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circling back

Eric Smith

31,669 subscribers

1,031,018 Aufrufe • vor 10 Monaten •via X (Twitter)

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circling back to this key touchpoint 📠

circling back to this key touchpoint 📠

Los Angeles Angels

36,138 Aufrufe • vor 1 Jahr

Karma is circling back #Dubai is now facing the very same suffering that Palestinians and Sudanese people have been enduring

Karma is circling back #Dubai is now facing the very same suffering that Palestinians and Sudanese people have been enduring

Elham Ishmael ✍︎

133,912 Aufrufe • vor 5 Monaten

Circling back on this...Circle to Search is rolling out now to #Pixel7 and Pixel 7 Pro! 🎉 Just draw a circle with your finger around an image, text, or video to quickly find all the info you need.¹ Learn more about our latest #FeatureDrop²:

Circling back on this...Circle to Search is rolling out now to #Pixel7 and Pixel 7 Pro! 🎉 Just draw a circle with your finger around an image, text, or video to quickly find all the info you need.¹ Learn more about our latest #FeatureDrop²:

Made by Google

174,901 Aufrufe • vor 2 Jahren

This clip has been circling around Chinese social media last year. It's in southern CA, near the border. The man holding a gun is a Chinese immigrant, not sure legal or illegal. I think both FBI and U.S. Immigration and Customs Enforcement need to find this guy and offer him a free one-way trip back to China.

This clip has been circling around Chinese social media last year. It's in southern CA, near the border. The man holding a gun is a Chinese immigrant, not sure legal or illegal. I think both FBI and U.S. Immigration and Customs Enforcement need to find this guy and offer him a free one-way trip back to China.

Bin Xie

24,297 Aufrufe • vor 1 Jahr

🚨🇺🇸 FIRE STILL BURNS ON IDAHO'S CANFIELD MOUNTAIN AS SHOOTERS HIDE OUT 2 major pockets of fire are still active where firefighters were ambushed earlier today. Thick smoke made visibility difficult, but crews spotted 2 large plumes while driving into the area. Helicopters are now circling overhead, likely monitoring fire conditions and suspect movements. Officials say fire crews are holding back until it’s safe... after 2 of their own were gunned down. Source: Intel Point

🚨🇺🇸 FIRE STILL BURNS ON IDAHO'S CANFIELD MOUNTAIN AS SHOOTERS HIDE OUT 2 major pockets of fire are still active where firefighters were ambushed earlier today. Thick smoke made visibility difficult, but crews spotted 2 large plumes while driving into the area. Helicopters are now circling overhead, likely monitoring fire conditions and suspect movements. Officials say fire crews are holding back until it’s safe... after 2 of their own were gunned down. Source: Intel Point

Mario Nawfal

134,746 Aufrufe • vor 1 Jahr

Korea silences the skies for Suneung South Korea went into Suneung mode Thursday, taking extra measures to ensure smooth running of the annual College Scholastic Ability Test. The measures include pushing back the official start of the working day by 1 hour, and even grounding and forbidding landings of airplanes for the duration of the English language listening test from 1:10 p.m. to 2:20 p.m. In order to prevent any possible disturbances that could affect the exam takers, all domestic and international flights were barred from departing or landing at airports. Airplanes in transit were ordered to remain in the air at an altitude of 3 kilometers or higher. A flight tracker clip shows airplanes circling near Incheon Airport, waiting to land, while other flights were grounded on the tarmac awaiting takeoff.

Korea silences the skies for Suneung South Korea went into Suneung mode Thursday, taking extra measures to ensure smooth running of the annual College Scholastic Ability Test. The measures include pushing back the official start of the working day by 1 hour, and even grounding and forbidding landings of airplanes for the duration of the English language listening test from 1:10 p.m. to 2:20 p.m. In order to prevent any possible disturbances that could affect the exam takers, all domestic and international flights were barred from departing or landing at airports. Airplanes in transit were ordered to remain in the air at an altitude of 3 kilometers or higher. A flight tracker clip shows airplanes circling near Incheon Airport, waiting to land, while other flights were grounded on the tarmac awaiting takeoff.

The Korea Herald 코리아헤럴드

50,791 Aufrufe • vor 8 Monaten

📣📣📣Been delaying the inevitable- almost committed 3 years ago to the tie dye scrunch butt, and look how that took off for other companies- 🤦🏼‍♀️ 😵‍💫The brand merchandise has been circling back in our heads over and over, but my over analyzing, perfectionist self doesn’t want to disappoint and have products that are nothing short of greatness in our store. Which leaves me in this forever state of limbo. I want to expand but only with quality. 🙌🏼Which leads me to this post, I’ve found the Goldie Locks of Leggings. Just right… ✨Back V seam to contour the glutes without splitting them into two 😂 ✨Buttery soft fabric ✨Compression is just right, not too tight but not overly stretchy. ✨Color variants and matching bras galore! I have a few more tests- but I will have a very limited supply online soon at special price. Then will open up preorders!!! Follow shamika gordon.llc on IG and turn on notifications to stay up to date with the releases! MEN We haven’t forgotten about you either, working on some light weight, breathable shorts that can go from the gym, outdoors, or spruced up with a dress tee. #withstandtheweight 🏋🏼‍♀️ #commit #bebrave #bebold #putyourselfoutthere #businessowner #brand #brandambassador #leggings

Withstand The Weight

91,615 Aufrufe • vor 1 Jahr

1 Neural Network + Obsidian + Karpathy’s 1-file method = the most unhinged second brain build of 2026. It remembers everything you’ve ever done, and it costs $0 on top of what you already pay. The base is Karpathy’s append and review: 1 giant note, new thoughts stack on top, old ones sink, every few days you reread and pull the survivors back up. No folders, no tags, no plugins the rereading IS the system, because review is what turns storage into thinking. The flaw: past 10,000 lines, no human rereads anything. That’s where the neural network takes over. You keep the note in Obsidian 1 vault, everything dumps to the top: ideas, links, meeting fragments, half-thoughts. You never organize, you only dump. It all lives as plain markdown on your own disk, and that detail is the whole trick. Because now you point Claude Code at the vault folder, and it reads every line you’ve ever written. “What did I think about pricing in March.” “Find the 3 ideas I keep circling.” “What did I drop that deserves a second look.” It answers from YOUR notes, with quotes, in 15 seconds. Then once a week, 1 prompt closes the loop: read the last 7 days, surface the 5 entries worth pulling back up, flag anything that contradicts what I wrote a month ago. The model does the sinking and surfacing Karpathy did by hand, and the note stays alive instead of turning into a graveyard. Week 1 feels like nothing. Week 4 you hit the first “I already solved this in January.” Month 3 you consult your past self more than Google. Most second brains die in 11 days under 40 plugins and 200 folders. This one is 1 file and a loop, and it compounds because dumping takes 0 discipline. Notion stores what you thought. This thing argues back.

