Sensitive content

This media may contain sensitive content.

Video wird geladen...

Video konnte nicht geladen werden

Zur Startseite

Chloe’s tight little body getting absolutely stretched open by Sly Diggler’s thick BBC. No mercy. Just raw depth, those fat lips gripping every inch while she takes it like she was built for it. That stretch… pure art. #ChloeCherry #SlyDiggler #BBC #Stretched #Interracial #Pornstar #BBCStretch #DeepStroke #RawFuck #AdultContent #NSFW

14,183 Aufrufe • vor 1 Monat •via X (Twitter)

0 Kommentare

Keine Kommentare verfügbar

Kommentare vom Original-Post werden hier angezeigt

Ähnliche Videos

She walked in and stole every single scene, and we wouldn't have it any other way. 💅🏽✨ DiMinkies is not just a character, she's a whole VIBE. From the moment Samkelo Ndlovu brought Minkie to life on Adulting (Showmax), it was clear that we were witnessing something special. The loud laughter, the bold energy, the Alexandra township lingo that hits different every single time. DiMinkies didn't just enter the room, she OWNED it. 🔥 Season 2 introduced us to a character so raw, so unapologetically herself, that fans couldn't help but fall in love. She was chaotic, she was dramatic, she was hilarious, but underneath all of that fire was a woman you genuinely rooted for. That's the magic of DiMinkies. She makes you laugh until your stomach hurts, and then hits you right in the feelings when you least expect it. 😂❤️ By Season 3, we got to see a deeper, more introspective side of Minkie, proof that great characters grow, evolve, and surprise you. Samkelo didn't just play this role, she LIVED it. The nuance, the physicality, the delivery, every scene was a masterclass in performance. It's no wonder DiMinkies became a cultural moment, landing voiceover campaigns on TikTok and trending conversations across South Africa. 🇿🇦 To Samkelo Ndlovu, thank you for giving us a character that feels like that one friend in the group who is absolutely unhinged but you'd never trade for anything. DiMinkies is bold, she's beautiful, she's brilliantly written and even more brilliantly performed. Drop your favourite DiMinkies moment below 👇🏽 because we NEED to talk about it.

LambChip

13,658 Aufrufe • vor 6 Monaten

When Sigourney Weaver was sent the script of "Aliens" (1986), she had no idea that a sequel was being made for "Alien" (1979) as the studio didn't inform her. After reading the script, Weaver thought it was "Magnificent" and "The Greatest script" she had ever read. She was blown away by the humour, humanity and action. Cameron was initially afraid to meet Weaver as he feared she would be as stern and intimidating as her Ripley character. After their meeting he was relieved. He said, “She was just this wonderful person, and I was so relieved that she saw some value in the script and where I was proposing to take the character.” Cameron was open to some of the changes to the script mentioned by Weaver. However, on the first day of the shoot, there was one hiccup. The shoot was in England and the sets were built. When Weaver arrived, she told Cameron that she was Anti-Gun advocate and she wasn't touching a gun. Cameron asked her, "Did you read the script?". She replied, "I read it. I understood there were guns in it, I just didn’t think Ripley had to pick up a gun except for a flamethrower.” Realizing that the script would require a major rewrite if he couldn’t convince Weaver to use the machine gun, Cameron took Weaver behind the studio and had her fire off the weapon a few times. Cameron said, “I’ll never forget her blasting away with this thing. And then there was this kind of sly look over to me, like ‘This is fun.'”. Weaver said, “It just shows how addictive guns are." while noting that she felt ashamed of the pleasure she took in shooting the rounds. ("James Cameron and Sigourney Weaver on Their 40-Year Collaboration", Jim Hemphill, Indiewire, 2025) P.S: On this day, 40 years ago, "Aliens" (1986) premiered at Westwood, California, USA.

DepressedBergman

2,985,399 Aufrufe • vor 1 Monat

BBC PAID A WOMAN HALF A MAN SALARY FOR THE SAME JOB AND THOUGHT NO ONE WOULD NOTICE Carrie Gracie spoke fluent Mandarin. Ran the BBC Beijing bureau. Thirty years of service. One of four international editors at Britain's most prestigious broadcaster. Then the BBC was legally forced to publish salary data in 2017. Gracie looked at the list. Her male counterpart covering North America was on up to £249,000. She was below £150,000. Not even on the published list. Neither was Europe editor Katya Adler. The two women. Funny that. She had explicitly made equal pay a condition of taking the China role. The BBC said yes. Then paid her nearly half anyway and apparently hoped she'd never check. She checked. She asked for equal pay. The BBC, with the confidence of an institution that had been getting away with this for decades, offered her a raise that still left her short. She turned it down. Resigned from the post. Published an open letter to the licence fee payers explaining exactly what their public broadcaster was doing with their money. The BBC's response was to put her through nearly a year of their own internal grievance process. Run by the same institution she was complaining about. Investigating itself. Shockingly, it went nowhere. It took three separate meetings with the Director-General and the concrete threat of an employment tribunal before the BBC caved, issued a public apology, and paid her £361,000 in backdated wages. She gave every single penny to the Fawcett Society (Fawcett Society). A publicly funded broadcaster. Breaking equality law. Caught red-handed. Dragging a 30-year employee through a year of institutional theatre. Paying up only when a judge became a realistic possibility.

