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Chadwick Boseman & Christopher Jackson performing the Tupac Shakur classic "I Ain't Mad at Cha"(2013). This was during a rehearsal for the Broadway musical inspired by Tupac's music titled " Holler If Ya Hear Me ". Chadwick was slated for a lead role but stepped away to star as... show more

Music is Life

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38,146 просмотров • 1 год назад •via X (Twitter)

Музыка Искусство

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— chadwick boseman singing tupac’s “i ain’t mad at cha” with co-star christopher jackson for the broadway musical “holler if ya hear me” directed by kenny leon, 2013. 🎶🎤💜 he was almost the lead for this, but landed the role for the james brown biopic “get on up” instead. 🥺✨

— chadwick boseman singing tupac’s “i ain’t mad at cha” with co-star christopher jackson for the broadway musical “holler if ya hear me” directed by kenny leon, 2013. 🎶🎤💜 he was almost the lead for this, but landed the role for the james brown biopic “get on up” instead. 🥺✨

❦.

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Chadwick Boseman received a posthumous star on the Hollywood Walk of Fame earlier this week. I’m trying my best to make this a happy moment- to remember Boseman for all he gave us. I just can’t help but find myself so upset he’s gone. Forget cinema: we lost an incredible person.

Chadwick Boseman received a posthumous star on the Hollywood Walk of Fame earlier this week. I’m trying my best to make this a happy moment- to remember Boseman for all he gave us. I just can’t help but find myself so upset he’s gone. Forget cinema: we lost an incredible person.

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#KSRavikumar Recent - Now people are calling #AnbeSivam a cult classic. I was originally planning to produce the film, but I decided not to because I felt the climax didn't work for me. - At that time, Anbe Sivam was also planned with Mohanlal sir in the lead role. #Madhavan

#KSRavikumar Recent - Now people are calling #AnbeSivam a cult classic. I was originally planning to produce the film, but I decided not to because I felt the climax didn't work for me. - At that time, Anbe Sivam was also planned with Mohanlal sir in the lead role. #Madhavan

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He thrilled audiences on both sides of the Atlantic with his performances as the lead in MJ. He originated the lead role in MJ the Musical on Broadway and became the youngest to win a Tony Award as lead actor in a musical. And he reprised that role on the West End since it’s opening at the Prince Edward Theater last year. Last night’s magical performance was his last in the role as he spreads his wings and flies to his next adventure.

He thrilled audiences on both sides of the Atlantic with his performances as the lead in MJ. He originated the lead role in MJ the Musical on Broadway and became the youngest to win a Tony Award as lead actor in a musical. And he reprised that role on the West End since it’s opening at the Prince Edward Theater last year. Last night’s magical performance was his last in the role as he spreads his wings and flies to his next adventure.

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On this day in 1996 at 4:03 PM, Tupac Amaru Shakur passed away at the age of 25. 28 years later, 2Pac's name is still being spoken about and will continue for many generations to come. We still ain't mad at cha for leaving us. Outlaw 4 Life How old were you when he left us?

On this day in 1996 at 4:03 PM, Tupac Amaru Shakur passed away at the age of 25. 28 years later, 2Pac's name is still being spoken about and will continue for many generations to come. We still ain't mad at cha for leaving us. Outlaw 4 Life How old were you when he left us?

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"The music was done by B.I, former iKON member. He was in charge as the music director. Even though this was his first time doing music for film, he designed the music perfectly." #MusicDirectedbyBI #HANBIN #BOY #비아이 #김한빈 #보이 (Rough Trans) Jo Byeong-kyu: Another key point is the music. The music was done by B.I, former iKON member. He was in charge as the music director. Even though this was his first time ever doing music for film, he designed the music perfectly. We had our first screening in Spain, and at that time, I could really feel the rhythm of the music. At first, I personally pushed for calling the genre of the film as “Rhythm Noir,” but by majority vote it ended up being called “Neon Noir.” So I think this is a film where the music really becomes a key point.

