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Christian Dior creative director Jonathan Anderson’s second menswear collection for Dior draws inspiration not only from the “aristo-youth” of Paris and the legendary designer Paul Poiret, but also from singer-songwriter Mk.gee. ⁠ ⁠ The collection both opened and closed with Mk.gee’s "Alesis" while models emerged from the curtains in...

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Pigeons & Planes

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118,769 Aufrufe • vor 6 Monaten •via X (Twitter)

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“In the wake of ‘The Boys,’ I signed a deal with Amazon. They wanted to develop something with me in mind, so I had a few meetings with different writers and different kinds of takes for shows. When I met Derek Haas, who created #Countdown and has written all 13 scripts, I just clicked with him immediately. He and I actually grew up in the same town; we went to neighboring high schools, so we had a lot in common right off the bat. But he's just a really great storyteller, and he comes from a long line of writing really kind of intense stuff. And so the character that he created, I just felt like I could tell that story in the world that he was also creating. That led to more meetings, and then that led to some outlines. I got to read the first script, and I just really liked where it was going. I liked the kind of world that he was setting it in, and I got excited about it. I was fortunate enough to be in a position to do that and be there from the beginning, the genesis of it all, 'cause that's not normal. For most actors, everything is kind of already cooked, and then they come in - they get cast in a role that's already happening. I was kind of, not involved creatively, but I was already on the train from the beginning in the station, so that was nice. And there are some twists and turns with this show; there are some big reveals, so to speak. So I'm excited for you guys. I'm excited to get it done - we're about halfway done with the season right now. I think they're shooting for June’s, probably, release, next summer, and I'm excited to see what you guys think and to see it once it's on its feet.” Jensen Ackles #SPNOrlando #SPNOrl

Jensen Ackles Newsroom

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I do not have all the details but of what I know, the father was upset that his daughter was in the principals office and he closed the door with her in there by herself and wouldn’t talk to this father
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I do not have all the details but of what I know, the father was upset that his daughter was in the principals office and he closed the door with her in there by herself and wouldn’t talk to this father

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Zack Snyder on his dyslexia: "It was a challenge for me when I was, you know, young in school, and all I wanted to do was make movies because that was the thing that I got great pleasure from and reward from. I love books, and I'm an avid reader, but I just have a hard time because of the way that I perceive. "I've had a great sort of - one side of me anyways - was really satisfied by art and drawing and sculpture and sort of visual expression. And I think that that started to, you know, was the thing that kind of made me feel un-frustrated. And also the way the system was designed, sort of not to support me when I was in high school at that time. "It was very difficult, you know, there was a lot of, you know, just, difficulty. My English teacher in high school was worried about what my career would be, and I'm like. He would be happy to know that I'm in the Writers Guild of America now. "But, I think that that all those things are, they're all... you can transcend all those things with perseverance and with interest and with with help. And I think that that's an important part of it. "And I just think I've had to adapt, and sort of... I have my own style of the way I write, I write all, you know, but I'm pretty prolific. And I love- I listen to tons of audio books on tape, unabridged hours and hours and hours. That's all I do when I'm driving in the car or wherever I'm doing. And it's helped me a lot. "And yeah, I mean, I just hope that anyone who is- feels trapped or frustrated by the world in general. You know, they need to just, I think that we all have like a magic spark, and you need to just find the thing that makes you, you know, inspires you and, and gets you excited and pursue it as hard as you can find your passion in the world. That's a, that's a great motivator."
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Zack Snyder on his dyslexia: "It was a challenge for me when I was, you know, young in school, and all I wanted to do was make movies because that was the thing that I got great pleasure from and reward from. I love books, and I'm an avid reader, but I just have a hard time because of the way that I perceive. "I've had a great sort of - one side of me anyways - was really satisfied by art and drawing and sculpture and sort of visual expression. And I think that that started to, you know, was the thing that kind of made me feel un-frustrated. And also the way the system was designed, sort of not to support me when I was in high school at that time. "It was very difficult, you know, there was a lot of, you know, just, difficulty. My English teacher in high school was worried about what my career would be, and I'm like. He would be happy to know that I'm in the Writers Guild of America now. "But, I think that that all those things are, they're all... you can transcend all those things with perseverance and with interest and with with help. And I think that that's an important part of it. "And I just think I've had to adapt, and sort of... I have my own style of the way I write, I write all, you know, but I'm pretty prolific. And I love- I listen to tons of audio books on tape, unabridged hours and hours and hours. That's all I do when I'm driving in the car or wherever I'm doing. And it's helped me a lot. "And yeah, I mean, I just hope that anyone who is- feels trapped or frustrated by the world in general. You know, they need to just, I think that we all have like a magic spark, and you need to just find the thing that makes you, you know, inspires you and, and gets you excited and pursue it as hard as you can find your passion in the world. That's a, that's a great motivator."

