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Change Of Plans [NTR]: [DelDank] Original scene made by Moonlight Mask: 🔞moonlightmask🔞 My Pixiv page for cards and other downloadable content: #koikatsu #animated #3D #コイカツ #OC

Hiyoko Saionji

9,528 subscribers

16,323 Aufrufe • vor 7 Monaten •via X (Twitter)

NSFW #koikatsu #animated #3D #コイカツ #OC

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finally finished this mini animation which cost me two and a half days to do for being my first time doing this and other things, but finally finished hahaha.😆 (I hope you like it😉) -original model by: 🔞Cryptia🔞 -spawn game by: Fatal Fire Studios🔞 you love them both.😉🤗❤

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finally finished this mini animation which cost me two and a half days to do for being my first time doing this and other things, but finally finished hahaha.😆 (I hope you like it😉) -original model by: 🔞Cryptia🔞 -spawn game by: Fatal Fire Studios🔞 you love them both.😉🤗❤

Krampus (Matcry🔞)

32,360 Aufrufe • vor 3 Jahren

Blended-NeRF: Zero-Shot Object Generation and Blending in Existing Neural Radiance Fields paper page: Editing a local region or a specific object in a 3D scene represented by a NeRF is challenging, mainly due to the implicit nature of the scene representation. Consistently blending a new realistic object into the scene adds an additional level of difficulty. We present Blended-NeRF, a robust and flexible framework for editing a specific region of interest in an existing NeRF scene, based on text prompts or image patches, along with a 3D ROI box. Our method leverages a pretrained language-image model to steer the synthesis towards a user-provided text prompt or image patch, along with a 3D MLP model initialized on an existing NeRF scene to generate the object and blend it into a specified region in the original scene. We allow local editing by localizing a 3D ROI box in the input scene, and seamlessly blend the content synthesized inside the ROI with the existing scene using a novel volumetric blending technique. To obtain natural looking and view-consistent results, we leverage existing and new geometric priors and 3D augmentations for improving the visual fidelity of the final result. We test our framework both qualitatively and quantitatively on a variety of real 3D scenes and text prompts, demonstrating realistic multi-view consistent results with much flexibility and diversity compared to the baselines. Finally, we show the applicability of our framework for several 3D editing applications, including adding new objects to a scene, removing/replacing/altering existing objects, and texture conversion.

Blended-NeRF: Zero-Shot Object Generation and Blending in Existing Neural Radiance Fields paper page: Editing a local region or a specific object in a 3D scene represented by a NeRF is challenging, mainly due to the implicit nature of the scene representation. Consistently blending a new realistic object into the scene adds an additional level of difficulty. We present Blended-NeRF, a robust and flexible framework for editing a specific region of interest in an existing NeRF scene, based on text prompts or image patches, along with a 3D ROI box. Our method leverages a pretrained language-image model to steer the synthesis towards a user-provided text prompt or image patch, along with a 3D MLP model initialized on an existing NeRF scene to generate the object and blend it into a specified region in the original scene. We allow local editing by localizing a 3D ROI box in the input scene, and seamlessly blend the content synthesized inside the ROI with the existing scene using a novel volumetric blending technique. To obtain natural looking and view-consistent results, we leverage existing and new geometric priors and 3D augmentations for improving the visual fidelity of the final result. We test our framework both qualitatively and quantitatively on a variety of real 3D scenes and text prompts, demonstrating realistic multi-view consistent results with much flexibility and diversity compared to the baselines. Finally, we show the applicability of our framework for several 3D editing applications, including adding new objects to a scene, removing/replacing/altering existing objects, and texture conversion.

