she has which he sent to—we know I said. So who has it? One of the receipts. I know you're not gonna have— **Aidan:: you don't have the recording because— **Lily:** Just fucking say it. Karen doesn't want the recording out there. **Aidan:** What recording? There's no recording. **Joe:** Never even asked her for it, to be honest with you. **Aidan:** And so you wait—yeah, you never asked. Thank you—you never asked. **Joe:** Karen is fucking so done with you, bro. She sent—she told me about this completely unsolicited. **Lily:**That's beside the point, and I'm not the first—(Joe) Karen's done with him, ..but what the fuck—just post the fucking receipt for him. **Chris:** You can't come on here saying he has it, Lily. He's seen the same thing you've seen. He's even seen the same thing that I showed you. **Lily:** I know. You don't come on here and say I've got this, and then Aidan demands a receipt—you deserve. Okay... **Joe:** He's deflecting, asking for a recording he knows about the text. **Lily:** Yeah, I know, Joe. I get what you're saying, and I respect every—like what you're saying, but he's denying it. **Joe:** Fine, I'll post the fuck—I'll post them right now. I really don't give a fuck. **Lily:** Thank you. And that's immense—he can—he can then riff like whatever he can. I can't—I'm so like nervous. I've got dry mouth because... Then Aidan can like look at those, and he at least has—you know exactly what's been spoken about. He's just denying it. I can't say that, and I get it, but he is asking for the receipt, which is fair. And **Joe:** I'll even add the text message when he came on here initially. He said it was all alive, right? He said he sent me—fucking text message on Monday morning. **Lily:** I see it. We've established that now. We established that Aidan's denying it, so just post the receipt that you have, and then he can actually reflect on that and—and do you see what I mean? He's not gonna turn around now and say actually it is true. But if you've got the receipt, he can then say, "I will—this is x, y and z there." I just think it's fair—like... **Aidan:** Now, yeah, what he has is a screenshot that he claims is from Karen Read. It was— **Joe:** You're saying it's not from Karen Read. **Aidan:** I don't—there's no fucking name on the top. **Joe:** Yeah, I have it. Do you want me to read? **Aidan:** Okay, so there was an allegation? I'm reading. **Joe:** Do I have a text from you saying I was sent the same thing the morning after the verdict? Did you not say that to me? **Aidan:** Yes, you sent me the same thing the morning after the verdict. **Joe:** Okay, so then she sent it to me too. **Aidan:** Yeah, she knows—she said to me the morning after the Wilbur—she after the morning after the show, she said that she was sent a 30-minute fucking tape. Where's the fuck? What tape? Okay, she's not fucking accusing me. I have no—there's no fucking tape. There's no tape. She thinks I recorded her because I fucking told people about the conversation. That's it. **Joe:** You're telling me you didn't? **Aidan:: And I'm telling you I fucking didn't. You're wrong. **Joe:** 100% You're lying, dude. **Aidan:** Okay, so prove it. Let's see it. You got evidence, right? You like evidence? You got Any? **Joe**: I mean—I—a screenshot of—how many people did you send it to? **Aidan:** Zero, because there's no recording. **Joe:** There is. **Aidan:** Let's hear it. Play it. Let's play it. Let's go. **Joe:** Let's hold on. Let's hold on. Can I go real quick? So you come in here calling it—you were making fun of Chris because he's an Australian motherfucker. He doesn't have nothing, right? You said there was no text, no proof. And then now we're transitioning to the recording because I don't have the recording. Okay, so you think Karen Read is just fucking lying about this? How would she know? How would she know what about the recording? **Aidan:** There is no recording. **Joe:** You're telling me you didn't show it to anybody? Is that really what you're gonna tell people? **Aidan:**There's no recording to share with anyone. Okay, okay. Well, I mean, you got evidence, right? To back this up. **Joe:** Yeah, right. **Aidan:: You got something, right? Yeah, yeah. Did you been right? I mean, you have that, right? You have that right because you wouldn't say something—because if you know I had it, right? **Joe:** I have—why Karen Read won't speak to you. **Aidan:** You have a screenshot of a conversation with Karen Read. You don't have an actual fucking audio, though. **Joe:** I have—in Karen Read's words. Why do you think she would lie about this? **Aidan:** Do I think she would lie about having a recording? **Joe:** She wouldn't lie about this. Explain that one—about having a recording. **Aidan:** Yes, I know she's lying about that. **Joe:** Why, though? **Aidan:** I don't know why Karen is acting the way she is. It's unfortunate. Yeah, and honestly, I'm not the one—you're a fucking airing it all out right now. That's odd that Karen would green-light you coming on here and fucking doing this. That's kind of odd. Because I love you—notice, but like—kind of yeah, we raised 1.1 million fucking dollars for a little... Here I know—here, I'm here. I'm here. There's still a— **Chris;** there's no because you—still a fucking snake. Yeah, I know. He records people's phone calls. **Aidan:: Let's hear the tape. Let's hear the tape. You're the one making—you guys got nothing. Nothing. Nothing. I just sent the fucking text out. Just say—there you go, buddy. **Aidan:** Okay, so Karen Read is green-lighting this sort of drama? That's what you're saying? **Joe:** I asked her. I said—you asked her? She said yes, go ahead. I said, do you want your side out there? She said, 'sure. You're gonna read it? Sure. I told many people my side. This is my last straw. I would never and have never betrayed him. Meanwhile, he has put me in harm's way in a huge way multiple times.' **Aidan:** I put her—fucking words, okay? Not mine. Yep. Okay. I put Karen Read in harm's way? I went to jail for Karen Read. I don't know if you're familiar. **Chris:** You didn't go to jail for Karen Read, you fuck. **Aidan:** Oh, really? Then what am I on bail for? What is—the full—what's the full? **Chris:** You went to jail for Karen Read? You went to jail because of Lindsey. You went to jail because you're a fucking dick. **Aidan:** Why was I on bail? I think you're a fuck—while you're on bail. I'm saying because—why would I care? Maybe someone in the night— **Chris:** hey, you're full of shit. You're a fucking hell. **Aidan:** What the fuck was I on bail for? **Joe** Because they may know that—if you didn't record it, why are you being so hush-hush about it with everybody? Why would he just tell the people what she was saying since she's lying? What do you mean hush-hush about it? **Aidan** You think I won't talk about what she texted me? But you were hinting at it because I don't want to hear the fucking drama, but apparently she does because she's—you fucking do this because you're recording. Thank you. You're telling me no recording of any fucking phone calls? What's the—what's the fight? So you weren't mocking her the past however long—every time you went on the show saying you owe everything to Karen, all that shit? How is that little white lie? **Aidan:** I owe everything to Karen? What? Why is that little sub-story? You went on two weeks—how is that mocking her? That wasn't in the recording. What recording? There's no fucking recording. **Joe:** I heard it was a 10-minute recording. Does that make sense? **Aidan:** No recording, bro. Let's hear it. You heard it. Let's hear it. **Joe:** Dude, I'm not putting that part out here. **Aidan:** She's talking about her shit. What she's texting you right now—obviously. Who egging this on, isn't she? **Joe:** Who? Okay? Okay, who? Keep playing dumb. Hey—who? **Aidan:** Mm-hmm? Believe it or not—you guys got nothing, right? **Chris;** We got good—from the horse's mouth, mate. I mean, it's not over the horse. Yeah, that's enough for me. I don't need... **Aidan:** Karen's not talking to anyone in the media. **Joe:** If you read the text message, I just reached out to her as a friend—just to reach out and say hope you're doing well. She went into this whole thing about you. **Aidan:** So you reached out—let me get this right—you reached out to her just to say hope you're doing well, and the first thing she did was complain about me? **Joe:** Yes, okay. That says it all. There we go. Where is she? Tired of me? Maybe she's fucking tired of you telling the people bullshit. **Aidan:** What—what—what—what—what bullshit have I told people? That you have no idea why she won't fucking come on your whatever it is. **Aidan:** What do you mean I have no idea why? **Joe:** That's what you've been saying—you don't know what's going on, like you feel a bit sorry for—like the thing with the fucking Howie Carr, dude. That was ridiculous. **Aidan:** What was ridiculous? You're the entire way you handled—I didn't say a word about that. **Chris:** Yes, you did. You deleted the receipt, but let's see—where did I complain about her appearance on Howie Carr? You made a lot of all quiet. Oh, this fuck it. Oh... **Joe:** Wait, but you think we're fucking dumb? Do people are fucking dumb? So where did I—after you deleted it, and then you made a post about deleting it. **Aidan:** What did I say about it? I don't remember. **Chris:** But you don't remember? Yeah, you deleted it, bro. You deleted it. Yeah, remember? You deleted it. And then you made a post about the deleting of the post. Part 2 coming later.

