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[COMMISSION] What better way to end dinner than with a nice big dessert?🤤 CREDITS: 🔊Sound and voices by SoniaVA-🔞 COMMISIONS OPEN Yoi . Lumine @golden_apple111 Dong FutaFlux 🔞 Scene KelluArts #nsfw #rule34 #Futa #GenshinImpact #Lumine #Yoimiya

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Elon Musk: The cumulative voice of the people should decide what's newsworthy. “In times past, we didn't have the technology for this, so the only way to learn news was for it to be filtered through a small number of news organizations and then to be printed in newspapers or broadcast. There wasn't really any way that people could speak to each other or communicate with each other. But now there is, because people can be online. I'm a big believer in citizen journalism being actually way better. At first, citizen journalism may sound like, well, doesn't that mean just a whole bunch of amateurs are doing journalism? No, actually, it's way better because if you have actual experts in the field saying things that's way better than a journalist, if you have people who are actually at the event, live. Look at the attempted assassination of President Trump, people actually at the event live, doing video, people are reporting it. That's the kind of thing that is actually far better information than filtering it through a small number of publications, which ends up being controlled by maybe five editors-in-chief. There's like five people that control the news. And even though there are multiple newspapers, New York Times, Wall Street Journal, Washington Post, a few others, they decide what is newsworthy. But that should not be how it works. It should be the voice of the people, the cumulative voice of the people should decide what is newsworthy.” Philadelphia, October 18, 2024

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Tai Lopez

32,369 görüntüleme • 8 ay önce

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Mario Nawfal

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The final scene in The Godfather Part II, with the family gathered around the dinner table, was originally going to include Marlon Brando, but he pulled out at the very last minute. Coppola had to rewrite a whole new ending the night before the shoot. He explains: “It’s a very interesting story, because I had written this scene that we go back to, around the period just before the first Godfather, when they were all young… My idea was that they would come together, finally, at the end, as a family. And the end of the movie would be a big, beautiful scene with Marlon Brando and Al Pacino, sort of summing up the whole saga that had gone down. And I was negotiating with Marlon Brando right up to the last minute saying, “Marlon, please, just one day. We’ll give you this money.” But Marlon was so mad at Paramount - for ultimately not paying him any money on the first picture, or whatever he was mad about - And although I didn’t know it until the last day, ultimately, it wasn’t going to be possible to have him in the picture. So I went to bed that night really worried. I had lost the end of my movie. I had to shoot it the next day. I had no idea what to do. I was sleeping in the Chateau Marmont Hotel. I had this scene. I had paid all this money to get Jimmy Caan to come back and some of the other actors to be in the last scene. And in the middle of the night, I just had this idea. And I wrote it - which is that they were all gathered for a surprise birthday party for the Don. And so after this scene plays out, in which Michael’s decision to join the Marines is kind of examined relative to really what all we know is going to happen, and what this young, beautiful, collegiate man who’s a war hero, who goes straight, is going to end up to be: this man without a heart, who’s killed his own brother and alienated his wife… And I thought there could be one beautiful scene with him and Don Corleone as we remember him from the first movie. Since Marlon didn’t come, I made it the surprise party, and I built it up to the point where they all said, “Oh, he’s here. He’s here.” And they all run out of the room. And as you’re waiting for Marlon to come into the room, you just stay on Al… And I came up with the solution at, like - three in the morning. And the next day they said, “Well, Marlon’s not coming.” And I said, “That’s all right. I’ve got a scene we can do without him.” And it was this one. Also, I like that staging kind of, especially about families who ultimately dissolve in front of your eyes, the idea that you have a table full of people. And one by one, someone argues or someone goes off, and then you’re just left with one … And everything else now is just sound. The father comes, and you know he’s there, and you feel he’s there, but you’re left with Michael alone.” This quote comes from the director's commentary track off the Godfather Part II Blu-ray

The final scene in The Godfather Part II, with the family gathered around the dinner table, was originally going to include Marlon Brando, but he pulled out at the very last minute. Coppola had to rewrite a whole new ending the night before the shoot. He explains: “It’s a very interesting story, because I had written this scene that we go back to, around the period just before the first Godfather, when they were all young… My idea was that they would come together, finally, at the end, as a family. And the end of the movie would be a big, beautiful scene with Marlon Brando and Al Pacino, sort of summing up the whole saga that had gone down. And I was negotiating with Marlon Brando right up to the last minute saying, “Marlon, please, just one day. We’ll give you this money.” But Marlon was so mad at Paramount - for ultimately not paying him any money on the first picture, or whatever he was mad about - And although I didn’t know it until the last day, ultimately, it wasn’t going to be possible to have him in the picture. So I went to bed that night really worried. I had lost the end of my movie. I had to shoot it the next day. I had no idea what to do. I was sleeping in the Chateau Marmont Hotel. I had this scene. I had paid all this money to get Jimmy Caan to come back and some of the other actors to be in the last scene. And in the middle of the night, I just had this idea. And I wrote it - which is that they were all gathered for a surprise birthday party for the Don. And so after this scene plays out, in which Michael’s decision to join the Marines is kind of examined relative to really what all we know is going to happen, and what this young, beautiful, collegiate man who’s a war hero, who goes straight, is going to end up to be: this man without a heart, who’s killed his own brother and alienated his wife… And I thought there could be one beautiful scene with him and Don Corleone as we remember him from the first movie. Since Marlon didn’t come, I made it the surprise party, and I built it up to the point where they all said, “Oh, he’s here. He’s here.” And they all run out of the room. And as you’re waiting for Marlon to come into the room, you just stay on Al… And I came up with the solution at, like - three in the morning. And the next day they said, “Well, Marlon’s not coming.” And I said, “That’s all right. I’ve got a scene we can do without him.” And it was this one. Also, I like that staging kind of, especially about families who ultimately dissolve in front of your eyes, the idea that you have a table full of people. And one by one, someone argues or someone goes off, and then you’re just left with one … And everything else now is just sound. The father comes, and you know he’s there, and you feel he’s there, but you’re left with Michael alone.” This quote comes from the director's commentary track off the Godfather Part II Blu-ray