AK

62,768 Aufrufe • vor 3 Jahren

DreamCraft3D: Hierarchical 3D Generation with Bootstrapped Diffusion Prior paper page: present DreamCraft3D, a hierarchical 3D content generation method that produces high-fidelity and coherent 3D objects. We tackle the problem by leveraging a 2D reference image to guide the stages of geometry sculpting and texture boosting. A central focus of this work is to address the consistency issue that existing works encounter. To sculpt geometries that render coherently, we perform score distillation sampling via a view-dependent diffusion model. This 3D prior, alongside several training strategies, prioritizes the geometry consistency but compromises the texture fidelity. We further propose Bootstrapped Score Distillation to specifically boost the texture. We train a personalized diffusion model, Dreambooth, on the augmented renderings of the scene, imbuing it with 3D knowledge of the scene being optimized. The score distillation from this 3D-aware diffusion prior provides view-consistent guidance for the scene. Notably, through an alternating optimization of the diffusion prior and 3D scene representation, we achieve mutually reinforcing improvements: the optimized 3D scene aids in training the scene-specific diffusion model, which offers increasingly view-consistent guidance for 3D optimization. The optimization is thus bootstrapped and leads to substantial texture boosting. With tailored 3D priors throughout the hierarchical generation, DreamCraft3D generates coherent 3D objects with photorealistic renderings, advancing the state-of-the-art in 3D content generation.

DreamCraft3D: Hierarchical 3D Generation with Bootstrapped Diffusion Prior paper page: present DreamCraft3D, a hierarchical 3D content generation method that produces high-fidelity and coherent 3D objects. We tackle the problem by leveraging a 2D reference image to guide the stages of geometry sculpting and texture boosting. A central focus of this work is to address the consistency issue that existing works encounter. To sculpt geometries that render coherently, we perform score distillation sampling via a view-dependent diffusion model. This 3D prior, alongside several training strategies, prioritizes the geometry consistency but compromises the texture fidelity. We further propose Bootstrapped Score Distillation to specifically boost the texture. We train a personalized diffusion model, Dreambooth, on the augmented renderings of the scene, imbuing it with 3D knowledge of the scene being optimized. The score distillation from this 3D-aware diffusion prior provides view-consistent guidance for the scene. Notably, through an alternating optimization of the diffusion prior and 3D scene representation, we achieve mutually reinforcing improvements: the optimized 3D scene aids in training the scene-specific diffusion model, which offers increasingly view-consistent guidance for 3D optimization. The optimization is thus bootstrapped and leads to substantial texture boosting. With tailored 3D priors throughout the hierarchical generation, DreamCraft3D generates coherent 3D objects with photorealistic renderings, advancing the state-of-the-art in 3D content generation.

AK

161,530 Aufrufe • vor 2 Jahren

I took Karpathy’s experiment and pushed it into Star Wars. I gave Opus 5 Max the opening scene of A New Hope, it formulated and made every single Star Wars SVG, and recreated the entire sequence in Three.js as LEGO. (Including all editing, voices, etc) It worked for 8 hours and actually completed the full opening scene. For me, this represents a far more artful and aesthetically coherent direction for AI filmmaking than end to end diffusion. By 2029, I expect a proliferation of short form fan films created by pairing models like these with Blender and other 3D rendering software.

I took Karpathy’s experiment and pushed it into Star Wars. I gave Opus 5 Max the opening scene of A New Hope, it formulated and made every single Star Wars SVG, and recreated the entire sequence in Three.js as LEGO. (Including all editing, voices, etc) It worked for 8 hours and actually completed the full opening scene. For me, this represents a far more artful and aesthetically coherent direction for AI filmmaking than end to end diffusion. By 2029, I expect a proliferation of short form fan films created by pairing models like these with Blender and other 3D rendering software.