1 Neural Network + Obsidian + Karpathy’s 1-file method = the most unhinged second brain build of 2026. It remembers everything you’ve ever done, and it costs $0 on top of what you already pay. The base is Karpathy’s append and review: 1 giant note, new thoughts stack on top, old ones sink, every few days you reread and pull the survivors back up. No folders, no tags, no plugins the rereading IS the system, because review is what turns storage into thinking. The flaw: past 10,000 lines, no human rereads anything. That’s where the neural network takes over. You keep the note in Obsidian 1 vault, everything dumps to the top: ideas, links, meeting fragments, half-thoughts. You never organize, you only dump. It all lives as plain markdown on your own disk, and that detail is the whole trick. Because now you point Claude Code at the vault folder, and it reads every line you’ve ever written. “What did I think about pricing in March.” “Find the 3 ideas I keep circling.” “What did I drop that deserves a second look.” It answers from YOUR notes, with quotes, in 15 seconds. Then once a week, 1 prompt closes the loop: read the last 7 days, surface the 5 entries worth pulling back up, flag anything that contradicts what I wrote a month ago. The model does the sinking and surfacing Karpathy did by hand, and the note stays alive instead of turning into a graveyard. Week 1 feels like nothing. Week 4 you hit the first “I already solved this in January.” Month 3 you consult your past self more than Google. Most second brains die in 11 days under 40 plugins and 200 folders. This one is 1 file and a loop, and it compounds because dumping takes 0 discipline. Notion stores what you thought. This thing argues back.

West Lord

24,679 Aufrufe • vor 13 Tagen

She wasn't dancing for anyone until the whole street joined in. One girl. One beat. And suddenly everyone's in. Made with GPT Image 2 and Seedance 2.0 on BudgetPixel AI Prompt: Video Prompt — 15 seconds, 16:9, Solo female street dancer Jessy (described above) dancing continuously and energetically from the very first frame to a viral trending upbeat pop/afrobeat-style track (130 BPM, catchy hook-driven viral sound), full choreography visible throughout — no static feet-only opening, no frozen ending. Sunlit outdoor market street, colorful stalls, soft crowd blur, photorealistic, 8K detail, consistent facial identity, cinematic natural daylight, fluid motion blur, perfect temporal consistency. 0:00–0:03 — Low-angle tracking shot rising into a full-body view; Jessy is already mid-move, doing a bouncy shuffle-step with sharp arm swings and a hip pop on the beat drop, ponytail whipping, face clearly visible and expressive. 0:03–0:06 — Whip-pan into a Dutch-angle mid-shot; Jessy spins into a body-roll combo, arms cutting sharply through the air, handheld camera pulsing with the beat. 0:06–0:09 — Crash-zoom to a high-angle crane shot; Jessy drops into a low groove-step with a floor-touch and pop back up, dust kicking softly at her sneakers, still mid-motion. 0:09–0:12 — Snap-cut to eye-level tracking shot circling her; nearby onlookers — two women and one man, each with distinct clearly-visible faces, different hairstyles, and different outfits from Jessy and each other — start mirroring her moves and join in, forming a loose group dance, all faces on camera (face cards visible, no obstruction). 0:12–0:15 — Wide dynamic shot pulling back as the whole group dances together in sync, Jessy in the center still moving with sharp bounce and a playful spin, camera continuing to move (slow pull-back with slight handheld shake) right up to the final frame — no freeze, motion carries through to the last moment, energetic smile toward camera.

She wasn't dancing for anyone until the whole street joined in. One girl. One beat. And suddenly everyone's in. Made with GPT Image 2 and Seedance 2.0 on BudgetPixel AI Prompt: Video Prompt — 15 seconds, 16:9, Solo female street dancer Jessy (described above) dancing continuously and energetically from the very first frame to a viral trending upbeat pop/afrobeat-style track (130 BPM, catchy hook-driven viral sound), full choreography visible throughout — no static feet-only opening, no frozen ending. Sunlit outdoor market street, colorful stalls, soft crowd blur, photorealistic, 8K detail, consistent facial identity, cinematic natural daylight, fluid motion blur, perfect temporal consistency. 0:00–0:03 — Low-angle tracking shot rising into a full-body view; Jessy is already mid-move, doing a bouncy shuffle-step with sharp arm swings and a hip pop on the beat drop, ponytail whipping, face clearly visible and expressive. 0:03–0:06 — Whip-pan into a Dutch-angle mid-shot; Jessy spins into a body-roll combo, arms cutting sharply through the air, handheld camera pulsing with the beat. 0:06–0:09 — Crash-zoom to a high-angle crane shot; Jessy drops into a low groove-step with a floor-touch and pop back up, dust kicking softly at her sneakers, still mid-motion. 0:09–0:12 — Snap-cut to eye-level tracking shot circling her; nearby onlookers — two women and one man, each with distinct clearly-visible faces, different hairstyles, and different outfits from Jessy and each other — start mirroring her moves and join in, forming a loose group dance, all faces on camera (face cards visible, no obstruction). 0:12–0:15 — Wide dynamic shot pulling back as the whole group dances together in sync, Jessy in the center still moving with sharp bounce and a playful spin, camera continuing to move (slow pull-back with slight handheld shake) right up to the final frame — no freeze, motion carries through to the last moment, energetic smile toward camera.

Jessica Collins

31,429 Aufrufe • vor 12 Tagen

Do you know why I love Barcelona? Because only in Barcelona can you stumble into all of this in one single Saturday. We started at Palau de la Música Catalana for Madama Butterfly. It's the only concert hall in Europe lit completely by daylight, through a stained glass dome built in 1908. After we walked outside, we noticed a big gathering of people, so we headed to see what was going on. A helicopter was circling the Cathedral square, dropping thousands of small poems out of the sky. Half written by Catalan poets, half by Chilean ones. I didn't know what it was at the time, but I researched it after, and it's a one-time art project called "Bombardeig de Poemes," marking 50 years since the end of the Franco dictatorship. Then, a few streets over, we found the Kiss mural. From far away, it's two people kissing. Up close, it's 4,000 individual photo tiles, each one sent in by a local back in 2014. Had no idea what it was, but apparently it's one of the most photographed spots in the city. Finally, ended the night at the Magic Fountain in Montjuïc. Built in 1929, it's free every night it runs. None of this was planned. We didn't look any of it up beforehand, we just walked into it. That's also the annoying part, you can't plan a day like this. This is why I'll never get tired of this city.

Do you know why I love Barcelona? Because only in Barcelona can you stumble into all of this in one single Saturday. We started at Palau de la Música Catalana for Madama Butterfly. It's the only concert hall in Europe lit completely by daylight, through a stained glass dome built in 1908. After we walked outside, we noticed a big gathering of people, so we headed to see what was going on. A helicopter was circling the Cathedral square, dropping thousands of small poems out of the sky. Half written by Catalan poets, half by Chilean ones. I didn't know what it was at the time, but I researched it after, and it's a one-time art project called "Bombardeig de Poemes," marking 50 years since the end of the Franco dictatorship. Then, a few streets over, we found the Kiss mural. From far away, it's two people kissing. Up close, it's 4,000 individual photo tiles, each one sent in by a local back in 2014. Had no idea what it was, but apparently it's one of the most photographed spots in the city. Finally, ended the night at the Magic Fountain in Montjuïc. Built in 1929, it's free every night it runs. None of this was planned. We didn't look any of it up beforehand, we just walked into it. That's also the annoying part, you can't plan a day like this. This is why I'll never get tired of this city.