"The music was done by B.I, former iKON member. He was in charge as the music director. Even though this was his first time doing music for film, he designed the music perfectly." #MusicDirectedbyBI #HANBIN #BOY #비아이 #김한빈 #보이 (Rough Trans) Jo Byeong-kyu: Another key point is the music. The music was done by B.I, former iKON member. He was in charge as the music director. Even though this was his first time ever doing music for film, he designed the music perfectly. We had our first screening in Spain, and at that time, I could really feel the rhythm of the music. At first, I personally pushed for calling the genre of the film as “Rhythm Noir,” but by majority vote it ended up being called “Neon Noir.” So I think this is a film where the music really becomes a key point.

👑 시노시작🆔🖍️

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Christopher Nolan revealed that this scene in Inception was inspired by the James Bond film On Her Majesty’s Secret Service (1969), in which a snowy fortress is attacked. As a child, it was one of his most vivid movie memories.

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Robert Preston, as Professor Harold Hill sings “Ya Got Trouble” in the 1962 film “The Music Man”, with the assistance of the gathered ensemble cast. Despite Preston’s award winning performance in the Broadway version, Warner Bros. wanted a bankable star in the film’s lead role. Frank Sinatra was offered the part, but the writer and composer of the stage show, Meredith Willson, insisted on Preston and threatened to pull the movie rights. Preston was eventually agreed by the studio, and the movie was a big success, despite Warner Bros’ initial misgivings.

Robert Preston, as Professor Harold Hill sings “Ya Got Trouble” in the 1962 film “The Music Man”, with the assistance of the gathered ensemble cast. Despite Preston’s award winning performance in the Broadway version, Warner Bros. wanted a bankable star in the film’s lead role. Frank Sinatra was offered the part, but the writer and composer of the stage show, Meredith Willson, insisted on Preston and threatened to pull the movie rights. Preston was eventually agreed by the studio, and the movie was a big success, despite Warner Bros’ initial misgivings.

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"You go for me, and I'm taboo. But if you're hard to get, I go for you." 🎶 Dorothy Dandridge performing "Dat's Love" (vocals by Marilyn Horne) in Otto Preminger's CARMEN JONES (1954), based on Oscar Hammerstein II's stage musical of the same name. Dandridge earned a Lead Actress nomination at the 27th Oscars for her performance, becoming the first Black woman nominated in the category. The film, which also stars Harry Belafonte, Pearl Bailey, Olga James, Diahann Carroll and Joe Adams, received a nomination for Scoring of a Musical Picture (Herschel Burke Gilbert) as well.

"You go for me, and I'm taboo. But if you're hard to get, I go for you." 🎶 Dorothy Dandridge performing "Dat's Love" (vocals by Marilyn Horne) in Otto Preminger's CARMEN JONES (1954), based on Oscar Hammerstein II's stage musical of the same name. Dandridge earned a Lead Actress nomination at the 27th Oscars for her performance, becoming the first Black woman nominated in the category. The film, which also stars Harry Belafonte, Pearl Bailey, Olga James, Diahann Carroll and Joe Adams, received a nomination for Scoring of a Musical Picture (Herschel Burke Gilbert) as well.

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Christopher Plummer, who was a concert standard pianist with a fine musical ear, was furious when his singing voice was dubbed in “The Sound Of Music” (1965), and went on a drunken rampage through Salzburg. (He told me in an interview that the dubbing incident was one of the reasons he was rude about the film.) This is Plummer’s original vocal performance of “Edelweiss” - a chance to hear the song as he recorded it.

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This video captures a live performance of the classic piece "Baby Elephant Walk" by the talented composer Henry Mancini and his orchestra on the program Best Of Both Worlds in October 1964. Mancini explains that the song was inspired by a film he worked on a few seasons prior titled "Hatari", starring John Wayne. He also playfully shares that while many people assume the song was inspired by a scene featuring baby elephants, he actually had 'three baby elephants of his own' at home and dedicated this piece to the elephants in Africa as well as his own "little ones" at home.

𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀

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Jessica Biel screen tested for Catwoman in The Dark Knight Rises (2012). But once she found out Anne Hathaway got the role she was heartbroken. "That was another one that got away. I was gutted. I mean, to work with Christopher Nolan in that kind of a role.”

Jessica Biel screen tested for Catwoman in The Dark Knight Rises (2012). But once she found out Anne Hathaway got the role she was heartbroken. "That was another one that got away. I was gutted. I mean, to work with Christopher Nolan in that kind of a role.”