(1/2) Last night's Aidan Kearney meltdown over his falling out with Karen Read on an X Space is the peak of catharsis and real-time online toxicity: It starts with the the bombshell claim about Aidan recorded Karen Read, moves to Karen's newly-released texts about being "done" with Aidan after "someone" sent a recording of that conversation to David Yannetti and Alan Jackson, then spirals into ad hominems, and ends with Kearney storming off to counter-publish. The flood of primary source documents posted on online overnight, thus, acts as the host's (Chris) victory lap over Kearney. FULL TRANSCRIPT; (Cleaned for grammar/spelling, punctuated for flow, and line-broken for readability. Some errors are expected.) Aidan: Am I on? Host/Other: You're on. Aidan: So who are you? Who is this? Chris: Don't worry about it. It doesn't matter who I am. Aidan: Well, it does. You're some fucking kangaroo court motherfucker talking about her. What the fuck do you know about anything? Chris: Well, I don't know exactly what you've been doing. Aidan: So what are your sources? What are your sources? What are your sources you're talking about? Huh? You don't know your sources? What do you talk about? No, your sources. Shut up. Let's see 'em. Let's see your sources. Lily: Hang on, Aidan. I'm the host. I'm Lily. Aidan: Yes, Lily. Hi, Lily. How are you? Lily: I'm good. I'm just going to wait. I know you may not know it, Chris, but you know me. And so I just wanted to say hi. Aidan: Yeah, I know, but this Koala motherfucker is up here making shit up, running his mouth nonsense. Let's see the receipts. I mean, what were you talking to Karen Read about? What are you talking about? Who the fuck are you? Chris: I'm asking you flat out: Did you or did you not record her phone calls between yourself and Karen? Aidan: I did not. I did not. Chris: Okay, so Karen is lying? Aidan: You talked to Karen Read? Karen isn't talking to anyone in the media, but she's talking to this call-the-motherfucker. That's what you're telling me right now. Chris: Like I said, If you want to go down this hill, stand ten toes down." Aidan: I'm calling you out because you're making shit up. Chris: Who? I'm not making anything up. I'm not making anything up. I'm not making anything up. Aidan: So let's see it. Let's see the fucking evidence. Let's see your communications with Karen Read where she says that. Let's see it. Lily: Hang on. Chris, you're going to have to provide the receipts. Chris: I'm going to tell you, the guy who's doing this—you know, he's going to put them out. Chris: Do you really want to prove it? You want to prove it to me? I've got all the mistakes that come out. I can't. Literally. Yeah. Yeah. Sure. What's that? Let's see it. Let's see it. Produce it. Tweet it out right now. Aidan: So I'm denying it—like, hardcore, 100%. I'm the guy you have to deny it to. I don't, because you've become a bit of a fuck-up. It's about as fucking legitimate as Lindsey trying to be a rake. Let's fucking see it, motherfucker. You got it, right? 'Cause I—accusations—I always bring fucking receipts. Where's your receipt, bitch? Aidan: You got 'em? Chris: I've got 'em now. I think you want me to be saying—to be honest—hang a room on the fucker with no receipt. Aidan: You got 'em? Yes or no? Chris: I've got a receipt. Where's your fuck? Chris: You just need, bro—you just need to like chill, because you're gonna have a lot of fucking neck on your face, because I don't really care. Chris: I said to the people who bought this story: If I end up having egg on my face, I'll put everyone's name in it, and I'm given—I have a... Just shut your fucking mouth for one fucking minute. Aidan: Right. Let's see it. Chris: I've just messaged the person. Aidan: Joe Flipp, you want to talk about a fucking psychopath? That motherfucker is—just, Joe Flipp. Really want to fucking go there?" 'Cause it's Joe. You can just say it's Nick from Philadelphia, isn't it? Yeah, I know all about Nick from Philadelphia. If you fucking want to go there and the fucking hell—that psychopath—what Olivia Lambo went through. You just don't want to come out. Does he want to talk about all that? Does he want to launch? Chris: Okay? You know what? How was your lunch with Meredith the other week. Fuck it. I don't care. How was your lunch with Meredith? How's your lunch with Meredith? Aidan:What the fuck? Chris: Chat, what, what am I talking about? How is your lunch with Meredith here? We got—you know what you want to do? You want to carry on and be a fuck with me here? I like you—always up. Chris: How was your lunch with Meredith a couple weeks ago, and what did you play for her? What the fuck are you talking about? Yeah, what the fuck am I talking about? You know exactly what I'm talking about. And I'm trying to do this respectfully, but you come in hot like you always do. So now I'm just gonna fucking do it. How was your lunch with Meredith the other week? Aidan: I didn't have one with Meredith. Yeah, bullshit. Okay, so that's it. So someone else is lying now. Chris: So you're gonna call Meredith a liar? Why? Meredith's a liar? Aidan: Are you talking to Meredith? Chris:I'm not talking to Meredith. Aidan: What are you talking about? Chris: Okay, well, so you have great Meredith in an Oscar. If you said that to Meredith, you just spread rumors. That's what you do—you don't spread any rumors. I want to laugh tonight about this. Erika Walsh: I warned you, Chris, about this last night. Aidan: You got no—Joe Flipp—fucking feeding you nonsense. That slimy psychopath, fucking nut job who called in Olivia's entire family to harass them—to the point where she had the fucking... Nothing to do with Olivia. And Joe's Flipp— **Chris:* this is to do with you. Stop deflecting, that motherfucker. Aidan: I'm telling you this—he's the one telling you this. Chris: I've been told by three different people. Three different people. There's people in this chat who know about this. There's people in chat—they won't stand up and say anything, but I know the people who know about this. Aidan: Bring all these lame cons up one by one so I can slam 'em down one by one, because none of you motherfuckers got a receipt to back up any of this shit. None of you do. Bring it. By adding them. Chris: Stand by. Stand by. Stand by. Joe Flipperhead: You have the text, bro. You know I saw the screenshot. Aidan: So we gonna talk about what you did to Olivia Lambo? We have a lot of things, dude. Joe: You're deflecting. When you... Aidan: You want to go there? Mark Bedderow? Oh, of being in on a fucking conspiracy against you? To tell us—if when we told you Olivia Lambo... You made us fucking get on a FaceTime with her because you thought she was dead. You thought you were being catfished by her, fucking... I was, and so we agreed to do a Zoom call with her. And when I called you and I told you Olivia Lambo is real—I just saw her face. What did you do? You accused me and Mark Bedderow of lying to you, of being in on it, because you are a fucking psychopathic motherfucker. And I didn't put it there because I don't want to fuck... Joe: Yeah, you did put it out there, though. If you want to get into the Olivia thing, that's fine, and I'll go down that road. But you're calling me a psychopath You fucking recorded Karen Read's fucking calls and sent them to people. Chris: I'm just gonna keep muting him because he's yelling. You can say it. Aidan: Is this Lily's space or yours? Joe: I have the text, dude. I'll put it on one of our... Your—She told me she's fucking done with you, dude. Aidan: All right. I'm going on my own right now. I'm calling out fucking Joe Flipp-ed life. If I get muted one more fucking time. I'm gonna do a whole fucking... Thank you. I'm publishing all your fucking texts—the whole world can see what a fucking sadistic psychopath you are. You controlling