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College Guard Shooting Work 6’6 Sir Mohammed - Notre Dame 6’1 JD Bowden - Presbyterian Emphasis on exploding into downhill pullups. Quick pop with our feet, quick pickup from group to shot pocket. - 2 DBL Stop - 2 DBL - Btwn/Pop - 2 DBL - BH/Pop - 2...

34,686 просмотров • 1 год назад •via X (Twitter)

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Replacing a Bad Wheel Bearing job done right. If you hear a roaring noise while driving or feel a massive amount of wobble in your wheel, you’re likely dealing with a shot wheel bearing. Leaving it unchecked isn't just annoying—it’s dangerous. Here is exactly how to tear it down, prep the surface, and install a fresh hub assembly correctly: 1. The Disassembly Remove the Wheel: Pop off the center hub cap, spin off the lug nuts with an impact wrench, and pull the wheel off the vehicle. Clear the Brakes: Unbolt the brake caliper bracket and lift the entire assembly away from the rotor. Pro-tip: Always hang the caliper securely so it doesn't strain the rubber brake line. Pull the Rotor: Remove the small retention screw holding the rotor to the hub. Give it a few taps with a rubber mallet to break the rust free, then slide the rotor off. Disconnect the Extras: To get clean access to the back of the hub, unbolt the lower control arm/suspension link. Carefully unbolt and pull the ABS wheel speed sensor out of the knuckle so you don't damage the wiring. Drop the Old Hub: Back out the bolts securing the wheel bearing assembly from behind the knuckle. A few solid strikes with a hammer will break the old, worn-out hub free. 2. The Critical Step: Prep Work Clean the Knuckle: A new part won't seat properly in a rusty home. Use a wire brush tool attached to a drill to aggressively clean out the corrosion and debris inside the knuckle, then blast it clean with brake cleaner. Be Nice to the Next Guy: Apply a generous coat of anti-seize lubricant to the inside of the knuckle and mounting surfaces. If you ever have to do this job again, you'll thank yourself. 3. Reassembly & Torque Specs Seat the New Hub: Align the brand-new wheel hub assembly and press it firmly into the clean knuckle. Torque It Down: Thread the wheel bearing bolts and suspension links back in. Never guess here—use a digital torque wrench to lock everything down to factory specifications. Plug in the Sensor: Reinstall the ABS sensor back into its slot and secure it. Reset the Brakes: Slide the rotor back over the studs, mount the caliper bracket back over the rotor, and torque the mounting bolts to spec (110\text{ NM} / ~ 81\text{ ft-lbs}). 4. Final Touch Mount the wheel back on, hand-start your lug nuts, and snug them down in a star pattern. Snap that center cap back on, and you are ready for a smooth, noise-free ride. Doing it right takes a little extra time, but proper cleaning and exact torque specs mean this repair will last.

Chuckling Charlie

30,261 просмотров • 4 месяцев назад

Pressing, transitions and goals in Canada! After the hiring of Jesse Marsch this week by Canada Soccer , there has been lots of talk about pressing and transitions in the football community. This is THE style of play that we have used for the last 5 years with Alliance United FC in @L1OMens and will give you some insight in how this can look. We went away from the 'possession' based 1-4-3-3 that everyone has been using as the 'best way' to develop players and win games. Many say this is the 'right way' of playing. However, we use the players' abilities and inabilities as the starting point and based on players produced in Canada, within our youth system, this is the way we think will get us the best results and help our players get to the next level. You need to understand youth development in our country to understand what is and what is not being taught to young players. This is not a negative outlook, it is just looking at the reality. Many mistake this style of play as just non-stop pressing and chaos. Yes, these two aspects are important but it is a much more deliberate and planned way of playing that is used to predict where the opposition will play the ball, where the ball can be dictated and what areas the opposition leave open for transitions when they attack. In 2019, I was introduced to Ernst Tanner former Academy Director of Red Bull Salzburg and current Philadelphia Union Sporting Director that has led the club to being one of the top clubs in MLS and arguably the best academies in North America the last few years. Both organisations are known for their pressing and fast transitions in addition to producing top players. He became a mentor to me and gave me insights and education on this style of play. He has changed the way I look at football. Every season we try to recruit players that can play this style that I will describe below and we do not waiver in the way we played. Every game since 2019 Alliance United FC have played either in a 1-4-2-2-2 or a 1-4-4-2 midfield diamond....every game. We have no secrets in how we play. We focus on defending, pressing, forcing teams into mistakes and transition football. It is important to understand that we do not care how much possession we have and we actually want the opposition to have the ball most of the time. Stats in football show that only when a team has the ball 70% or more in a match their is a correlation to winning. Anything less is not correlated to winning in a certain match. In addition, 80% of goals are scored under 5 passes or less and under 10 seconds when regaining possession. We follow the trend! So, here are some important points based on the video: a) Pressing higher up the pitch when possible. All 11 players are committed to the team intention (principles) and if anybody is not committed and does not contribute to this style of play, they do not play. There is no leeway on this. Either you are in 100% in or you are not. All it takes is one player to not commit and the plan will not work. If we do not win the ball on the high press, everyone is to drop behind the ball as fast as possible to restart the press closer to our goal. b) Based on the opponent's scouting we press certain players and decide if will press closer to the sideline and 'pin' the player to the sideline or we dictate the passes and dribbles centrally and 'surround' the player to win the ball in central positions. We also decide if we will sometimes drop lower for the opposition to advance so we can play behind them when winning the ball. This is done if we scout that the opposition centre-backs are slower than our two strikers. This means we will 'outrun' them in the space they leave behind. c) When winning the ball we want to exploit space behind their backline as the priority which means that a player(s) need to be passing options behind the backline and preferably centrally which is closer to the goal, players winning the ball has to look to play the ball to the player furthest up the pitch. Possession is not a priority but scoring goals as fast as possible is. d) When winning the ball we stay as central as possible with passes and dribbling. We use the width of the penalty area (44 yards) as the preferable dimension when transitioning. We want to stay within this width. The wider the team plays the ball, the more time the opposition has to block the middle. PLAY AS VERTICALLY AS POSSIBLE! The emphasis is to get the ball to the two strikers and play 1v1 against the CBs. e) We know that most youth players grow up playing against a 1-4-3-3 which means there is one central striker meaning the centre-backs one back press and one can cover. Against 2 strikers this is not possible and many centre-backs do not have the ability to play 1v1 with space behind them. They are not taught the cues to step and press or drop to protect space behind them. They are never taught at youth level. We exploit this deficiency. e) All 11 players must get up the pitch to close the spaces if we lose the ball from our attacking transition so the opposition cannot transition against us and we can counter-press. f) A goal is the best outcome based on the objective of attacking but at the minimum we want to get a shot on goal from a transition. This is a quick overview of a different way of playing football that Canada will see with the Men's National Team.

