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![Umunsi mbona Afande [Perezida Kagame] ni bwo namenye ko mfite amahoro –Umukuru wa Polisi Wungurije, DCG Jeanne Chantal Ujeneza winjiye muri RPA avuye mu cyari FAR](https://image.24vids.com/tw-2058641115188748518/ext_tw_video_thumb/2058640963451449344/pu/img/Ls5blMUpbMtPthgA.jpg)
!["For a lot of people, 'Jeanne Dielman' (1975) could represent the ideal woman, but when you look at the life of an ideal woman, it is unbearable." --- Chantal Akerman Full Excerpt: "I remembered, at first fleetingly but then very strongly, that I wanted to dedicate this film to my mother: that I wanted to say 'for my mother Natalia, called Nelly' and that I immediately repressed this idea out of modesty or censorship...and I also tell myself that if I had not known my mother, I would not have made this film, which is, however, absolutely not the portrait of my mother. I began with several very precise images from my childhood: watching my mother at the stove; my mother carrying packages...Why did I chose a beautiful woman? Because men always think that women inside their homes are ugly. My mother is beautiful. I think that Delphine [Seyrig] carried with her all the roles that she had played up to then, that is to say, the cinema...If I had used my mother, it would have only been my mother. At the beginning, I thought I was simply telling the story of three days in the life of a woman, but later I realised that it was a film about occupying time to avoid anguish, to keep moving so as not to think about the fundamental thing, which is being. There is also the contradictory aspect of these movements; when you see that woman, you tell yourself that it isn't possible; at the same time, I am talking about a woman I love who is my mother. All that is very ambiguous; for a lot of people, Jeanne Dielman could represent the ideal woman, but when you look at the life of an ideal woman, it is unbearable. The camera is not positioned to say that, but it is so obvious. For me this is very old; it goes back to images of my mother when I was a child." ("Identity and Memory: The Films of Chantal Akerman", Edited by Gwendolyn Audrey Foster, 2003) P.S: Remembering the great Belgian Filmmaker, Chantal Akerman, on her 76th birthday!](https://image.24vids.com/tw-2063271329592467634/amplify_video_thumb/2063271234314604544/img/0zWX2CjF-PdVbitf.jpg)