predator piece of shit. You fucking go there. Chris: This is completely the actions of a normal innocent person. **Aidan:* You're a pyscho freak. Joe: Yeah, says the guy that recorded Karen. Aidan: Oh, yeah, let's hear it. See the fucking recording. Can I hear it? Joe: I got the text saying you recorded. But the text says there's a recording, so where's the fucking recording? *Aidan: Hey, let's hear Joe. Why? I just got asked if I'm—what would you say if I'm a massage in this? Like, go— Joe: Why does Liv still text me to this day? Aidan: You text her. Oh, you want to see the receipts, dude? I've seen the receipts—all of them. Okay, I got all the receipts. Joe: You got the August ones, the September ones where she misses me and hates how things ended? You got those? Fuck, I see 'em. Publish 'em. I will do it. I don't plan—I talk about you. Go for it. Chris: You're doing everything back. Joe: When I told you how she wouldn't FaceTime me for three months, how she puts up month-old pictures if you wouldn't fucking... Aidan: Yeah, you know why? You know why she wouldn't do that? She's just not into you. Ever have you do this with every girl you fucking talk to? Joe:You said to me, after reading the text from her sister— Chris: Says the guy who is swining on a 19-year old. Joe: You said Aidan, that she said to you, "she's love with you," bro. That's what you said. She's in love with you. That's what you said. Yeah, when her sister—and then he can get you caught by somebody. Let's just get back to you. Deflection from Aidan, who doesn't want to be on the line. Joe: As you wish—she wouldn't FaceTime me. She wouldn't meet up with me, and she lied to me constantly. Yeah, why would she meet up? Aidan:** Maybe she's just not that into you. Ever think about that? Maybe she's just not that into you. Maybe you saw the text. I know, I know—it's hard for you to accept that the girl just doesn't want you. You have to accept the person doesn't want nothing to do with you, isn't it? I did, and you got clingy and possessive. And so she fucking stopped talking to you, so you called her mother and you talked—you don't even know because you're psychotic, bro. I'm fucking... you. *Joe: You're just deflecting, bro. This is fucking pathetic. I'm not your one. She's talking about this. Aidan: I got no fucking thing—you—you are a fucking psychopath. Joe: You're first of all—she doesn't want you to fucking be talking about this because why? Aidan: You're the one fucking airing it out now, motherfucker. Chris: You're the one airing it because you got caught recording Karen. Aidan: So let's hear the recording. Let's play the recording. You got a recording of me, right? Joe: I know you did it, dude. Aidan: What? Joe: I know you recorded. Are you lying? Karen Read's a liar? All right, am I...? Aidan: You are the fucking coward. Where's the recording? What recording you talking about? You're—you're— Joe: You're accusing Karen Read of lying about this? Aidan: Yes. Joe: You're really—are you really serious? How many fucking—serious? Aidan: Let's hear the fucking recording. Lily Chris or Joe? Please play it. Did it? You didn't have... for people. Can you please provide a receipt? Just like I think it's fair. Joe: Aidan has it. Aidan:: I thought you had it. I thought you had it. Let's hear it. Let's hear the recording. Joe: All right, you sent me the text that I sent. You haven't... Aidan: Yeah, let's—so let's hear the actual recording. Does it exist, though? Joe: So Karen is lying. Aidan:: Karen Read would never lie (sarcastic tone). Oh, yeah. Chris:** True color. *Joe: So yeah, let me just run this: You recorded it. You recorded the conversation. You showed it to people, and then the very next day she randomly accused you of fucking doing it. That's what happened. That's what your story is, right? Aidan: There's no fucking recording. Joe: There is, dude. Where is it? Aidan: So let me hear it. Play it. Joe: I don't fucking have it. Aidan: Oh, you don't know if there's a recording, do you? Thank you. Because you're full of shit. I know—I just fucking caught you. That's what you just said. Those—bring it up here. I talked to somebody—bring her up here. Bring Karen Read up here, bro. You talked to her? Bring her on up here. Joe: I spoke to somebody that you played the recording for. Okay, oh—you know, just—I just say I've already said it, so just say it. Okay, I said I wanted to not say her name, but you know who—you played it for. Aidan: I haven't played it for anyone just— there's no recording. Joe:** Stop fucking lying. Let's hear it from the point. *Aidan: Let's hear it. Let's hear it. Joe: Aidan, this is fucking crazy, dude. Aidan: I'm not the one that fucking caught it—got blocked by Olivia's mother, and fucking brother... Joe Here we go. This is deflecting, and dude—that's admitting how fucking guilty you are right here. Aidan: Let's hear a fucking recording. You said you got a fucking recording, right? Joe: Nobody said that. We said—oh, Karen Read doesn't want to talk to you anymore because you recorded her calls, set them to people, and it got back to her. Chris: I got a question for you, Aidan, I didn't know—so sure. When you went on your little pity party and then you— Joe: The worst part is you lied to everybody acting on it. You had no idea what was wrong and why she she fucking set you straight—trying to get sympathy. That, my friend, is fucking psychotic. Aidan:** Okay, okay, sure thing. Yeah, you said I sent the recording out. Where's the recording? *Joe: Dude? It's not—I'm not obligated to fucking get the recording. Aidan: Oh, yeah, you wouldn't want to back it up, right? Joe: You're so—you're going to go on record that Karen is lying? Say it. You're caling Karen Read a liar about this. Aidan: There is no fucking recording. Joe: You're lying, dude. It's fucking crazy. This is what's here. It—play the note. You played it for somebody. You got it. I don't got it. Aidan: Let's hear you play it. You're the one that says there's a fucking record. Chris: I mean, that's—you have a history of recording people. Lily: Wait, we have—well, I feel like we have a responsibility as me as a host to Chris and... You're both—you're actually both not providing a receipt, and I'm—Aidan is actually asking for a receipt. I have to—for the recording. Joe and Chris He has—asking for the recording. Lily: You guys—she has which he sent to—we know I said. So who has it? One of the receipts. I know you're not gonna have— Aidan:: you don't have the recording because— Lily: Just fucking say it. Karen doesn't want the recording out there. Aidan: What recording? There's no recording. Joe: Never even asked her for it, to be honest with you. Aidan: And so you wait—yeah, you never asked. Thank you—you never asked. Joe: Karen is fucking so done with you, bro. She sent—she told me about this completely unsolicited. Lily:That's beside the point, and I'm not the first—(Joe) Karen's done with him, ..but what the fuck—just post the fucking receipt for him. Chris: You can't come on here saying he has it, Lily. He's seen the same thing you've seen. He's even seen the same thing that I showed you. Lily: I know. You don't come on here and say I've got this, and then Aidan demands a receipt—you deserve. Okay... Joe: He's deflecting, asking for a recording he knows about the text. Lily: Yeah, I know, Joe. I get what you're saying, and I respect every—like what you're saying, but he's denying it. Joe: Fine, I'll post the fuck—I'll post them right now. I really don't give a fuck. Lily: Thank you. And that's immense—he can—he can then riff like whatever he can. I can't—I'm so like nervous. I've got dry mouth because... Then Aidan can like look at those, and he at least has—you know exactly what's been spoken about. He's just denying it. I can't say that, and I get it, but he is asking