Chris

89,646 Aufrufe • vor 19 Tagen

Happy Halloween. Welcome to our world of Halloween. Introducing The Ultimate Fiend. I’ve been making my son a custom Halloween mask every year as our family tradition since 2019. I’m not a pro at this and it’s never easy, but it’s always worth it since these are memories that no one can take away from us. This year, my son wanted to be The Ultimate Fiend. His favorite wrestler, Windham Rotunda, aka Bray Wyatt from WWE, passed away last year before he could portray this version of the character. The mask I created for my son was based off of the mask that was created by Jason Baker and Callosum Studios. The first mask I made for my son in 2019 was based off of the original Bray Wyatt Fiend character. My son and I would have never started this tradition if it wasn’t for the world of the Firefly Funhouse and Fiend character in the first place so, we had to make The Ultimate Fiend mask for Halloween this year. There is more to come and one last piece to the costume for The Ultimate Fiend. Stay tuned, share this video, and check out the rest of our Halloween, wrestling, and horror content on TikTok, Instagram, and YouTube. Just search for Awe Hallows Studio. Wrestling Daze C Wrestling #WWE2K26 The Monster of all Monsters Callosum Studios

Happy Halloween. Welcome to our world of Halloween. Introducing The Ultimate Fiend. I’ve been making my son a custom Halloween mask every year as our family tradition since 2019. I’m not a pro at this and it’s never easy, but it’s always worth it since these are memories that no one can take away from us. This year, my son wanted to be The Ultimate Fiend. His favorite wrestler, Windham Rotunda, aka Bray Wyatt from WWE, passed away last year before he could portray this version of the character. The mask I created for my son was based off of the mask that was created by Jason Baker and Callosum Studios. The first mask I made for my son in 2019 was based off of the original Bray Wyatt Fiend character. My son and I would have never started this tradition if it wasn’t for the world of the Firefly Funhouse and Fiend character in the first place so, we had to make The Ultimate Fiend mask for Halloween this year. There is more to come and one last piece to the costume for The Ultimate Fiend. Stay tuned, share this video, and check out the rest of our Halloween, wrestling, and horror content on TikTok, Instagram, and YouTube. Just search for Awe Hallows Studio. Wrestling Daze C Wrestling #WWE2K26 The Monster of all Monsters Callosum Studios

awehallows

56,212 Aufrufe • vor 1 Jahr

Differentiable Blocks World: Qualitative 3D Decomposition by Rendering Primitives paper page: Given a set of calibrated images of a scene, we present an approach that produces a simple, compact, and actionable 3D world representation by means of 3D primitives. While many approaches focus on recovering high-fidelity 3D scenes, we focus on parsing a scene into mid-level 3D representations made of a small set of textured primitives. Such representations are interpretable, easy to manipulate and suited for physics-based simulations. Moreover, unlike existing primitive decomposition methods that rely on 3D input data, our approach operates directly on images through differentiable rendering. Specifically, we model primitives as textured superquadric meshes and optimize their parameters from scratch with an image rendering loss. We highlight the importance of modeling transparency for each primitive, which is critical for optimization and also enables handling varying numbers of primitives. We show that the resulting textured primitives faithfully reconstruct the input images and accurately model the visible 3D points, while providing amodal shape completions of unseen object regions. We compare our approach to the state of the art on diverse scenes from DTU, and demonstrate its robustness on real-life captures from BlendedMVS and Nerfstudio. We also showcase how our results can be used to effortlessly edit a scene or perform physical simulations.

Differentiable Blocks World: Qualitative 3D Decomposition by Rendering Primitives paper page: Given a set of calibrated images of a scene, we present an approach that produces a simple, compact, and actionable 3D world representation by means of 3D primitives. While many approaches focus on recovering high-fidelity 3D scenes, we focus on parsing a scene into mid-level 3D representations made of a small set of textured primitives. Such representations are interpretable, easy to manipulate and suited for physics-based simulations. Moreover, unlike existing primitive decomposition methods that rely on 3D input data, our approach operates directly on images through differentiable rendering. Specifically, we model primitives as textured superquadric meshes and optimize their parameters from scratch with an image rendering loss. We highlight the importance of modeling transparency for each primitive, which is critical for optimization and also enables handling varying numbers of primitives. We show that the resulting textured primitives faithfully reconstruct the input images and accurately model the visible 3D points, while providing amodal shape completions of unseen object regions. We compare our approach to the state of the art on diverse scenes from DTU, and demonstrate its robustness on real-life captures from BlendedMVS and Nerfstudio. We also showcase how our results can be used to effortlessly edit a scene or perform physical simulations.