Gangster Cinema Central

241,798 görüntüleme • 2 ay önce

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#FX1: Changing the way sports are streamed! Looking for something that will change the way games are streamed? Let me tell you about FX1 a ticket that will change how we watch our favourite sports events. Here are some reasons why you should listen: Unmatched Tech: #FX1 brings a one-of-a-kind technology to the table and wants to change the way people enjoy sports. Put an end to pricey contracts! You only pay for the sports games you watch on #FX1. It's a cheap option that gives you more power. 📺💰 First-Mover Advantage: #FX1 is the first company to go after the huge $83 billion global sports video market. With more than 90 million people in the US alone every month, the potential is huge. Prepare to take part in the next big thing. 3: Exclusive Tips: Want to get more out of your sports experience? #FX1 will take care of you! Dashboards POC, which they just put out, gives in-depth information that you won't find anywhere else. It's like having a friend with you at every sports show. 4 Pay-Per-View Made Better: #FX1 solves the problem of expensive sports streaming services by using a pay-per-view approach. You no longer have to pay for programmes or events you don't care about. Enjoy your favourite sports in a way that works for you and doesn't break the bank. 5 Endless Potential: #FX1 has the potential to skyrocket because it has a live product, focuses on sports streaming, and doesn't have a chart past. With a market capitalization of just $2 million right now, there is a lot of room for progress. In short, #FX1 is changing the way sports are streamed by introducing a new pay-per-view method, giving exclusive information, and going after a huge market around the world. It's time to find a new way to enjoy sports events while keeping your spending in check. The information given is about the product and what it has to offer. Before you decide anything, make sure to do your own study and evaluation of the product. Enjoy watching sports online with #FX1 in a responsible way. 📺⚽️🏀

DMT🐐

99,292 görüntüleme • 3 yıl önce

Jordan Peterson on what to do when you don't know what you want from life: 1. Don't start with the big goal. you won't find it by staring at the horizon. look around you instead, at your direct sphere of influence, and fix the things that are obviously in need of repair. they're usually small. 2. clean your room. i know it turned into a joke online. it's harder than people think, and more useful too. the point isn't the tidy room. the point is you learn to tell chaos from order, and to act in a way that produces order. 3. ask yourself, don't tell yourself. instead of "do this," ask "what could i do today that i'd actually do, that makes tomorrow a little better than today?" it's usually some small thing, because you're not that disciplined. that's fine. 4. it'll be the toad. the thing you keep avoiding. the task that feels like a snake. that's the one. do it anyway. 5. then it compounds. you fix one thing, you get a bit stronger, the next day you take on something slightly bigger. compound interest. and at some point you stop just patching what's broken, and you catch a glimmer of something positive you could build. that's your vision. it shows up at the end, not the start.

Jordan Peterson on what to do when you don't know what you want from life: 1. Don't start with the big goal. you won't find it by staring at the horizon. look around you instead, at your direct sphere of influence, and fix the things that are obviously in need of repair. they're usually small. 2. clean your room. i know it turned into a joke online. it's harder than people think, and more useful too. the point isn't the tidy room. the point is you learn to tell chaos from order, and to act in a way that produces order. 3. ask yourself, don't tell yourself. instead of "do this," ask "what could i do today that i'd actually do, that makes tomorrow a little better than today?" it's usually some small thing, because you're not that disciplined. that's fine. 4. it'll be the toad. the thing you keep avoiding. the task that feels like a snake. that's the one. do it anyway. 5. then it compounds. you fix one thing, you get a bit stronger, the next day you take on something slightly bigger. compound interest. and at some point you stop just patching what's broken, and you catch a glimmer of something positive you could build. that's your vision. it shows up at the end, not the start.

Naruto

44,262 görüntüleme • 2 ay önce

We’ve seen a lot of dogs in bad conditions but I think this lovely boy might be the worst pain I’ve ever seen a dog in. We’d been told about him by a kind man in the community who found him but had no idea how to help beyond giving him water, food and putting a little electric fan on him. He eventually got through to us in sheer desperation. The dog has been there for days apparently and probably hit by some sort of major trauma. He hasn’t eaten or drank his water and he was laying in his own pee and poop. That little alley way was where it was all going to end very soon because I could see from his gums and other signs he was in big big trouble. We had to just go for it and make a stretcher with what we had and push through the pain. It took us 40 minutes to get back to Tina’s hospital and he screamed at every tiny bump on the road. I thought his spine was broken and was super relieved when it wasn’t. I thought he might be so bad that we’d never be posting this video as it might be better to put him out of his misery. He is very sick and has some stuff going on internally but it is pelvis related we believe. He is by no means 100% going to make it as he has so much going on inside him but we have some hope now. The team are in full action mode to try and save him. I called him Bear as he is a big fluffy gentle giant I can tell. I’m not sure how this story ends but it’s already better than he was alone in that alley this morning. He’s having a huge sleep now with lots of pain relief and meds. 🤞🤞🤞