Zack Snyder Film

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Here it is: The “glitch” The Los Angeles Times is admitting that, yes, they did the 2020: Tens of thousands of mail-in ballots were processed for only Mayor Karen Bass and socialist Nithya Raman, with none appearing for Spencer Pratt, because it was a “glitch” that lasted for “a minute.” “It was the result of a lag in an automated collection of the data, in which one data collection captured votes in a single batch for Bass and Raman, and then, about one minute later, the collection of the rest of that same batch of votes. Folks I spoke to also said there was no fraud. But again, there was no batch of votes without any Pratt votes. There was simply about a one-minute variation between the upload of Bass and Raman votes and Pratt votes on some media websites.”
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Here it is: The “glitch” The Los Angeles Times is admitting that, yes, they did the 2020: Tens of thousands of mail-in ballots were processed for only Mayor Karen Bass and socialist Nithya Raman, with none appearing for Spencer Pratt, because it was a “glitch” that lasted for “a minute.” “It was the result of a lag in an automated collection of the data, in which one data collection captured votes in a single batch for Bass and Raman, and then, about one minute later, the collection of the rest of that same batch of votes. Folks I spoke to also said there was no fraud. But again, there was no batch of votes without any Pratt votes. There was simply about a one-minute variation between the upload of Bass and Raman votes and Pratt votes on some media websites.”

🇺🇸RealRobert🇺🇸

34,358 Aufrufe • vor 22 Tagen

Jim Jarmusch on how he got the inspiration to make 'Ghost Dog: The Way of the Samurai' (1999): "Interviewer: Can you tell me where the initial idea for 'Ghost Dog' (1999) came from? Jarmusch: I can’t really because I did everything backwards. I started with a really vague idea, but wanting to work with Forest Whitaker was really the beginning. So I was trying to think of what kind of character I could make for the qualities in him as an actor that I liked. That contradiction he has of being both gentle and imposing. So it really started from here. I thought of a warrior character, but with a spiritual side so that I could get both aspects of him as an actor. Then the samurai thing became interesting to me. Unlike Western warriors, who trained just as warriors, Eastern warriors like samurai—or more particularly, Shaolin monks in China—are also priests and teachers. Although samurai are not priests, there is a spiritual depth to their training. So it seemed like an interesting thing. Then to make a kind of Don Quixote character who follows an ancient code that is not part of the modern world seemed interesting to me. I started collecting ideas, as I always do, and eventually I sit down and weave them together and see what the hell I’ve come up with." (Jim Jarmusch's interview with Chris Campion, 2000)
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Jim Jarmusch on how he got the inspiration to make 'Ghost Dog: The Way of the Samurai' (1999): "Interviewer: Can you tell me where the initial idea for 'Ghost Dog' (1999) came from? Jarmusch: I can’t really because I did everything backwards. I started with a really vague idea, but wanting to work with Forest Whitaker was really the beginning. So I was trying to think of what kind of character I could make for the qualities in him as an actor that I liked. That contradiction he has of being both gentle and imposing. So it really started from here. I thought of a warrior character, but with a spiritual side so that I could get both aspects of him as an actor. Then the samurai thing became interesting to me. Unlike Western warriors, who trained just as warriors, Eastern warriors like samurai—or more particularly, Shaolin monks in China—are also priests and teachers. Although samurai are not priests, there is a spiritual depth to their training. So it seemed like an interesting thing. Then to make a kind of Don Quixote character who follows an ancient code that is not part of the modern world seemed interesting to me. I started collecting ideas, as I always do, and eventually I sit down and weave them together and see what the hell I’ve come up with." (Jim Jarmusch's interview with Chris Campion, 2000)