for the receipt, which is fair. And Joe: I'll even add the text message when he came on here initially. He said it was all alive, right? He said he sent me—fucking text message on Monday morning. Lily: I see it. We've established that now. We established that Aidan's denying it, so just post the receipt that you have, and then he can actually reflect on that and—and do you see what I mean? He's not gonna turn around now and say actually it is true. But if you've got the receipt, he can then say, "I will—this is x, y and z there." I just think it's fair—like... Aidan: Now, yeah, what he has is a screenshot that he claims is from Karen Read. It was— Joe: You're saying it's not from Karen Read. Aidan: I don't—there's no fucking name on the top. Joe: Yeah, I have it. Do you want me to read? Aidan: Okay, so there was an allegation? I'm reading. Joe: Do I have a text from you saying I was sent the same thing the morning after the verdict? Did you not say that to me? Aidan: Yes, you sent me the same thing the morning after the verdict. Joe: Okay, so then she sent it to me too. Aidan: Yeah, she knows—she said to me the morning after the Wilbur—she after the morning after the show, she said that she was sent a 30-minute fucking tape. Where's the fuck? What tape? Okay, she's not fucking accusing me. I have no—there's no fucking tape. There's no tape. She thinks I recorded her because I fucking told people about the conversation. That's it. Joe: You're telling me you didn't? Aidan:: And I'm telling you I fucking didn't. You're wrong. Joe: 100% You're lying, dude. Aidan: Okay, so prove it. Let's see it. You got evidence, right? You like evidence? You got Any? Joe: I mean—I—a screenshot of—how many people did you send it to? Aidan: Zero, because there's no recording. Joe: There is. Aidan: Let's hear it. Play it. Let's play it. Let's go. Joe: Let's hold on. Let's hold on. Can I go real quick? So you come in here calling it—you were making fun of Chris because he's an Australian motherfucker. He doesn't have nothing, right? You said there was no text, no proof. And then now we're transitioning to the recording because I don't have the recording. Okay, so you think Karen Read is just fucking lying about this? How would she know? How would she know what about the recording? Aidan: There is no recording. Joe: You're telling me you didn't show it to anybody? Is that really what you're gonna tell people? Aidan:There's no recording to share with anyone. Okay, okay. Well, I mean, you got evidence, right? To back this up. Joe: Yeah, right. Aidan:: You got something, right? Yeah, yeah. Did you been right? I mean, you have that, right? You have that right because you wouldn't say something—because if you know I had it, right? Joe: I have—why Karen Read won't speak to you. Aidan: You have a screenshot of a conversation with Karen Read. You don't have an actual fucking audio, though. Joe: I have—in Karen Read's words. Why do you think she would lie about this? Aidan: Do I think she would lie about having a recording? Joe: She wouldn't lie about this. Explain that one—about having a recording. Aidan: Yes, I know she's lying about that. Joe: Why, though? Aidan: I don't know why Karen is acting the way she is. It's unfortunate. Yeah, and honestly, I'm not the one—you're a fucking airing it all out right now. That's odd that Karen would green-light you coming on here and fucking doing this. That's kind of odd. Because I love you—notice, but like—kind of yeah, we raised 1.1 million fucking dollars for a little... Here I know—here, I'm here. I'm here. There's still a— Chris; there's no because you—still a fucking snake. Yeah, I know. He records people's phone calls. Aidan:: Let's hear the tape. Let's hear the tape. You're the one making—you guys got nothing. Nothing. Nothing. I just sent the fucking text out. Just say—there you go, buddy. Aidan: Okay, so Karen Read is green-lighting this sort of drama? That's what you're saying? Joe: I asked her. I said—you asked her? She said yes, go ahead. I said, do you want your side out there? She said, 'sure. You're gonna read it? Sure. I told many people my side. This is my last straw. I would never and have never betrayed him. Meanwhile, he has put me in harm's way in a huge way multiple times.' Aidan: I put her—fucking words, okay? Not mine. Yep. Okay. I put Karen Read in harm's way? I went to jail for Karen Read. I don't know if you're familiar. Chris: You didn't go to jail for Karen Read, you fuck. Aidan: Oh, really? Then what am I on bail for? What is—the full—what's the full? Chris: You went to jail for Karen Read? You went to jail because of Lindsey. You went to jail because you're a fucking dick. Aidan: Why was I on bail? I think you're a fuck—while you're on bail. I'm saying because—why would I care? Maybe someone in the night— Chris: hey, you're full of shit. You're a fucking hell. Aidan: What the fuck was I on bail for? Joe Because they may know that—if you didn't record it, why are you being so hush-hush about it with everybody? Why would he just tell the people what she was saying since she's lying? What do you mean hush-hush about it? Aidan You think I won't talk about what she texted me? But you were hinting at it because I don't want to hear the fucking drama, but apparently she does because she's—you fucking do this because you're recording. Thank you. You're telling me no recording of any fucking phone calls? What's the—what's the fight? So you weren't mocking her the past however long—every time you went on the show saying you owe everything to Karen, all that shit? How is that little white lie? Aidan: I owe everything to Karen? What? Why is that little sub-story? You went on two weeks—how is that mocking her? That wasn't in the recording. What recording? There's no fucking recording. Joe: I heard it was a 10-minute recording. Does that make sense? Aidan: No recording, bro. Let's hear it. You heard it. Let's hear it. Joe: Dude, I'm not putting that part out here. Aidan: She's talking about her shit. What she's texting you right now—obviously. Who egging this on, isn't she? Joe: Who? Okay? Okay, who? Keep playing dumb. Hey—who? Aidan: Mm-hmm? Believe it or not—you guys got nothing, right? Chris; We got good—from the horse's mouth, mate. I mean, it's not over the horse. Yeah, that's enough for me. I don't need... Aidan: Karen's not talking to anyone in the media. Joe: If you read the text message, I just reached out to her as a friend—just to reach out and say hope you're doing well. She went into this whole thing about you. Aidan: So you reached out—let me get this right—you reached out to her just to say hope you're doing well, and the first thing she did was complain about me? Joe: Yes, okay. That says it all. There we go. Where is she? Tired of me? Maybe she's fucking tired of you telling the people bullshit. Aidan: What—what—what—what—what bullshit have I told people? That you have no idea why she won't fucking come on your whatever it is. Aidan: What do you mean I have no idea why? Joe: That's what you've been saying—you don't know what's going on, like you feel a bit sorry for—like the thing with the fucking Howie Carr, dude. That was ridiculous. Aidan: What was ridiculous? You're the entire way you handled—I didn't say a word about that. Chris: Yes, you did. You deleted the receipt, but let's see—where did I complain about her appearance on Howie Carr? You made a lot of all quiet. Oh, this fuck it. Oh... Joe: Wait, but you think we're fucking dumb? Do people are fucking dumb? So where did I—after you deleted it, and then you made a post about deleting it. Aidan: What did I say about it? I don't remember. Chris:** But you don't remember? Yeah, you deleted it, bro. You deleted it. Yeah, remember? You deleted it. And then you made a post about the deleting of the post. Part 2 coming later.

