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Cinema needs #Akshaykumar Theatres doesn't bleed when #Zero, #Raees are disasters of Gargantuan proportion. But an #Akshaykumar film becoming below average hurts. #Akshay get more film offers than any other star on this planet. Blockbusters loading.

33,429 views • 1 year ago •via X (Twitter)

10 Comments

Sachin_07's profile picture
Sachin_071 year ago

Raees collection >>> disaster sarfira,selfiee ,omg 2 , sky force collection

Skydance's profile picture
Skydance1 year ago

Our lives are the sum of our choices. Mission: Impossible – The Final Reckoning. See you at the movies May 23, 2025.

Pratham's profile picture
Pratham1 year ago

BMCM Budget - 350 cr Collection - 85-90 cr Worldwide Mission Raniganj Budget - 200 cr Collection - 70 cr WW Selfiee Budget - 250 cr Collection - 50 cr WW Even Skyforce budget - 250 cr Collection - 170 cr WW ( with Free tickets, offers ,etc) Cry more 🤣🤣

S.S ALI's profile picture
S.S ALI1 year ago

Srk disasters films more collected money than Akshay kumar okey..

Nitesh Naveen's profile picture
Nitesh Naveen1 year ago

More losses were made from 1 single film of #SRK. Hence, the disaster of Gargantuan proportion was used. Financial literacy is a must for all #SRK fans.

Mun Patel's profile picture
Mun Patel1 year ago

If #Raees is a disaster, then #Selfie is a blockbuster.

Naan Thaan Da King-u's profile picture
Naan Thaan Da King-u1 year ago

More movies = More disasters

MAYANK 🪖's profile picture
MAYANK 🪖1 year ago

5 disasters in a row , wait

CineMaza's profile picture
CineMaza1 year ago

bhai jitne kama kar srk salman flop dete hai utne me akshay ki film blockbuster ho jaati hai 🤣

ı•m•săm's profile picture
ı•m•săm1 year ago

Canadian kumar

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Watch This Video to Know Why #AkshayKumar is the biggest flop actor of Bollywood right now.. Akshay Kumar could never become a super star, the reason behind this is releasing 4 films in a year and making all of them flop.. Even today he remakes 9 out of 10 films and does the same 1-2 films with worn out knowledge, when he saw that every one of his films started to flop, he clashed with #Gadar2 and made it overflow in Pankaj Tripathi's film in which he was doing a cameo, after that he named a big Bakwas film as Kesari 2 and kept giving Bogo offers every day, consider that the film is based on Bogo offer only..the biggest one It was surprising when they showed a film like Sky Force to everyone for free and the ticket offer was such that the public was watching it for Rs 20. The budget of a film like Welcome to the Jungle was 300 crores but its budget was reduced to 150 crores. A film like Selfie was taking an opening of 2 crores and a film like Bade Miya Chote Miya earned 50 crores instead of 350 crores. They wasted all the producer's money and now they are not even getting films. A film like Bhoot Bangla had full corporate booking. A film like Housefull 5 flopped even after taking corporate booking. Akshay Kumar could never give a 250 crore Hindi net in his life. An all time blockbuster in his life. He could not give it. He has given only solo blockbuster in his entire career, apart from this, the biggest record in his career is that 18-20 films flopped continuously after which he had to take Canadian citizenship. The film left by Sunny Deol saved his career and that film was also average. Today if we compare Akshay Kumar then it happens with actors like #ArjunKapoor , Tushar Kapoor, Vivek Oberoi...

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In 1977, Rainer Werner Fassbinder was a member of the jury at the Berlin Film Festival. He threatened to walk out with British critic Derek Malcolm unless their support for Bresson’s 'The Devil, Probably' (1977) for the top prize was made public. The movie ended up sharing the second prize, the Silver Bear, with two other films. Fassbinder's thoughts on the film: "Fassbinder: Robert Bresson's 'The Devil, Probably' (1977), which is the most shattering film I've seen in this Berlin Festival. I think it's a major film; but then people say - but what if you show a film like this to the man in the street and he doesn't understand it? First of all, I think that's wrong. But even if it's true, doesn't it mean that in the future - and this world will probably last for another few thousand years - this film will be more important than all the rubbish which is now considered important but which never really goes deep enough? The questions Bresson asks will never be unimportant. Interviewer: What about the problems raised in Bresson's film - are they rejecting all existing political forms? Fassbinder: Yes, rejecting every commitment. Because commitment for the film's young characters - whom he seems to understand so well - is mainly an escape into an 'occupation' which keeps that commitment alive. An escape from the awareness that everything goes on regardless of you and your commitment." ("Robert Bresson", Edited by James Quandt, 1998) P.S: On this day, 49 years ago, 'The Devil, Probably' (1977) was released in France.

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