We’ve seen a lot of dogs in bad conditions but I think this lovely boy might be the worst pain I’ve ever seen a dog in. We’d been told about him by a kind man in the community who found him but had no idea how to help beyond giving him water, food and putting a little electric fan on him. He eventually got through to us in sheer desperation. The dog has been there for days apparently and probably hit by some sort of major trauma. He hasn’t eaten or drank his water and he was laying in his own pee and poop. That little alley way was where it was all going to end very soon because I could see from his gums and other signs he was in big big trouble. We had to just go for it and make a stretcher with what we had and push through the pain. It took us 40 minutes to get back to Tina’s hospital and he screamed at every tiny bump on the road. I thought his spine was broken and was super relieved when it wasn’t. I thought he might be so bad that we’d never be posting this video as it might be better to put him out of his misery. He is very sick and has some stuff going on internally but it is pelvis related we believe. He is by no means 100% going to make it as he has so much going on inside him but we have some hope now. The team are in full action mode to try and save him. I called him Bear as he is a big fluffy gentle giant I can tell. I’m not sure how this story ends but it’s already better than he was alone in that alley this morning. He’s having a huge sleep now with lots of pain relief and meds. 🤞🤞🤞

Niall Harbison

303,074 görüntüleme • 1 ay önce

“Nobody was open” Caleb Williams had a throwing window to TE #84 Colston Loveland in the back of the end zone. Williams was looking right at him. Williams cocked his arm, but hesitated and “thought better of it.” Plus, he had a backside target #2 D.J. Moore in the end zone jumping around wide open on the opposite side of the field, but Williams never has seen the whole field well… Of course, nobody will focus on how the moment was too big for him and how he hesitated instead of taking the shot with the No. 1 seed in the NFC hanging in the balance. Instead, they’ll just make more excuses for him. Too harsh? No, I don’t believe it is. Some athletes want the ball in their hand in the biggest moment of their careers, and others do not. The problem with Williams is that he wanted to keep the ball in his hand, once again, way too long. I got 8.11 seconds when I put a stopwatch to it. That might be the longest he’s ever held it. It’s the longest I’ve ever seen him hold it and I studied every snap he ever took at USC and have watched many of his games with the Bears since. Ben Johnson has done a GREAT job hiding Williams behind the No. 3 rushing attack in the NFL (149.1 yards per game Team Rankings) and with YAC receivers who have accounted for about half of his “passing yardage” this season, but in the end, who players really are comes out in the big moments. In the end, the overwhelming urge for Williams to play hero ball again and do something more than just take what was there cost him and his team. Whether it was selfishness and/or fear of missing Loveland and not trusting his 57.9% arm, or a combination of both can be debated, but what can’t be debated is this right here embodies why Caleb Williams is NOT IT in Chicago, ironically in the city where another athlete lived to take the shot. Yes, Caleb Williams is a bust. Outside of all the glamorized “dink and dunk,” short little passes and sporadic highlights that misrepresent his full body of work, it’s once again confirmed that he is a bust, just like I wrote 107 days before the Bears selected him in this pre-draft scouting report: That doesn’t make me happy by the way, I just wish prospects could get fair valuations based on what they actually show in college as projections so that their NFL careers could be framed with realistic expectations and they would have their very best chance to succeed, which is one of my main goals in what I do. With Williams, the bar was set way too high, which this play confirmed, yet again. All-22 video:

“Nobody was open” Caleb Williams had a throwing window to TE #84 Colston Loveland in the back of the end zone. Williams was looking right at him. Williams cocked his arm, but hesitated and “thought better of it.” Plus, he had a backside target #2 D.J. Moore in the end zone jumping around wide open on the opposite side of the field, but Williams never has seen the whole field well… Of course, nobody will focus on how the moment was too big for him and how he hesitated instead of taking the shot with the No. 1 seed in the NFC hanging in the balance. Instead, they’ll just make more excuses for him. Too harsh? No, I don’t believe it is. Some athletes want the ball in their hand in the biggest moment of their careers, and others do not. The problem with Williams is that he wanted to keep the ball in his hand, once again, way too long. I got 8.11 seconds when I put a stopwatch to it. That might be the longest he’s ever held it. It’s the longest I’ve ever seen him hold it and I studied every snap he ever took at USC and have watched many of his games with the Bears since. Ben Johnson has done a GREAT job hiding Williams behind the No. 3 rushing attack in the NFL (149.1 yards per game Team Rankings) and with YAC receivers who have accounted for about half of his “passing yardage” this season, but in the end, who players really are comes out in the big moments. In the end, the overwhelming urge for Williams to play hero ball again and do something more than just take what was there cost him and his team. Whether it was selfishness and/or fear of missing Loveland and not trusting his 57.9% arm, or a combination of both can be debated, but what can’t be debated is this right here embodies why Caleb Williams is NOT IT in Chicago, ironically in the city where another athlete lived to take the shot. Yes, Caleb Williams is a bust. Outside of all the glamorized “dink and dunk,” short little passes and sporadic highlights that misrepresent his full body of work, it’s once again confirmed that he is a bust, just like I wrote 107 days before the Bears selected him in this pre-draft scouting report: That doesn’t make me happy by the way, I just wish prospects could get fair valuations based on what they actually show in college as projections so that their NFL careers could be framed with realistic expectations and they would have their very best chance to succeed, which is one of my main goals in what I do. With Williams, the bar was set way too high, which this play confirmed, yet again. All-22 video:

FIRST ROUND MOCK

24,667 görüntüleme • 8 ay önce

‼️BOMBSHELL: Candace Just Dropped An EXPLOSIVE New Lead Regarding The MISSING 911 Call From Charlie’s Security Detail! — It Raises More Questions Than Answers 🤯 A 911 call was made from the vehicle taking Charlie Kirk to the hospital — and what was allegedly captured on it is raising serious questions. According to a solid tip Candace received, the call lasted three to five minutes and appears to have been a dropped phone or butt-dial situation. The caller never properly engaged with the operator. Instead, the open line allegedly picks up the voices inside the vehicle saying “We got him,” “We are taking him to the hospital,” followed by chaos, “get out of the way,” and the sound of high speed. Most disturbing of all: the repeated phrase “Get that off of him. Get that off of him.” Candace is asking the obvious question — get what off of him? Charlie was wearing a white Freedom T-shirt, a necklace that broke, and a Rode wireless microphone transmitter. In the context of the broader investigation, some are wondering whether “that” refers to something that should never have been on his body in the first place. This could finally explain why the call has been mysteriously missing from all released 911 audio and why no one on the security team wants to take credit for dialing it. FOLLOW Candace Owens , RT and watch her FULL episode linked below.👇

‼️BOMBSHELL: Candace Just Dropped An EXPLOSIVE New Lead Regarding The MISSING 911 Call From Charlie’s Security Detail! — It Raises More Questions Than Answers 🤯 A 911 call was made from the vehicle taking Charlie Kirk to the hospital — and what was allegedly captured on it is raising serious questions. According to a solid tip Candace received, the call lasted three to five minutes and appears to have been a dropped phone or butt-dial situation. The caller never properly engaged with the operator. Instead, the open line allegedly picks up the voices inside the vehicle saying “We got him,” “We are taking him to the hospital,” followed by chaos, “get out of the way,” and the sound of high speed. Most disturbing of all: the repeated phrase “Get that off of him. Get that off of him.” Candace is asking the obvious question — get what off of him? Charlie was wearing a white Freedom T-shirt, a necklace that broke, and a Rode wireless microphone transmitter. In the context of the broader investigation, some are wondering whether “that” refers to something that should never have been on his body in the first place. This could finally explain why the call has been mysteriously missing from all released 911 audio and why no one on the security team wants to take credit for dialing it. FOLLOW Candace Owens , RT and watch her FULL episode linked below.👇

Project Constitution

24,068 görüntüleme • 1 ay önce

Trump as Americans die in war with Iran: “If you look behind me, see the nice gold curtains? If you want to look into a nice foundation and you want to see a lot of work, very deep, very, very deep for specific reasons, we have. A magnificent ballroom being built because this is the biggest room and it holds like 98 people for dinner, but behind me you’re gonna have a ballroom that’s gonna that this building and the people occupying it in particular, every president for 150 years has clamored for a ballroom, a large beautiful room. This is a cocktail room. And this will actually be this whole floor will end up being a cocktail room for the cocktail area or pre-area for the ballroom before dinners, so we’ll have heads of state. We can’t even do a heads of state dinner usually what they do is they would do them on the lawn with a tent. But when it rains, the lawn is very low and you know the land in Washington it was built on swampy wetland and when it rains and you have The King of Saudi Arabia, we have as an example, the King of the UK. I would say King of England, who was a great guy. He’s coming in very soon and when it rains, you know what happened? The rain would go over their feet. It would be about 4 or 5 inches over their shoes. This was not good, so, and it rained a lot. So we’re building finally because I do that and by the way no taxpayer money. I want to put that 0 it’s gonna be it’s on time on budget it’ll be under budget we literally we’re having it under budget other than we’ve upgraded it in terms of the marbles we’re using. We’re using onyx and stones that are incredible, but it’ll be it’ll be something really spectacular”

Trump as Americans die in war with Iran: “If you look behind me, see the nice gold curtains? If you want to look into a nice foundation and you want to see a lot of work, very deep, very, very deep for specific reasons, we have. A magnificent ballroom being built because this is the biggest room and it holds like 98 people for dinner, but behind me you’re gonna have a ballroom that’s gonna that this building and the people occupying it in particular, every president for 150 years has clamored for a ballroom, a large beautiful room. This is a cocktail room. And this will actually be this whole floor will end up being a cocktail room for the cocktail area or pre-area for the ballroom before dinners, so we’ll have heads of state. We can’t even do a heads of state dinner usually what they do is they would do them on the lawn with a tent. But when it rains, the lawn is very low and you know the land in Washington it was built on swampy wetland and when it rains and you have The King of Saudi Arabia, we have as an example, the King of the UK. I would say King of England, who was a great guy. He’s coming in very soon and when it rains, you know what happened? The rain would go over their feet. It would be about 4 or 5 inches over their shoes. This was not good, so, and it rained a lot. So we’re building finally because I do that and by the way no taxpayer money. I want to put that 0 it’s gonna be it’s on time on budget it’ll be under budget we literally we’re having it under budget other than we’ve upgraded it in terms of the marbles we’re using. We’re using onyx and stones that are incredible, but it’ll be it’ll be something really spectacular”