Tim

28,978 Aufrufe • vor 1 Monat

🔥 THE REALITY ABOUT ZCASH THEY DON’T WANT YOU TO KNOW BITCOIN WAS SUPPOSED TO BE FREEDOM. NOW IT’S SURVEILLED, CUSTODIAL, AND CONTROLLED. today almost 10% of BTC sits inside ETFs + government-controlled custodians. Fully watched. Zero privacy. Zero sovereignty. Meanwhile the world is moving into MAX CONTROL: CBDCs, tracking laws, surveillance everywhere. Bitcoin can’t hide you anymore. ZCASH CAN. Bitcoin had ONE CHANCE to add privacy years ago… and the core devs REJECTED IT. So the creators left… and built ZCASH, the upgrade Bitcoin was scared to adopt. Then everything changed: ZEC + Zashi + Intents → instant private swaps → mobile → no KYC → no CEX → NO PERMISSION That’s when the market woke up: • ZEC: $78 → $800 • ZEC VOLUME FLIPPED BTC • 1,000,000+ ZEC moved into shielded pools • 5M+ ZEC now private • Early BTC WHALES backing it • WINKLEVOSS returning to the mission Because the truth is simple: ZCASH DOES WHAT BITCOIN CAN’T. Monero? Too slow. Too dirty. Too stuck. ZEC? Clean. Encrypted. Scalable. Professional. A REAL privacy asset. And now the big boys are circling back. OG Bitcoiners. Tech elites. New capital. Everyone who still believes in REAL cypherpunk freedom. When you put it all together: ✔ BTC captured ✔ surveillance rising ✔ privacy denied ✔ Zcash born ✔ UX solved ✔ volume exploding ✔ shielded supply vertical ✔ OG support returning ✔ new money entering You get one conclusion: ZCASH IS BECOMING WHAT BITCOIN WAS MEANT TO BE. THE MARKET JUST HASN’T ACCEPTED IT YET. When this narrative catches fire… When people realize they NEED privacy again… $ZEC will already pump to $50,000

🔥 THE REALITY ABOUT ZCASH THEY DON’T WANT YOU TO KNOW BITCOIN WAS SUPPOSED TO BE FREEDOM. NOW IT’S SURVEILLED, CUSTODIAL, AND CONTROLLED. today almost 10% of BTC sits inside ETFs + government-controlled custodians. Fully watched. Zero privacy. Zero sovereignty. Meanwhile the world is moving into MAX CONTROL: CBDCs, tracking laws, surveillance everywhere. Bitcoin can’t hide you anymore. ZCASH CAN. Bitcoin had ONE CHANCE to add privacy years ago… and the core devs REJECTED IT. So the creators left… and built ZCASH, the upgrade Bitcoin was scared to adopt. Then everything changed: ZEC + Zashi + Intents → instant private swaps → mobile → no KYC → no CEX → NO PERMISSION That’s when the market woke up: • ZEC: $78 → $800 • ZEC VOLUME FLIPPED BTC • 1,000,000+ ZEC moved into shielded pools • 5M+ ZEC now private • Early BTC WHALES backing it • WINKLEVOSS returning to the mission Because the truth is simple: ZCASH DOES WHAT BITCOIN CAN’T. Monero? Too slow. Too dirty. Too stuck. ZEC? Clean. Encrypted. Scalable. Professional. A REAL privacy asset. And now the big boys are circling back. OG Bitcoiners. Tech elites. New capital. Everyone who still believes in REAL cypherpunk freedom. When you put it all together: ✔ BTC captured ✔ surveillance rising ✔ privacy denied ✔ Zcash born ✔ UX solved ✔ volume exploding ✔ shielded supply vertical ✔ OG support returning ✔ new money entering You get one conclusion: ZCASH IS BECOMING WHAT BITCOIN WAS MEANT TO BE. THE MARKET JUST HASN’T ACCEPTED IT YET. When this narrative catches fire… When people realize they NEED privacy again… $ZEC will already pump to $50,000

Whale.Guru

132,096 Aufrufe • vor 8 Monaten

POV: The world doesn't stop for you... until you start walking like the main character. ☕✨ Made with Seedance 2.0 PROMPT: Style: Ultra-realistic cinematic influencer reel, luxury lifestyle aesthetic, 4K HDR, golden hour lighting, shallow depth of field, smooth gimbal movements, subtle lens flares, vibrant city atmosphere, fashion-commercial quality, confident feminine energy 0:00–0:03 Camera: Low-angle tracking shot following stylish heels walking down a charming European-style street. Coffee cup in one hand, phone in the other. Pedestrians naturally move aside as she walks. Action: She casually glances at the camera with a confident smirk. Audio: Trendy upbeat pop beat begins with city ambience. --- 0:03–0:06 Camera:Orbit shot circling her in slow motion. Action: A gust of wind lifts her hair perfectly. She removes her sunglasses, makes eye contact with the camera, then effortlessly slides them back on. Time seems to slow while everyone around her blurs into motion. Effect: Dramatic speed ramp and cinematic lens flare. --- 0:06–0:09 Camera: Wide cinematic shot as she confidently steps onto a busy crosswalk. Action: The traffic lights turn green, but for a brief moment the entire city freezes. Cars stop, birds hang in midair, pedestrians become motionless. Only she keeps walking with complete confidence. Effect: Epic cinematic sound hit. --- 0:09–0:12 Camera: FPV drone smoothly rises from street level to reveal the entire skyline. Action: As she puts on her sunglasses, the frozen city instantly comes back to life. Cars move, people continue walking, and sunlight reflects dramatically off the skyscrapers. Effect: Whip transition synchronized to the music beat. --- 0:12–0:15 Camera: Slow-motion close-up as she takes a sip of coffee while walking toward the camera. Action: She gives a playful wink, then walks past the lens. The camera turns to reveal everyone behind her subtly watching in admiration. Music:Beat drops on the final frame with a clean cinematic logo-style ending. This version adds a subtle "reality bends around her"moment, making it feel more dramatic and memorable while still fitting the polished female influencer aesthetic that performs well on short-form platforms.

