Sensitive content

This media may contain sensitive content.

Loading video...

Video Failed to Load

Go Home

Catch the shine in 2023🤩 enjoy this sample from the upcoming VIP feed 🤫 @soprano_silvia in total gloss touched and teased and pleased by Lucy in silk and silky gloves 😍 😉 #dressplay #satin #silk #satinshirt #satintrousers #gloves #shine #satinpants #satintrousers #highshine

7 Comments

Satinhouse 👠's profile picture
Satinhouse 👠3 years ago

@soprano_silvia Fantastisch!

Nylonia Satinien's profile picture
Nylonia Satinien3 years ago

@soprano_silvia Ouh, this satin blouse and video are dangerous! My girlfriend dragged me straight into our satin bedroom. Thank you!😎🥒💦

Sir Tomas's profile picture
Sir Tomas3 years ago

@soprano_silvia WHERE CAN I BUY THESE BLOUSES IN YOUR VIDEOS?????

Dressplay Club's profile picture
Dressplay Club3 years ago

@soprano_silvia THEY ARE CURRENTLY UNAVAILABLE ;-) but this might change latr this year ...

Stivmeister's profile picture
Stivmeister3 years ago

@ILovePureSilk @soprano_silvia WOW frohes neues Jahr, ich würde zu gerne da auch fühlen, spüren und zu packen wollen

Dressplay Club's profile picture
Dressplay Club3 years ago

@ILovePureSilk @soprano_silvia Danke und gleichfalls, Gesundes Neues Jahr! Ein Fest für die Sinne 😍

lumpeleilo's profile picture
lumpeleilo3 years ago

@soprano_silvia This is not from this World 🥰😍😍😍

Related Videos

Audrey Hepburn in “Funny Face” (1957). Designers Hubert de Givenchy and Edith Head were responsible for Hepburn’s fashions though Givenchy was given an exclusive rein of her couture selections in the film. He would later oversee her fashion design wear in the 1961 film ― Breakfast at Tiffany’s. Truman Capote, writer of the original novella upon which the film was based, wanted Marilyn Monroe for the role. Monroe turned it down. Concerns the character was a prostitute was the reason. Givenchy’s designing in the film Funny Face ― is nothing short of fine constructive artistry. Full of restraint but aesthetically pronounced as Hepburn looks utterly divine. The first piece is a white and pink evening gown. It is a refined floor-length silk dress with rare short-sleeved pink blazer with a fastened train of fabric which adds to the garment’s silhouette. This is paired with a set of white gloves, diamond tiara and diamond earrings. The second piece is a floral summer dress. Her richly coloured dress bears proportions of an Impressionist painting by Monet or even a post-Impressionist work by Cezanne. It is a full circle skirt, fitted bodice, with a pair of light yellow gloves ― oversized straw hat with matched flowers in hat and hair. The third piece is a two-piece dress suit with a knee length tan coloured dress, matching coat, fur hat, dark brown heels and gloves with a fur coat over arm. The fourth piece ― features a full skirted white circle dress. Paired with her white gloves, white low heeled pumps, and draped in a royal emerald coloured coat with matching hair tie. Exquisite regality. A fifth piece is the French chic outfit. Her white slacks and white blazer with a silk pink waist tie of fabric, a straw hat and pink flats. Very modern look. The sixth piece is a floral off the shoulder ball gown ― fitted at the waist, and a full flouncing skirt with patterned embroidery. Highly detailed. The look finished off with silver flat shoes. Givenchy’s final design is a silk tube evening gown with a long train of fabric ― and a matching red silk wrap, colour contrasted with white gloves, with a statement necklace and matching earrings.

Hollywood Golden Age of Cinema

52,384 views • 8 months ago