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Roman Polanski on why he took the lead role in "The Tenant" (1976) & the movie role that was offered to him by Steven Spielberg: "Interviewer: What inspired you to play the lead in The Tenant? Polanski: At that point I was working with Paramount and they had the rights to the Roland Topor novel. I thought it would be a good role for me. As a matter of fact, I found it more interesting to play the part than to direct the film. I find this with a lot of scripts, and it’s actually rare that both things appeal to me at the same time. You shouldn’t forget that I started as an actor and only became a director later. Interviewer: Have there been parts in films made by other directors you would have liked to play? Polanski: Yes, there were a few. I get a lot of these kinds of offers but I won’t name the films. Sometimes I use my other commitments as an excuse because I’m scared to work with people I don’t know. I also feel that life is too short for me to throw myself into projects that aren’t my own. But I will tell you about one part that was offered to me. A long time ago Steven Spielberg offered me a role in his first Indiana Jones film as the Nazi officer, the one who burns his hand. Unfortunately I was busy and couldn’t make it to Tunisia, the place where the film was shot, which was a shame because I would have found out just how chaotic it is to shoot there. A few years later I ended up filming Pirates in Tunisia. Interviewer: Would you have accepted the role? Polanski: I really wanted to work with Steven Spielberg." (Roman Polanski's interview with Gerhard Midding, 1990) P.S: On this day, 50 years ago, "The Tenant" (1976) premiered at the Cannes Film Festival, France.

Roman Polanski on why he took the lead role in "The Tenant" (1976) & the movie role that was offered to him by Steven Spielberg: "Interviewer: What inspired you to play the lead in The Tenant? Polanski: At that point I was working with Paramount and they had the rights to the Roland Topor novel. I thought it would be a good role for me. As a matter of fact, I found it more interesting to play the part than to direct the film. I find this with a lot of scripts, and it’s actually rare that both things appeal to me at the same time. You shouldn’t forget that I started as an actor and only became a director later. Interviewer: Have there been parts in films made by other directors you would have liked to play? Polanski: Yes, there were a few. I get a lot of these kinds of offers but I won’t name the films. Sometimes I use my other commitments as an excuse because I’m scared to work with people I don’t know. I also feel that life is too short for me to throw myself into projects that aren’t my own. But I will tell you about one part that was offered to me. A long time ago Steven Spielberg offered me a role in his first Indiana Jones film as the Nazi officer, the one who burns his hand. Unfortunately I was busy and couldn’t make it to Tunisia, the place where the film was shot, which was a shame because I would have found out just how chaotic it is to shoot there. A few years later I ended up filming Pirates in Tunisia. Interviewer: Would you have accepted the role? Polanski: I really wanted to work with Steven Spielberg." (Roman Polanski's interview with Gerhard Midding, 1990) P.S: On this day, 50 years ago, "The Tenant" (1976) premiered at the Cannes Film Festival, France.

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Michael Powell on how the iconic climax in "Black Narcissus" (1947) was filmed: "In 'Black Narcissus' (1947), I started out almost as a documentary director and ended up as a producer of opera, even though the excerpt from the opera was only about twelve minutes long. Never mind! It was opera in the sense that music, emotion, image and voices all blended together into a new and splendid whole. By music, of course, I mean not only sounds produced by musical instruments, but the human voice itself. Although neither Deborah nor Joseph nor Sister Ruth used their voices for anything but screams, music dictated their movements and revealed their thoughts and intentions. The sequence started with little Joseph- he was certainly one of the great successes of the film- bringing a cup of tea to Sister Clodagh as the colours of dawn spread over the snows of the Himalayas, and ends with Sister Ruth falling to her death. It was planned step by step, bar by bar, by Brian and myself. I wanted to get the maximum of suspense out of the cat-and-mouse play between the two women and we succeeded. The crew were amazed when Brian and I appeared with stopwatches and exact timings when we started to shoot the sequence. I insisted on rehearsing and shooting to a piano track and consulting Brian with a musical score in my hand over each set-up. But it worked! It worked! I have never enjoyed myself so much in my life. For the first time I felt I had control of the film with the authority of the music. It was astonishing to everyone, but particularly, of course, to the camera crew that we were able to compress or speed up the movement of the action just by saying: "No, that wasn't fast enough. We've only got seven seconds for I that bit of action." I was so happy! I swore that this was the only way to make films; and so, of course it is, if they are silent films or musical films. But for me, film-making was never the same after this experience, and it was to lead me and my collaborators into tribulations as well as triumph." ("A Life in Movies", Michael Powell, 1986) P.S: On this day, 79 years ago, "Black Narcissus" (1947) premiered in London, UK.