Sophia

61,016 Aufrufe • vor 9 Tagen

My son, Tim, is fighting for his life in my arms. Hunger and illness have consumed his fragile body after drinking contaminated water. He now suffers from severe gastroenteritis, with relentless diarrhea, high fever, and continuous vomiting. He spent the night in pain, and I sat beside him with cold compresses, helpless, watching his pale face fade. I couldn’t take him to a hospital—relentless airstrikes, drones circling above, and roads that lead only to death. Fear has become stronger than our will to survive. Tim, like every child in the world, deserves to live. But he has been deprived of his most basic rights—medicine, clean water, and food. The hospitals in northern Gaza have collapsed. No medication. No supplies. No hope. What kind of world turns a deaf ear to a child’s cry? What humanity allows innocence to be slaughtered before its very eyes without a word? I am a broken father, watching my child suffer without being able to ease his pain. I turn to the merciful hearts that have never abandoned us… Please, do not turn away now. Tim urgently needs medicine to ease his pain, clean water to heal his body, and food to nourish what remains of his strength. Any donation, no matter how small, could bring Tim back to life. You could revive a child’s soul and give a devastated father a glimmer of hope amidst the ruins. Don’t let Tim’s light fade before our eyes. Don’t let our cries go unheard. I will tell God everything—of those who abandoned us, of those who watched us die in silence. And before God, all oppressors and the betrayed shall meet.💔😢 #SaveTim #GazaUnderAttack #DonateForTim #ChildrenOfGaza #StopTheKilling #HumanityIsAResponsibility

My son, Tim, is fighting for his life in my arms. Hunger and illness have consumed his fragile body after drinking contaminated water. He now suffers from severe gastroenteritis, with relentless diarrhea, high fever, and continuous vomiting. He spent the night in pain, and I sat beside him with cold compresses, helpless, watching his pale face fade. I couldn’t take him to a hospital—relentless airstrikes, drones circling above, and roads that lead only to death. Fear has become stronger than our will to survive. Tim, like every child in the world, deserves to live. But he has been deprived of his most basic rights—medicine, clean water, and food. The hospitals in northern Gaza have collapsed. No medication. No supplies. No hope. What kind of world turns a deaf ear to a child’s cry? What humanity allows innocence to be slaughtered before its very eyes without a word? I am a broken father, watching my child suffer without being able to ease his pain. I turn to the merciful hearts that have never abandoned us… Please, do not turn away now. Tim urgently needs medicine to ease his pain, clean water to heal his body, and food to nourish what remains of his strength. Any donation, no matter how small, could bring Tim back to life. You could revive a child’s soul and give a devastated father a glimmer of hope amidst the ruins. Don’t let Tim’s light fade before our eyes. Don’t let our cries go unheard. I will tell God everything—of those who abandoned us, of those who watched us die in silence. And before God, all oppressors and the betrayed shall meet.💔😢 #SaveTim #GazaUnderAttack #DonateForTim #ChildrenOfGaza #StopTheKilling #HumanityIsAResponsibility

Gehad Qasem~Gaza 🇵🇸

18,120 Aufrufe • vor 1 Jahr

A knight tried his best... then ran out of stamina. Good thing the princess had a Kopiko. ☕🍬 Made with Seedance 2.0 in Creatify AI Prompt: 15-second cinematic fantasy commercial. Ultra-photorealistic live action. Deadpan humor played completely seriously. Maintain the exact provided female model as the princess throughout every shot. Shot 1 (0:00–0:02) A colossal medieval stone tower stands on jagged cliffs during a violent thunderstorm. Rain pours as lightning reveals a massive dragon circling overhead. On the highest balcony, the princess in an elegant ivory medieval fantasy gown watches calmly. Far below, a lone knight rides toward the tower. Shot 2 (0:02–0:04) The knight rushes inside, abandons his horse, draws his sword, and climbs the vine-covered tower. Halfway up, exhaustion overtakes him. His hands shake, he loses his grip, and falls onto a lower ledge. He is awake but too exhausted to continue. The princess looks down at him with a disappointed expression. Princess: "...Seriously?" Shot 3 (0:04–0:06) Close-up. The princess reaches into a hidden pouch, unwraps a Kopiko Coffee Candy, and places it in her mouth. The wrapper crinkles clearly. Her expression changes from mildly bored to completely focused and confident. Shot 4 (0:06–0:10) She leaps from the balcony and sprints down the tower by wall-running. As she passes the knight, she grabs his sword. She dodges the dragon's fire, uses its lowered wing as a launch ramp, lands on its back, and defeats it with one clean strike. The dragon pauses, looks back at her, silently decides it has lost, and flies away into the storm. Shot 5 (0:10–0:13) The princess lands beside the exhausted knight. She offers him a hand. He tries to stand but collapses from exhaustion again. Without effort, she picks him up in a bridal carry and walks away. The knight looks embarrassed but thankful. The storm begins to clear behind them. Shot 6 (0:13–0:15) Clean premium product shot. A pack of Kopiko Coffee Candy rotates in slow motion against a black background with subtle golden lighting. Still carrying the knight, the princess catches another candy with one hand, unwraps it effortlessly, smiles confidently, and eats it. On-screen text: KOPIKO Stay Awake. Stay Sharp. #Creatify #aimediabuyer #aitools #MarketingTips #D2CMarketing

A knight tried his best... then ran out of stamina. Good thing the princess had a Kopiko. ☕🍬 Made with Seedance 2.0 in Creatify AI Prompt: 15-second cinematic fantasy commercial. Ultra-photorealistic live action. Deadpan humor played completely seriously. Maintain the exact provided female model as the princess throughout every shot. Shot 1 (0:00–0:02) A colossal medieval stone tower stands on jagged cliffs during a violent thunderstorm. Rain pours as lightning reveals a massive dragon circling overhead. On the highest balcony, the princess in an elegant ivory medieval fantasy gown watches calmly. Far below, a lone knight rides toward the tower. Shot 2 (0:02–0:04) The knight rushes inside, abandons his horse, draws his sword, and climbs the vine-covered tower. Halfway up, exhaustion overtakes him. His hands shake, he loses his grip, and falls onto a lower ledge. He is awake but too exhausted to continue. The princess looks down at him with a disappointed expression. Princess: "...Seriously?" Shot 3 (0:04–0:06) Close-up. The princess reaches into a hidden pouch, unwraps a Kopiko Coffee Candy, and places it in her mouth. The wrapper crinkles clearly. Her expression changes from mildly bored to completely focused and confident. Shot 4 (0:06–0:10) She leaps from the balcony and sprints down the tower by wall-running. As she passes the knight, she grabs his sword. She dodges the dragon's fire, uses its lowered wing as a launch ramp, lands on its back, and defeats it with one clean strike. The dragon pauses, looks back at her, silently decides it has lost, and flies away into the storm. Shot 5 (0:10–0:13) The princess lands beside the exhausted knight. She offers him a hand. He tries to stand but collapses from exhaustion again. Without effort, she picks him up in a bridal carry and walks away. The knight looks embarrassed but thankful. The storm begins to clear behind them. Shot 6 (0:13–0:15) Clean premium product shot. A pack of Kopiko Coffee Candy rotates in slow motion against a black background with subtle golden lighting. Still carrying the knight, the princess catches another candy with one hand, unwraps it effortlessly, smiles confidently, and eats it. On-screen text: KOPIKO Stay Awake. Stay Sharp. #Creatify #aimediabuyer #aitools #MarketingTips #D2CMarketing