Headquarters

70,099 görüntüleme • 5 ay önce

Six things in Las Vegas that sound like scams but are totally legit. The first is resort fees. No one enjoys added fees, but If you’re a tourist using the property as a resort, the fee covers amenities like pools and Wi-Fi. If you are utilizing the hotel for gaming, you can reasonably expect your fees to be waived based on play either by asking or achieving higher player status. Number two is the art of tipping in advance for better tables, rooms, views and access. No matter how you feel about gratuity, it will open doors and opportunities to enhance your experience when utilized correctly. Third, the free attractions at all the major resorts are so much better than what you’d expect from a free show or exhibit. They’re designed to draw you to the property and most are worth making time for. Next, consider a $10 line tattoo as a souvenir from your visit. They’re simple, cute and unique to Las Vegas. For clubs, parties and lounges utilize the “guest list” as a way to get in free. You can do this with no obligation or catch by working with any reputable promoter or directly through the Discotech App. Anyone who tries to sell you this service is likely scamming you. Guest list is free and available at most clubs. And finally, even if you don’t plan on gambling, you should sign up for each major resort’s player loyalty card and show it every time you spend money. You will receive return marketing offers for future free stays, food, shows abs more. The resorts use their marketing lists to recapture guests and get you to return to Vegas and it’s a free, non-invasive way to get unpublished rates and deals. Let me know which you’ve done and share your own tips below. Follow me for all the Vegas. #vegas #lasvegas #vegasstarfish #vegastips #vegasvacation #vegasgetaway #travelplanner #thingstodoinvegas #vegasonabudget #vegasattractions #vegasshow #vegassecrets

Six things in Las Vegas that sound like scams but are totally legit. The first is resort fees. No one enjoys added fees, but If you’re a tourist using the property as a resort, the fee covers amenities like pools and Wi-Fi. If you are utilizing the hotel for gaming, you can reasonably expect your fees to be waived based on play either by asking or achieving higher player status. Number two is the art of tipping in advance for better tables, rooms, views and access. No matter how you feel about gratuity, it will open doors and opportunities to enhance your experience when utilized correctly. Third, the free attractions at all the major resorts are so much better than what you’d expect from a free show or exhibit. They’re designed to draw you to the property and most are worth making time for. Next, consider a $10 line tattoo as a souvenir from your visit. They’re simple, cute and unique to Las Vegas. For clubs, parties and lounges utilize the “guest list” as a way to get in free. You can do this with no obligation or catch by working with any reputable promoter or directly through the Discotech App. Anyone who tries to sell you this service is likely scamming you. Guest list is free and available at most clubs. And finally, even if you don’t plan on gambling, you should sign up for each major resort’s player loyalty card and show it every time you spend money. You will receive return marketing offers for future free stays, food, shows abs more. The resorts use their marketing lists to recapture guests and get you to return to Vegas and it’s a free, non-invasive way to get unpublished rates and deals. Let me know which you’ve done and share your own tips below. Follow me for all the Vegas. #vegas #lasvegas #vegasstarfish #vegastips #vegasvacation #vegasgetaway #travelplanner #thingstodoinvegas #vegasonabudget #vegasattractions #vegasshow #vegassecrets

Jen G.

293,466 görüntüleme • 2 yıl önce

‘Culling The Cure’: Documentary on Canada’s mass ostrich slaughter to premiere in Kelowna The wait is almost over. The premiere of Culling The Cure: The Aftermath of Canada’s Ostrich Slaughter is coming to Kelowna, B.C., on Friday, September 18 and today, we’re giving you your first look at the official trailer. For weeks, I was embedded at Universal Ostrich Farms in Edgewood, B.C., documenting the farmers’ battle with the Canadian Food Inspection Agency through arrests, roadblocks, legal conflicts, and vigils — and now the truth will prevail. The farmers' fight to save their healthy flock came to a brutal end on November 6, 2025, when federally contracted marksmen killed more than 300 healthy ostriches in the name of avian flu prevention. Now, after months of putting together the footage, interviews and unanswered questions surrounding what happened on that farm during Canada’s most controversial and costly cull, Canadians will finally get to see the full story on the big screen. Culling The Cure is produced by myself and brought to you by Rebel News in association with In the Furnace Films. The world premiere kicks off Friday, September 18 in Kelowna. Doors open at 5:30 p.m., the film begins at 6 p.m., and I’ll stay after the credits for a live Q&A with the audience. Tickets are $30, seating is limited, and this will be the first public screening of Culling The Cure anywhere in the world. RESERVE YOUR SEATS FOR THE WORLD PREMIERE! And Kelowna is only the beginning. Culling The Cure will be touring other cities and provinces across Canada, so if you don’t see your city yet, sign up to be notified as new screening dates are announced. Watch the trailer, share it with your friends and family, and get your tickets before they’re gone. I’ll see you there! REPORT by Drea Humphrey:

‘Culling The Cure’: Documentary on Canada’s mass ostrich slaughter to premiere in Kelowna The wait is almost over. The premiere of Culling The Cure: The Aftermath of Canada’s Ostrich Slaughter is coming to Kelowna, B.C., on Friday, September 18 and today, we’re giving you your first look at the official trailer. For weeks, I was embedded at Universal Ostrich Farms in Edgewood, B.C., documenting the farmers’ battle with the Canadian Food Inspection Agency through arrests, roadblocks, legal conflicts, and vigils — and now the truth will prevail. The farmers' fight to save their healthy flock came to a brutal end on November 6, 2025, when federally contracted marksmen killed more than 300 healthy ostriches in the name of avian flu prevention. Now, after months of putting together the footage, interviews and unanswered questions surrounding what happened on that farm during Canada’s most controversial and costly cull, Canadians will finally get to see the full story on the big screen. Culling The Cure is produced by myself and brought to you by Rebel News in association with In the Furnace Films. The world premiere kicks off Friday, September 18 in Kelowna. Doors open at 5:30 p.m., the film begins at 6 p.m., and I’ll stay after the credits for a live Q&A with the audience. Tickets are $30, seating is limited, and this will be the first public screening of Culling The Cure anywhere in the world. RESERVE YOUR SEATS FOR THE WORLD PREMIERE! And Kelowna is only the beginning. Culling The Cure will be touring other cities and provinces across Canada, so if you don’t see your city yet, sign up to be notified as new screening dates are announced. Watch the trailer, share it with your friends and family, and get your tickets before they’re gone. I’ll see you there! REPORT by Drea Humphrey:

Rebel News

21,998 görüntüleme • 12 gün önce

#TicketToHeaven #GeminiFourth #เจมีไนน์โฟร์ท 💭: since you’ve previously worked with GeminiFourth in Moonlight Chicken was there any moment when you felt, “hooo they’ve really grown a lot as actors..” Phi Aof: the first clear thing we see in the change is the maturity of both of them, in responsibility and in being actors. its clearly visible that they’ve gone through many different experiences working in the industry. even tho its only around two years, they came back in a more grown up form, a more understanding form and are more sensitive overall in how they approach this work. what feels different and clearly grown up is their way of thinking about acting. the characters has very high stakes in taking on such risky and challenging roles and the characters background is very heavy. the audience will likely already have seen how much the characters has to go through and how intense it is. it requires drawing from personal life experience or imagination and investing emotional energy into this series quite a lot. but both of them are very ready to jump into those situations and enjoy it. that is clearly the growth we see (🥹👏🏻) : and what remains consistent is that working with Fourth is very fun bc he’s the type of person who says “i understand phi. i dont understand phi. what is this? i cant find it, i cant think of it, please explain phi.” it becomes very fun bc there’s internal debate in his head like “why am i thinking this?” we slowly help each other find the answer in each scene. after acting, we check “is it okay? i think its like this. what do you think Fourth?” : In the scene at the end of EP2 where the character walks into the bathroom, we talk with Fourth about what Fourth thinks is going on. what Fourth is thinking. Fourth doesnt need to tell me either bc only Fourth knows what will happen in that bathroom. so we let Fourth interpret it by himself. its up to Fourth. from my point of view, i see it one way, but Fourth as Tanrak, Fourth knows the character better than me, so Fourth might think in another way as well (😭👏🏻)

#TicketToHeaven #GeminiFourth #เจมีไนน์โฟร์ท 💭: since you’ve previously worked with GeminiFourth in Moonlight Chicken was there any moment when you felt, “hooo they’ve really grown a lot as actors..” Phi Aof: the first clear thing we see in the change is the maturity of both of them, in responsibility and in being actors. its clearly visible that they’ve gone through many different experiences working in the industry. even tho its only around two years, they came back in a more grown up form, a more understanding form and are more sensitive overall in how they approach this work. what feels different and clearly grown up is their way of thinking about acting. the characters has very high stakes in taking on such risky and challenging roles and the characters background is very heavy. the audience will likely already have seen how much the characters has to go through and how intense it is. it requires drawing from personal life experience or imagination and investing emotional energy into this series quite a lot. but both of them are very ready to jump into those situations and enjoy it. that is clearly the growth we see (🥹👏🏻) : and what remains consistent is that working with Fourth is very fun bc he’s the type of person who says “i understand phi. i dont understand phi. what is this? i cant find it, i cant think of it, please explain phi.” it becomes very fun bc there’s internal debate in his head like “why am i thinking this?” we slowly help each other find the answer in each scene. after acting, we check “is it okay? i think its like this. what do you think Fourth?” : In the scene at the end of EP2 where the character walks into the bathroom, we talk with Fourth about what Fourth thinks is going on. what Fourth is thinking. Fourth doesnt need to tell me either bc only Fourth knows what will happen in that bathroom. so we let Fourth interpret it by himself. its up to Fourth. from my point of view, i see it one way, but Fourth as Tanrak, Fourth knows the character better than me, so Fourth might think in another way as well (😭👏🏻)