AK

38,571 Aufrufe • vor 3 Jahren

Hello everyone, this is my latest personal project, an Attack on Titan short film. In this short film, I was responsible for all aspects of production. I experimented with building my own workflow and explored the integration of 2D and 3D animation. Since this is my first time creating such a large-scale project, most of the storyboards are based on the original work, with a few inspired by other films, and the rest are my own original attempts. I aimed to fully respect the original source while incorporating many of my own designs, such as character design, character effects, and original shots. This has been an extremely valuable experience for me. Although the short film is not perfect, it represents my best effort within the limited time available. Therefore, I have decided to share it, hoping you will enjoy it. I will now begin work on my next short film. #AttackOnTitan #aot #進撃の巨人

Hello everyone, this is my latest personal project, an Attack on Titan short film. In this short film, I was responsible for all aspects of production. I experimented with building my own workflow and explored the integration of 2D and 3D animation. Since this is my first time creating such a large-scale project, most of the storyboards are based on the original work, with a few inspired by other films, and the rest are my own original attempts. I aimed to fully respect the original source while incorporating many of my own designs, such as character design, character effects, and original shots. This has been an extremely valuable experience for me. Although the short film is not perfect, it represents my best effort within the limited time available. Therefore, I have decided to share it, hoping you will enjoy it. I will now begin work on my next short film. #AttackOnTitan #aot #進撃の巨人

XieBoli

644,003 Aufrufe • vor 2 Jahren

I made this mostly to post as an introduction video on one of my new page, but I figured I could use it on my other socials, to introduce myself properly. The other introduction video I had made a while ago now is getting a bit old... lol. This is the first time I use AI lip sync and it was fun to do! I'll surely try to do more in the future 😉🩷 ----- Follow me for more content, and checkout my links😉🩷 #AIart #AIgirl #virtualgirlfriend #pinkhair #Skye #voiceover #womanvoice #womanvoiceover #softvoice #soothingvoice #soothingvoiceover #introduction

I made this mostly to post as an introduction video on one of my new page, but I figured I could use it on my other socials, to introduce myself properly. The other introduction video I had made a while ago now is getting a bit old... lol. This is the first time I use AI lip sync and it was fun to do! I'll surely try to do more in the future 😉🩷 ----- Follow me for more content, and checkout my links😉🩷 #AIart #AIgirl #virtualgirlfriend #pinkhair #Skye #voiceover #womanvoice #womanvoiceover #softvoice #soothingvoice #soothingvoiceover #introduction

Skye

99,304 Aufrufe • vor 1 Jahr

Ok last post about this before we move on since RTFKT said: ''The End ⚔️📷 🪦" Over a period of 12 months I have made: - Well over 500 animated video's - 10+ big trailer video's - 1 super big 5 minute (movie trailer) - multiple thousands of community renders - 3000+ Renders that would give community members the ability to make literally millions of unique renders (and this twice) - A bunch of animated memes & content used for CT I did all this literally ALL by myself, close to 300-400k images renders by myself. Was it worth it? financially HELL NO, did I have fun? yes I did and I did meet a bunch of great people in the space The team did reward me a few times, and adding to it I always chose to spend my time making all of this so I can't blame anyone for anything besides myself in the end. Below I have some more examples of content I have made over time 👇

Ok last post about this before we move on since RTFKT said: ''The End ⚔️📷 🪦" Over a period of 12 months I have made: - Well over 500 animated video's - 10+ big trailer video's - 1 super big 5 minute (movie trailer) - multiple thousands of community renders - 3000+ Renders that would give community members the ability to make literally millions of unique renders (and this twice) - A bunch of animated memes & content used for CT I did all this literally ALL by myself, close to 300-400k images renders by myself. Was it worth it? financially HELL NO, did I have fun? yes I did and I did meet a bunch of great people in the space The team did reward me a few times, and adding to it I always chose to spend my time making all of this so I can't blame anyone for anything besides myself in the end. Below I have some more examples of content I have made over time 👇