Maria

48,409 Aufrufe • vor 22 Tagen

"This was filmed three weeks ago at Cedarwood Animal Rescue in Richmond, Virginia. The adult dog lying in the corner is Hazel. She's approximately three years old, a Beagle mix with a soft tricolor coat and quiet, gentle eyes. Hazel came to Cedarwood six weeks ago a stray pickup, clearly a nursing mother, brought in without her puppies. Staff searched the area where she'd been found for three days. Nothing. Hazel settled into the shelter the way a dog does when it doesn't have a choice. She ate. She accepted affection. But staff noted she was consistently subdued - not depressed in a clinical sense, just carrying something. She'd often lie with her nose pressed to the base of the kennel door. Shelter director Fran said: "We see it sometimes with mothers who come in separated. There's a quality to how they hold themselves that's different from other surrenders. Hazel was looking for something constantly." Two weeks after Hazel arrived, a family in the same neighborhood where she'd been found contacted Cedarwood. They'd discovered two small puppies in their garage clearly newborns, eyes still closed when found. The family had bottle-fed them for two weeks and brought them in once they were stable enough to be moved. The vet examined all three. The DNA profile and the puppies' age were consistent. These were Hazel's. Volunteer Theresa carried the puppies in a small transport crate into Hazel's kennel room on a Thursday morning. The footage shows Hazel lying in the corner, head down, the way she always rested. Theresa set the crate on the floor and opened the door. The two puppies - round and clumsy, about five weeks old tumbled out and wobbled toward the center of the room. Hazel's head came up. She was on her feet before the puppies had taken three steps. She crossed the kennel and pressed her nose to both of them, one then the other, then began licking them with the focused urgency of a mother accounting for every inch of her children. Her tail was going so fast it seemed to move her whole back end. The puppies pushed back into her. Hazel circled them, licking and pressing and circling again. Theresa stood at the kennel door and cried. Fran told us: "We've been doing this for eleven years. Reuniting a mother with her puppies after separation is one of the things that never gets routine. Hazel had been carrying that loss quietly for two weeks. The moment those puppies were on the ground, something in her just unlocked." All three were placed together in a foster home the following week. They'll be listed for adoption once the puppies are old enough - as a group, Fran said firmly. "They're not being separated again." Some things that go missing find their way back. And when they do, the relief is written all over a body that was never fully at rest without them

Crazy Moments

104,538 Aufrufe • vor 20 Tagen

Seedance 2.0 on Yapper Prompt: Character & Setup Full-body based on reference image (upper-body reference), with face, hairstyle, and features matched exactly. She wears a hat. Expression is tense and restrained, slightly painful, with a faint frown—carrying a strong sense of despair and intensity in his eyes. Clothing: Dark grey coat, dark inner layer, no belt, wearing heavy black-tech gauntlets. Environment: Apocalyptic wasteland, grey-blue sky, strong winds, smoke and debris in the air. Meteors streak across the sky with faint flames and trails of smoke. ⸻ Visual Style IMAX film look with a 35mm Panavision lens. Low-saturation grey tones, compressed shadows with preserved detail, subtle film grain and edge vignetting. Heavy, oppressive atmosphere with realistic lighting and physical presence. ⸻ Camera Rules One continuous handheld shot with subtle breathing motion. Starts from a low-angle upward shot, focusing on the face and upper body, slowly circling to a frontal view during transformation. The weapon in his hand remains the visual anchor. ⸻ 0–3s · Stare The injured protagonist stands still, slightly lowering his head. Her body is tense. She slowly raises her right arm forward, stiff and heavy. A dim glow surrounds the gauntlet. Her breathing subtly moves her body. Suddenly, her eyes ignite with purple-white light, creating strong lens flares. ⸻ 3–6s · Activation A deep whisper: “Transform!” She snaps his right hand sharply. Purple crystal-like electricity bursts from her arm. The air compresses inward, distorting space. A circular shockwave expands around her. Strange glowing blue runic lines appear and orbit his body. ⸻ 6–9s · Tearing Dark gold cracks erupt from her chest. Thick golden liquid flows like blood. Blue mist and fine electric arcs surge outward. Her coat tears apart from the inside, edges burning into ash. Fragments of organic armor burst outward, then unnaturally retract and reattach. Her face tightens in pain as glowing blue markings spread symmetrically. A small tear opens on his cheek, revealing pulsing orange light beneath. ⸻ 9–12s · Growth New organic matter seeps from within, shimmering with iridescent light and moving toward the chest. White armor plates collide and fuse, leaving scorched marks. The chest core flickers like embers, not fully stabilized. Her outer clothing is violently stripped away. Purple-black metal spreads across her face, forming an uneven mask. Compound eyes begin forming, flickering irregularly. ⸻ 12–15s · Completion The helmet seals fully. Horn-like structures grow upward, burning with purple-gold flames. One eye glows steadily while the other flickers with electrical instability. Armor is uneven and battle-damaged, with glowing cracks and leaking fluid. The camera slowly circles to her right, then pulls back from above. She shifts into a ready combat stance, standing against the harsh environment.

Seedance 2.0 on Yapper Prompt: Character & Setup Full-body based on reference image (upper-body reference), with face, hairstyle, and features matched exactly. She wears a hat. Expression is tense and restrained, slightly painful, with a faint frown—carrying a strong sense of despair and intensity in his eyes. Clothing: Dark grey coat, dark inner layer, no belt, wearing heavy black-tech gauntlets. Environment: Apocalyptic wasteland, grey-blue sky, strong winds, smoke and debris in the air. Meteors streak across the sky with faint flames and trails of smoke. ⸻ Visual Style IMAX film look with a 35mm Panavision lens. Low-saturation grey tones, compressed shadows with preserved detail, subtle film grain and edge vignetting. Heavy, oppressive atmosphere with realistic lighting and physical presence. ⸻ Camera Rules One continuous handheld shot with subtle breathing motion. Starts from a low-angle upward shot, focusing on the face and upper body, slowly circling to a frontal view during transformation. The weapon in his hand remains the visual anchor. ⸻ 0–3s · Stare The injured protagonist stands still, slightly lowering his head. Her body is tense. She slowly raises her right arm forward, stiff and heavy. A dim glow surrounds the gauntlet. Her breathing subtly moves her body. Suddenly, her eyes ignite with purple-white light, creating strong lens flares. ⸻ 3–6s · Activation A deep whisper: “Transform!” She snaps his right hand sharply. Purple crystal-like electricity bursts from her arm. The air compresses inward, distorting space. A circular shockwave expands around her. Strange glowing blue runic lines appear and orbit his body. ⸻ 6–9s · Tearing Dark gold cracks erupt from her chest. Thick golden liquid flows like blood. Blue mist and fine electric arcs surge outward. Her coat tears apart from the inside, edges burning into ash. Fragments of organic armor burst outward, then unnaturally retract and reattach. Her face tightens in pain as glowing blue markings spread symmetrically. A small tear opens on his cheek, revealing pulsing orange light beneath. ⸻ 9–12s · Growth New organic matter seeps from within, shimmering with iridescent light and moving toward the chest. White armor plates collide and fuse, leaving scorched marks. The chest core flickers like embers, not fully stabilized. Her outer clothing is violently stripped away. Purple-black metal spreads across her face, forming an uneven mask. Compound eyes begin forming, flickering irregularly. ⸻ 12–15s · Completion The helmet seals fully. Horn-like structures grow upward, burning with purple-gold flames. One eye glows steadily while the other flickers with electrical instability. Armor is uneven and battle-damaged, with glowing cracks and leaking fluid. The camera slowly circles to her right, then pulls back from above. She shifts into a ready combat stance, standing against the harsh environment.