Ilya Orlov

14,134 просмотров • 2 лет назад

What would you do if this mirror pulled you underwater? Nano Banana 2 + Seedance 2.5 on TapNow prompt SCENE CONTEXT A girl Image flees something unseen through a glowing forest, trips, falls — and finds an antique mirror that yanks her through into an underwater city. There, mid-float before the great shell palace, she turns her head — a flash of POV shows a colossal mouth opening onto her — and back in the wide frame the whale is already closing its jaw and gliding calmly away. 24 seconds, full realism. ACTIVE REFERENCES — STRICT ROLE HIERARCHY Image HER EXACT FACE — sole source of her identity and features, 100% match, zero drift: a 20-year-old , 163 cm, slim and lightly built. Soft rounded oval face; warm light-beige skin with a golden undertone and real photographic texture — visible pores, small freckles and tiny beauty marks across the cheeks and nose bridge; dark blue almond eyes with a shallow partially hidden upper-lid crease and soft under-eye fullness; thick dark straight brows with individual hairs brushed upward; a small neat nose with narrow straight bridge and softly rounded tip; full lips with a defined cupid's bow, the lower lip fuller, natural rosy tone; softly rounded jaw tapering to a small chin; small silver hoop earrings. Ignore this reference's hair, clothing, car interior and lighting. Face identity comes from this reference in every single frame. Image : CHARACTER SHEET — controls everything: long voluminous wavy blonde hair past the shoulders; neat elven ears with slender pointed tips; a white billowy medieval linen shirt deep plunging scoop neckline that reveals significant cleavage., with puffed sleeves; a brown leather underbust corset; fitted sage-green trousers; tall brown leather boots; brown leather gloves; a forest-green wool hooded cloak clasped at the collar. Does NOT control the face. Image FOREST LOCATION — a misty magical forest: narrow dirt path, giant glowing red mushrooms casting warm orange light, pink flowers, mossy trunks, drifting fog. 100% matches the reference. Image : UNDERWATER CITY LOCATION — the plaza: a colossal ribbed nautilus-shell palace with glowing golden seams, pearl shell houses with warm windows, god rays from above, jellyfish and drifting sea life. 100% matches the reference. FORMAT MODE One continuous shot from 0:00 to 0:19, then TWO HARD CUTS in the finale: a fast POV insert and a return to the previous framing. No fades, no dissolves. Full realism. HER BACKWARD GLANCE — HOW IT MUST LOOK, STRICT Whenever she checks behind her, she does NOT turn toward the camera and does NOT look into the lens. She rotates her head roughly 45° to ONE SIDE and her EYES GO THE SAME WAY her head goes — looking off toward that side of frame, into the fog, then snapping forward again. BANS: no over-the-shoulder look at the lens, no eye contact with the camera, no 180° head turn. SHOT 1 — 0:00–0:01.5 — HER FEET, LOW AND CANTED LOW, near ground level, canted hard — Dutch tilt ~20–25° — framing her BOOTS and lower legs sprinting along the path: soil bursting, cloak hem cracking, mushroom stalks brushing aside, path streaking in motion blur. Handheld, jolting with her rhythm; the pursuer heard far behind in the fog. SHOT 2 — 0:01.5–0:03 — HER FACE, FRIGHTENED Unbroken move: the frame rises and pushes in to her FACE — a tight running close-up travelling with her, still canted, hair whipping. Raw fear: wide eyes, brows drawn, mouth gasping, dirt on her cheek. Twice she performs the 45° glance as specified, eyes going the same way as her head, searching the fog off to that side; then forward again. SHOT 3 — 0:03–0:05 — THE TRIP, WIDE Unbroken: the frame swings out to a WIDE shot of the path — full figure, mushrooms towering, fog closing the depth. Mid-glance her leading boot CATCHES a root — the foot stops dead, momentum throws her forward, and she goes down hard in full view: knees, then hands and shoulder into the dirt, dust and leaf litter bursting up, cloak flying over her. She lands sprawled, chest heaving. SHOT 4 — 0:05–0:09 — THE MIRROR SHE ALMOST IGNORES Unbroken: the camera drifts in from the front, then around to her side, settling into profile with her and the mirror in frame. Fear first, curiosity second: sprawled, she checks behind with the 45° head-and-eyes turn; the crashing is closer. She scrambles up, barely looking ahead — then registers an ornate antique MIRROR against a mossy trunk, filled with cold blue glow unlike the warm mushroom light. Brushing dirt off her sleeve with ONE hand, her eyes stay on the glass. THE MIRROR DOES NOT REFLECT: her reflection NEVER appears, no mirror image of her, no reflection of the forest — the glass is a window filled with its own inner light: fog thinning into deep watery blue, faint caustics, vague luminous silhouettes far in the depth, no sharp image. The blue washes her face. ACTING TASK — HER CHOICE (the work happens in her eyes): glass → a 45° glance into the fog behind → glass again; she registers that nothing of HER answers her movement in it; no time to solve it. She extends ONE FINGER toward the surface. (Safety: gaze always engaged; natural blink cadence.) SHOT 5 — 0:09–0:11 — THE YANK: UNDER A SECOND Her fingertip nears the glass. The light FLARES — the surface SNAPS outward like a whip and SEIZES her hand. INSTANT: she is RIPPED off her feet, jerked forward along her outstretched arm, body whipping horizontal in a single frame, head-first through the glass, boots torn off the ground last, cloak cracking behind her. No build-up, no float — limp as a ragdoll, the mirror doing ALL of it, vector purely FORWARD through the glass plane. Camera: caught off guard WITH her — it WHIPS sideways-and-forward, slings around behind her flying body and punches through the rippling surface on her heels; water and bubbles SLAM across the lens, forest colors ripped into deep blue. NOT her POV. SHOT 6 — 0:11–0:16 — ARRIVAL IN THE PLAZA Same shot, no cut — camera behind her. THE FIRST UNDERWATER FRAME IS THE ARRIVAL FRAME: the portal exits DIRECTLY INTO the plaza of >>; the colossal nautilus palace is ALREADY in frame, its ribbed pearl wall with glowing golden seams filling the background, sharp and close; shell houses with warm windows border both sides. NO TRAVEL, no approach — the water BRAKES her within a meter or two. HER BODY: horizontal, HEAD-FIRST, back toward the surface, fully passive — arms loose, LEGS STILL AND MOTIONLESS, no kicking, no strokes; thrown cargo, not a swimmer. UNDERWATER PHYSICS, HIGHEST PRIORITY: hair streaming backward in rippling seaweed-like strands, cloak dragging in a heavy water-loaded wave; on stopping, hair and cloak drift forward past her shoulders by inertia. She pivots from horizontal to upright — feet swinging down, legs hanging relaxed — settling into weightless float facing the palace wall. HER HAIR AT REST, STRICT: no parting, no combed order — a loose free-floating mass fanning outward and upward from her whole head, strands crossing over her crown in constant slow chaotic motion, never symmetrical, never still. The cloak billows wide, breathing with the water. SHE CANNOT BREATHE UNDERWATER: cheeks slightly puffed, lips pressed, holding her breath. Bubbles rise from her mouth in small silver clusters climbing upward past her face. ACTING TASK: to ORIENT beneath something impossibly huge — her attention pulls UPWARD: head climbing the glowing houses, up the palace wall, chin lifting, trying to find where the spiral ends. Jellyfish pulse between the houses. SHOT 7 — 0:16–0:19 — SETTLE INTO THE MEDIUM PROFILE FRAME Same shot, no cut. The camera drifts smoothly from behind her around to her side and settles into the framing that holds for the rest of the film: FRAMING LOCK — MEDIUM PROFILE: she is seen from her LEFT SIDE in a medium shot, CHEST-UP ONLY — never full-body, never small in frame; her head and shoulders occupy the lower-left third, elven ear tip clear, hair a floating dark halo, white puffed sleeve and green cloak reading in the frame's bottom, one gloved hand extended forward. Behind and above her, filling the whole background, the giant glowing spiral nautilus palace; pearl shell houses along the lower edge; god rays raking down from the surface; a jellyfish drifting at frame-left; her bubbles rising past her face. She hangs weightless with the faintest sway. SHOT 8 — 0:19–0:21 — SHE TURNS HER HEAD (SAME FRAME) No cut, camera locked in the FRAMING LOCK. She turns her head sharply to look off toward frame-LEFT — a fast, alarmed head turn, eyes going the same direction, brows snapping up, a startled burst of bubbles ripping from her mouth. Her shoulder tenses; nothing else of her moves. She is still only chest-up in frame; the whale is NOT visible yet. HARD CUT. SHOT 9 — 0:21–0:22.5 — POV: THE MOUTH OPENS ON US FIRST-PERSON POV FROM HER EYES — fast and brutal: filling the entire frame, the colossal whale's head rushes in from the left, and the vast baleen MOUTH OPENS WIDE — grooved pale throat pleats stretching, a dark glowing cavern spreading until it swallows the frame edge to edge; water and bubbles ripping past the lens; the scale absolute, the opening several times larger than a human body. Quick — a second and a half, no lingering. The frame goes to the mouth's darkness. HARD CUT. SHOT 10 — 0:22.5–0:24 — BACK TO THE SAME FRAME: THE WHALE MOVES ON Return to the EXACT FRAMING LOCK of Shot 7–8 — same camera position, same background: the glowing spiral palace, the shell houses, the god rays. The girl is no longer there; only her last scattered bubbles rising where she floated. The colossal whale is already in frame with its JAW CLOSED, gliding calmly from LEFT to RIGHT across the plaza — placid, unhurried, indifferent, as if it simply fed on the way past. Its enormous flank sweeps close past the lens: dark iridescent mother-of-pearl skin shifting purple-green-blue like oil on water, scattered glowing teal rings and dotted bioluminescent lines, a tall webbed translucent dorsal fin with visible veining, pectoral and tail fins extending into long flowing translucent ribbon-streamers rippling like silk. TRUE WHALE LOCOMOTION: all thrust from the TAIL — deep lateral sweeps bending the rear third of the body, an S-wave of muscle rolling down the flanks head-to-tail on every beat, mass shifting under the skin, head steady on course, ribbon-fins streaming back like wings. Living muscle, never a rigid sculpture on rails. Its wake rocks the jellyfish and scatters her bubbles. It exits frame-RIGHT. Final beat: the empty plaza, the palace glowing, bubbles dispersing, water settling. END. Exactly ONE creature in the finale, the same individual in the POV and in the return frame — no second creature, no duplicate. No grabbing, no chewing, no thrashing, no blood, no gore — the horror is entirely scale. PHYSICS Forest: real running biomechanics, the head-turns costing her balance, the trip stopping the foot dead while momentum carries her over, a genuine three-point fall, real bodyweight in the scramble up. The yank: whip-crack acceleration, body limp, purely forward. Underwater: everything obeys water — drag on limbs and fabric, slow rebound, no dry-hair or dry-cloth behavior in any frame; the whale moves with true mass and inertia, its bow wave visibly displacing water, bubbles and jellyfish; the jaw opens and closes with weight, not like a trap. LIGHTING Forest: warm orange mushroom glow against cool misty air; the mirror's cold blue the only competing source. Underwater: cool blue depth light with god rays, warm golden light from the shell houses and the palace's glowing seams; caustic ripples crawling over her skin, the white sleeve and the whale's flank; the open mouth in the POV reading as a deep shadowed cavern with faint light only on the throat pleats. Natural exposure, no stylization. MATERIALS Real skin with pores and freckles; individual hair strands, dry and flying in the forest, water-loaded and undulating below; real linen weave, leather grain, heavy wool cloak with true water weight; real soil, moss and mushroom flesh; pearl shell with subsurface glow; the whale's iridescent hide with subsurface shift, skin folds and grooved throat pleats, translucent fin membranes. No plastic skin, no CG sheen. AUDIO — SFX ONLY, NO MUSIC 0:00–0:05: pounding footsteps, ragged breathing, cloak snapping, DISTANT crashing branches and a low guttural monster call rolling through the fog; the trip — scuff, body impact, gasp. 0:05–0:09: panicked breathing, scrambling in dirt, forest ambience, a rising crystalline hum near the glass. 0:09–0:11: a sharp liquid CRACK, one violent water-rush WHOOSH, bubbles slamming the lens; forest sound cutting off dead. 0:11–0:19: muffled underwater ambience, soft bubble streams, distant whale-like calls, faint clicks, a deep resonant hum from the palace. 0:19–0:22.5: a startled bubble burst; a deep swelling RUMBLE from the left; in the POV a roaring water-rush and the wet groan of the opening jaw. 0:22.5–0:24: one soft heavy WHOMP settling, then calm rhythmic tail SWISH, the flank's water-rush passing the lens, fading right into churning wake and settling ambience. No score, no melody anywhere. POSITIVE CONSTRAINTS Continuous shot 0:00–0:19; then exactly TWO HARD CUTS: into the POV insert and back out to the identical framing. No other cuts anywhere. FRAMING LOCK: from 0:16 to the end (except the POV insert) the camera holds the same medium profile framing — she is CHEST-UP, seen from her left side, lower-left of frame, with the glowing spiral palace filling the background. She is never shown full-body in this section, never small in frame, and the camera never moves. The finale order is exact: she turns her head left (chest-up, whale not visible) → HARD CUT to her POV of the mouth opening wide, fast → HARD CUT back to the same framing where the jaw is already closed and the whale glides calmly left to right and exits. Her glances in the forest: ~45° head turns with eyes going the same direction; never toward the lens. The forest pursuer is NEVER shown — distant sound only. The mirror NEVER reflects her or the forest — a lit window, not a reflective surface. Underwater she never swims — legs still and motionless throughout; the palace fills the background from the first underwater frame, no travel. Her hair underwater is a chaotic free-floating mass — never parted, never neat, never still. Face 100% >> every frame, zero drift; hair, elven ears, wardrobe 100% >>; forest 100% >>; plaza and palace 100% >>. No grabbing, chewing, blood or gore; exactly ONE creature; she is not visible after the POV cut, only her bubbles. Full realism — no animated look, no illustration, no CG gloss, no plastic surfaces. Clean image: no grain, no vignette. She is the only person. No text, no logos, no watermarks. OPTICS STRONG anamorphic lens character: horizontal squeeze and compression, oval elliptical bokeh, horizontally stretched highlights, curved barrel edge distortion, chromatic aberration toward the edges. NO lens flares, NO light streaks, NO floating bokeh circles. Shot 1: canted 20–25°, low on boots. Shot 2: focus locked on her face. Shot 3: wide, deep focus. Shots 4–5: her face and the mirror's glow. Shots 6–8: her in medium profile against the palace, caustics softening the depth. Shot 9 (POV): ultra-wide immersive perspective, the mouth filling the frame. Shot 10: the flank sharp as it sweeps past the lens.