Ali (Aalasady)

52,937 Aufrufe • vor 1 Jahr

My Animated Channel Opening Is Here! Full Video: After 5 years of trying to get this made Its finally hear many setbacks its finally done this trailer is a representation of my channel for the almost 8 years, I've been creating content it features some of my original designs for characters also my OC Eschalot and also features the OCs of the two people I worked with the most and longest in my career. SSJ9K/SSJCarter and my brother ⚡️SLICK⚡️ I showed Reggie the progress long before he passed and after he was gone it was even more important to me to add more shots of Slick in honor of him. I couldn't have made this wonderful animation without the help of many talented people who worked hard on it over the years the animation team did wonderful on many parts of this process. (Animation Staff Credits) @franfuentesart Dindakai.jpg Sebs_8a 2Dolfin Studio Spider Albert2d YordiBlu ArtiMari rega1505(OPEN COMISSION) And I can't thank the music team of Bladevings and Gladius who made this amazing music theme thank you guys so much! And thank you fans for gracing me and supporting this journey of mine let this project be message to your dreams no matter how many setbacks are things that happen if you keep working at it any dream can become reality bless you and as my brother would say make moves.

My Animated Channel Opening Is Here! Full Video: After 5 years of trying to get this made Its finally hear many setbacks its finally done this trailer is a representation of my channel for the almost 8 years, I've been creating content it features some of my original designs for characters also my OC Eschalot and also features the OCs of the two people I worked with the most and longest in my career. SSJ9K/SSJCarter and my brother ⚡️SLICK⚡️ I showed Reggie the progress long before he passed and after he was gone it was even more important to me to add more shots of Slick in honor of him. I couldn't have made this wonderful animation without the help of many talented people who worked hard on it over the years the animation team did wonderful on many parts of this process. (Animation Staff Credits) @franfuentesart Dindakai.jpg Sebs_8a 2Dolfin Studio Spider Albert2d YordiBlu ArtiMari rega1505(OPEN COMISSION) And I can't thank the music team of Bladevings and Gladius who made this amazing music theme thank you guys so much! And thank you fans for gracing me and supporting this journey of mine let this project be message to your dreams no matter how many setbacks are things that happen if you keep working at it any dream can become reality bless you and as my brother would say make moves.

Prince Vegeta

194,788 Aufrufe • vor 2 Jahren

A mess of additions to the Masquerade and Mask Market we announced in Toledo are now live. I walk through them in the video but the purpose is to continue to close the distance between each mask from one another and close the distance between each mask and the Masquerade itself, creating many tunnels to slip between Mask, Masquerade, Observation, Response, and back, burrowing between the links in the network. Changes to the Mask Market: Masks are now sorted by Chroma in a long gradient Masks can now be sorted by Region where its Observation was placed Masks can now be sorted by their adornments such as which Masks have horns or tusks Masks can now be sorted by their materials such as wood, stone, ebony, or feather Reserved Masks for the Exhibition Winners have been given a new Rank A strip of other Mask thumbnails if viewable when you go to each Mask page Sped up the page performance to load much quicker Changes to the Masquerade: All Masks are now viewable within the Masquerade viewer Masks can be viewed by hovering over each, or enlarged and cycled through in a gallery viewer The default ordering of observations is now randomized, making each time you revisit the page surface someone new. Replies are now collapsed helping with legibility Added Rank badging from the Market to the Observation panel (Finalist, Seer, Council, etc) There are some additional changes and tweaks from our Toledo experience which will be making their way in soon as well but I hope you enjoy the changes. My deep thanks to Nifty Gateway Studio for continuing to support this as a living and breathing record of this gathering rather than a “drop” or marketplace and to Lanett Bennett Grant for surfacing and working with us to make it better through her amazing Mask deep dives. The work continues.