Zara

29,022 Aufrufe • vor 4 Monaten

This was filmed last Thursday afternoon at Animal Rescue in Mississippi. The dog lying in the corner is a four-year-old tan Retriever mix named Maple. The two small puppies in the cardboard box are hers. Maple came into Gulf Coast three weeks ago as a stray picked up near the Port of Biloxi. She was thin and clearly had recently been nursing. The intake team suspected she had puppies somewhere nearby but searches of the area came up empty. For three weeks, Maple lay in her kennel in a way the staff described as "not quite present." Ate enough to stay healthy. Accepted gentle handling. But mostly kept her head down and stayed quiet. The volunteers who worked her kennel talked about her in the break room. Something about her stillness was different from ordinary shelter sadness. It felt like waiting. Ten days ago, a family in Ocean Springs found two small puppies under their back deck. About six weeks old. Brought them to Gult Coast. Standard intake. No connection was made immediately. Then a sharp-eyed volunteer named Tess was reviewing intake photos and noticed the puppies' coloring. The shape of their ears. She pulled Maple's intake paperwork and compared. She brought it to the shelter director, a man named Gary. Gary said: "Tess came into my office and laid both files side by side on my desk and didn't say anything. She just looked at me. I looked at the photos. And I said, 'Let's do a introduction and see what happens.'"Tess carried the puppies to Maple's kennel in a small cardboard box. The security camera was already running. Maple was lying in the corner with her head down, the same way she'd been lying for three weeks. Tess set the box on the floor and opened the flaps. The puppies tumbled out, unsteady and curious. Maple lifted her head. She stared. One second. Two. Then she was on her feet. Moving fast. She covered both puppies in frantic licks, nose pushing into each of them, checking, circling, pressing them close. The puppies climbed over her legs, pawing at her face. Maple's tail moved faster than any of the staff had ever seen it move. Tess had to leave the kennel because she couldn't stop crying. Gary told us: "Three weeks of that quiet stillness. And then in about four seconds she was a completely different dog. She knew immediately. Knew them instantly. It was the most remarkable thing I've ever witnessed in eight years of running this shelter." Maple and the puppies are now in a foster home together while the puppies grow old enough for adoption. Maple eats full meals now. Plays. Greets the fosters at the door in the mornings. The foster, a woman named Rosa, told us: "She's a completely different dog with them here. Like she finally exhaled after three weeks of holding her breath." The puppies will be adopted when they're ready. The rescue is hoping to find Maple her own home at the same time. Some kinds of waiting are too deep for words. But the ending, when it finally comes, is unmistakable.

This was filmed last Thursday afternoon at Animal Rescue in Mississippi. The dog lying in the corner is a four-year-old tan Retriever mix named Maple. The two small puppies in the cardboard box are hers. Maple came into Gulf Coast three weeks ago as a stray picked up near the Port of Biloxi. She was thin and clearly had recently been nursing. The intake team suspected she had puppies somewhere nearby but searches of the area came up empty. For three weeks, Maple lay in her kennel in a way the staff described as "not quite present." Ate enough to stay healthy. Accepted gentle handling. But mostly kept her head down and stayed quiet. The volunteers who worked her kennel talked about her in the break room. Something about her stillness was different from ordinary shelter sadness. It felt like waiting. Ten days ago, a family in Ocean Springs found two small puppies under their back deck. About six weeks old. Brought them to Gult Coast. Standard intake. No connection was made immediately. Then a sharp-eyed volunteer named Tess was reviewing intake photos and noticed the puppies' coloring. The shape of their ears. She pulled Maple's intake paperwork and compared. She brought it to the shelter director, a man named Gary. Gary said: "Tess came into my office and laid both files side by side on my desk and didn't say anything. She just looked at me. I looked at the photos. And I said, 'Let's do a introduction and see what happens.'"Tess carried the puppies to Maple's kennel in a small cardboard box. The security camera was already running. Maple was lying in the corner with her head down, the same way she'd been lying for three weeks. Tess set the box on the floor and opened the flaps. The puppies tumbled out, unsteady and curious. Maple lifted her head. She stared. One second. Two. Then she was on her feet. Moving fast. She covered both puppies in frantic licks, nose pushing into each of them, checking, circling, pressing them close. The puppies climbed over her legs, pawing at her face. Maple's tail moved faster than any of the staff had ever seen it move. Tess had to leave the kennel because she couldn't stop crying. Gary told us: "Three weeks of that quiet stillness. And then in about four seconds she was a completely different dog. She knew immediately. Knew them instantly. It was the most remarkable thing I've ever witnessed in eight years of running this shelter." Maple and the puppies are now in a foster home together while the puppies grow old enough for adoption. Maple eats full meals now. Plays. Greets the fosters at the door in the mornings. The foster, a woman named Rosa, told us: "She's a completely different dog with them here. Like she finally exhaled after three weeks of holding her breath." The puppies will be adopted when they're ready. The rescue is hoping to find Maple her own home at the same time. Some kinds of waiting are too deep for words. But the ending, when it finally comes, is unmistakable.

Gabriele Corno

74,720 Aufrufe • vor 5 Tagen

‼️🇺🇸: NASA JPL AT CENTER OF MISSING SCIENTISTS & WHCD ATTACKER FOUNDED BY OCCULT LEADER WITH TIES TO ISRAEL 👀 Jack Parsons, co-founder of the Jet Propulsion Laboratory (JPL) and Aerojet—didn’t just pioneer the solid-fuel rockets that won WWII and launched the Space Age. He summoned 'gods' while doing it. In 1945–46, while developing the castable composite propellants that still power modern missiles and boosters, Parsons performed the Babalon Working: a series of Enochian sex-magick rituals with L. Ron Hubbard as scribe and red-haired artist Marjorie Cameron as the invoked “Scarlet Woman.” Their goal? Incarnate the Thelemite goddess Babalon on Earth and birth a magical messiah. They chanted in the Mojave, masturbated onto sigils to Prokofiev’s Second Violin Concerto, and declared victory when Cameron appeared unannounced. Parsons was a devoted follower of Aleister Crowley—saw no contradiction. Crowley himself called Parsons “the most valued member of the whole Order, with no exception.” By day: JPL founder building America’s rocket future at Arroyo Seco. By night: leading the Agape Lodge O.T.O. sex-magick commune at the Parsonage in Pasadena, complete with animal sacrifice, polyamory, and invocations to open portals. Parsons led the California O.T.O. lodge under Crowley’s direct blessing. He interpreted Thelema through quantum physics and rocket science: “Magick is the Science and Art of causing Change to occur in conformity with Will.” JPL’s official history whitewashes this. Imagine that. 🤷🏻‍♂️ Fast-forward to 1950. Parsons is blacklisted from classified U.S. work after FBI probes into his “subversive” occult lodge and past leftist ties. Enter Herbert T. Rosenfeld, president of the Southern California chapter of the American Technion Society—an explicitly Zionist organization supporting Israel’s technological and military development. Rosenfeld hires Parsons to build Israel’s early rocket program. Parsons prepares technical reports (some still classified from his Hughes Aircraft work) and plans to emigrate with Cameron. He was literally about to hand U.S. propulsion secrets to the new State of Israel. A Hughes secretary types the docs and reports him to the FBI for espionage. Declassified FBI files confirm: investigators suspected Parsons was TRANSFERRING CLASSIFIED ROCKET TECH TO ISRAEL and acting as its agent. He was investigated, cleared in 1951, but the damage was permanent—NO MORE CLEARANCES, no more big contracts. He pivoted to Hollywood special effects while still chasing the Israel dream. June 17, 1952: Parsons dies in a lab explosion mixing fulminate of mercury. Official ruling: accident (he was notoriously reckless). But Marjorie Cameron never bought it. She suspected anti-Zionists murdered him for trying to arm Israel—or LAPD payback for his past testimony, or something darker. She spent decades performing blood rituals and astral sex-magick to contact his spirit, convinced his death was part of a larger pattern. The timeline they don’t teach in aerospace textbooks: 1930s–40s: Parsons co-founds JPL while leading Crowley’s occult O.T.O. lodge and the Babalon Working. 1946: Attempts to incarnate a Babylon "goddess" while inventing the fuels that defined the Cold War and space race. 1950–52: Pro-Israel rocket consultancy—FBI espionage probe—mysterious death before he can leave for Israel where he was attempting permanently migrate. The link of the lab that became NASA’s crown jewel. Crowley’s Thelema, Parsons’ rituals, and real ties to the founding of Israel’s defense tech—all hidden in plain sight. Why is this buried? Why do propulsion and classified-tech “missing scientists” threads keep circling back to these same institutional circles? What's REALLY going on here? 🤔