Artur Nadolny

213,657 Aufrufe • vor 2 Monaten

Ren Susu, to me, is like a candle in a dark room. She was never afraid of giving people warmth, even if every act of kindness meant another piece of herself melted away. She spent so much of her life becoming light for others that she never noticed she was slowly disappearing. By the time everyone thank her for her glow, there was barely anything left of her. Love, happiness, and peace all feel temporary to her, as though they were never meant to belong in her life for long. So instead of waiting for fate to take them away, she lets go first. It isn’t because she doesn’t love deeply. It’s because she believes the people she loves would be safer without her. She is brave. She has never hesitated to do what she believes is right, even when it demands impossible sacrifices. Like Qingyi, she has an incredibly strong sense of justice, and she spends much of her life living for other people too. The difference is that Qingyi learned to give because he believed love had to be earned, while Susu learned to sacrifice because she believed her own happiness always came at someone else’s expense. She doesn’t put herself last because she is naturally selfless. She does it because she no longer believes she should come first. When she learns that Qingyi’s tendons were severed by the Huo family. She quietly asks herself, “What if, back then, I had pretended not to know you?” I think that single line tells us everything about how her mind works. There are endless what ifs inside her head. Little by little, those questions begin to erase the person she used to be because she genuinely believes that every tragedy suffered by the people she loves somehow starts with her. When something terrible happens, most of us instinctively ask, “Who did this?” Susu asks something entirely different, “What if I hadn’t done this?” She doesn’t look outward for someone to blame. She turns inward first. Every accident becomes her responsibility, every loss becomes evidence that she should have made a different choice, and every sacrifice someone makes for her becomes another reason to believe she only brings misfortune into other people’s lives. That’s why she keeps pushing Qingyi away. It was never because she didn’t love him. She loved him too much. She simply believed that loving her meant suffering because of her. In her eyes, she is a burden. A jinx. Someone whose existence inevitably invites tragedy. How could she allow the person she loves to stay beside her when she truly believes staying will only destroy him? Susu carries guilt in a way that borders on unbearable. It feels like survivor’s guilt taken to its absolute extreme. She takes responsibility for things that were never hers to carry and wears them as though they are debts she will spend the rest of her life repaying. One of her defining traits is that she constantly chooses to be misunderstood. She would rather let people resent her than watch them get hurt because of her. If becoming the villain in someone else’s story means they get to live, she will accept that role without ever trying to explain herself. To her, being hated has always felt more bearable than watching someone she loves pay the price for staying by her side. I think a lot of that can be traced back to her childhood. When she enters the orphanage, survival becomes the only thing that matters. It teaches her a lesson that feelings are a luxury, but survival comes first. In a place where every day is about making it through tomorrow, there is very little room for vulnerability. You learn to suppress your own needs because everyone around you is already struggling to survive. It isn’t difficult to imagine how someone raised in that environment would grow into an adult who constantly chooses everyone else before herself. That’s exactly who Susu becomes. Every decision she makes revolves around protecting someone else. For Qingyi. For Fang Mulan. For the girls. For her family. For Uncle Fang. For everyone except herself.

Overdo 这一秒过火

18,485 Aufrufe • vor 1 Monat

This was the LAST footage of Dolly Parton before her passing today at age 80. Just watched Dolly’s video from the Night Flight Expedition opening at Dollywood. She couldn’t make the trip. Doctors clipped her wings. Dizzy. Dehydrated. Sitting there in those sparkly butterfly wings, still smiling, still talking to her people like family. She said she’d keep everybody in the loop. Promised to see us down the road. Then she pushed the new ride anyway. That was her last public message. Today we found out she kept her word the hard way. Dolly Parton was 80. Born in a one-room cabin in the Smokies, raised on hard work and harder times, and somehow turned it into one of the purest American success stories we’ve ever seen. No scandal machine. No political lectures. Just songs that still hit, a theme park that employs thousands, and a heart that never got too big for the mountains she came from. She spent the last stretch of her life dealing with real health problems after years of putting her own needs second so she could care for Carl. She told us straight. No filters. No PR spin. Just Dolly. In a world full of manufactured celebrities and empty noise, she stayed real till the end. That’s rare. That’s the kind of toughness and grace that doesn’t come from Hollywood or the coasts. It comes from people who know what it means to work, to love hard, and to keep showing up even when the body starts saying no. Rest easy, Dolly. You kept the loop open just like you promised. We’ll see you down the road. Godspeed.

