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Chanced on this video yesterday … Back story … I wasn’t sleeping much anyways, so staying up all night with the new band to prepare wasn’t an issue at all. I had my beloved mum at the morgue. Life had me on my knees, but “there’s always a way... show more

DJ MENSAH

263,267 subscribers

39,825 views • 10 days ago •via X (Twitter)

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10 Comments

Kobby Sarkcess ➕10 days ago

You need to be bragging more

KingSonny10 days ago

What you just post make I respect you waaaaa to the highest work really work hard.God bless you.

Arthur Cephas10 days ago

Pillars of Sarkodie

Bernard10 days ago

Top top guy Dj Mensah

Kobbie10 days ago

Biggest Maestro 😉🤗

Nana Kojo10 days ago

Please brag!!!!!!🔥

K Frimpong10 days ago

Biggest 🫡

nanayawasty10 days ago

Aqqv

BIGGEST STRIKE TO WIN💫10 days ago

@KobbySarkces Bro you know this music thing ❤️🤝💯

Me Nni Kapr310 days ago

Killed !❤️

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I just want to clear my name… All these rumors of me goin down there to party with my favorite band, you know there was a plan all along. It’s all next level. I had a good time, but this was always the plan to build relationships and bring money back to the company” -Mintzy

I just want to clear my name… All these rumors of me goin down there to party with my favorite band, you know there was a plan all along. It’s all next level. I had a good time, but this was always the plan to build relationships and bring money back to the company” -Mintzy

Viva La Stool

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2 years ago today I hit the rock bottom in my life. In this moment, I was scared and didn’t know what I was gonna do with my life, all odds were stacked against me. I had two options: 1. Give up 2. Fight with everything I had and maybe get it all back. I decided to fight.

2 years ago today I hit the rock bottom in my life. In this moment, I was scared and didn’t know what I was gonna do with my life, all odds were stacked against me. I had two options: 1. Give up 2. Fight with everything I had and maybe get it all back. I decided to fight.

Rydurz

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From then to now…. My 1st tryout…I had no idea how to take a bump, I didn’t even know what a “bump” was let alone what a “promo” was… I was so nervous you can hear the quiver in my voice. I had no idea what I was doing. The only thing I knew how to do was be me, because there is only ONE ME and that was my way to stand out. Shoutout to Mark Henry. So I wore my favorite rose outfit I made for a crossfit competition and showed that I may not come from this business, I may not know much but I will work my ass off and I will love and respect this business if I was given a chance. At 1st I always felt like I was stealing someone else’s dream so I threw myself whole heartedly into this. I dealt with imposter syndrome for A LONG time. I always felt like I had something to prove. Now… I know exactly who I am. I know how much hardwork I put in, I know my worth NO MATTER WHAT, and I know everything I’ve gotten and haven’t gotten yet IS MINE. Dream big. Do things you didn’t even think were meant for you. You never know. It might change your life and others along the way. #ESTofWWE #wrESTleMania41

From then to now…. My 1st tryout…I had no idea how to take a bump, I didn’t even know what a “bump” was let alone what a “promo” was… I was so nervous you can hear the quiver in my voice. I had no idea what I was doing. The only thing I knew how to do was be me, because there is only ONE ME and that was my way to stand out. Shoutout to Mark Henry. So I wore my favorite rose outfit I made for a crossfit competition and showed that I may not come from this business, I may not know much but I will work my ass off and I will love and respect this business if I was given a chance. At 1st I always felt like I was stealing someone else’s dream so I threw myself whole heartedly into this. I dealt with imposter syndrome for A LONG time. I always felt like I had something to prove. Now… I know exactly who I am. I know how much hardwork I put in, I know my worth NO MATTER WHAT, and I know everything I’ve gotten and haven’t gotten yet IS MINE. Dream big. Do things you didn’t even think were meant for you. You never know. It might change your life and others along the way. #ESTofWWE #wrESTleMania41