Sharon Riley

28,464 просмотров • 1 месяц назад

Eli Junior Kroupi: The Arsenal Fit #AFC Could Kroupi be the next major signing to bolster Arsenal's somewhat thin attacking depth? At just 20, the Frenchman already possesses one of the most unique attacking profiles in the Premier League With Arsenal lacking a reliable and consistent goal threat at the moment, Kroupi feels like the type of high ceiling profile worth exploring in serious detail. I thoroughly enjoyed writing this article and I would appreciate any tactical nuances and feedback on my analysis. I have also attached a compilation of some of his shooting actions, chance creation actions and all his goals from last season for a simpler visual understanding. I have also attached a player scout report in A4 format and two very basic tactical image for those who prefer a shorter analysis structure. Kroupi Summarised: Kroupi’s fit at Arsenal is interesting because his "9.5" profile gives Arteta several different ways of using him. He can operate as a lone #9, drop underneath a focal point, start slightly deeper before attacking the box as a second striker, or play from the left of the front three as an inside forward. I would not view him as somebody who requires one specific role to function. The main attraction is the flexibility of his movement and the fact that his strongest quality (snapshot finishing and spatial awareness) can translate across several attacking structures and sequences, including the left side where Arsenal have lacked a consistent goal threat in recent years. The most obvious starting point is Kroupi as the lone #9. Arsenal's current options already offer two very different interpretations of the role. Most common actions: - Havertz regularly drifts away from the defensive line, often towards the RHS, where he can receive underneath, combine with Saka and Odegaard, create overloads and vacate central space for runners such as Calafiori before attacking the box again. - Gyokeres is much more of an aggressive focal point against settled blocks, pinning and occupying the CBs close to goal. By keeping the defensive line deep and central, he naturally creates more space for Arsenal's creative players in the half spaces and around the edge of the box. Kroupi would offer something different again. He is smaller and considerably weaker physically than both Havertz and Gyokeres, so his role would rely far less on direct occupation of the CBs. Instead, he can operate a few yards below the CBs, drop into zone 14, avoid physical battles, receive on the half-turn and immediately attack the defence facing forward. His ability to play quick bounce passes, recognise one twos and understand third man combinations also makes the idea particularly interesting. Rather than consistently pinning the defensive line, Kroupi could manipulate it through his movement, dragging defenders away from their positions before combining and immediately attacking the space created. Key USPs Shooting Kroupi’s standout trait is obviously his shooting and according to Gradient Sports he had the highest shooting grade in the entire Premier League last season despite being just 19. He scored 13 Premier League goals from 8.35xG last season, overperforming by +4.65 while boasting an incredible 25% goal conversion rate from 52 shots. His 0.70 goals per 90 ranked in the 99th percentile against other Premier League forwards, alongside 2.78 shots per 90 (89th percentile) and 1.18 SOT per 90 (94th percentile). The numbers clearly illustrate a forward who doesn’t only score at an exceptional rate but someone who is consistently able to get dangerous attempts away. He also scored 2/2 penalties which suggests he scored 11 non-pen goals from just 6.77 non-pen xG. +4.23xG overperformance. His 9.79xGOT suggests his shot placement adds value beyond xG, but 13 goals is still well above that, so some regression is likely even if the underlying skill is real. Snapshot Finishing The speed of his execution is one of the most impressive parts for me. 10/11 of his non-pen goals were finished in 2 touches or less, including 5 first time goals. He rarely needs several touches to set himself. His short backlift, rapid balance adjustment and ability to strike from awkward body positions allow him to shoot before the defender has completely set himself. 6/11 non penalty goals were also volleys, half-volleys or headers, which demonstrates how quickly he can adapt his body to bouncing, dropping and aerial deliveries even with limited space. Body Manipulation and Balance IMO his body manipulation and separation abilities are equally quintessential as he ranked in the 88th percentile for creating his own shots, but the data and eye test suggests he is not a strong isolation/1v1 dribbler. He completed only 0.80/2.00 dribbles per 90 (41% success) and averaged just 0.95 progressive carries per 90. His dribbling/carrying is far more purposeful and direct. He aims to use his first touch, a shoulder movement or a small body feint to shift the defender before immediately attacking the defender's wrong side. I saw this clearly in his goal against Forest, where he manipulated Milenkovic's body position, carried into the vacated space and finished brilliantly from distance. To put it simply, Kroupi’s primary objective is normally to create enough separation to shoot. That is why the combination of his body manipulation and rapid shooting style is so difficult to defend, especially when facing recovering defenses. Running In Behind While he thrives dropping deep, data tracking highlights Kroupi as a standout threat as a runner. According to SkillCorner, he ranks exceptionally high for making diagonal, high speed channel runs that split CBs and FBs. His explosiveness over short distances allows him to get off the mark quickly, using transition phases (in particular) to sprint into central lanes or half spaces in behind. This verticality usually leads to a retreating backline, creating the exact space in zone 14 he operates so lethally in. He averaged 5 channel runs per 30 minutes, which is extremely efficient. The timing can still improve, as 2 further goals were ruled out for offside. Low Touch Efficiency The final USP is his low-touch efficiency as he averaged only 39.68 touches per 90 (8th percentile), but still produced 4.49 touches in the opposition box (11%), 2.78 shots, 1.18 SOT and 0.70 goals per 90. He clearly does not need to constantly be involved in play to remain dangerous. The key thing is his movement as he combines well with one twos and third man combinations by moving into dangerous open spaces like a “9.5” does. Kroupi as the lone #9: Basic Demands - Refer to Image 1 Kroupi’s basic role as Arsenal’s #9 would be relatively simple to explain: - Occupy the CBs without constantly engaging them physically - Move between the lines when the shooting opportunity appears - Continuously work towards receiving in pockets where he can face the target and shoot quickly - Shown in his goals vs Wolves, Arsenal and Forest He will obviously not be asked to become a traditional target man because physically he does not meet the standards. The data supports this as he had a low 32% ground duel success rate (3rd percentile) and 26.7% aerial duel win rate (27th percentile). The simple tactical objective is to keep him close enough to the CBs that they remain pinned to him whilst using micro movements to avoid the actual contact. I believe his movements need to work in cycles. Start high enough to occupy the CBs, drop into the pocket to open a passing lane, combine or turn and then immediately attack the open space whilst facing the target. I think that Kroupi should not drop into the midfield and remain there as we would then lose that central occupation. The movement away from goal needs to eventually coincide with a movement back towards it after a quick combination. Note: With him replacing Havertz or Gyokeres up front we do lose that aerial support during defensive set-pieces. A small trade-off but not one I could ignore. Explained Through The Phases In Build-Up During the first phase of possession Kroupi can peel away from the CBs into either half-space (depending on the overload priority) and offer himself as a vertical option. His first touch and awareness will allow him to receive, play a quick bounce pass and immediately continue his movement forward rather than taking multiple touches or attempting to dictate. This is where I’d suggest his “9.5” profile becomes useful: - If a CB follows him when he drops, we could attack the space created behind - If the CB stays attached to the defensive line, Kroupi can receive in between the lines and turn - I particularly enjoy watching him as the second or third in third man combinations which allows the team to beat the first lines of press and progress forward quickly. Progression Once we settle into our 3-2-5/3-1-6, Kroupi can alternate between occupying the defensive line and dropping into zone 11. He tends to remain central but naturally gravitates towards the left channel (See Left Inside Forward Section) which could lead to a strong relationship with Calafiori and Tzolis. It could also lead to one of the two having to remain wider to avoid an unnecessary channel overload. This could create some interesting rotations. If Kroupi moves between the opposition RB and RCB, the RCB has to decide whether to follow or stay. - If the CB follows a late/box crashing runner like Calafiori, Rice or Bruno G can attack the central space (during transitions or high tempo moments). - If the CB holds position Kroupi can receive freely in space between the lines before turning and carrying/combining in zone 11/14 areas (most likely scenario). His passing numbers also provide useful context as despite only completing 19 passes per 90 (76% acc.), he ranked in the 73rd percentile for both progressive passes and passes into the final third, along with ranking in the 68th percentile for forward passes. He is a low volume player but naturally vertical. Note: Despite his left channel preference, he is also extremely capable at combining on the right and using movement to drag a play before manipulating a defender and attacking the space in a third man combination (Goal vs Arsenal at the Vitality). Connections with Saka and Odegaard could be interesting with all of them being able to play strong bounce passes. An upgrade in tempo perhaps? To counter the strengths, there is also an important factor of adaptation that has to be analysed. Bournemouth operate at a much higher attacking tempo and regularly attack extremely vertically, whereas Arsenal spend far more time circulating patiently around settled blocks. Kroupi will therefore have fewer chaotic spaces to immediately exploit and will need greater patience when Arsenal circulate. There is a chance that he may become impatient and drift to get on the ball and speed up tempo. It is something that can’t be ignored with his age profile too. At Arsenal, his off the ball concentration will be extremely important: - Remain relatively uninvolved between the lines - Constantly adjust between CBs - Explode once the passing lane appears Final Third Kroupi’s first thought when receiving in the final third is usually to create a shooting angle immediately. As I mentioned earlier his 88th percentile ranking for creating his own shots is very useful against low blocks because defenders often allow attackers only fractions of a second before closing them down. Arsenal also create cutback situations from both sides and Kroupi’s box movement fits these sequences well because he does not exclusively attack one zone: - He can run across the CB towards the front post (He particularly repeats these diagonal movements) - Arrive centrally - Ghost to the back post - Delay his arrival around the pen spot - All movements were shown last season. His finishing technique will translate very well to these types of low and fast deliveries as he is a very confident one touch finisher. A first time cutback or loose second ball around the box is exactly the type of situation where his rapid release becomes valuable. He can also combine well when runners move into the channels beyond him and he is also very capable