DepressedBergman

275,394 Aufrufe • vor 6 Monaten

INSECURITY: LET'S TELL PRESIDENT TINUBU THE TRUTH, NOT COMMENDATION Today, the Senate had an elaborate discussion on the security situation in the country, which has worsened in the last few weeks. When the Senate President recognised me to speak, I started by reminding him how I raised this issue with him a couple of days ago, and the need for us to work together. I added that it was good the matter had come up by way of a motion. I felt that the deterioration of the security situation in most communities, the killings and abductions, and even the killing of soldiers and officers — one of them of the rank of Brigadier General — and the way terrorists are abducting students, with bandits attacking several States at the same time, are situations that even nations at war do not experience. Therefore, the matter should be examined with all the seriousness it deserves. I stated that it is very clear that not only our democracy is under threat, but the nation itself is being reduced, belittled, and threatened. I also disagreed with the approach and tone of the motion, and some of the comments from members of the majority party who, in my view, were unnecessarily political. That, in my view, did not match the seriousness of the issue. At this point, the Senate President did not allow me to conclude my comments. But what I was saying was that, yes, as I have said several times, the entire nation is under attack, and we must all unite to address this challenge. I do not agree with the request in the motion, supported by the majority of speakers from the majority party, that the President and the government should be commended. I disagree with it.
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INSECURITY: LET'S TELL PRESIDENT TINUBU THE TRUTH, NOT COMMENDATION Today, the Senate had an elaborate discussion on the security situation in the country, which has worsened in the last few weeks. When the Senate President recognised me to speak, I started by reminding him how I raised this issue with him a couple of days ago, and the need for us to work together. I added that it was good the matter had come up by way of a motion. I felt that the deterioration of the security situation in most communities, the killings and abductions, and even the killing of soldiers and officers — one of them of the rank of Brigadier General — and the way terrorists are abducting students, with bandits attacking several States at the same time, are situations that even nations at war do not experience. Therefore, the matter should be examined with all the seriousness it deserves. I stated that it is very clear that not only our democracy is under threat, but the nation itself is being reduced, belittled, and threatened. I also disagreed with the approach and tone of the motion, and some of the comments from members of the majority party who, in my view, were unnecessarily political. That, in my view, did not match the seriousness of the issue. At this point, the Senate President did not allow me to conclude my comments. But what I was saying was that, yes, as I have said several times, the entire nation is under attack, and we must all unite to address this challenge. I do not agree with the request in the motion, supported by the majority of speakers from the majority party, that the President and the government should be commended. I disagree with it.

Henry Seriake Dickson

84,600 Aufrufe • vor 8 Monaten

🗨️| “Absolutely beautiful place. I'd spent a bit of time there on tour, but not enough time, you know, not working. Um, and I just wanted to surround myself with the kind of atmosphere and feelings that I wanted from the records. And, you know, the more you surround yourself by that, it, that those feelings are infectious completely. Um, there was a lovely kind of tempo to where we were in Costa Rica, place called Santa Teresa. It's like really kind of slow and like lovely like way of living. So the kind of tranquility that you'd hope for when making a record, it's often the other way and pressure, pressure, pressure. It was really nice to kind of, lay back on that. And in terms of the honesty on the record, I almost meant that in a slightly less literal sense. I've always been a quite a motive and honest songwriter, but I think this is the first time that I've been willing to embrace things that I was maybe a little bit scared of at first. It was really important to me post One Direction to kind of show who I was as an artist. So I resisted anything that was too close to centre. All the while forgetting that's what created me, you know, and that's the reason I'm sat in this chair. So I think it's, this record comes from a braver and more Honest standpoint. Yeah, I just, I deserve melodic songs like, Lemonade, you know, and like Palaces where in the past I might have kind of ignored melodies like that. So yeah, that's kind of what I meant by the record that I always deserve to make.” — Louis Tomlinson via #MostRequestedLive
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🗨️| “Absolutely beautiful place. I'd spent a bit of time there on tour, but not enough time, you know, not working. Um, and I just wanted to surround myself with the kind of atmosphere and feelings that I wanted from the records. And, you know, the more you surround yourself by that, it, that those feelings are infectious completely. Um, there was a lovely kind of tempo to where we were in Costa Rica, place called Santa Teresa. It's like really kind of slow and like lovely like way of living. So the kind of tranquility that you'd hope for when making a record, it's often the other way and pressure, pressure, pressure. It was really nice to kind of, lay back on that. And in terms of the honesty on the record, I almost meant that in a slightly less literal sense. I've always been a quite a motive and honest songwriter, but I think this is the first time that I've been willing to embrace things that I was maybe a little bit scared of at first. It was really important to me post One Direction to kind of show who I was as an artist. So I resisted anything that was too close to centre. All the while forgetting that's what created me, you know, and that's the reason I'm sat in this chair. So I think it's, this record comes from a braver and more Honest standpoint. Yeah, I just, I deserve melodic songs like, Lemonade, you know, and like Palaces where in the past I might have kind of ignored melodies like that. So yeah, that's kind of what I meant by the record that I always deserve to make.” — Louis Tomlinson via #MostRequestedLive