A mess of additions to the Masquerade and Mask Market we announced in Toledo are now live. I walk through them in the video but the purpose is to continue to close the distance between each mask from one another and close the distance between each mask and the Masquerade itself, creating many tunnels to slip between Mask, Masquerade, Observation, Response, and back, burrowing between the links in the network. Changes to the Mask Market: Masks are now sorted by Chroma in a long gradient Masks can now be sorted by Region where its Observation was placed Masks can now be sorted by their adornments such as which Masks have horns or tusks Masks can now be sorted by their materials such as wood, stone, ebony, or feather Reserved Masks for the Exhibition Winners have been given a new Rank A strip of other Mask thumbnails if viewable when you go to each Mask page Sped up the page performance to load much quicker Changes to the Masquerade: All Masks are now viewable within the Masquerade viewer Masks can be viewed by hovering over each, or enlarged and cycled through in a gallery viewer The default ordering of observations is now randomized, making each time you revisit the page surface someone new. Replies are now collapsed helping with legibility Added Rank badging from the Market to the Observation panel (Finalist, Seer, Council, etc) There are some additional changes and tweaks from our Toledo experience which will be making their way in soon as well but I hope you enjoy the changes. My deep thanks to Nifty Gateway Studio for continuing to support this as a living and breathing record of this gathering rather than a “drop” or marketplace and to Lanett Bennett Grant for surfacing and working with us to make it better through her amazing Mask deep dives. The work continues.

Sam Spratt

21,434 Aufrufe • vor 11 Monaten

Dude You Monetize Stolen Content Imagine building nearly your entire social media cash flow by stealing content from other creators without crediting them, incessantly commenting about the movement and leadership of another nation and then assigning nefarious motives to an actual creator because you dislike their takes. I've never commented about Ian Miles Cheong but it's pretty on the nose to suggest that Candace Owens is just creating content for money when all you do is steal content for money. Naturally, I expect plenty of "But Candace" and "BeN iS a hErO" comments but this is about the insinuation of profit-motive from someone who steals likely 95%+ of his content and adds little to nothing to it. He's stolen my videos before when they went viral, monetized them without crediting me and ignored requests for credit. Cashes his checks and then steals the next person's content. It's only recently I've seen him actually create original commentary, but only after posting over half a million times of mostly other people's work. I understand the business of news aggregation and there is certainly value in that service. But simply stealing creator's content (like mine) and cashing in on it while accusing others of similar practice, is wild.

Dude You Monetize Stolen Content Imagine building nearly your entire social media cash flow by stealing content from other creators without crediting them, incessantly commenting about the movement and leadership of another nation and then assigning nefarious motives to an actual creator because you dislike their takes. I've never commented about Ian Miles Cheong but it's pretty on the nose to suggest that Candace Owens is just creating content for money when all you do is steal content for money. Naturally, I expect plenty of "But Candace" and "BeN iS a hErO" comments but this is about the insinuation of profit-motive from someone who steals likely 95%+ of his content and adds little to nothing to it. He's stolen my videos before when they went viral, monetized them without crediting me and ignored requests for credit. Cashes his checks and then steals the next person's content. It's only recently I've seen him actually create original commentary, but only after posting over half a million times of mostly other people's work. I understand the business of news aggregation and there is certainly value in that service. But simply stealing creator's content (like mine) and cashing in on it while accusing others of similar practice, is wild.

Bobby Sauce

87,117 Aufrufe • vor 8 Monaten

Meet "Tawan" (ตะวัน means “The sun” 🌞) 20-min Demo AI Animated Film experiment (full feature is 90 mins) With a $500 budget and 1.5 months of work, this story is based on my original idea from 2010... and today, the technology is finally ready to bring it to life. AI showed me that solo creators can now manage an entire animation workflow. No need to pitch to big studios—you can fund yourself and bring your own stories to life. Without AI, this would still be stuck in my head. (Of course, the quality is still far from high-budget films from big studios that have 300-600 people behind them, but I think the gap will close step by step in the future.) This animated created by Seedance 2.0 on Dreamina AI and Kinovi.AI and opening scene by Midjourney - thank you for watching.