Grant Smith Ellis

85,913 görüntüleme • 1 yıl önce

"How to Confirm A Date -- The Day of the Date." I'm not sure what happened to this guy leading up to the date. I don't have the text exchange. But even when he texts her, "I'm on my way to the date" -- that's a little bit of a red flag on this guy's "method." All of which begs the question: How do you confirm a date...the day of the date? Plenty of ways to skin this cat. Here's one: Assuming the time and place are already set... On the afternoon of the date (somewhere between noon and 1 p.m.) Send a soft confirmation text. Do not send: "Hey are we still on for tonight at 7:30 p.m. ? (Needy and clueless). It's hot as fck on the east coast right now. So I'd probably send something like... "Feel like these ice cold margs are gonna hit tonight" I'm painting a picture. It sounds fun and relaxing because hey, who doesn't love drinking a margarita on a hot summer evening. And it subtly cues that it's her turn to confirm. Her: "omg yeh its crazy hot looking fwd to it :)" If she says nothing then you know a flake is likely in the cards. So what do you do? Either way, you do the same thing. Here's what I mean: I always pick a bar walking distance from my place -- so ymmv. But 15 minutes before the date... You text something like, "text when you arrive" It's a vague text but the way it's worded is crucial: If you read closely, it does NOT say nor imply: "I've arrived. So let me know when you've arrived." (Translation: "I'm super eager to meet you and I'm willing to waste my time sitting here like a clueless d*ckhead while you're late!"). The text says, "text when YOU arrive" Why? Two reasons. 1. Because I'm not there lmao, and... 2. Girls are always late. lmao. I'd guess only 10% of my dates have ever been "on time." If she ghosts this text, then she just straight up flaked on you. That's all the confirmation you need. Congrats, you just won yourself a free evening. LOL. But usually... Assuming she's acting in good faith... At this point, she'll fess up: "OK, running 15 minutes late but omw." Eventually, when she arrives she'll text you, "ok i'm here!" Obviously, when she arrives, you are nowhere to be found. She's usually waiting by the front entrance. After a minute or two you text something like, "ok omw" That way... You know she's there -- without having to sit in the venue and wait while she inevitably shows up 20-30 minutes late. And voila'. There you have it. A texting sequence I've used a million times. A texting sequence, that I'm sure would've helped this guy. P.S. Unrelated, but... After getting flaked on, he texts the girl: "we agree to a time and place to meet and you haven't made an effort...I don't appreciate having my time wasted." Then proceeds to explain how the person in the lower frame is always explaining themselves to the person with the higher frame. And yet, here he is. Explaining himself to her: "I don't appreciate having my time wasted." Because he's in the lower frame. lol. Good rule of thumb: If you ever have to verbalize your boundaries to a woman... You're not being "alpha" or "masculine." Your frame, is in fact, f*cked lmao.

"How to Confirm A Date -- The Day of the Date." I'm not sure what happened to this guy leading up to the date. I don't have the text exchange. But even when he texts her, "I'm on my way to the date" -- that's a little bit of a red flag on this guy's "method." All of which begs the question: How do you confirm a date...the day of the date? Plenty of ways to skin this cat. Here's one: Assuming the time and place are already set... On the afternoon of the date (somewhere between noon and 1 p.m.) Send a soft confirmation text. Do not send: "Hey are we still on for tonight at 7:30 p.m. ? (Needy and clueless). It's hot as fck on the east coast right now. So I'd probably send something like... "Feel like these ice cold margs are gonna hit tonight" I'm painting a picture. It sounds fun and relaxing because hey, who doesn't love drinking a margarita on a hot summer evening. And it subtly cues that it's her turn to confirm. Her: "omg yeh its crazy hot looking fwd to it :)" If she says nothing then you know a flake is likely in the cards. So what do you do? Either way, you do the same thing. Here's what I mean: I always pick a bar walking distance from my place -- so ymmv. But 15 minutes before the date... You text something like, "text when you arrive" It's a vague text but the way it's worded is crucial: If you read closely, it does NOT say nor imply: "I've arrived. So let me know when you've arrived." (Translation: "I'm super eager to meet you and I'm willing to waste my time sitting here like a clueless dckhead while you're late!"). The text says, "text when YOU arrive" Why? Two reasons. 1. Because I'm not there lmao, and... 2. Girls are always late. lmao. I'd guess only 10% of my dates have ever been "on time." If she ghosts this text, then she just straight up flaked on you. That's all the confirmation you need. Congrats, you just won yourself a free evening. LOL. But usually... Assuming she's acting in good faith... At this point, she'll fess up: "OK, running 15 minutes late but omw." Eventually, when she arrives she'll text you, "ok i'm here!" Obviously, when she arrives, you are nowhere to be found. She's usually waiting by the front entrance. After a minute or two you text something like, "ok omw" That way... You know she's there -- without having to sit in the venue and wait while she inevitably shows up 20-30 minutes late. And voila'. There you have it. A texting sequence I've used a million times. A texting sequence, that I'm sure would've helped this guy. P.S. Unrelated, but... After getting flaked on, he texts the girl: "we agree to a time and place to meet and you haven't made an effort...I don't appreciate having my time wasted." Then proceeds to explain how the person in the lower frame is always explaining themselves to the person with the higher frame. And yet, here he is. Explaining himself to her: "I don't appreciate having my time wasted." Because he's in the lower frame. lol. Good rule of thumb: If you ever have to verbalize your boundaries to a woman... You're not being "alpha" or "masculine." Your frame, is in fact, fcked lmao.