‼️🇺🇸: NASA JPL AT CENTER OF MISSING SCIENTISTS & WHCD ATTACKER FOUNDED BY OCCULT LEADER WITH TIES TO ISRAEL 👀 Jack Parsons, co-founder of the Jet Propulsion Laboratory (JPL) and Aerojet—didn’t just pioneer the solid-fuel rockets that won WWII and launched the Space Age. He summoned 'gods' while doing it. In 1945–46, while developing the castable composite propellants that still power modern missiles and boosters, Parsons performed the Babalon Working: a series of Enochian sex-magick rituals with L. Ron Hubbard as scribe and red-haired artist Marjorie Cameron as the invoked “Scarlet Woman.” Their goal? Incarnate the Thelemite goddess Babalon on Earth and birth a magical messiah. They chanted in the Mojave, masturbated onto sigils to Prokofiev’s Second Violin Concerto, and declared victory when Cameron appeared unannounced. Parsons was a devoted follower of Aleister Crowley—saw no contradiction. Crowley himself called Parsons “the most valued member of the whole Order, with no exception.” By day: JPL founder building America’s rocket future at Arroyo Seco. By night: leading the Agape Lodge O.T.O. sex-magick commune at the Parsonage in Pasadena, complete with animal sacrifice, polyamory, and invocations to open portals. Parsons led the California O.T.O. lodge under Crowley’s direct blessing. He interpreted Thelema through quantum physics and rocket science: “Magick is the Science and Art of causing Change to occur in conformity with Will.” JPL’s official history whitewashes this. Imagine that. 🤷🏻‍♂️ Fast-forward to 1950. Parsons is blacklisted from classified U.S. work after FBI probes into his “subversive” occult lodge and past leftist ties. Enter Herbert T. Rosenfeld, president of the Southern California chapter of the American Technion Society—an explicitly Zionist organization supporting Israel’s technological and military development. Rosenfeld hires Parsons to build Israel’s early rocket program. Parsons prepares technical reports (some still classified from his Hughes Aircraft work) and plans to emigrate with Cameron. He was literally about to hand U.S. propulsion secrets to the new State of Israel. A Hughes secretary types the docs and reports him to the FBI for espionage. Declassified FBI files confirm: investigators suspected Parsons was TRANSFERRING CLASSIFIED ROCKET TECH TO ISRAEL and acting as its agent. He was investigated, cleared in 1951, but the damage was permanent—NO MORE CLEARANCES, no more big contracts. He pivoted to Hollywood special effects while still chasing the Israel dream. June 17, 1952: Parsons dies in a lab explosion mixing fulminate of mercury. Official ruling: accident (he was notoriously reckless). But Marjorie Cameron never bought it. She suspected anti-Zionists murdered him for trying to arm Israel—or LAPD payback for his past testimony, or something darker. She spent decades performing blood rituals and astral sex-magick to contact his spirit, convinced his death was part of a larger pattern. The timeline they don’t teach in aerospace textbooks: 1930s–40s: Parsons co-founds JPL while leading Crowley’s occult O.T.O. lodge and the Babalon Working. 1946: Attempts to incarnate a Babylon "goddess" while inventing the fuels that defined the Cold War and space race. 1950–52: Pro-Israel rocket consultancy—FBI espionage probe—mysterious death before he can leave for Israel where he was attempting permanently migrate. The link of the lab that became NASA’s crown jewel. Crowley’s Thelema, Parsons’ rituals, and real ties to the founding of Israel’s defense tech—all hidden in plain sight. Why is this buried? Why do propulsion and classified-tech “missing scientists” threads keep circling back to these same institutional circles? What's REALLY going on here? 🤔