AmericanPapaBear™

81,882 Aufrufe • vor 4 Tagen

This morning I was just walking my son to school like any other day. A woman stopped me. I know her face. She called me by my nickname. She was shaking. Cold. Tired. Not the normal tired the kind that tells you life has been pushing someone for too long. She told me her children slept hungry. She had walked almost an hour just to reach me. I didn’t even think much. I just dropped my son at school and went with her. When I got there… it was bad. No food. Children just there. Waiting. Quiet. That kind of quiet that hurts. We went and got milk and mandazi. Small thing. But those children ate like it was a gift from heaven. She hugged me. And I just stood there thinking… this is Kenya right now. Not the Kenya we hear in speeches. The real Kenya is mothers going to bed praying children sleep without crying from hunger. Fathers turning into problem-solvers every morning with empty pockets. Children missing school because there is no lunch, no fare, no hope for that day. Sick people choosing prayer because hospital bills are too heavy. It is happening quietly everywhere. In estates. In villages. In towns. People are surviving, not living. We need God in this country. Seriously. Because things are tight. Too tight. And we also need to start seeing each other. Even if you don’t have money, don’t ignore people. Talk to them. Encourage them. Hug them. Let them feel human again. Sometimes that is all someone has left. Lord have mercy on Kenya.

𝙋𝘼𝙐𝙇. 𝐎. 𝐍𝐄𝐊𝐎

24,646 Aufrufe • vor 2 Monaten

[Eng] #EngfaWaraha #อิงฟ้ามหาชน P’Mook talking about that day that Engfa slipped on set. : It was an important scene in the series. Earlier, it had been raining, and we were filming in a traditional Thai house. I knew the crew was being extremely careful about safety. By “extremely careful,” I mean they wiped the floor dry over and over again. But since it was a traditional Thai house, and she was wearing shoes while walking, you know. We were shooting with a wide-angle camera, so I couldn’t stand close to her (though I wasn’t that far away either). Then, at one point during the take, she started walking a little faster. It was the very last take of that scene because we’d already finished filming all the other camera angles. Then… she slipped!! The first thing that crossed my mind was her hand because she instinctively put it out to break her fall. The floor where she fell was like 2 steps, and one of her legs hit the higher step. Thankfully, the actor who was in the same scene with her caught her in time, so the hand she put down didn’t take her full body weight. That’s why only her leg ended up getting injured. Can you believe that the moment it happened, everyone rushed over like zombies? We all swarmed in, the director, the assistant directors, the crew… everyone. I even jumped over a little table that was in the way to get to her. The first thing I asked was, “Are you okay? How do you feel? Does it hurt a lot? Can you move?” I had to ask because if she’d said she couldn’t move at all, we would’ve needed to provide a different kind of first aid. But she said, “It hurts,” while still laughing at herself. The crew quickly brought over some ice to help with the injury. And can you believe the very first thing she said was, “P’Mook, go ask for the video clip!” 😂 She was still joking because she had no idea how badly it was going to bruise the next day.

~ Amy EL ~

16,002 Aufrufe • vor 29 Tagen

IS THE POST OFFICE WAITING FOR BETTY BROWN TO DIE BEFORE IT PAYS UP?? Betty Brown ran the Annfield Plain Post Office in County Durham with her husband Oswall from 1985 to 2003. Good business. Nice customers. No problems. Then Horizon arrived in 2000, built by Fujitsu Fujitsu UK, and the till started lying. First night it was £500 short. Within weeks it was £1,500 to £1,600 a week, every week. Betty and Oswall paid every shortfall out of their own pocket because the alternative was being branded a thief. They handed over more than £50,000. Betty says the real figure was closer to £100,000. That was their retirement money, poured into a hole created by software nobody at the Post Office bothered to question. Betty was never prosecuted. Small mercy. Instead a manager decided she was too old for the job and needed replacing with someone who understood the technology. She was pushed out in 2003. Oswall died a year later. Betty believes the stress helped kill him, and says his dying thoughts were about whether the Post Office had finally been in touch. She spent the next two decades fighting for compensation while the people who built and defended a broken system kept their salaries, their bonuses and their pensions. In 2025, aged 92, Betty finally settled her claim. In 2026 she received an OBE from King Charles at Windsor Castle. She used the moment to tell him that money does not equal justice, and asked him to pass that on to the Prime Minister. She still had not received a single penny of her settlement by the time she collected the medal. That is the British state's idea of closure. Ruin someone for over two decades then hand them a piece of metal before the cheque clears. Betty says every subpostmaster caught up in the Horizon scandal deserves the same recognition she got. She is right. None of them asked for a medal. They asked for their money and their names back. SOURCES BBC News (UK) ITV News ComputerWeekly Nick Wallis Karl Flinders

Artur Nadolny

72,934 Aufrufe • vor 14 Tagen