Meet "Tawan" (ตะวัน means “The sun” 🌞) 20-min Demo AI Animated Film experiment (full feature is 90 mins) With a $500 budget and 1.5 months of work, this story is based on my original idea from 2010... and today, the technology is finally ready to bring it to life. AI showed me that solo creators can now manage an entire animation workflow. No need to pitch to big studios—you can fund yourself and bring your own stories to life. Without AI, this would still be stuck in my head. (Of course, the quality is still far from high-budget films from big studios that have 300-600 people behind them, but I think the gap will close step by step in the future.) This animated created by Seedance 2.0 on Dreamina AI and Kinovi.AI and opening scene by Midjourney - thank you for watching.

Victorior

4,017,742 Aufrufe • vor 2 Monaten

Village in the Clouds by Lucas Cavalcanti 3D, is a personal, game-ready environment project based on the artwork of 简繁, created to improve his understanding of large-scale environments in Unreal Engine 5. The scene was crafted from scratch, including props, vegetation, textures, VFX, landscape and buildings. In addition to this, the main character was created in VRoid Studio, the modeling and texturing of the Yak was done by 3D Artist Guilherme Miles and the art direction was handled by Concept Artist Dan Vitoria. "I built this project from scratch, using mostly information freely available on the internet. Planning and persistence were crucial to achieving this result. Unreal Engine’s native tools made my work much easier, such as the Vertex Paint tool for texturing the house walls and the Niagara System for creating real-time waterfalls." - Lucas Cavalcanti

Village in the Clouds by Lucas Cavalcanti 3D, is a personal, game-ready environment project based on the artwork of 简繁, created to improve his understanding of large-scale environments in Unreal Engine 5. The scene was crafted from scratch, including props, vegetation, textures, VFX, landscape and buildings. In addition to this, the main character was created in VRoid Studio, the modeling and texturing of the Yak was done by 3D Artist Guilherme Miles and the art direction was handled by Concept Artist Dan Vitoria. "I built this project from scratch, using mostly information freely available on the internet. Planning and persistence were crucial to achieving this result. Unreal Engine’s native tools made my work much easier, such as the Vertex Paint tool for texturing the house walls and the Niagara System for creating real-time waterfalls." - Lucas Cavalcanti

Unreal Engine

45,662 Aufrufe • vor 6 Monaten

This scene was so so good. ✍️ – We don't do logic. I'm dying by both my love for you and my 'resentment/anger' towards you. Do you think that's logical? + No it's not. - And you will neither forgive me nor trust me enough to open up to me.. and I think that's not logical either, right? + exactly, we can't be together. they made this life forbidden to us (ruined it for us), and we made it even worse ourselves. We made each other forbidden to one another (ruined it for each other). And we have no intention of forgiving each other either. Maşallah bize. + Maşallah. But we can stand united against those heartless people who made this life impossible for us. We can keep our home, that they tore apart, together out of spite for them. We can give our daughter the home she wants… We can gouge out the eyes of those who set their sights on our home. Every night, under the same roof, we can sharpen our weapons too… – You’re saying "Enemies to each other but rebellion against the world" + ha. this place couldn't become the home of our love… let it become the fortress of our rebellion. #TaşacakBuDeniz

This scene was so so good. ✍️ – We don't do logic. I'm dying by both my love for you and my 'resentment/anger' towards you. Do you think that's logical? + No it's not. - And you will neither forgive me nor trust me enough to open up to me.. and I think that's not logical either, right? + exactly, we can't be together. they made this life forbidden to us (ruined it for us), and we made it even worse ourselves. We made each other forbidden to one another (ruined it for each other). And we have no intention of forgiving each other either. Maşallah bize. + Maşallah. But we can stand united against those heartless people who made this life impossible for us. We can keep our home, that they tore apart, together out of spite for them. We can give our daughter the home she wants… We can gouge out the eyes of those who set their sights on our home. Every night, under the same roof, we can sharpen our weapons too… – You’re saying "Enemies to each other but rebellion against the world" + ha. this place couldn't become the home of our love… let it become the fortress of our rebellion. #TaşacakBuDeniz