World Tomlinson

11,606 Aufrufe • vor 8 Monaten

I was able to recover a few videos and photos from my life in Gaza. This one ripped my heart to pieces. It is a beautiful memory with my son Kinan, who was just nine months old. I had just come home from work and he was waiting for me at the door, sitting in his baby walker. The way my children greeted me every day after work erased every trace of stress and exhaustion. I watch the video over and over, taking in every detail. I see the floor tiles and remember how many times we struggled to choose them, how many stores we visited searching for the most beautiful, the best. Those days were tiring, but they were full of joy. I see the living room curtains in the background, the couch, and I think of how perfect they were. My home was beautiful. I chose everything with care, the best and the most beautiful for that home. Now I have nothing from that video. Not my clothes. Not my child’s clothes. Not his walker. Not the couch. Not the curtains. Not the tiles. Nothing. All I have left is the ache of longing for my home.
0:30

I was able to recover a few videos and photos from my life in Gaza. This one ripped my heart to pieces. It is a beautiful memory with my son Kinan, who was just nine months old. I had just come home from work and he was waiting for me at the door, sitting in his baby walker. The way my children greeted me every day after work erased every trace of stress and exhaustion. I watch the video over and over, taking in every detail. I see the floor tiles and remember how many times we struggled to choose them, how many stores we visited searching for the most beautiful, the best. Those days were tiring, but they were full of joy. I see the living room curtains in the background, the couch, and I think of how perfect they were. My home was beautiful. I chose everything with care, the best and the most beautiful for that home. Now I have nothing from that video. Not my clothes. Not my child’s clothes. Not his walker. Not the couch. Not the curtains. Not the tiles. Nothing. All I have left is the ache of longing for my home.

Alaa From Gaza

575,295 Aufrufe • vor 1 Jahr

“At nine years old, I was taken to a mind control facility.” “I was an elite sex slave.” “They created a persona that I was going to become for them.” “I was going to be made famous.” “And it was done by a man who was a Nazi.” Anneke Lucas revealed that an elite sex trafficking ring programmed her to become a famous actress-singer from the age of nine. She encountered people as elite as David Rockefeller and Pierre Trudeau. Now, she is sharing her shocking story with the world: “Summer of 1972, I spent … the second month in mind control training in Germany.” “Then I went back to school, but I was taken out a lot, and on weekends, I was taken either for more training, or … to be deployed with a man, with a politician or something.” “I was trained to become that persona, which was gonna be an actress-singer in France.” “That platform was really only to attract a certain type of men that I was then gonna be involved with.” “And then I could just also bring in information and report back to who was then my owner.” Andrew Gold: “Do you have an idea of how deep this goes, this elite circle?” Lucas: “I think it’s old.” “And I think the experiments from the Nazi camps were continued.” Anneke Lucas Andrew Gold
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Sensitive content