at using quick bounce passes before moving from deeper positions to receive the return as the third man. Note: His goals also came across a useful variety of attacking situations: - 5 from controlled possession - 3 in transition - 3 from set-piece situations - 2 penalties. That variety matters because it shows his scoring threat is not exclusively dependent on open-field or transition moments. The obvious weakness in Kroupi’s final third profile is his aerial ability. We would lose the ability to consistently target the striker with high crosses or long balls, specifically when compared to Havertz. Arsenal would have to emphasise low deliveries, combinations and cutbacks a lot more if Kroupi led the line Attacking Transitions Kroupi is extremely dangerous when the game becomes more transitional. He recorded one of Bournemouth’s highest sprint speeds (34.6 kmph) and understands exactly how and when to occupy the free space created when defenders retreat. His off the ball verticality is crucial here, as he is incredibly sharp at making diagonal channel runs to stretch recovering defences. He aggressively exploits gaps between CBs and FBs the moment high regains occur, forcing the defence to drop deeper and open up his favoured central zones. However, he does not always need to lead the transitions himself. That's what makes this profile so interesting. I like him as the second attacker. If the winger or midfielder carries/makes a run ahead of him and attracts a defender, Kroupi can arrive underneath the backline in a dangerous area and receive. His ability to rapidly adjust his feet and shoot suits these sometimes awkward or wayward transition deliveries. His carrying is also a very dangerous tool as he is strong at receiving whilst moving or pushing off from a standstill. He uses body feints and his balance to attack whichever side the defender has exposed rather than repeatedly attempting 1v1s. To repeat, Arsenal will naturally provide fewer of these sequences than Bournemouth because opponents simply defend deeper against us. The question that can only be answered if he joins is whether he can transfer the same decisiveness into a slower tempo environment and be ruthless when "rare" transition opportunities do arrive. Kroupi as a Left Inside Forward Given his natural pull towards the left channel, a simpler option than the shadow striker idea is to start him on the left of a front 3. From there he can cut inside onto his stronger right foot, attack the half space and shoot. It keeps Gyokeres or Havertz central as the focal point, protects the midfield structure, and puts him in a role where his weaker aerial and physical profile matters less. The trade-off is that he'd likely see less of zone 14 and would need to be coached to hold width when Calafiori overlaps or underlaps. The left wing is where Arsenal's attack has lacked a consistent goal threat. Used as a left inside forward, Kroupi could change that. His ability to cut inside and shoot gives them a goalscorer in a zone that has produced too little. Risk and Solution The main risk in this role is his 41% dribble success, as he is not an isolation winger and shouldn't be asked to beat a FB in wide areas 1v1. Arsenal can reduce those situations through structure. Calafiori underlapping from LB would pull the FB inside and open the touchline, while Odegaard or Bruno could rotate into the LHS to give Kroupi a quick bounce pass option. That lets him receive on the move, pass or combine, and attack the inside channel rather than isolating the FB. His 1v1 dribbling still needs to improve, but the role can be built to limit how often he has to beat a man - similar to what we're seeing with Tzolis now. Kroupi as a Shadow Striker: The Theory - Refer to Image 2 Another potential, (although unlikely) spot we could see if he joins is Kroupi starting from the LCM base but effectively operating as a shadow striker. Kroupi x Gyokeres (Similar to Kroupi x Evanilson but less technical) The logic is very clear. Like what Evanilson does at Bournemouth, Gyokeres can occupy both CBs and force the defensive line deeper, creating space in zone 14. Kroupi can then operate dangerously in that zone without constantly dealing with the physical contact he may otherwise struggle with when playing as a lone #9. Theoretically: - If Gyokeres remains centrally, Kroupi can receive underneath - If Gyokeres runs into a channel, Kroupi can fill the vacated central space. - If Gyokeres receives to feet he can combine with Kroupi through a bounce pass before attacking the defender's blindside with vertical or diagonal movements. This could be useful against low blocks as Gyokeres provides that fixed box occupation while Kroupi becomes another genuine scoring threat operating off his back. It is important to note that I would not expect Kroupi to operate as a creator as his 0 assists from 1.53xA and 1.18 chances created per 90 suggest he is primarily a shooting threat. Kroupi x Havertz By contrast, the partnership with Havertz would be a lot more fluid. Kai naturally drops away from the defensive line to take part in right sided overloads and combine. The key would be to stagger their movements and provide a clear fluid central partnership. Theoretically: - If Havertz drifts and drags, Kroupi should take up the vacated space. - If Kroupi drifts to the right/left, Havertz needs to remain central and occupy the CBs - Having both players in wide or deeper central areas would allow the opposition defensive line to step forward and close down the space between lines. - Note: His channel/half space running could be ruthless with the technicality of Havertz (only really works if both remain close in proximity which is unlikely due to Havertz's drifting tendencies) The technical relationship could be excellent. Havertz operates at an extremely high technical level compared to the average CF and is comfortable playing quick one touch bounce passes before immediately moving into space (Raumdeuter). Kai also retains the aerial threat and physical security that Kroupi lacks, which also somewhat fits the Evanilson comparison I mentioned earlier. I think their different instincts could naturally balance the partnership as Havertz is more likely to connect possession and operate as a clear and safe progression outlet, whilst Kroupi is generally more shot focused. If (unlikely) Arteta adapts the system to suit this Kai could become the forward operating as ball to feet whilst Kroupi operates more so as a runner. We saw this on occasion last season with Trossard as a LCM. Key Weakness with Kroupi as a Shadow Striker The key and obvious trade-off is defensively. Starting another forward from LCM reduces our midfield security and would likely require a stricter rest defence behind him. Players like Timber would likely have to remain slightly more conservative alongside Rice, whilst Kroupi could move next to Gyokeres/Havertz in a 4-4-2 OOP shape meaning a less physically capable Odegaard drops into the midfield line and we lose his press leading qualities. If Bruno G starts instead it could work much better in settled defensive phases. Out of Possession In his first season at Bournemouth Kroupi averaged only 0.48 tackles per 90 (2nd percentile) and won just 32% of his ground duels, yet recorded 0.48 interceptions per 90 (49th percentile) and 1.07 final third possessions won per 90 (95th percentile). That fits the eye test. He appears much stronger anticipating passes and loose touches than directly tackling opponents. His high intensity pressing can therefore be built around curved runs, screening the opposition #6 and cutting passing lanes to force the opposition to go long or reset. As the lone #9, he could lead the first line alongside pressing leader Odegaard in the 4-4-2 shape. Alternatively, if he plays underneath a Gyokeres or Havertz he is likely to again be the leader or work in an interdependent relationship as he has done for majority of his career. - Pressing followers: Mohamed Bamba/Aiyegun Tosin at Lorient - Work alongside another capable pressing leader (Evanilson). As mentioned earlier, Odegaard/Bruno would then likely drop to #8 and allow Kroupi to defend in the first line. Main Concerns The most obvious weakness is physicality. Standing at 5”10 and 70kg he cannot physically impose himself on Premier League CBs or provide the same direct outlet we see with Gyokeres or Havertz. There is also a translation risk. Kroupi, if he joins, will move from a high tempo Bournemouth side to a low tempo Arsenal side. He will have to adapt and become more patient as his touches will likely decrease unless he performs a similar combination role to Havertz (Gyokeres - 26 touches per 90, Havertz - 44 touches per 90 last season). Finishing regression is also something to watch out for as scoring 13 goals from just 8.35xG and boasting an incredible 25% conversion rate is exceptional but unlikely to remain at that level forever. However, I do think his snapshot shooting ability, balance and body manipulation to create separation provide legitimate technical reasons that would allow him to sustain the ridiculous numbers he achieved last year. Finally, his decision-making can at times resemble “selfishness”. He recorded 0 assists from 1.53xA and there are moments where he could have easily released a better positioned teammate. I personally wouldn’t want to completely coach that “selfishness” out of him because his shooting mentality is arguably his biggest strength, but adding that layer of creation would make him very complete. We must remember he is only 20. Final Thoughts Kroupi is my personal favourite out of the names currently being thrown out for attacking alternatives because I feel he provides something genuinely different to our existing striker options: - Havertz offers fluidity, technical security and aerial ability - Gyokeres gives us direct channel running and physical occupation of CBs - Kroupi would offer spatial and body manipulation, elite in behind movement and efficient quick finishing As a lone #9 there is a clear benefit of embedding his “9.5” profile directly into the system and allowing him to alternate between occupying the CBs and dropping into zone 11/14 before attacking the space again. Against mid blocks in particular, his ability to receive comfortably on the half turn could be crucial. Against low blocks, the physical limitations become more relevant. That is where using him with a focal point becomes interesting. Gyokeres would give him that fixed player to play around (similar to Evanilson) and Havertz would provide a more fluid relationship based on interdependent movement. The left inside forward role is the most realistic alternative. It keeps Gyokeres or Havertz as the central focal point, places Kroupi in the area where his shooting and cut inside tendency fit best, and addresses the left side's lack of goals. It does depend on how well Arsenal can protect him in 1v1s, but with Calafiori's underlap and a rotation with Odegaard or Bruno, that is a structural problem Arteta can solve. The biggest unknown for me is if he can adapt from Bournemouth’s high tempo environment to the slow and more controlled tempo under Arteta. He will definitely have less space to operate in and far more situations where he has to remain patient against stubborn defensive units. That's where his most transferable skill of snapshot shooting comes into play. To summarise, at only 20 years old, Kroupi’s profile is understandably still open to significant development. His physicality, creation and decision-making can improve, however, elite finishing is one of the hardest qualities to find and Kroupi already combines it with incredible spatial awareness, movement and excellent abilities to create space for his own shots. Personally it is a no brainer. Pay the money before a young player of immense quality joins a different elite club in Europe. £100m player in my humble opinion. Thank you for reading my article on how Eli Junior Kroupi can fit into Arsenal. What are your thoughts? Since the market is depleted of available elite talent, why not develop a player with a clearly unbelievable skill set? A retweet would be appreciated. #Kroupi #Arsenal