Diligent Denizen 🇺🇸

18,400 Aufrufe • vor 2 Monaten

A FULL ANIME FIGHT SCENE GENERATED WITH AI. AND THE PROMPT IS PUBLIC. Higgsfield just open-sourced its Originals: their flagship in-house productions are now fully transparent. For every video you can see: → the full prompt → every reference (image and audio) → the exact generation settings: model, quality, resolution This clip has a creature transformation, two-character fight choreography, slow motion, even pink blood to dodge the gore. All described in a single prompt you can copy, reproduce or remix as is. Full prompt: "Girll with blue hair and guy with black hair enters empty classroom at dusk, red-orange sky bleeding through tall windows, desks and chairs overturned and scattered with loose papers on the floor; the black-bob girl in a white sailor uniform with blue collar sits collapsed against the wall beneath the blackboard, knees drawn up, sweat soaking her bangs, shoulders convulsing in short spasms, one hand pressed to her stomach, breath ragged and wet. Blue-haired girl in a navy school blazer and pleated skirt enters first through the sliding door, kusarigama scythe held low at her side, blade catching the red window-light; black-haired boy in an open-collar white shirt and loosened tie follows a beat behind, war hammer resting on his shoulder, smirk fading as he sees the sick girl. Camera pushes in low and fast toward the collapsed girl, handheld micro-shake, then whip-pans to the two arrivals freezing in the doorway. The sick girl's spine arches unnaturally, a wet tearing sound as her skin splits along the shoulder blades, bone spurs punching outward, extra eyelids blistering open across her collarbone and cheeks — camera holds in a static wide as the transformation escalates, cutting to tight inserts of individual eyes opening one by one along her growing arms, her school uniform shredding as the body doubles then triples in mass, clawed feet cracking the floorboards, her head deforming into a horned, skull-white cranium ringed with curved fangs, one massive central eye where her face used to be, remnants of the blue collar-ribbon still hanging from a warped throat. She rises to full monster height, towering over the desks, guttural roar rattling the windows. Blue-haired girl plants her feet and swings the scythe up into guard as the boy drops the hammer off his shoulder into a two-handed grip; camera does a fast 180-degree orbit around both of them as they charge. Dutch-angle low shot as the boy closes distance first, hammer swinging in a wide horizontal arc into the monster's leg — impact throws him sideways through a row of desks, wood splintering, into the side wall, plaster cracking around his body, hard cut to his grunt and a slow recovery push off the wall. Blue-haired girl vaults over the wreckage, scythe trailing a whip of motion blur, camera speed-ramping into slow motion as the curved blade connects across the monster's forearm — hot pink ichor sprays in thick arcing ribbons instead of red blood, droplets suspended mid-air in the slowed frame, blade sound a wet metallic tear. Monster backhands her mid-recovery, camera whip-pans to follow her body slamming into the blackboard, chalk dust exploding outward, board cracking down the middle. Rapid cross-cutting: low hero-angle on the boy re-entering with a rising hammer strike into the monster's exposed ribcage-like plating, close slow-mo insert on the point of impact as bone-white shards and pink fluid burst outward; over-the-shoulder shot from the monster's height looking down as both fighters flank it from opposite sides. Girl's scythe hooks into the monster's shoulder joint, camera locked tight on her straining grip and gritted teeth as she wrenches it downward, boy's hammer following through into the same joint a half-second later — impact sound layered, thick and final, monster's roar breaking into a low collapsing groan as its mass folds inward and it drops to its knees then face-first into the floor in a slow, weighty fall, camera pulling back and up into a wide static shot of the wrecked classroom settling into stillness. Both fighters stand over the fallen mass, weapons lowering, chests heaving, camera slowly circling them at floor level; blue-haired girl wipes pink fluid off her cheek with the back of her wrist and starts laughing between breaths, boy lets the hammer head drop to the floor with a thud and laughs too, leaning against a desk, both grinning, exhausted, shoulder-checking each other, red dusk light still pouring through the cracked windows. Ambient sound throughout: creaking wood, scattering papers, cracking plaster, wet impact foley, labored breathing, the monster's guttural vocalizations, ending on genuine breathless laughter. Render risk: full-body transformation sequence may render as a static morph or skip frames — fallback to hard-cutting between three discrete transformation stages rather than one continuous morph if the engine smooths it into mush. Risk: pink blood may drift toward red under default color grading — reinforce with explicit magenta-pink hue callouts at each blood beat. Risk: multi-character wide fight choreography may merge the two fighters' silhouettes in wide shots — favor alternating single-subject framing over simultaneous two-shot action if clarity fails." Made with Seedance 2.0 on Higgsfield AI Full open-sourced prompts & assets below👇

A FULL ANIME FIGHT SCENE GENERATED WITH AI. AND THE PROMPT IS PUBLIC. Higgsfield just open-sourced its Originals: their flagship in-house productions are now fully transparent. For every video you can see: → the full prompt → every reference (image and audio) → the exact generation settings: model, quality, resolution This clip has a creature transformation, two-character fight choreography, slow motion, even pink blood to dodge the gore. All described in a single prompt you can copy, reproduce or remix as is. Full prompt: "Girll with blue hair and guy with black hair enters empty classroom at dusk, red-orange sky bleeding through tall windows, desks and chairs overturned and scattered with loose papers on the floor; the black-bob girl in a white sailor uniform with blue collar sits collapsed against the wall beneath the blackboard, knees drawn up, sweat soaking her bangs, shoulders convulsing in short spasms, one hand pressed to her stomach, breath ragged and wet. Blue-haired girl in a navy school blazer and pleated skirt enters first through the sliding door, kusarigama scythe held low at her side, blade catching the red window-light; black-haired boy in an open-collar white shirt and loosened tie follows a beat behind, war hammer resting on his shoulder, smirk fading as he sees the sick girl. Camera pushes in low and fast toward the collapsed girl, handheld micro-shake, then whip-pans to the two arrivals freezing in the doorway. The sick girl's spine arches unnaturally, a wet tearing sound as her skin splits along the shoulder blades, bone spurs punching outward, extra eyelids blistering open across her collarbone and cheeks — camera holds in a static wide as the transformation escalates, cutting to tight inserts of individual eyes opening one by one along her growing arms, her school uniform shredding as the body doubles then triples in mass, clawed feet cracking the floorboards, her head deforming into a horned, skull-white cranium ringed with curved fangs, one massive central eye where her face used to be, remnants of the blue collar-ribbon still hanging from a warped throat. She rises to full monster height, towering over the desks, guttural roar rattling the windows. Blue-haired girl plants her feet and swings the scythe up into guard as the boy drops the hammer off his shoulder into a two-handed grip; camera does a fast 180-degree orbit around both of them as they charge. Dutch-angle low shot as the boy closes distance first, hammer swinging in a wide horizontal arc into the monster's leg — impact throws him sideways through a row of desks, wood splintering, into the side wall, plaster cracking around his body, hard cut to his grunt and a slow recovery push off the wall. Blue-haired girl vaults over the wreckage, scythe trailing a whip of motion blur, camera speed-ramping into slow motion as the curved blade connects across the monster's forearm — hot pink ichor sprays in thick arcing ribbons instead of red blood, droplets suspended mid-air in the slowed frame, blade sound a wet metallic tear. Monster backhands her mid-recovery, camera whip-pans to follow her body slamming into the blackboard, chalk dust exploding outward, board cracking down the middle. Rapid cross-cutting: low hero-angle on the boy re-entering with a rising hammer strike into the monster's exposed ribcage-like plating, close slow-mo insert on the point of impact as bone-white shards and pink fluid burst outward; over-the-shoulder shot from the monster's height looking down as both fighters flank it from opposite sides. Girl's scythe hooks into the monster's shoulder joint, camera locked tight on her straining grip and gritted teeth as she wrenches it downward, boy's hammer following through into the same joint a half-second later — impact sound layered, thick and final, monster's roar breaking into a low collapsing groan as its mass folds inward and it drops to its knees then face-first into the floor in a slow, weighty fall, camera pulling back and up into a wide static shot of the wrecked classroom settling into stillness. Both fighters stand over the fallen mass, weapons lowering, chests heaving, camera slowly circling them at floor level; blue-haired girl wipes pink fluid off her cheek with the back of her wrist and starts laughing between breaths, boy lets the hammer head drop to the floor with a thud and laughs too, leaning against a desk, both grinning, exhausted, shoulder-checking each other, red dusk light still pouring through the cracked windows. Ambient sound throughout: creaking wood, scattering papers, cracking plaster, wet impact foley, labored breathing, the monster's guttural vocalizations, ending on genuine breathless laughter. Render risk: full-body transformation sequence may render as a static morph or skip frames — fallback to hard-cutting between three discrete transformation stages rather than one continuous morph if the engine smooths it into mush. Risk: pink blood may drift toward red under default color grading — reinforce with explicit magenta-pink hue callouts at each blood beat. Risk: multi-character wide fight choreography may merge the two fighters' silhouettes in wide shots — favor alternating single-subject framing over simultaneous two-shot action if clarity fails." Made with Seedance 2.0 on Higgsfield AI Full open-sourced prompts & assets below👇

gus

100,376 Aufrufe • vor 13 Tagen