“At nine years old, I was taken to a mind control facility.” “I was an elite sex slave.” “They created a persona that I was going to become for them.” “I was going to be made famous.” “And it was done by a man who was a Nazi.” Anneke Lucas revealed that an elite sex trafficking ring programmed her to become a famous actress-singer from the age of nine. She encountered people as elite as David Rockefeller and Pierre Trudeau. Now, she is sharing her shocking story with the world: “Summer of 1972, I spent … the second month in mind control training in Germany.” “Then I went back to school, but I was taken out a lot, and on weekends, I was taken either for more training, or … to be deployed with a man, with a politician or something.” “I was trained to become that persona, which was gonna be an actress-singer in France.” “That platform was really only to attract a certain type of men that I was then gonna be involved with.” “And then I could just also bring in information and report back to who was then my owner.” Andrew Gold: “Do you have an idea of how deep this goes, this elite circle?” Lucas: “I think it’s old.” “And I think the experiments from the Nazi camps were continued.” Anneke Lucas Andrew Gold

Holden Culotta

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Jon Anik reflects on what he considers the best call of his broadcasting career: "I take the championship calls very seriously, but there's nothing pre-planned about them. With the Leon Edwards situation, I basically missed the head kick because of the call. At that point, I was irritated by the narrative that Leon was just running out the clock. I looked over at DC and said, 'Yeah, but that's not the cloth from which he is cut.' I was about to say, 'Look at that corner, they're absolutely dejected.' Then, in a split second, I looked back and caught the head kick. That was just fortunate timing."
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Jon Anik reflects on what he considers the best call of his broadcasting career: "I take the championship calls very seriously, but there's nothing pre-planned about them. With the Leon Edwards situation, I basically missed the head kick because of the call. At that point, I was irritated by the narrative that Leon was just running out the clock. I looked over at DC and said, 'Yeah, but that's not the cloth from which he is cut.' I was about to say, 'Look at that corner, they're absolutely dejected.' Then, in a split second, I looked back and caught the head kick. That was just fortunate timing."

Ariel Helwani

254,168 Aufrufe • vor 1 Monat

Norse Pagan says he purchased a Bible following the assassination of Charlie Kirk, says he has been inspired by the "spiritual and moral peace" from Christians in the fallout of Kirk's death. "What I saw happen to Charlie was the most scarring thing that I think I've seen with my eyes, period." "If I was in the family, I would not be able to control myself." "I have been railing and raging against the enemy. Raging against the people who saw that and cheered." "The spiritual and moral peace that I have seen in the Christian community regarding this whole thing is something that I envy because I am full of rage and hate and anger." "I went today and I picked up a Bible because I was inspired by what I've seen from their side, from the Christian side of this..." Video: vetsinnervoice tt/ig
2:03

Norse Pagan says he purchased a Bible following the assassination of Charlie Kirk, says he has been inspired by the "spiritual and moral peace" from Christians in the fallout of Kirk's death. "What I saw happen to Charlie was the most scarring thing that I think I've seen with my eyes, period." "If I was in the family, I would not be able to control myself." "I have been railing and raging against the enemy. Raging against the people who saw that and cheered." "The spiritual and moral peace that I have seen in the Christian community regarding this whole thing is something that I envy because I am full of rage and hate and anger." "I went today and I picked up a Bible because I was inspired by what I've seen from their side, from the Christian side of this..." Video: vetsinnervoice tt/ig

Collin Rugg

163,631 Aufrufe • vor 11 Monaten

#SEONGHWA about walking the runway for SONGZIO today 🩶 ⭐️: Anyway, what I really wanted to say today is that, honestly, walking the runway has always felt like a dream to me. And now, counting this time I’ve done it three times in total, now twice with SONGZIO, which is a brand I really lov, so it made this an even more meaningful time for me. It was such a meaningful experience. While getting ready backstage, all the models were just incredibly cool.. really, so cool. Seeing them gave me a lot of courage and watching how the staff worked was very inspiring as well. In a way it kind of reminded me of ATEEZ in our earlier days, everyone felt close like a family and it was really nice to see. Yes, I learned a lot and felt a lot through this experience. Last time I was only focused on the runway itself, but this time I think I was able to see things more broadly. I think I saw the whole thing with a broader perspective, I learned and felt things. It was truly so much fun. And in those moments I really felt like I was the main character, I really had fun. Originally, during rehearsal, I was second to last. But the CEO started at the very end, and after I finished, I was waiting like this and I was supposed to go in around the final turn. Then suddenly, he changed the positions. So, unexpectedly, I ended up even doing the finale, and it felt so thrilling. At the same time though I worried whether I might somehow be kind of a burden among such amazing models so that (thought) made me study and practice even more. Even though I personally feel there are still many ways I’m lacking, I also found myself thinking that maybe I was able to be part of the story these people were writing through fashion. And that made me feel really proud. #SONGZIOFW25 #성화 #SONGZIO
2:45