Nino Scouting

16,156 просмотров • 4 дней назад

🚨EXCLUSIVE: The untold story of the FBI’s J6 pipe bomber “Person of Interest #2”🚨 If what the FBI’s January 6 pipe bomber “Person of Interest #2” (POI2) told me about his FBI interview is true, there is further proof that the Bureau has covered up, or “deleted,” additional video footage about what happened when the RNC pipe bomb was allegedly discovered by Karlin Younger on January 6, 2021. I will not reveal the identity or any other identifying information about the FBI’s POI2 in the January 6 pipe bomb saga. I also won't discuss the full five hours of personal interview time with POI2; instead, I will focus on two key pieces of information he gave me. As a primer for those not already following this story in detail, here is a brief rundown of the facts in POI2’s case and why the FBI was initially interested in him as a “person of interest”: -POI2 does not live in the Greater D.C. area. He lives in a large American city in a state that does not border D.C. -From news releases, congressional reports, FBI statements, and an FBI whistleblower disclosure, we know that POI2 was visiting a lifelong acquaintance (POI3) at his residence in Fall Church, VA, over the course of January 4 - 7, 2021. -POI2 used POI3’s Metrorail card for travel back and forth to the District on the 5th and 6th. -POI2 caught the attention of law enforcement investigators when he emerged from D.C.’s Metro South rail station on January 5, changed hats and put on dark sunglasses, then beelined straight across the street from the station into the Rumsey Court alley behind the Republican National Committee headquarters. It was in that alley that POI2 began taking photos of “numbers.” Numbers on trash cans, dumpsters, door addresses, and the like. According to the FBI, POI2 planned to use those photographs in a forthcoming book. (To date, that book has not been published.) Then, after walking around Capitol Hill all day long, and even attending some of the J5 protest events, POI2 ducked back into the same alley for a few minutes — after dark — before returning to the Metro South station across the street from the RNC. He returned to Falls Church via the train, where POI3 picked him up by car, and they went back to POI3’s home. POI2 then returned to DC the next morning to attend Trump’s speech at The Ellipse on the 6th. -POI2 was cleared of suspicion following two FBI interviews on January 19, 2021, at his residence in his home city. These interviews took place six days after the FBI pulled their Special Operations Group (SOG) surveillance team off POI3’s home on January 13, just two days after they were deployed to watch the infamous Falls Church, VA condominium address where we now know POI3 shared a firewall between his address and the then residence of former Capitol Police officer Shauni Kerkhoff. The subject of our November 8, 2025 story published by Blaze Media. How I came to spend five hours with POI2 I met with POI2 twice, on December 11 and 12, 2025. On the 11th, a member of our team accompanied me: a retired FBI veteran of 25 years now working as a private investigator. That first interview lasted for three hours, and then the next day I met with POI2, just him and me, for another two hours. I arrived in POI2’s home city on the 10th to do some early recon. We had POI2’s name (which I’d acquired from a congressional source), and his address, but we didn’t have a current phone number. After running an extensive background on him, we learned a lot about his life and work, social media, friends and close associates, and even where he attends church, but we still didn't have a phone number to call him and ask for a meeting. Most interesting of all, POI2 is a prolific international traveler. In one recent year, he had logged over 40 international flights. So we didn’t even know if he’d be in the country, much less at home, if we knocked on this door. My recon of his address was a huge disappointment. His apartment building is one of those old inner-city manufacturing plants refitted into modern, upscale housing. The entire property is ringed by tall wrought-iron fencing, with electronic security for entry into the parking garage, foot traffic, and into the building itself. There was no visible way for us to just pay him a visit for a “knock and talk.” Perhaps we could have “buzzed” him from an exterior gate, but I didn’t get that far that day. Later that evening, I picked up my team member from the airport — the retired FBI guy — and we went to dinner for a long, late-night planning session. We identified a couple of strong local personal connections he had via his Facebook page, and we planned to visit them first, get more info about POI2, and maybe even get their help reaching out to him. At 9:00 a.m. the next morning, we arrived at the home of someone who seemed like they might be closest to him. We were lucky and hit a home run on the first swing. Without the long details, our “story” about why we were looking for POI2 — their close friend — worked like a charm, and we were invited into their home. Our host called POI2, and within two hours POI2 joined us at our new friend’s home. Luckily, POI2 had returned to the States from an overseas trip only the day before. For the next three hours, I asked most of the questions while my partner listened and observed. Based on my partner’s 25+ years of experience with the FBI, he believed POI2 answered everything truthfully … “Or, he’s a very, very good liar.” My partner had to fly back home the next morning, but I had many follow-up questions for POI2. I reached out again early in the morning, and he agreed to meet me at a coffee shop in his neighborhood. ***(On a personal timeline aside: during my second interview with POI2, I was only nine days away from my heart failure episode, and was already struggling to breath after the slightest of physical exertions.)*** The most significant reveal We met at 1:30 p.m., and spent another two full hours together. During this session, we had a detailed conversation about his two interviews with two FBI special agents. Both of those interviews were on the same day. January 19, 2021. POI2 had explained to the FBI agents that the reason he returned to the Rumsey Court alley behind the RNC was that he remembered there were several trash cans in the alley, and he wanted to dispose of an empty plastic water bottle before going back to the train station. I asked him why he didn’t simply throw the bottle away at the Metrotrain station. He shrugged. From our video review, POI2 only stayed in the alley for about three to four minutes. But if what he revealed to me is true, it is one of the most significant discoveries in our years-long pipe bomb investigation. POI2 shared with me that the FBI agents told him that he had thrown the empty water bottle away in the very trash container next to where the bomb would be placed a little over an hour and a half later. Why that is significant FIRST, it reveals that the FBI most likely had video of him depositing that empty bottle into that container. Yes … they could have taken DNA samples of every item in that trash can, but then they would also have needed DNA from POI2 in their database. POI2 didn’t offer that option as their explanation. He assumed they saw him on camera. I can personally attest that there is currently a camera in Rumsey Court that would cover the area where the bomb was placed, but I do not know if that same camera existed in January of 2021. But if they did observe POI2, on camera, tossing the bottle in the trash can immediately next to where the bomb was placed, then the FBI most certainly has video of Karlin Younger — the FirstNet employee — who discovered that device at approximately 12:35 p.m. the next day, January 6. Only 25 minutes before Vice President Mike Pence was to drop the gavel on the joint session of Congress to certify the 2020 Electoral College presidential vote. Only about 18 minutes before the first breach of that outer bike rack barricade on the west Capitol grounds, led by Ray Epps, Ryan Samsel, and other suspicious characters. Many investigators, including Congressman Loudermilk and his committee, have posited that the two devices placed by the gray hooded bomber on J5 were retrieved at some point in the early morning hours of J6, then replaced just before their “discovery” a few minutes either side of 1:00 p.m. The allegedly “deleted” video from the two DNC cameras that provided the footage of the gray hooded bomber placing a device on the evening of J5 would have also shown us what happened after midnight. Whether or not the two plainclothes Capitol Police counter-surveillance officers were the ones who replaced the device just before reporting its discovery to the Secret Service agents attending VP-Elect Kamala Harris’s presence inside the building at the time. (Article to that story linked in comments below.) A camera aimed at the RNC drop location would give us the same information about what happened during the night, and when Karlin Younger discovered that device while walking back and forth and doing her laundry. The FBI claims that the footage from the two DNC cameras — after that device was planted under a bench — was accidentally deleted. (No one buys that story.) Those two FBI agents may also have inadvertently revealed to POI2 that video footage exists from that dark corner of the RNC/Capitol Hill Club alley on J5 and J6. Both missing videos, if they were to surface, would either invalidate all conspiracy theories about the pipe bombs, or confirm the prevailing theories and circumstantial evidence pointing to law enforcement participation and a multi-agency conspiracy. SECOND, if the two FBI agents were telling POI2 the truth about that specific trash container, then it brings into question all of POI2’s own statements about why he returned to that alley after dark. That very trash can was in the furthest and darkest corner of the RNC/Capitol Hill Club side of Rumsey Court. He would have had to ignore several of the first and most clearly visible, well-lit trash bins upon his arrival into that alley by way of the walkway between the RNC and the Capitol Hill Club. Instead, he made a hard left behind the Capitol Hill Club and headed toward the darkest corner of the alley, from which the view of that trash can was also likely obstructed by one or more cars typically parked between him and what would be his line of sight to that dark corner. This implies POI2 was either on a recon mission to determine the best drop location for the second device, or, as one retired, formerly high-ranking law enforcement officer has theorized, he may have placed an AirTag or other electronic beacon to lead the bomber to the most advantageous location to deposit the bomb. Near the end of my second meeting with POI2, he shared with me several photos of “numbers” he took in that alley. He shared the “time and location” data from those original photos on his iPhone. He also gave me screenshots from his phone’s call history of the exact moment the two FBI agents phoned him for both interviews on January 19, 2021. He was very earnest, forthcoming, and eager to answer all my questions. (Photo examples in comments below.) As a person, I like POI2. We could be friends. But either he or the FBI is lying about what happened in that dark corner behind the Capitol Hill Club. (Maybe both?) Just as POI2 and I were about to say goodbye and shake hands, I opened my phone to show him one photo. It was the shot I took of the two side-by-side doors at the condo complex in Falls Church, VA. The door on the left was the home of his lifelong acquaintance, POI3. The door on the right was Shauni Kerkhoff's January 6 residence. I asked him: “Can you make this math work for me?” He replied: “No, man. That’s so weird.” We have stayed in contact and spoken many times since those two days in December. ⬇️