The Rizz Report

41,119 görüntüleme • 2 ay önce

Sensitive content

Models/Artists: EXCITING AND MAJOR NEW ANNOUNCEMENTS 1. You can now upload any zip or pdf file to sell in your store or include in a post, up to 2gig. 2. The Media Center now has a “Files” category where you can see the files you have uploaded, create a post or a store item. 3. There are new Art categories you can choose when posting a product for sale, and that users can use to search the store. These will evolve over time and we know they don’t cover every use case yet. 4. There is a new Artists page that lists the artists on the site. There aren’t many yet, but this will obviously grow a lot. 5. The verification process now has better instructions for artists vs. video creators. 6. When you sign up, you choose whether you are an artist or on-screen talent. If you already have your account and need to update this, reach out to customer service and they can do it for you. If your current artwork fits within our TOS, go ahead and start selling your works now on JFF. If you aren’t sure, we hope to have clarity around our TOS this week, so please be patient as we get that done. Folks, this is Phase I, and we’ve done this all since Friday to try to help the NSFW artists in our community. There will be more phases as we see what is needed. We are doing our best, so if something you want isn’t there yet, send a note to customer service and help us build this area out on the site over time. We hope Phase I meets a good percentage of your immediate needs to start earning money. But we also know that our site, like ALL adult sites, will have content restrictions that will exclude some of you. That’s not our choosing or our doing. But if we want to keep our credit card processors and not deplatform everyone (like other sites just did) then we need to play by their rules. That sucks and we are sorry about that. We use adult processors, so we have a lot fewer restrictions than the other sites that are deplatforming ALL NSFW content. For those of you new to the site, we have made a VIDEO TUTORIAL (thank you, Alice Skary) on how to upload files, post them for sale, set your store as the default view of your profile, etc. You can watch that here:

JustForFans

461,360 görüntüleme • 2 yıl önce

Whoopi Goldberg dismisses Pratt losing his house in the wildfires and says he needs to know what he's talking about and offer "solutions" before "passing judgment" on Karen Bass. She claims he doesn't "understand what people are going through": GOLDBERG: No, he's not the answer but here's the thing, nobody -- You know, they have bitched about these wildfires as long as I've lived in California, it's always been -- it's always been a problem. But what I don't like is if you don't have any solutions that have not been already tried or if you're throwing shade on people saying she diverted water from this place -I mean, you have to -- you have to have some idea of what needs to be done. A lot of people were affected by those wildfires, a lot of my friends, a lot of people you know lost everything. HOSTIN: Right. GOLDBERG: So this is not, you know, a ha, ha, let's do an A.I. video. This is real stuff. People -- this is people's lives. And so, before you're passing judgment, you need to be able to tell people what you have to offer, Spencer. [Applause] You know, and, you know, I don't know what qualifies as the right way to be a politician, but what I do know is they have to be the people who understand what people are going through. And if you don't understand what people are going through, in the way they're going through it, when you're talking about communities, whole communities that have been burned out, whole groups, legacies that are gone. It's more than just this. It's all these things. You got to be prepared for a lot more stuff than I think you -- it is a really hard job and in California particularly.

Whoopi Goldberg dismisses Pratt losing his house in the wildfires and says he needs to know what he's talking about and offer "solutions" before "passing judgment" on Karen Bass. She claims he doesn't "understand what people are going through": GOLDBERG: No, he's not the answer but here's the thing, nobody -- You know, they have bitched about these wildfires as long as I've lived in California, it's always been -- it's always been a problem. But what I don't like is if you don't have any solutions that have not been already tried or if you're throwing shade on people saying she diverted water from this place -I mean, you have to -- you have to have some idea of what needs to be done. A lot of people were affected by those wildfires, a lot of my friends, a lot of people you know lost everything. HOSTIN: Right. GOLDBERG: So this is not, you know, a ha, ha, let's do an A.I. video. This is real stuff. People -- this is people's lives. And so, before you're passing judgment, you need to be able to tell people what you have to offer, Spencer. [Applause] You know, and, you know, I don't know what qualifies as the right way to be a politician, but what I do know is they have to be the people who understand what people are going through. And if you don't understand what people are going through, in the way they're going through it, when you're talking about communities, whole communities that have been burned out, whole groups, legacies that are gone. It's more than just this. It's all these things. You got to be prepared for a lot more stuff than I think you -- it is a really hard job and in California particularly.