#SEONGHWA about walking the runway for SONGZIO today 🩶 ⭐️: Anyway, what I really wanted to say today is that, honestly, walking the runway has always felt like a dream to me. And now, counting this time I’ve done it three times in total, now twice with SONGZIO, which is a brand I really lov, so it made this an even more meaningful time for me. It was such a meaningful experience. While getting ready backstage, all the models were just incredibly cool.. really, so cool. Seeing them gave me a lot of courage and watching how the staff worked was very inspiring as well. In a way it kind of reminded me of ATEEZ in our earlier days, everyone felt close like a family and it was really nice to see. Yes, I learned a lot and felt a lot through this experience. Last time I was only focused on the runway itself, but this time I think I was able to see things more broadly. I think I saw the whole thing with a broader perspective, I learned and felt things. It was truly so much fun. And in those moments I really felt like I was the main character, I really had fun. Originally, during rehearsal, I was second to last. But the CEO started at the very end, and after I finished, I was waiting like this and I was supposed to go in around the final turn. Then suddenly, he changed the positions. So, unexpectedly, I ended up even doing the finale, and it felt so thrilling. At the same time though I worried whether I might somehow be kind of a burden among such amazing models so that (thought) made me study and practice even more. Even though I personally feel there are still many ways I’m lacking, I also found myself thinking that maybe I was able to be part of the story these people were writing through fashion. And that made me feel really proud. #SONGZIOFW25 #성화 #SONGZIO

Everything Seonghwa

25,036 Aufrufe • vor 6 Monaten

'No Self Control', released in May 1980 was the second single from 'PG3'. This performance is from Top of the Pops. "Steve Reich had done this wonderful record called ‘Music for Eighteen Musicians’, which involved marimbas and I think, of all the ‘systems’ composers, his work had a lot of textures and colours and grooves to them that I really responded to. So I tried to involve elements of that in the work. I also worked with a wonderful percussionist Morris Pert and ‘No Self Control’ would be one track, which integrated some of those things and a band sound as well."
0:25

'No Self Control', released in May 1980 was the second single from 'PG3'. This performance is from Top of the Pops. "Steve Reich had done this wonderful record called ‘Music for Eighteen Musicians’, which involved marimbas and I think, of all the ‘systems’ composers, his work had a lot of textures and colours and grooves to them that I really responded to. So I tried to involve elements of that in the work. I also worked with a wonderful percussionist Morris Pert and ‘No Self Control’ would be one track, which integrated some of those things and a band sound as well."

Peter Gabriel

13,406 Aufrufe • vor 4 Monaten

CNN's Van Jones was not a fan of Zohran Mamdani's angry, far-left, rage-filled victory speech: "I think he missed an opportunity. I think the Mamdani that we saw in the campaign trail, who was a lot more calm, who was a lot warmer, who was a lot more embracing, was not present in that speech. And I think that Mamdani is the one you need to hear from tonight. There are a lot of people trying to figure out, can I get on this train with him or not? Is he going to include me? Is he going -- is he -- is he going to be more of a class warrior even in office? I think he missed a chance tonight to to open up and bring more people into the tent. I think his tone was sharp. I think he was using the microphone in a way that he was almost yelling. And that's not the Mamdani that we've seen on Tiktok and the great interviews and stuff like that." "So, I felt like it was a little bit of a character switch here, where the warm, open, embracing guy that's close to working people was not on stage tonight. And there were some some other voice on stage. That said, he's very young. And he just pulled off something very, very difficult. And I wouldn't write him off, but I think he missed an opportunity to open himself up tonight. And I think that that will probably cost him going forward."
1:15