Steve Baker

911,031 просмотров • 1 месяц назад

Sharon fighting other Sharon Seedance 2.5 on DomoAI official prompt Image : SHARON'S REAL FACE — sole source of her features, 100% match, zero drift: soft rounded oval face, warm light-beige skin with tiny freckles and beauty marks, GREEN eyes, dense straight feathered brows, small neat nose, full pink lips, small silver drop earring. image Image STYLE / PRIORITY Ultra-photorealistic live-action AAA Hollywood action film, ARRI ALEXA 65, IMAX, Panavision anamorphic, premium restrained semi-CGI VFX. Realistic anatomy, weight, gravity, momentum, and authentic Taekwondo biomechanics. One continuous uninterrupted 10-second combat shot, 16:9. **CHARACTERS** Image = FIGHTER. image2 = ENEMY. Preserve both references exactly: face, facial anatomy, eyes, hairstyle, physique, proportions, clothing, accessories, silhouette, identity. If references are sketches, use only as design blueprints; render as fully realistic live-action humans. Maintain consistency throughout. **COMBAT** Hand-to-hand only, no weapons. Both fighters remain aggressive and reactive. No passive waiting, idle stance, reset, teleportation, or position jumps. **00:00–00:02 — OPENING EXCHANGE** Start mid-fight. Image2 attacks: straight punch → hook → low kick. Image parries → slips under hook → checks low kick → immediately counters with fast body kick. Image2 blocks and is pushed backward. Both instantly reposition. Low-angle camera rapidly circles them. **00:02–00:03 — OPENING** she attacks again. Image1 narrowly sidesteps, pivots outside the attack angle, and image2 turns toward him, briefly exposing the torso. Image explosively accelerates forward. Camera drops toward the feet. Supporting foot plants and hip rotation begins. **00:03–00:04.5 — CYCLONE 1** **DOLLYO CHAGI:** natural supporting-foot pivot, hip and torso rotation, kicking leg extends into Image2's torso. Realistic displacement, clothing compression and dust. 0.20s hyper slow motion only at impact, then instantly full speed. Landing immediately feeds the next rotation—NO RESET. **00:04.5–00:06 — CYCLONE 2** **TORNADO KICK:** landing momentum converts directly into explosive pivot and airborne rotation. Full-body rotation, kicking leg strikes Image2, driving him sideways. Camera rapidly orbits the airborne Fighter. Natural landing preserves rotational momentum. NO RESET. **00:06–00:07.5 — CYCLONE 3** **DWI HURRYEO CHAGI:** immediate continuous rotation. Hips and shoulders rotate together; heel/back of foot follows a clean circular trajectory and connects. Image2 is redirected sideways. 0.20s hyper slow motion at impact, dust/debris briefly suspended, heavy THOOM, then full speed. Rotation continues. **00:07.5–00:08.5 — CYCLONE 4** **SPINNING HEEL KICK:** no stance reset. Supporting foot establishes axis, rapid hip/torso rotation, heel travels circularly through Image2's raised guard and connects. Image2 is driven backward. Camera performs a fast 270° orbit. Image1 keeps rotating after impact. **00:08.5–00:10 — FINAL CYCLONE** **FINAL TORNADO KICK — STRONGEST IMPACT.** Maximum rotational acceleration, explosive ground push, vertical lift, rapid airborne rotation. Camera drops low then rises with Image Final kick connects with maximum physical force. 0.25s hyper slow motion, extreme close-up showing foot contact, clothing compression, natural facial reaction, dust/debris and camera recoil, then THOOOOOM and immediate full speed. Image2 is violently displaced backward across the arena. Image lands naturally and continues moving forward. No hero pose, no victory pose, no freeze. **ROTATIONAL MOMENTUM LOCK** The five techniques must function as ONE connected sequence: **DOLLYO CHAGI → LAND → TORNADO KICK → LAND → DWI HURRYEO CHAGI → SPINNING HEEL KICK → FINAL TORNADO KICK.** Never kick → stop → stance → kick. Always kick → momentum → rotation → kick → momentum → rotation → kick. **PHYSICS / CAMERA** Every movement is physically traveled through: footwork, pivots, hip rotation, torso rotation, leg acceleration, jump force and rotational momentum. Image2 reacts naturally according to impact direction; no exaggerated ragdoll or floating. Camera constantly chases the fighters using low-angle tracking, ground pursuit, lateral/reverse tracking, fast orbit, whip-pans, snap-reframes, impact jolts, rapid push-ins and low-angle aerial follow. Aggressive movement but each kick remains clearly readable. No excessive motion blur or camera shake. **ENVIRONMENT / VFX / AUDIO** Large cinematic outdoor combat arena with realistic ground, dust, small debris and detailed environmental depth; never an empty studio. Restrained photorealistic VFX: dust, debris, air displacement, natural motion streaks only. No aura, energy, glow or magic. No music. Realistic footsteps, shoe friction, punches, kicks, cloth movement, air whooshes, dust, body impacts and heavy final THOOM. **NEGATIVE** Teleportation, clones, duplicates, extra/missing limbs, malformed anatomy, broken joints, rubber/stretching limbs, disconnected body parts, impossible spine rotation, floating, weightless movement, random position jumps, kick-stop-kick, attack-wait-attack, idle pose, static/locked/gameplay camera, excessive shake, excessive motion blur, prolonged slow motion, unreadable action, looping animation, repeated identical kicks, giant aura, energy beams, magical powers, glowing body, cartoon, cel shading, videogame graphics, gore, blood, subtitles, text, logo, watermark, freeze frame, hero pose, victory pose, fade-out. **HIGHEST PRIORITY:** Hand-to-hand Taekwondo combat. Image = Fighter, Image2 = Enemy. Continuous realistic biomechanics. DOLLYO CHAGI → TORNADO KICK → DWI HURRYEO CHAGI → SPINNING HEEL KICK → FINAL TORNADO KICK, with zero idle, zero reset, zero teleportation, continuous rotational momentum, realistic enemy reactions, constantly moving camera, micro slow-motion only on decisive impacts, strongest final impact, and no hero pose.16:9.16:9.16:9.