Bianca Belair

725,017 views • 1 year ago

🗣️ | 🇧🇭 Checo on the awkward moment with Bruce Buffer at the Las Vegas GP drivers' parade "I remember the moment, basically I wasn’t told what to do, I really just be there with all the drivers and I thought there would be a normal presentation and parade. And then all of a sudden, someone was shouting my name and I see [Bruce Buffer], quite a funny moment." "I remember his face pretty well [because he stood really close to me]. It was a cool moment, Bruce is such an icon but at the time I was just confused, I had no idea where to go and what to do." [Beyond the Grid Podcast] #F1

🗣️ | 🇧🇭 Checo on the awkward moment with Bruce Buffer at the Las Vegas GP drivers' parade "I remember the moment, basically I wasn’t told what to do, I really just be there with all the drivers and I thought there would be a normal presentation and parade. And then all of a sudden, someone was shouting my name and I see [Bruce Buffer], quite a funny moment." "I remember his face pretty well [because he stood really close to me]. It was a cool moment, Bruce is such an icon but at the time I was just confused, I had no idea where to go and what to do." [Beyond the Grid Podcast] #F1

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Nas reveals that he initially wanted Eminem to be featured on his track "Daughters," but Em respectfully declined: "Every record I do is not a battle. I remember I had sent the song 'Daughters' to Eminem, and at the time, you know, he had spent so much time speaking on daughters, he was like, 'Thank you, but I told my daughter I'm not doing any more songs directly about daughters at the moment because that's a sensitive issue with all the music I put out.'" "But he was like, 'Thank you, 'cause most people wanna do songs where they're battling me. It was refreshing to get a record where you're not coming for me.'" (Via Joe Budden TV)

Nas reveals that he initially wanted Eminem to be featured on his track "Daughters," but Em respectfully declined: "Every record I do is not a battle. I remember I had sent the song 'Daughters' to Eminem, and at the time, you know, he had spent so much time speaking on daughters, he was like, 'Thank you, but I told my daughter I'm not doing any more songs directly about daughters at the moment because that's a sensitive issue with all the music I put out.'" "But he was like, 'Thank you, 'cause most people wanna do songs where they're battling me. It was refreshing to get a record where you're not coming for me.'" (Via Joe Budden TV)

HotNewHipHop

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I am on the list of the things I should do so I know what to do when I don’t know what to do And that’s how the rap game been sleeping on my shoulder ampa oo🔥🔥🔥 Youtube Link : Produced by .@konfem Video Directed by .Josiah Thompson #AStar #5A10

I am on the list of the things I should do so I know what to do when I don’t know what to do And that’s how the rap game been sleeping on my shoulder ampa oo🔥🔥🔥 Youtube Link : Produced by .@konfem Video Directed by .Josiah Thompson #AStar #5A10

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YoungK’s thought about “what i want to do vs what i’m good at” 🦊my original mindset was “i can do what i want on my own time”. so i focused on doing what i had to do. but then because i kept living like that i almost forgot what i actually wanted 🦊there’s a big difference between what i want to do and what i’m good at. so now i’ve also lost track of what i’m even good at. but because i keep doing what i needed to do, i got good at it. that’s why i actually recommend sticking with what you need to do.

YoungK’s thought about “what i want to do vs what i’m good at” 🦊my original mindset was “i can do what i want on my own time”. so i focused on doing what i had to do. but then because i kept living like that i almost forgot what i actually wanted 🦊there’s a big difference between what i want to do and what i’m good at. so now i’ve also lost track of what i’m even good at. but because i keep doing what i needed to do, i got good at it. that’s why i actually recommend sticking with what you need to do.

woodyꕤ 𝐘𝐎𝐔𝐍𝐆𝐄𝐒𝐓 🗝️🚪

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I had the opportunity to talk to Caalun 🐲⚡️ at harucon! I wish I talked with you some more but I was so shy, I didn’t know what was going on at the beginning and sorry I ignored you first, I didn’t hear you ^^’ But it was a pleasure to meet ya! ⭐️