CNN's Van Jones was not a fan of Zohran Mamdani's angry, far-left, rage-filled victory speech: "I think he missed an opportunity. I think the Mamdani that we saw in the campaign trail, who was a lot more calm, who was a lot warmer, who was a lot more embracing, was not present in that speech. And I think that Mamdani is the one you need to hear from tonight. There are a lot of people trying to figure out, can I get on this train with him or not? Is he going to include me? Is he going -- is he -- is he going to be more of a class warrior even in office? I think he missed a chance tonight to to open up and bring more people into the tent. I think his tone was sharp. I think he was using the microphone in a way that he was almost yelling. And that's not the Mamdani that we've seen on Tiktok and the great interviews and stuff like that." "So, I felt like it was a little bit of a character switch here, where the warm, open, embracing guy that's close to working people was not on stage tonight. And there were some some other voice on stage. That said, he's very young. And he just pulled off something very, very difficult. And I wouldn't write him off, but I think he missed an opportunity to open himself up tonight. And I think that that will probably cost him going forward."

Curtis Houck

6,103,155 Aufrufe • vor 9 Monaten

Mario Bava on the troubles he faced while making 'Planet of the Vampires' (1965): "I wish that the audience and the critics knew the conditions under which I am forced to make movies. For 'Planet of the Vampires' (1965), I didn’t have anything to work with. There was only a studio, completely empty and squalid, because there was no money: I had to turn that into a [mysterious, alien] planet. So what did I do? In the studio next door there were two big plastic rocks, a leftover prop from a sword-and-sandal movie or something. I took these two rocks and I put them in the middle of my studio, then I covered the floor with smoke and I darkened the white wall in the background. I shot the whole movie by moving the two rocks around the studio. Can you believe it? And, while I was shooting, there was this American screenwriter who kept rewriting the script, changing scenes and dialogues… After a while, I stopped listening to him. Do you remember that, at the end of the movie, the astronauts land on planet Earth at the beginning of its existence? Well, the screenwriter wanted the astronauts to get off the spaceship and meet Adam and Eve in the Garden of Eden, which was located in Missouri, USA. Naturally, I refused to shoot this kind of stuff." (Mario Bava's interview with Luigi Cozzi, translated by Cinepugno, 1970)
2:02

Mario Bava on the troubles he faced while making 'Planet of the Vampires' (1965): "I wish that the audience and the critics knew the conditions under which I am forced to make movies. For 'Planet of the Vampires' (1965), I didn’t have anything to work with. There was only a studio, completely empty and squalid, because there was no money: I had to turn that into a [mysterious, alien] planet. So what did I do? In the studio next door there were two big plastic rocks, a leftover prop from a sword-and-sandal movie or something. I took these two rocks and I put them in the middle of my studio, then I covered the floor with smoke and I darkened the white wall in the background. I shot the whole movie by moving the two rocks around the studio. Can you believe it? And, while I was shooting, there was this American screenwriter who kept rewriting the script, changing scenes and dialogues… After a while, I stopped listening to him. Do you remember that, at the end of the movie, the astronauts land on planet Earth at the beginning of its existence? Well, the screenwriter wanted the astronauts to get off the spaceship and meet Adam and Eve in the Garden of Eden, which was located in Missouri, USA. Naturally, I refused to shoot this kind of stuff." (Mario Bava's interview with Luigi Cozzi, translated by Cinepugno, 1970)