𝗚𝗲𝗺 𝗙𝗼𝗿 𝗠𝘆 𝗙𝗼𝘂𝗿𝘁𝗵🌻

14,232 görüntüleme • 2 ay önce

John Mayer is a master of his craft. He’s also one of the best I’ve come across at using analogy and demonstration to articulate and demystify the creative process. Here’s a 14-clip (~7-minute) masterclass on mastery and creativity: TL;DW 1/ “Whenever I want to write a big song, I can't...That's when I get writer's block: when I try to write a song to fill the entire galaxy. I've never gotten a song that way. But if I write about something the size of a glass of water—a week later, I notice it's got the universe in it. So I'd rather have the universe in a glass of water than try to make a glass of water fit in the universe.” 2/ "What connects with people is you connecting with yourself." 3/ “Writer’s block is when the two people inside of you—the writer and the reader—when the reader doesn’t love the writer. It is not a failure to write. It is a failure to catch the feedback loop of enjoying what you’re seeing and wanting to contribute more to it.” 4/ “Don't shoot ideas down before you have them. 'That won't work' is the worst thing you can ever say. 'That didn't work' is cool, but 'that won't work' is not a way to go through life.” 5/ “I’ve seen the Cool metric change so many times. I'm not telling you don't chase Cool. I'm saying…by the time you reach what you think is cool, Cool is like, 'over here now.’ ‘The princess is in another castle.' You know what I mean? That's a Mario reference.” 6/ "I'm one-half consumer, one-half artist. So I try to put music out that I myself would want to hear as somebody on the other end." 7/ "I'm seeing a lot of motivation about you following your passion, but I'm not seeing any critical thought to what that is or how to be better at that. So, really the product is passion and that's strange to me. Because my product growing up was sitting in a room yelling, 'Mom, I'm practicing,' for hours and hours and hours and hours and hours and hours and hours. 8/ "But then also read up...You know, this stuff doesn't just appear. It comes from somewhere. And as soon as you realize you love something—it's almost like catching up with some great TV show on season 9, and you can go, 'oh my God, that means there's 8 seasons before this." 9/ "Whatever you learn is the tip of the iceberg. Dive underwater and find the rest of the iceberg." 10/ "So listening to Stevie Ray Vaughan brought me back to people like Kenny Burrell and Albert King and Jimi Hendrix and Elmore James. So it became this family tree growing out of my CD player." 11/ "I came up with these guys as like references…It’s like if you're into the NBA and you wear different jerseys and you pretend you're a different player in the driveway—that's what I was doing..." 12/ "Which is a wonderful technique for being yourself. Failing to sound exactly like the person you want to sound like is a wonderful way to sound like yourself." 13/ After watching Cory Wong play guitar, Mayer told him, "You have an anatomy thing working on your right hand. Your hand is shaped in a way—you have long fingers, very sinewy hands—that you're able to play like that. That is an example of someone making the most of their anatomical gifts... And I wish more people could embrace finding what their strengths are anatomically—the way your hand is shaped, the way your mind works, whatever—and play to those strengths." 14/ Mayer picks up an acoustic guitar and demonstrates his songwriting process. “Well, I don’t always do it,” he admitted, “because it requires a stupid bravery all the time.” “You just stare at the corner of the wall," Mayer explains then improvises some vocals, “stare at the corner of the wall / try to get it going on / but I can’t sometimes / you just keep going ’til you get something,” he stops singing. “You gotta keep forcing it, forcing it, forcing it…it doesn’t matter [what comes out of your mouth].” Follow Billy Oppenheimer for more content like this!

John Mayer is a master of his craft. He’s also one of the best I’ve come across at using analogy and demonstration to articulate and demystify the creative process. Here’s a 14-clip (~7-minute) masterclass on mastery and creativity: TL;DW 1/ “Whenever I want to write a big song, I can't...That's when I get writer's block: when I try to write a song to fill the entire galaxy. I've never gotten a song that way. But if I write about something the size of a glass of water—a week later, I notice it's got the universe in it. So I'd rather have the universe in a glass of water than try to make a glass of water fit in the universe.” 2/ "What connects with people is you connecting with yourself." 3/ “Writer’s block is when the two people inside of you—the writer and the reader—when the reader doesn’t love the writer. It is not a failure to write. It is a failure to catch the feedback loop of enjoying what you’re seeing and wanting to contribute more to it.” 4/ “Don't shoot ideas down before you have them. 'That won't work' is the worst thing you can ever say. 'That didn't work' is cool, but 'that won't work' is not a way to go through life.” 5/ “I’ve seen the Cool metric change so many times. I'm not telling you don't chase Cool. I'm saying…by the time you reach what you think is cool, Cool is like, 'over here now.’ ‘The princess is in another castle.' You know what I mean? That's a Mario reference.” 6/ "I'm one-half consumer, one-half artist. So I try to put music out that I myself would want to hear as somebody on the other end." 7/ "I'm seeing a lot of motivation about you following your passion, but I'm not seeing any critical thought to what that is or how to be better at that. So, really the product is passion and that's strange to me. Because my product growing up was sitting in a room yelling, 'Mom, I'm practicing,' for hours and hours and hours and hours and hours and hours and hours. 8/ "But then also read up...You know, this stuff doesn't just appear. It comes from somewhere. And as soon as you realize you love something—it's almost like catching up with some great TV show on season 9, and you can go, 'oh my God, that means there's 8 seasons before this." 9/ "Whatever you learn is the tip of the iceberg. Dive underwater and find the rest of the iceberg." 10/ "So listening to Stevie Ray Vaughan brought me back to people like Kenny Burrell and Albert King and Jimi Hendrix and Elmore James. So it became this family tree growing out of my CD player." 11/ "I came up with these guys as like references…It’s like if you're into the NBA and you wear different jerseys and you pretend you're a different player in the driveway—that's what I was doing..." 12/ "Which is a wonderful technique for being yourself. Failing to sound exactly like the person you want to sound like is a wonderful way to sound like yourself." 13/ After watching Cory Wong play guitar, Mayer told him, "You have an anatomy thing working on your right hand. Your hand is shaped in a way—you have long fingers, very sinewy hands—that you're able to play like that. That is an example of someone making the most of their anatomical gifts... And I wish more people could embrace finding what their strengths are anatomically—the way your hand is shaped, the way your mind works, whatever—and play to those strengths." 14/ Mayer picks up an acoustic guitar and demonstrates his songwriting process. “Well, I don’t always do it,” he admitted, “because it requires a stupid bravery all the time.” “You just stare at the corner of the wall," Mayer explains then improvises some vocals, “stare at the corner of the wall / try to get it going on / but I can’t sometimes / you just keep going ’til you get something,” he stops singing. “You gotta keep forcing it, forcing it, forcing it…it doesn’t matter [what comes out of your mouth].” Follow Billy Oppenheimer for more content like this!