I had the opportunity to talk to Caalun 🐲⚡️ at harucon! I wish I talked with you some more but I was so shy, I didn’t know what was going on at the beginning and sorry I ignored you first, I didn’t hear you ^^’ But it was a pleasure to meet ya! ⭐️

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My band was gone, but it felt like 12500 of you all were up there on stage with me. Thank you for two of the most beautiful experiences I’ve ever had performing live. Life gave me lemons and I said stop giving me lemons I gotta figure out what to do about this Melbourne show.

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George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

George Lucas on how he had to reluctantly write the screenplay for 'American Graffiti' (1973) & the confidence he gained from the movie's success: "When I was doing 'American Graffiti' (1973) I was still struggling with my ‘I don’t want to be a writer’ syndrome. I had some good friends of mine that I wanted to write the screenplay, but it took me like two years just to get the money to do a screenplay. And I got a little tiny amount of money and—which I had to go actually to the Cannes Film Festival to get on my own. So finally I got this money. I called back and I said, you know, “I got the money. We can start working on the screenplay.” And they said, “Oh, we don’t want to do that now. We’ve got our own low-budget picture off the ground and we can’t write it.” I said, “Oh no.” I said, “What am I going to do? I am in Europe and I’m not going to be back for like three months and I want to get this thing off the ground.” So they recommended another student from school that I knew pretty well. I had a story treatment that laid out the entire story scene by scene, so I called him over the phone from London and I said, “Do you want to do this?” And he said, “Okay.” The person I was working with at that time as a producer made a deal with him for the whole money because there wasn’t very much. It was so tiny that he could only get him to do it for the whole amount of money. When I came back from England, the screenplay was a completely different screenplay from the story treatment. It was more like 'Hot Rods to Hell' (1967). It was very fantasy-like, with playing chicken and things that kids didn’t really do. I wanted something that was more like the way I grew up. So I took that and I said, “Okay. Now here I am. I’ve got a deal to turn in a screenplay. I’ve got a screenplay that is just not the kind of screenplay I want at all and I have no money.” And, I spent the very last money I had saved up to go to Europe to make the deal, so I had nothing. That was a very dark period for me so I sat down myself and wrote the screenplay. After I did 'American Graffiti', and it was successful, it was a big moment for me because I really did sit down with myself and say, “Okay, now I am a director. Now I know I can get a job. I can work in this industry, and apply my trade, and express my ideas on things and be creative in a way that I enjoy. Even if I end up doing TV commercials or something, or I fall back into what I really love is documentaries. I’ll be able to do it. I know I can get a job somewhere. I know I can raise money somewhere. I know I can do what I want to do.” That was a very good feeling. At that point, I’d made it. There wasn’t anything in my life that was going to stop me from making movies." ('‘American Graffiti’ at 52: A Sentimentally Affectionate Look at America Before the Collective Loss of Innocence', Sven Mikulec, Cinephilia & Beyond)

DepressedBergman

56,916 views • 9 months ago

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It wasn’t romantic. It wasn’t glamorous. And it sure as hell wasn’t easy. In 1998, I knocked on the door at Minneapolis St. Paul Magazine and told them I wanted to write. I had no connections, just hunger. I worked hard at my internship while trying to get my television career off the ground and I proved I belonged in the room. And then I kept proving it. There’s no shortcut. There’s just persistence. Curiosity. And the willingness to ask. Now I get to travel the world, tell stories that matter, shine a light on communities that deserve it, and share food that connects us all. But none of it happens if I don’t knock on that first door. Every week on my Substack, I answer your questions about food, travel, failure, second chances, all of it. If you’ve sent one in, there’s a good chance it’s coming up. So tell me, what do you want to know?

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