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Character Library addon V 1.63 Experimental - Anim Builder (DO NOT USE IN PRODUCTION):A Quick animation previewer. I hid the create base layer button in there as it is temporary and only used for quickly allowing you to see (Add) blend mode actions #b3d #LikeADragon

BS_Creative

4,926 subscribers

10,264 просмотров • 1 год назад •via X (Twitter)

#b3d #LikeADragon

Anya Rossi• Live Now

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How annoying is it when you can't find a company's logo in SVG format? I use a quick hack in Figma that lets me easily change the logo's color to whatever I need. 1. Add a rectangle layer on top of the logo layer. 2. Right-click and create a mask for the logo layer. 3. Voilà.

James McDonald

27,883 просмотров • 1 год назад

If you have an asset in Figma and you'd like to change it's colour to your perferred colour (quick and efficient way), layer the colour over the image in "Fill" properties and apply a *colour* mix-blend mode to it. Exporting it as an asset has a different workflow.

If you have an asset in Figma and you'd like to change it's colour to your perferred colour (quick and efficient way), layer the colour over the image in "Fill" properties and apply a colour mix-blend mode to it. Exporting it as an asset has a different workflow.

seyi

16,832 просмотров • 2 лет назад

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! ____________________________________________________ In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

Cohen Brawley

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Want to see your screens in dark mode or different colors with just a click? 🎨 Theming is now enabled for new projects in Experimental (Gemini 2.5 Pro) mode. Instantly swap primary colors, fonts, and corner radiuses. Apply a dark mode theme to a single screen or your entire flow with SHIFT+Click. Use copy+paste to see multiple versions side by side. Perfect for quickly exploring new brand styles and modes. (Note: theming is not backwards compatible with existing experimental projects)

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I've made a video showcasing what I keep in mind when creating animated emotes! There are many approaches to animation, so I hope this serves as a helpful example for you. The software I use for production is Spine.

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Hoopyon

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🟢Substance Painter Tip: The Passthrough blend mode in combination with the Smudge tool lets you adjust generated/filter results in a non-destructive way. E.g.: The Blur filter operates in 2D space, which can cause visible seams at the UV island borders. A fix for that is to add Paint above the Blur and use the Passthrough blend mode. Passthrough allows you to smudge the output below it. Works the same for standard layers!

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Hey, I just published an update for my baking supply addon :) It allow you in one click to setup a bake project, push properities and even bake !! only on Marmoset V download it for free with the link below V

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Kostia Perry

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Not only is Meta allowing others to steal, misappropriate, and alter our posted IG profile images, they're allowing companies to do it with reels as well to create ad content without consent and reimbursement. Below is a reel on how to turn it off in settings.

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Introducing the OpenMind APP Builder We're making it easy for developers to build and launch their own software applications to robots, rapidly increasing use cases for autonomous machines. In this demo, we give a quick overview of what you can do today, and we're excited to see our developer ecosystem grow as we reduce the friction needed to get started in robotics.

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Reporter: Is it true that you do not use your mobile phone for communication ? NSA Ajit Doval: It is true that I do not use the internet. I use my mobile phone only to speak with my family on personal matters and to communicate with foreign leaders when required. A mobile phone is not the only means of staying in touch. There are several other modes of communication that the public may not be aware of. Smiles Enigmatically.....

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Based by Daylight

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On today's episode of "You either need it or you don't." So where do you store it when not in use? Surely you dont leave it on the vanity next to the toilet, for others to see when they go in there. I see a lawsuit coming. 👀😭🤭😆

On today's episode of "You either need it or you don't." So where do you store it when not in use? Surely you dont leave it on the vanity next to the toilet, for others to see when they go in there. I see a lawsuit coming. 👀😭🤭😆

🇺🇸 HG47🇺🇸

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🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

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