Billy Oppenheimer

1,382,401 görüntüleme • 3 yıl önce

Maldivians always complain about inefficient and incompetent govs, esp Muizzu’s, but rarely stop to ask why this keeps happening. Take a look at this UK Cabinet meeting. The woman in red sitting right next to PM is Dame Antonia Romeo, the Cabinet Secretary and Head of the Civil Service (the highest civil servant in the country). You can see her non stop taking notes and listening carefully to every word being discussed. What we’re seeing is the highest civil servant in the country sitting right next to the head of gov. (Also our cabinet ministers sit one foot away from each other around a massive table where the President can barely see their faces or hear what they’re saying properly😂). She doesn’t change when a new PM comes in, she stays in the job, bringing continuity and institutional memory. Her role is to advise the PM and Cabinet, coordinate across all gov departments, enforce fiscal discipline, record decisions properly, chase up actions and make sure ministers actually deliver. She also acts as a key reality check for the PM. By coordinating directly with different ministries at speed, she advises him on what is realistic and deliverable given the timeframes, without the PM having to call officials one by one every time. It’s not the politicians who know best what human resources and capacity the gov has, it’s the head of civil service. In UK’s case, Antonia, the head of civil service, has 25 years of work experience, worked in many gov ministers and abroad (gov job). In Maldives, it’s the incompetent President of Civil Service Commission who’s on a 5 year term who leads civil service. It’s so messed up. Our Cabinet Secretary (political and inexperienced) changes with every new president and the current one, Habeeb, doesn’t sit in cabinet meetings taking notes or coordinating anything. The result is scattered policies, no proper follow through and a gov that feels constantly messy and ineffective. This lack of a stable professional backbone is exactly why we struggle so much. If the highest civil servant in the country doesn’t even know what the head of gov wants, how can the civil service deliver anything meaningful and efficient? What better way is there for the head of the civil service to understand the gravity and importance of what the gov wants than by sitting right next to the head of gov in every cabinet meeting? A big administrative change and major civil service reform is needed in Maldives. The current boomer led Civil Service Commission won’t cut it.

Maldivians always complain about inefficient and incompetent govs, esp Muizzu’s, but rarely stop to ask why this keeps happening. Take a look at this UK Cabinet meeting. The woman in red sitting right next to PM is Dame Antonia Romeo, the Cabinet Secretary and Head of the Civil Service (the highest civil servant in the country). You can see her non stop taking notes and listening carefully to every word being discussed. What we’re seeing is the highest civil servant in the country sitting right next to the head of gov. (Also our cabinet ministers sit one foot away from each other around a massive table where the President can barely see their faces or hear what they’re saying properly😂). She doesn’t change when a new PM comes in, she stays in the job, bringing continuity and institutional memory. Her role is to advise the PM and Cabinet, coordinate across all gov departments, enforce fiscal discipline, record decisions properly, chase up actions and make sure ministers actually deliver. She also acts as a key reality check for the PM. By coordinating directly with different ministries at speed, she advises him on what is realistic and deliverable given the timeframes, without the PM having to call officials one by one every time. It’s not the politicians who know best what human resources and capacity the gov has, it’s the head of civil service. In UK’s case, Antonia, the head of civil service, has 25 years of work experience, worked in many gov ministers and abroad (gov job). In Maldives, it’s the incompetent President of Civil Service Commission who’s on a 5 year term who leads civil service. It’s so messed up. Our Cabinet Secretary (political and inexperienced) changes with every new president and the current one, Habeeb, doesn’t sit in cabinet meetings taking notes or coordinating anything. The result is scattered policies, no proper follow through and a gov that feels constantly messy and ineffective. This lack of a stable professional backbone is exactly why we struggle so much. If the highest civil servant in the country doesn’t even know what the head of gov wants, how can the civil service deliver anything meaningful and efficient? What better way is there for the head of the civil service to understand the gravity and importance of what the gov wants than by sitting right next to the head of gov in every cabinet meeting? A big administrative change and major civil service reform is needed in Maldives. The current boomer led Civil Service Commission won’t cut it.

Hassan Kurusee

14,354 görüntüleme • 1 ay önce