Michael Powell on how the iconic climax in "Black Narcissus" (1947) was filmed: "In 'Black Narcissus' (1947), I started out almost as a documentary director and ended up as a producer of opera, even though the excerpt from the opera was only about twelve minutes long. Never mind! It was opera in the sense that music, emotion, image and voices all blended together into a new and splendid whole. By music, of course, I mean not only sounds produced by musical instruments, but the human voice itself. Although neither Deborah nor Joseph nor Sister Ruth used their voices for anything but screams, music dictated their movements and revealed their thoughts and intentions. The sequence started with little Joseph- he was certainly one of the great successes of the film- bringing a cup of tea to Sister Clodagh as the colours of dawn spread over the snows of the Himalayas, and ends with Sister Ruth falling to her death. It was planned step by step, bar by bar, by Brian and myself. I wanted to get the maximum of suspense out of the cat-and-mouse play between the two women and we succeeded. The crew were amazed when Brian and I appeared with stopwatches and exact timings when we started to shoot the sequence. I insisted on rehearsing and shooting to a piano track and consulting Brian with a musical score in my hand over each set-up. But it worked! It worked! I have never enjoyed myself so much in my life. For the first time I felt I had control of the film with the authority of the music. It was astonishing to everyone, but particularly, of course, to the camera crew that we were able to compress or speed up the movement of the action just by saying: "No, that wasn't fast enough. We've only got seven seconds for I that bit of action." I was so happy! I swore that this was the only way to make films; and so, of course it is, if they are silent films or musical films. But for me, film-making was never the same after this experience, and it was to lead me and my collaborators into tribulations as well as triumph." ("A Life in Movies", Michael Powell, 1986) P.S: On this day, 79 years ago, "Black Narcissus" (1947) premiered in London, UK.

DepressedBergman

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BOYZ N DA HOOD THE EAZY E DISS THAT WAS SUBLIMINAL IN THE FILM AT THE TIME THE FILM RELEASED ICE CUBE AND EAZY E WERE BEEFING AND ALTHOUGH THE ROLE DOUGH BOY WAS INSPIRED BY EAZY E ICE CUBE ENDED UP PLAYING THE ROLE AND IN THE FILM IT’S A SCENE WHERE A CRACK HEAD WEARING A EAZY E SHIRT WALKS UP ON DOUGH BOYS CREW AND SNATCHES DOOKYS CHAIN AND THE END UP BEATING HIM UP AND HITTING HIM WITH A TRASH CAN THIS WAS A EAZY E DISS BY WAY OF THE FILM

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Edwin Díaz was asked if he'll still use Narco as his entrance music: "That music will get into the fans right away. That's a nice walk-up song. I can't wait for the first game of the season to come in with Timmy Trumpet and get the W for the Dodgers"

Edwin Díaz was asked if he'll still use Narco as his entrance music: "That music will get into the fans right away. That's a nice walk-up song. I can't wait for the first game of the season to come in with Timmy Trumpet and get the W for the Dodgers"

SNY

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#OnThisDay 1930: Iconic actor and film star Clint Eastwood was born. In this clip, Clint explains his scepticism about signing up for A Fistful of Dollars with Sergio Leone, and Leone confesses to actually wanting James Coburn for the role.

#OnThisDay 1930: Iconic actor and film star Clint Eastwood was born. In this clip, Clint explains his scepticism about signing up for A Fistful of Dollars with Sergio Leone, and Leone confesses to actually wanting James Coburn for the role.

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Tom Cruise wanted to use a temporary paralyzing agent to play his role in Born on the Fourth of July (1989) but the insurance company refused. Charlie Sheen was also expected to star as the lead, but after seeing the film he said Cruise deserved the Oscar.

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