DepressedBergman

74,668 Aufrufe • vor 2 Monaten

In the past week Clint Russell asked Bret Weinstein how he would grade Trump, now that Bret voted for him for the first time in the 2024 election. Here is Bret's response: "I am confused by what I see... I am completely comfortable with having voted for Trump. It was my first time because of the apocalypse that was represented by the blue ticket. And so I just don't think there was any rational choice. We had an absolute emergency on our hands and this simple ability to vote for something that was in some way authentic made it the only game in town. Now, as for what is transpiring under the Trump administration, I am aware that there is a labyrinth of power and a hidden priority list. The administration presumably has things it wants to accomplish. The labyrinth of power sets the ground rules as to what can be accomplished at what rate and in exchange for what, I know I'm not privy to that. And so the real question is how does the stack up compared to what was possible given the cards that president Trump held on inauguration? And I don't think any of us are in a position to answer that. So, you know, is the disappointment the result of the fact that the constraints on the president are greater than we hoped and maybe imagined? Are they the result of the priorities not being the represented priorities? Undoubtedly that plays some role. But, you know, again, in light of what was, you know, we had President Biden was not the president in the meaningful sense. To have attempted to run him again. And then at the point that that became implausible, to swap in an empty shirt is such a dire commentary on the state of the Republic that I think every conversation about how the Trump administration is doing has to begin with the fact that there was no alternative."
2:53

In the past week Clint Russell asked Bret Weinstein how he would grade Trump, now that Bret voted for him for the first time in the 2024 election. Here is Bret's response: "I am confused by what I see... I am completely comfortable with having voted for Trump. It was my first time because of the apocalypse that was represented by the blue ticket. And so I just don't think there was any rational choice. We had an absolute emergency on our hands and this simple ability to vote for something that was in some way authentic made it the only game in town. Now, as for what is transpiring under the Trump administration, I am aware that there is a labyrinth of power and a hidden priority list. The administration presumably has things it wants to accomplish. The labyrinth of power sets the ground rules as to what can be accomplished at what rate and in exchange for what, I know I'm not privy to that. And so the real question is how does the stack up compared to what was possible given the cards that president Trump held on inauguration? And I don't think any of us are in a position to answer that. So, you know, is the disappointment the result of the fact that the constraints on the president are greater than we hoped and maybe imagined? Are they the result of the priorities not being the represented priorities? Undoubtedly that plays some role. But, you know, again, in light of what was, you know, we had President Biden was not the president in the meaningful sense. To have attempted to run him again. And then at the point that that became implausible, to swap in an empty shirt is such a dire commentary on the state of the Republic that I think every conversation about how the Trump administration is doing has to begin with the fact that there was no alternative."

The Darkhorse Podcast

46,443 Aufrufe • vor 1 Jahr

Music Director B.I #HANBIN #비아이 #김한빈 #보이 Reporter: B.I joined as the music director, right? I felt that in scenes where the music was laid in, even when someone is k*lled, there were times fast-tempo, bright songs, or music that feels more like mainstream pop come out. I was wondering if that was influenced by B.I, and also what kind of discussions you went through to place that kind of music in each scene. Director: Music Director B.I actually already has a personal connection with Actor Jo (Byeong-kyu), which I mentioned earlier, they worked on a music together. I was introduced to him. When I first met him, he was already someone who had created many works with a distinct personal world of his own. He also has deep understanding of film and the script. When I showed him early edits where I had already laid in some music, he would take in my opinions while also bringing out his own style. Overall, I wanted the music in “Boy” to include a wide variety of genres, techno, pop songs. Having that kind of mix not only makes it more fun to watch, but I also felt that it matched the emotional tone of “Boy” very well.
1:24

Music Director B.I #HANBIN #비아이 #김한빈 #보이 Reporter: B.I joined as the music director, right? I felt that in scenes where the music was laid in, even when someone is k*lled, there were times fast-tempo, bright songs, or music that feels more like mainstream pop come out. I was wondering if that was influenced by B.I, and also what kind of discussions you went through to place that kind of music in each scene. Director: Music Director B.I actually already has a personal connection with Actor Jo (Byeong-kyu), which I mentioned earlier, they worked on a music together. I was introduced to him. When I first met him, he was already someone who had created many works with a distinct personal world of his own. He also has deep understanding of film and the script. When I showed him early edits where I had already laid in some music, he would take in my opinions while also bringing out his own style. Overall, I wanted the music in “Boy” to include a wide variety of genres, techno, pop songs. Having that kind of mix not only makes it more fun to watch, but I also felt that it matched the emotional tone of “Boy” very well.

🆔 𝐭𝐭𝐭𝐨𝐩𝟏𝟑𝟏 🌕

47,850 Aufrufe • vor 7 Monaten