Nicholas Fondacaro

21,041 görüntüleme • 4 ay önce

🚨 Huge Claim 🚨 - AARO and ODNI are aware of, "technology and methods to lure and attract UFOs." Did ODNI Conduct a UFO Summoning Operation? Plus - A Firsthand Witness to the "Orbs" That Were Allegedly Summoned (I'm gonna need your input towards the end on something) "The pilots and I...observed two large orbs flare up side by side, close to the helicopter. After a few seconds, a third orb flared up below the pair, followed by a fourth below that, forming a total of four or five in a 'T' formation under the original two." ~Senior U.S. Intelligence Officer "I was briefed on an event that occurred, where they, basically, tried to...cause UAP to come in. It was successful." ~Burlison "The Office of the Director of National Intelligence was conducting a UAP luring operation. That operation was wildly successful. That operation has FLIR video, photographs of orbs that they encountered as part of that operation." ~Flowers (ICYMI. In April, I posted about the alleged summoning of orbs that Steve Scalise, reportedly, had a briefing on and Rep. Eric Burlison spoke about. But we didn't know it was connected to this event out West. Yesterday, Jordan Flowers not only made that connection, but claimed that ODNI was in charge of the luring effort and that AARO was also involved. As I said yesterday, we need to see VIDEO! That shouldn't be a controversial take. The FLIR isn't an advanced sensor so the claim that it should remain classified doesn't hold water. Let's see it! And if they won't release it, Burlison should use the speech or debate clause (that he has threatened to use) and get that video and data out to the American public and world. This seems like a great case but I'll withhold judgment (on either side) for now. I've always believed that if summoning of UFOs can be proven, you not only show that some UFOs are anomalous, but that humans have abilities we've been told don't exist. So yeah, it's important.) ~ Burlison: "I was briefed on an event that occurred, where they basically tried to set up a perfect, case-scenario where that would cause UAP to come in, and then to capture them, or try to document them or record them. And it was very successful." (More from Burlison and Scalise (via Matt Laslo) in my April tweet below, and more from Burlison in this June tweet I put out. ⬇️⬇️⬇️ ) Burlison: "Most of what has not been released, that, to me, is the really mysterious thing, are the glowing orbs. Like these balls of plasma that seem to move in an intelligent way. "In some cases, they're static, they won't...like, they just hover without any noticeable signs of aerodynamics or like, propellers. They just sit still. And in some cases, they can like, immediately accelerate. "So I've seen the video footage of that, and I hope that...I'm confident that that that will be released, and if it's not, I will be throwing a fit about it. But that will be kind of...that will be eye opening for some people. But it's not definitive." June Tweet... ~~~ (In May, I also covered what the senior U.S. intelligence officer says they saw.) Senior U.S. Intelligence Officer: "Through NVGx, the pilots and I (using the naked eye) observed two large orbs flare up side by side, close to the helicopter - stationary and just above the rotor disk to our right. They were oval-shaped, orange with a white or yellow center, and emitted light in all directions. "After a few seconds, a third orb flared up below the pair, followed by a fourth below that, forming a total of four or five in a "T" formation under the original two. Moments later, they dimmed in reverse order, remaining stationary until they vanished from view. The entire event lasted 10-15 seconds. I didn't take photos, as I was focused on assessing what it was and whether it posed a threat. "After this encounter, the pilots briefly considered landing due to the objects' proximity but opted to remain hovering at 700 feet AGL for further observation. We then spotted the fighter jets entering visual range at about 23,00 feet AGL, identifiable by their blinking navigation lights. As watched from afar, the same type of orbs appeared directly above the fighters. They flared up one at a time in a horizontal formation, matching the jets' speed and flight path. After 10-15 seconds, they dimmed sequentially and disappeared." (Full witness statement here... ⬇️⬇️⬇️ ) ~~~ (The photos that have been released are okay, but we REALLY need video to judge this case and to hear from the witnesses so they can be questioned. A few photos here. ⬇️⬇️⬇️ ~ Here's what Jordan Flowers said yesterday on CBS News. This was new information because he connected the event out West with the luring of UAP, and he also claims ODNI was conducting said luring operation. That's important.) ~ Flowers: "The December 2025 incursion in the southwestern United States over a sensitive military facility, the Office of the Director of National Intelligence was conducting a UAP luring operation. That operation was wildly successful. That operation has FLIR video, photographs of orbs that they encountered as part of that operation. "That resulted in an FBI 302 interview (An FBI FD-302 is the formal written report used by agents to summarize witness, subject, or informant interviews. ~Joe), as well as a personal statement from senior intelligence officials at the ODNI, And that precipitated a classified briefing to members of Congress like, members Scalise and Burlison and Burchett. "This event was described as incontrovertible proof that there's a real phenomena here and a core reason why transparency efforts have accelerated over the past few months." (Let's hope we get transparency that results in the release of evidence that makes the masses realize how serious this topic is for humanity. "Incontrovertible proof" is a bold claim. I wanna see the data.) Flowers: "What's really interesting about that, is when you synthesize that with, you know, Congressman Burlison's comments made in public and with the information provided, it was an operation that... It assumes that not only that AARO, the All-Domain Anomaly Resolution Office, and the ODNI know that this is a real phenomena, but they already have the technology and methods with a proven track record to lure and attract these things." (Here's one part where I'd like people to chime in. And Jordan can, too, if he reads this. Is he saying that AARO and ODNI have the tech and methods or just that they're aware of it and have access to it via a third party, like Skywatcher?) Flowers: "So, suffice it to say, we need to synthesize what members of Congress are saying in addition to the data releases here, and when you do that, you are able to reach some astounding conclusions with publicly-available information." My previous post from April is below the video. ⬇️⬇️⬇️

🚨 Huge Claim 🚨 - AARO and ODNI are aware of, "technology and methods to lure and attract UFOs." Did ODNI Conduct a UFO Summoning Operation? Plus - A Firsthand Witness to the "Orbs" That Were Allegedly Summoned (I'm gonna need your input towards the end on something) "The pilots and I...observed two large orbs flare up side by side, close to the helicopter. After a few seconds, a third orb flared up below the pair, followed by a fourth below that, forming a total of four or five in a 'T' formation under the original two." ~Senior U.S. Intelligence Officer "I was briefed on an event that occurred, where they, basically, tried to...cause UAP to come in. It was successful." ~Burlison "The Office of the Director of National Intelligence was conducting a UAP luring operation. That operation was wildly successful. That operation has FLIR video, photographs of orbs that they encountered as part of that operation." ~Flowers (ICYMI. In April, I posted about the alleged summoning of orbs that Steve Scalise, reportedly, had a briefing on and Rep. Eric Burlison spoke about. But we didn't know it was connected to this event out West. Yesterday, Jordan Flowers not only made that connection, but claimed that ODNI was in charge of the luring effort and that AARO was also involved. As I said yesterday, we need to see VIDEO! That shouldn't be a controversial take. The FLIR isn't an advanced sensor so the claim that it should remain classified doesn't hold water. Let's see it! And if they won't release it, Burlison should use the speech or debate clause (that he has threatened to use) and get that video and data out to the American public and world. This seems like a great case but I'll withhold judgment (on either side) for now. I've always believed that if summoning of UFOs can be proven, you not only show that some UFOs are anomalous, but that humans have abilities we've been told don't exist. So yeah, it's important.) ~ Burlison: "I was briefed on an event that occurred, where they basically tried to set up a perfect, case-scenario where that would cause UAP to come in, and then to capture them, or try to document them or record them. And it was very successful." (More from Burlison and Scalise (via Matt Laslo) in my April tweet below, and more from Burlison in this June tweet I put out. ⬇️⬇️⬇️ ) Burlison: "Most of what has not been released, that, to me, is the really mysterious thing, are the glowing orbs. Like these balls of plasma that seem to move in an intelligent way. "In some cases, they're static, they won't...like, they just hover without any noticeable signs of aerodynamics or like, propellers. They just sit still. And in some cases, they can like, immediately accelerate. "So I've seen the video footage of that, and I hope that...I'm confident that that that will be released, and if it's not, I will be throwing a fit about it. But that will be kind of...that will be eye opening for some people. But it's not definitive." June Tweet... ~ (In May, I also covered what the senior U.S. intelligence officer says they saw.) Senior U.S. Intelligence Officer: "Through NVGx, the pilots and I (using the naked eye) observed two large orbs flare up side by side, close to the helicopter - stationary and just above the rotor disk to our right. They were oval-shaped, orange with a white or yellow center, and emitted light in all directions. "After a few seconds, a third orb flared up below the pair, followed by a fourth below that, forming a total of four or five in a "T" formation under the original two. Moments later, they dimmed in reverse order, remaining stationary until they vanished from view. The entire event lasted 10-15 seconds. I didn't take photos, as I was focused on assessing what it was and whether it posed a threat. "After this encounter, the pilots briefly considered landing due to the objects' proximity but opted to remain hovering at 700 feet AGL for further observation. We then spotted the fighter jets entering visual range at about 23,00 feet AGL, identifiable by their blinking navigation lights. As watched from afar, the same type of orbs appeared directly above the fighters. They flared up one at a time in a horizontal formation, matching the jets' speed and flight path. After 10-15 seconds, they dimmed sequentially and disappeared." (Full witness statement here... ⬇️⬇️⬇️ ) ~ (The photos that have been released are okay, but we REALLY need video to judge this case and to hear from the witnesses so they can be questioned. A few photos here. ⬇️⬇️⬇️ ~ Here's what Jordan Flowers said yesterday on CBS News. This was new information because he connected the event out West with the luring of UAP, and he also claims ODNI was conducting said luring operation. That's important.) ~ Flowers: "The December 2025 incursion in the southwestern United States over a sensitive military facility, the Office of the Director of National Intelligence was conducting a UAP luring operation. That operation was wildly successful. That operation has FLIR video, photographs of orbs that they encountered as part of that operation. "That resulted in an FBI 302 interview (An FBI FD-302 is the formal written report used by agents to summarize witness, subject, or informant interviews. ~Joe), as well as a personal statement from senior intelligence officials at the ODNI, And that precipitated a classified briefing to members of Congress like, members Scalise and Burlison and Burchett. "This event was described as incontrovertible proof that there's a real phenomena here and a core reason why transparency efforts have accelerated over the past few months." (Let's hope we get transparency that results in the release of evidence that makes the masses realize how serious this topic is for humanity. "Incontrovertible proof" is a bold claim. I wanna see the data.) Flowers: "What's really interesting about that, is when you synthesize that with, you know, Congressman Burlison's comments made in public and with the information provided, it was an operation that... It assumes that not only that AARO, the All-Domain Anomaly Resolution Office, and the ODNI know that this is a real phenomena, but they already have the technology and methods with a proven track record to lure and attract these things." (Here's one part where I'd like people to chime in. And Jordan can, too, if he reads this. Is he saying that AARO and ODNI have the tech and methods or just that they're aware of it and have access to it via a third party, like Skywatcher?) Flowers: "So, suffice it to say, we need to synthesize what members of Congress are saying in addition to the data releases here, and when you do that, you are able to reach some astounding conclusions with publicly-available information." My previous post from April is below the video. ⬇️⬇️⬇️