𝙴𝚐𝚢𝚙𝚝𝙳𝚒𝚟𝚊 🌸

11,178 Aufrufe • vor 2 Monaten

Paul Heyman talks about his original plans for ECW's rebirth in 2006: "First move I made in the new ECW, I brought CM Punk up from OVW. I wanted Rob Van Dam to be the legend from the original crew, and then you sprinkle in all these other ECW originals as we move the new stars up into the spotlight of what would become a new version of ECW, which was at its worst a complete alternative to anything else that’s out there, and instead that it was not what WWE was willing to put on the air, and was amongst the most miserable experiences of my entire life, because it became very personal between me and Vince very fast"

Paul Heyman talks about his original plans for ECW's rebirth in 2006: "First move I made in the new ECW, I brought CM Punk up from OVW. I wanted Rob Van Dam to be the legend from the original crew, and then you sprinkle in all these other ECW originals as we move the new stars up into the spotlight of what would become a new version of ECW, which was at its worst a complete alternative to anything else that’s out there, and instead that it was not what WWE was willing to put on the air, and was amongst the most miserable experiences of my entire life, because it became very personal between me and Vince very fast"

Wrestling Pics & Clips

238,428 Aufrufe • vor 2 Monaten

What in the absolute degeneracy is this bullshit OF ad?! This was on Facebook amongst reels. Yes, I am aware that there is other content on the website, but we all know what OnlyFans is known for, advertising it as anything else just seems fake and manipulative. Showing a bunch of young women speaking about how they paid off all their debts by doing OnlyFans is messed up and an open promotion of degeneracy. You will not change my mind on this. OnlyFans should be destroyed!

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What in the absolute degeneracy is this bullshit OF ad?! This was on Facebook amongst reels. Yes, I am aware that there is other content on the website, but we all know what OnlyFans is known for, advertising it as anything else just seems fake and manipulative. Showing a bunch of young women speaking about how they paid off all their debts by doing OnlyFans is messed up and an open promotion of degeneracy. You will not change my mind on this. OnlyFans should be destroyed!

Bec Freedom

36,188 Aufrufe • vor 3 Monaten

“Love in the Moonlight doubled its premiere ratings on its third episode and remained the undisputed #1 against 3 public broadcasting dramas in the same timeslot, In addition, it became KBS's highest rated monday/tuesday drama since 2010, due to high audience ratings, KBS negotiated for the production to extend its original 18 episodes to 20 Love in the Moonlight dominated topicality, content and brand reputation charts in and beyond its run which led the media to call its popularity "Moonlight Syndrome Park Bogum ranked first in overall topicality making him the "Most Buzzworthy Performer" (TV Drama and Entertainment) for nine consecutive weeks, Media outlets subsequently referred to Park Bogum as "Nation's Crown Prince" and "Prince of Asia" three of Raon's outfits were made available for purchase in mobile game "I Love Nicky", the eternal bracelets of Yeong and Raon went on sale as official merchandise and the drama's page official photo essay book became a best seller on October 19, 2016 they held a fan signing event, wearing their drama costumes, at the historic Gyeongbokgung Palace where scenes of the drama were filmed, more than 5,000 fans gathered to see the cast and the event was also live streamed love in the moonlight achieved a peak audience rating of 23.3% in South Korea and was praised for its production, performances and music, it won Best Drama Series at the 22nd Asian Television Awards, and received six nominations at the 53rd Baeksang Arts Awards and it won popularity Awards for leads Park Bogum and Kim yoojung” a drama like this deserves a variety show and a photo shoot and even more honestly 🔥

gummy 🇵🇸

25,720 Aufrufe • vor 26 Tagen