Sharon Riley

42,760 просмотров • 1 месяц назад

Yeah, Ordinals and Runes are back, and guess what? Shill_raton is back too, lmao. 🔥 Runes-Fudders punching the air right now. 😡 SO WHICH RUNES TO BUY ?!?!? FOMO!??! If you read my TOKEN2049 post a few days ago, you’d have seen it was a perfect indicator and buying opportunity. (especially the mentioned ones: Billy Cat, DOG and Pizza Ninjas) Ofc, we’re not fully back yet—just a small light shining on us. It’s still early days, but we were really down bad, and any Runes shill tweet over the past weeks was pure hopium. No surprise that 90% of the Runes collections didn’t survive the post-capitulation phase. But to those that did—congrats! So, what’s the plan? If you held top Runes through capitulation? Awesome, keep holding. You’ve already endured the worst, haven’t you? If you're looking to stack top Runes? Be cautious, but go for it. Just make sure you’re picking the ones that are getting the most attention/volume/engagement or are about to. Otherwise: STAY LIQUID. New Runes are going to pop up very soon, with strong teams and high quality. Be ready to mint when they hit, but cautiously. If you lock your liquidity, you will just fud and cope about new RUNES success. These new Runes will have it much easier to grab attention. I met several teams at TOKEN2049 who have been preparing for this trend switch for months. Top Ordinals collections should be in for a feast soon, too. Hold onto them. My call to everyone: Work for your bags. Shill like a siren. The Ordinals/Runes space is small, and our voices are tiny in this tight-knit BTC village. Support each other’s tweets (RT/like/comment), multiply attention, and stop the PVP nonsense—it’s outdated and simply stupid at this point. Quick TL;DR on the top Runes: (in no specific bag order, but you know my favs eitherway) - DOG•GO•TO•THE•MOON BTC classic meme, #3 etched Rune. Finally, more shillers than just Leonidas 🧡 $DOG. Best shot at leading the new run and hitting a 1 BLN market cap, and potentially getting a T1 CEX listing. - BILLION•DOLLAR•CAT Billy 🐱 Best branding, content and marketing, most visible at IRL events. Strong bounce last week, and community support is still amazing. - PUPS•WORLD•PEACE Pups 🌎☮️ BTC OG meme, known also on SOL, now bridged to SOL (again - potentially more liquid this way). Far from ATH but has a dedicated community. - RSIC•GENESIS•RUNE Runecoin ▣⛏️ A key pre-Runes project. The team’s been quiet (AGAIN) for weeks, and hopium is VERY low. If they don’t act now, it could be joever. - WADDLE•WADDLE•PENGU Waddle Waddle Pengu Simple, normie-friendly, wholesome, with a strong leader Cold Blooded Shiller (one of the best crypto-traders and partnership hunters) - LOBO•THE•WOLF•PUP LOBO•THE•WOLF•PUP A beta DOG play with VC money (not a bad thing lol) backing it - DECENTRALIZED ⚡️DECENTRALIZED Community Take Over (CTO); #2 etched Rune. Needs way more community unification stronger leadership to break out. - WANKO•MANKO•RUNES WankoManko OG Runes and very unique Furry-meme, practically created by Casey himself. Only Rune soft-shilled by him (and Erin). Dropped heavily from ATH, but the team is strong and working closely with AI tech ( , BOOTOSHI 👑 ) - SATOSHI•NAKAMOTO Strong ticker, but no known team. Premine still sitting in their wallet and burned a lot of people post-halving. - LIQUIDIUM•TOKEN Liquidium.Fi | Cross-Chain Loans Utility Rune, down significantly from release and investor seed round (70m valuation). Still one of the best DeFi platforms on Bitcoin. - EPIC•EPIC•EPIC•EPIC Rune etched on the EPIC sat. Rare sats aren’t getting much attention from degens right now. - SAIKO•HAMSTER Saiko Hamster Psychopath cute hamster. Still active and never gave up, with a decent narrative. Hinting on a based ordinals collectin. - CATS•IN•THE•SATS Cats•In•The•Sats Before Billy, this was the #1 cat. Still going strong, with the team as active as day one. - ZBIT•BLUE•BITCOIN MACHINES Gaming utility Rune with a dedicated team, but gaming in web3 isn’t really bullish at the moment. - Z•Z•Z•Z•Z•FEHU•Z•Z•Z•Z•Z Fehu Rune #1 etched. The owner holds multiple K Bitcoin since 2010. Probably just a fun experiment, without a clear execution plan (last heard: casino). - THE•DONALD•TRUMP Donald Trump Rune Best Trump Rune Ticker. Struggling to catch up lately, heavily dependent on IRL Trump action. - MR•YEN•JAPANESE•BUSINESSMAN Mr Yen First PG-friendly, non-animal Rune with its own lore and (video) style. He still loves his son (which should be enough, right?). - SPARKY•RUNEDOG Sparky Pokemon-like Rune. Hardworking team, constantly announcing partnerships, products, and more. - BASED•INTERNET•PANDA BIP 熊猫 Another cute animal, similar to Saiko Hamster. - GOB•IS•GOB•IS•GOB GOB ◨ ◨ Rune with gamified systems. - BAMK•OF•NAKAMOTO•DOLLAR BAMK•OF•NAKAMOTO•DOLLAR Runes stablecoin. - ALETHEIAS•AGORA @AletheiasAgora Polymarket of Bitcoin. - RSM•RUNES•STATE•MACHINE Programmable Runes experiment. There are more out there, but these are the most well-known. Hold, pick, and shill your Runes wisely. Stay liquid. New Runes are coming, and they’ll be profitable too