Joe Murgia

63,174 görüntüleme • 2 ay önce

$US admits to trying to hobble China [video transcript] A TOP US military strategist admitted the truth of the Tonya Harding accusation, I heard from Arnaud Bertrand. China's Victor Gao [video clip of Gao] recently said US strategy was to hobble China, in the way that skater Tonya Harding famously had someone try to fracture the knee of her rival, hobbling her, instead of competing fairly. [video clip of Nancy Kerrigan attack] Anja Manuel, Executive Director of the Aspen Security Forum said, live on stage, that the US was trying to hobble China. Listen to what she said about her fellow speaker Alan Estevez, U.S. Under Secretary of Industry and Security. . ANJA MANUEL: (video clip) "Let's keep sight of the goal: the country that leads in technology tends to lead the world. Roman roads. Chinese gunpowder. British steamships. And so on and so forth. "The United States and our friends and allies have been the undisputed technology leaders for decades and now we have someone who is running the race and running really fast and that's China. So the goal here should be for the US and our friends and allies to run faster in this race. "There's two ways to win a race. "One: you hobble the other guy. And Alan and team are working on that. There's another way: You run faster." . SUPREMACY I want to point out two things here. First, she immediately assumes that the US, just four per cent of the world, must be the dominant power over the whole world. She doesn't justify it, she just assumes that it's right. There are a number of words for when a small group, by use of power, assumes supremacy over everyone else – fascism is one of those world; there are a number of others. None of them are nice words, all implying unfairness to say the least. The US is, unfortunately, at war with the world, which wants to be fair, which wants to be multipolar, which recognizes that all people are people, and our shared humanity overrides the fact that we are Chinese or African or Indian or European or South American. . CYNICAL Second, Ms Manuel is absolutely fine with her government hobbling a developing country which is working hard to rise. Think about that. It's a staggeringly cynical position. It's immoral. You can't say free trade and competition is a good thing – except when someone else is doing well, in which case, hobbling them is fine. . IMMORALITY Now on the subject of immorality, I want to bring to people's attention this line in Biden's recent speech about what a great president he has been. BIDEN: (video clip) "You know when I came to office, the conventional wisdom was that China would inevitably pass the United, surpass the United States. That's not the case any more." Hear that? He says that the Chinese, a very large group of people comprising about 17 or 18 per cent of humanity – was about to economically overtake the US, which has about four per cent of humanity. He boasts that he has stopped that happening. Why is this good? If Biden was interested in fairness, he would acknowledge that a big group of people SHOULD have a bigger economy than a small group. But the US is not about fairness. To Biden and to Trump, things like fairness, equality, democracy, multi-polarity –are bad things, because they stop the US from supremacy. Supremacy is what it is all about. You know, eighty-seven per cent of humanity lives outside the west. We like the west. We watch their movies, we dance to their music, we learn so much from the west. But why are western leaders so opposed to the world becoming a fairer place? Can anyone answer that?$

US admits to trying to hobble China [video transcript] A TOP US military strategist admitted the truth of the Tonya Harding accusation, I heard from Arnaud Bertrand. China's Victor Gao [video clip of Gao] recently said US strategy was to hobble China, in the way that skater Tonya Harding famously had someone try to fracture the knee of her rival, hobbling her, instead of competing fairly. [video clip of Nancy Kerrigan attack] Anja Manuel, Executive Director of the Aspen Security Forum said, live on stage, that the US was trying to hobble China. Listen to what she said about her fellow speaker Alan Estevez, U.S. Under Secretary of Industry and Security. . ANJA MANUEL: (video clip) "Let's keep sight of the goal: the country that leads in technology tends to lead the world. Roman roads. Chinese gunpowder. British steamships. And so on and so forth. "The United States and our friends and allies have been the undisputed technology leaders for decades and now we have someone who is running the race and running really fast and that's China. So the goal here should be for the US and our friends and allies to run faster in this race. "There's two ways to win a race. "One: you hobble the other guy. And Alan and team are working on that. There's another way: You run faster." . SUPREMACY I want to point out two things here. First, she immediately assumes that the US, just four per cent of the world, must be the dominant power over the whole world. She doesn't justify it, she just assumes that it's right. There are a number of words for when a small group, by use of power, assumes supremacy over everyone else – fascism is one of those world; there are a number of others. None of them are nice words, all implying unfairness to say the least. The US is, unfortunately, at war with the world, which wants to be fair, which wants to be multipolar, which recognizes that all people are people, and our shared humanity overrides the fact that we are Chinese or African or Indian or European or South American. . CYNICAL Second, Ms Manuel is absolutely fine with her government hobbling a developing country which is working hard to rise. Think about that. It's a staggeringly cynical position. It's immoral. You can't say free trade and competition is a good thing – except when someone else is doing well, in which case, hobbling them is fine. . IMMORALITY Now on the subject of immorality, I want to bring to people's attention this line in Biden's recent speech about what a great president he has been. BIDEN: (video clip) "You know when I came to office, the conventional wisdom was that China would inevitably pass the United, surpass the United States. That's not the case any more." Hear that? He says that the Chinese, a very large group of people comprising about 17 or 18 per cent of humanity – was about to economically overtake the US, which has about four per cent of humanity. He boasts that he has stopped that happening. Why is this good? If Biden was interested in fairness, he would acknowledge that a big group of people SHOULD have a bigger economy than a small group. But the US is not about fairness. To Biden and to Trump, things like fairness, equality, democracy, multi-polarity –are bad things, because they stop the US from supremacy. Supremacy is what it is all about. You know, eighty-seven per cent of humanity lives outside the west. We like the west. We watch their movies, we dance to their music, we learn so much from the west. But why are western leaders so opposed to the world becoming a fairer place? Can anyone answer that?

Nury Vittachi

19,356 görüntüleme • 2 yıl önce