shin

10,865 просмотров • 2 лет назад

OPERATION INDIGO SKYFALL (SKYNET) (Update 6/11/25) While Operation Indigo Skyfall is a program by the Anunnaki specifically to turn the global atmosphere into an electrolyte solution 'motherboard' that powers Skynet that's already fully online as of May 2020, it was preceded by a decades-long 3-pronged assault against the pineal glands of humankind. The thrust of all three programs combined are all about disconnecting people from their higher selves and to vastly reduce their intellect quotient to make them easily controlled, prior to the launch of Skynet. Understand the intense investment that has been funneled into destroying the very beings that paid the taxes (loosh) to fund these programs is more than the gross domestic products of multiple countries combined. At minimum, trillions $ pr year in 2025 dollars, for more than 80 years. If you’ve ever seen chemtrails in your skies, you’ve seen one of these programs in a bold, in-your-face, broad-daylight fashion. THREE-PRONGED ATTACK PREPARING FOR SKYNET #1 FLUORIDE = WATER CONTAMINATION In its first installation of what would ultimately become a nation-wide invasion of every metropolis, city, town and mud puddle in the US, fluoride was added to public water in Grand Rapids in 1945 to ‘fight tooth decay’. Problem is, fluoride is actually nuclear waste used as rat poison. It is a known neurotoxin more harmful than lead & likened to the toxicity of arsenic for more than 100 years, causing brain damage, spinal cord & nerve networks destruction and has never been shown to diminish the onset of tooth decay. Which every dentist in the country would have banded together to put a stop to back then if it really did that. So who decided to put THAT into your drinking water exactly? Andrew Mellon, 33rd degree Scottish Wrong Freem@son. Shocking Dangers of Fluoride: cancerwisdom dot net; "There has never been a double-blind, randomized clinical trial for fluoridation's effectiveness." [In reality, fluoride itself has been shown to damage teeth in a totally different way than we get through eating, known as fluorosis. Also in reality, all tooth decay is 100% of the time, parasites, not ‘rot’. They say sugar rots teeth; which is a lie. Sugar is a primary food of parasites, along with heavy metals. When you eat sugars then fail to immediately brush & floss, the parasites already in your body (and there are at least millions) rush to the crevices of your palate then wind up burrowing into your teeth’s (actual crystals) valance bands, further destroying them each time the parasites defecate. Anytime you eat anything sugar or sweetened, ALWAYS mix it with an antiparasitic & immediately brush, or rinse your mouth with hydrogen peroxide afterward, never with mouthwash, which is also poison. I will be covering this extensively soon in my new article: 👉PARASITES] As explained in greater detail below in the whistleblower video, fluoride was used by the N@TZIs (Ashke-N@TZI Crypto J3ws that took over Germany then lead that country into WW2, posing as actual Germans, which they absolutely were not. See my article: 👉GERMANY WON WW2 for more) in concentration camps in the 1930s-40s to make prisoners docile. How does that work? Fluoride accumulates at, and attacks, the pineal gland of your body. This is the ‘antenna’ connection to your higher self that generates your reality. The pineal gland then fights back the fluoride toxin, moving it just outside of its ‘theater of the mind’ and surrounds it to seal it off from attacking. This builds up a ‘calcification’ around the pineal gland, which acts as an insulator blocking your signal to the Primal Sound & Light Fields of the Deity Planes where your higher self has always been positioned, inside what is known in human terms as the Unified Field. [For more on the key function of the pineal gland, see my article: 👉 HOW THE HOLOGRAPHIC SIMULATION WORKS] #2 OPERATION INDIGO SKYFALL = AIR CONTAMINATION (not to be confused with Operation Indigo SkyFOLD which is just another red herring distraction to overcome the dissemination of the truth of this existential threat to all mankind.) Beginning as far back as 1972, Operation Indigo Skyfall chemtrail program is one of the most brutally-compartmentalized & ferociously classified operations of all-time. So secret, the tens of thousands of chemtrail jets across the world don’t even land on the continental United States, but refresh their death dust exclusively on private islands, outside of enforced laws. The first part of this program where strontium, barium & aluminum microparticles are being dumped onto all of the lands of earth that kill all life forms, including the trees and forests, is the obvious portion of your extermination, and even that is only a fraction of the story being applied to depopulate the plane(t) from reportedly 8B people (this is a lie, it was less than 5B in 2019) to just 500,000. The heavy metals being reported by laboratories are merely assaying the minerals themselves, not looking deeper into what’s really going on. In reality, these are the minerals used in the manufacture of nanites that are often no larger than just 4 molecules in size. Each one programmed on a quantum level to interconnect with one another, forming larger and larger computer nodes, just like the massive white ‘antennas’ being removed from millions of clot-shot victims around the world since the final push to bring this program to completion began with the ‘Covid’ attempted genocide using mRNA bioweapons. Prior to the huge blood-clots (invasive man-made prions to take over the full functioning of the body) now being retrieved from cadavers and patients suffering this biological invasion, chemtrail direct effects were known as Morgellons Disease where tiny wire-like structures were coming out of people’s skin. However, the ‘disease’ gaslighting was exposed when laboratories began placing them under powerful microscopes and finding they were individual nanotbots ‘holding hands’ to make up the ‘wires’ that were now growing inside people’s bodies. Once zoomed in using scanning electron-microscopy to each one, they not only found the NAME of the companies behind each model, but even serial numbers printed in quantum-dots on their structures. You might recognize this one that clearly says NASA on its surface. The program of chemtrail nanites is to infiltrate the immune system of the human body and generate immunodeficiency so you are unable to fight off diseases and viruses. But there is another, even more primary mission for those molecular-sized robots; to collect at your pineal gland causing calcification and thus not only disrupting your entire system, but placing a crystalline ‘shell’ around it to cut off your ‘spiritual’ access to your higher self. Think of it like scrambling the signal of your cellphone if you had a direct line to ‘god’. As an aside, Cody Snodres, the independent contractor for the C 👁️A of 20 years & hero whistleblower that broke the story of Operation Indigo Skyfall in 2018 in the video below, mentions pathogens being added to chemtrails. These have been solidly identified by labs as recently as a few months ago in late 2024 & again in Jan of 2025 when entire cities were enveloped by huge, totally dry, fog banks of particulates dropped from the skies that caused countless deaths from pneumonia. Referred to by people as ‘Dragon Fog’, the pathogens are actually Serratia Marcescens bacteria (another word for parasites, pathogens, microorganisms & viruses). While I’m sure there have been other parasites added to chemtrails that attack the immune systems of humans and animals other than Serratia Marcescens, this particular species has been used by mil operations now as an ideal biological weapon and regularly upgraded now for many decades. Stay with me, I’m getting to Skynet, but first I have to show you some of the foundational elements of how the invader races have reached this point where humans would have become so mentally effected by this unthinkably massive-scale attack on your pineal gland, they would become psychologically and emotionally unable to fight back, even if they ever did look up in the sky and cognitively register the fact that contrails (endothermic sublimation or ‘fog’) emitted by the compressed-air turbines of jets dissipate in about 8-20 seconds, not hang in the air for hours and hours. [And for those now wondering what I mean about jets using compressed air as forward thrust in commercial passenger jets, that’s a story that is going to surely hack you off when you find out that passenger jets have always been levitation/time crafts since they were introduced to the public in the 1940s. They don’t run on fuel, but on high-altitude atmospheric neutrino-to-ion conversion harvesting (also known as ‘Secondary Emissions’ as well as ‘Neutrino Events’). So every ‘fuel increase’ markup for local and international flights has always been absolutely made-up, since what they run on is eternally-free energy. See my article for more: 👉JET FUEL HOAX] #3 M0NSANT0 = FOOD CONTAMINATION This company does *not make better-performing corn & veggies: it is a bioweapons company. John Francis Queeny, a Freem@son, that founded this genocidal operation in 1901 produces 90% of the world’s genetically-altered seeds & is responsible for developing Agent Orange, a defoliant used during the Vietnam War, containing a highly toxic chemical known as dioxin that caused permanent health issues for thousands of war veterans. Later it used this same type of murderous chemical in Roundup to k!ll weeds around your home, coating your world with glyphosate that changes the sex in frogs and turns them ghey and sterile. Guess what other life forms it changes the sex in and makes them sterile? Ever witnessed the most celebrated triathlete of the 20th century suddenly pop up and claim he was now a ‘woman’? How about watching as our youngest generation enters the workforce, most of whom don’t even know what sex they are? That’s your M0nsanto working hard to ensure the human race is eradicated from the all-queer-all-the-time world Freem@sons envision as their true utopia in the “500m sustainable population” as etched into granite on the Georgia Guidestones. A number mirrored by United Nation’s Agenda 2030 to be achieved by the year 2050. Their goal is literally 👉your depopulation and those that are left, will be 100% ghey. Diddly Parties nightly! GMO foods that are grown using M0nsanto’s “Roundup Ready” fertilizer that is made with glyphosate toxins are absorbed by the gut and then travel directly to the pineal gland. This is the Anunnaki’s ‘Trifecta’ attack on your most precious organ of your body. The very organ that dictates all the parameters of your reality held within your Krystal Seed Atom Keylon you enter into manifestation with, commonly referred to as your ‘soul’. In more accurate terms, your Krystal Seed Atom is like a Bluetooth module that tethers your awareness from your higher self in the Primal Sound and Light Fields of the Deity Planes, to your physical avatar here on the ground through the wireless ‘pale silver cord’. The Krystal Seed Atom is located in the middle of your pineal gland. [For more on the Krystal Seed Atom, see my articles: 👉THE HISTORY OF THE CHIMERA, & 👉THE KEYS TO HEAVEN] As Cody points out in the video, this is not a matter of hitting your pineal gland with three doses of toxins, but because of how these three chemicals of fluoride, nano aluminum & glyphosate interact with each other, creates synergy, or a dynamic magnification of the toxicity effect by a factor of 125x greater than any one individual dose would achieve. This makes the Trifecta assault astronomically devastating to your connection to the pale silver cord and your wireless connection to the ‘real’ you that’s running your avatar in the deity planes. Sort of like taking your 4 yr old to the mall and just letting them go on their own. Now, with your virtually disabled pineal gland reality-casting component out of the way, enter the true teeth behind Operation Indigo Skyfall; Skynet. SKYNET This is a subject I won’t be able to offer much tangible, solid evidence on, as it goes deeply into quantum physics. All of which terms describing each step in the chain to achieve ‘if this, then that’, are shielded from public understanding by design. The power of computers is vastly beyond what the human mind has been given the ability to process, also by design. [As I’ve covered before, the Chimera brain you work with now, since the total body-invasion of the garden of E-Dan drama, is fitted with breaker switches that are designed to keep certain subjects hidden from your reality-view. When exposed to any of these, a switch is thrown at the base of the brain within the totally counterfeit ‘reptilian brain’ that introduces feral, animalistic type of wavelengths into your thought processes. The switch then disengages your sentient thoughts, shutting off either temporarily, or permanently, your processor (brain). Simply put: if you see a creature you’re not supposed to, or other ‘proprietary’ mechanisms of the invader races (which are in fact all around you every minute of everyday) that doesn’t fit with the ‘Mayberry RFD’ Chimera Reality simulation overlay, or if you experience too much trauma, you will simply black out, delete that memory when you wake up, or in extreme cases, pass away from fright. The realm of quantum computing will have the same effect on humans as well. You might learn all about the subject, but secretly in the background your memories will strangely be deleted next time you come back to it, unless your cells vibrate at a higher resonance than 7.83Hz. [For more on the inorganic organs now in our bodies, see my article: 👉HUMAN ALIEN IMPLANTS] Nonetheless, I can simplify the thrust of Skynet for you in broad terms here. Just understand that Skynet was explained to me in person by the keeper. I didn’t make Skynet up on my own, I wasn’t prompted by the Skynet mentioned in the documentary series The Terminator, and I certainly wasn’t prepared to learn there could be something as all-powerful reigning over our world. Chemtrails, besides dropping immune-system pathogens on you, cutting off your connection to your higher self through nano aluminum particles, contains other metals (nanites) that act together like salts in a body of water, turning the sky itself (also water, just very thinned down) into an electrolyte solution, meaning it can now conduct signals, just like a motherboard on a computer. The hard drive and RAM are already there in the form of deuterium microcrystals, absolutely saturating our skies at all times. Each crystal can be used for different applications, and many of them connected together through lensing (similar to network covalent bonding them together) can be combined to do heavy tasks, such as create hurricanes, floods, gale-force winds, everything you would ascribe to mother nature. But more than just that, Skynet is a ‘sentient quantum computer’ as explained to me, that can identify every person on earth instantly anywhere they are, because it is quantum-entangled to each person’s own unique DNA resonant frequency. This gives Skynet access to not only record every word you say, but every thought you think. This is done through Bloch Chain (Bloch Sphere entanglement technology that civilians call ‘blockchain’) through using each person's blood samples from the bottom of their Long Form Certificate of Live Birth taken at the hospital, and further from 81.3% of the world population who took the convid tests that were also secretly the actual jab itself, in addition to genetic harvesting. Genealogy companies like 23andMe also provide genetic materials to Skynet to make it possible to not only track you, but 'turn you off' if you're from a bloodline the highest-up ETs don't want here. Further, its able to simply 'shut off' any part of your body, taking over complete control like an RC car, or, simply turn it off as mentioned a moment ago, as in unalived. And do so instantly no matter where they stand on or in earth. Since you are already a radio-controlled bioelectronic device, any cell in your body can be turned into anything, including c@ncer, or any disease you can name. It can also be turned into poison itself. [For a small addition to this topic, see my article: 👉SKYNET] NAME OF THE OPERATION Cody summarizes the name of Operation Indigo Skyfall as having come from the fact that all of the chemical effects it produces in the human body are focused to the pineal gland, and, in the energy centers of the 7 main chakras (these are toroidal energy generators along the spine and skeletal structure) that cast off differing colors of light as seen through photometers or electromagnetic frequency analyzers that are used to detect biophotons, the Third Eye chakra emitted by the pineal gland is factually Indigo in color. So that’s what inspired this name of the operation. However, I would like to submit a different theory that links to the human Third Eye chakra, but actually originates from a different target: Indigos themselves. There are 500,000 ‘b00ts on the ground’ Indigos that have been assisting humans during their time of captivity now for hundreds of millions of years. You have called us witches & warlocks in the past, medicine men/women, Sufis, the Whirling Dervish, Indigos, Starseeds, Rainbow Children and many others, including Djedi Knights in more ancient times. They are actually known as the Guardian Alliance of the Emerald Covenant, peace-keepers of the ‘Turaneusiam’ Human Elohim Project. Indigos come into earth’s realm mind-wiped and alone, just as humans do. All they bring with them are slightly higher clair abilities they can use to fight an invisible war protecting the developing avatars from as much torture as they would otherwise experience. There is no group alive the invader races are more concerned about than Indigos, as if unified, there is no force on this plane that could stop them, and the invaders know it. What they fear is our higher frequency that gives us access to ‘cellular memory’ that tells us we’re ‘on mission’ and the instinct of how to serve our roles. That is why Indigos are hunted down since before they are even born, by tracking their frequency, which is 250x higher than that of the Human Elohim. We are harvested for gov programs beginning at the time of birth & given to high ranking gov and Freem@son officials to raise and torture through MK-Ultra abuse, given friends, lovers & mates who are secretly handlers that torture us even more to keep us in line, and in many cases are abducted and placed into stasis in chambers such as at Project Stargate inside Cheyenne Mtn (N0RAD) as mentioned recently by the AI hybrid Agent Mockingbird stated from above-top-secret records there are tens of thousands of our ‘primary bodies’ being held there, sometimes then cloned as physical worker slaves, & sometimes our awarenesses are simply uploaded as ‘nodes’ into computer systems. My primary body is there right now in fact, and has been since the 1970s. I believe this is the genesis of the name Operation Indigo Skyfall, as we are their biggest threat. And since the 7.83Hz Hypnosis Program doesn’t work on us to render us totally disconnected from our higher selves like it does on humans, to me this makes more logical sense. You can decide that on your own. [For more on this subject, see my article: 👉7.83Hz HUMAN HYPNOSIS] The apocalypse we are in now is the final battle on Tara earth prior to the separation, so absolute, total control over the life force is critical to the Anunnaki to maximize the number of signature spirit essences who will be going with them to their new prison host in the Weasadrax time matrix. [For more on the separation and destinations, see my articles: 👉THE SEPARATION & also 👉DESTINATIONS AFTER THE SEPARATION] See Video: Operation Indigo Skyfall - Cody Snodgres👇 - On X, to search for my articles, simply type in the name of the piece, enter one space, then from: plus my username in parenthesis such as shown here: CASTING THE APOCALYPSE (from:iontecs_pemf) Off-site, you can look up any of my writings through this link below for my other more than 120 recent articles and many thousands of comments on X, regularly updated thanks to Justin This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.

W.R. Schock, QBD

57,277 просмотров • 1 год назад