Загрузка видео...

Не удалось загрузить видео

На главную

Composer: Arcangelo Chen, Wolfgang Amadeus Mozart // Arranger: Arcangelo Chen "Aenigmata de larmes, de saints et d'adieux" from Nod-Krai #Genshin - #原神 Sandrone's "death" theme. Features her theme and a reference to Mozart's Piano Concerto No. 20 in D Minor, K. 466.

genshin_music's profile picture

Daily Genshin Impact Music

13,699 subscribers

37,930 просмотров • 4 месяцев назад •via X (Twitter)

ИскусствоМузыкаОбразование#Genshin#原神
LIVE

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

Composer and Arranger: Arcangelo Chen Nod-Krai BGM #Genshin - #原神 Requested Arrangement of "Magick Without Tears" that plays during Sandrone's research in the Nod-Krai AQ.
1:45

Composer and Arranger: Arcangelo Chen Nod-Krai BGM #Genshin - #原神 Requested Arrangement of "Magick Without Tears" that plays during Sandrone's research in the Nod-Krai AQ.

Daily Genshin Impact Music

11,314 просмотров • 4 месяцев назад

Composer and Arranger: Arcangelo Chen "A Sitting on a Gate" from Nod-Krai #Genshin - #原神 Sandrone's theme. The name is a reference to "Haddocks' Eyes", a song in Lewis Caroll's novel: "Through the Looking-Glass, and What Alice Found There"
1:07

Composer and Arranger: Arcangelo Chen "A Sitting on a Gate" from Nod-Krai #Genshin - #原神 Sandrone's theme. The name is a reference to "Haddocks' Eyes", a song in Lewis Caroll's novel: "Through the Looking-Glass, and What Alice Found There"

Daily Genshin Impact Music

46,115 просмотров • 6 месяцев назад

Composer and Arranger: Arcangelo Chen? Nod-Krai BGM #Genshin - #原神 Requested by awandhaway Plays around Piramida during night time.
2:07

Composer and Arranger: Arcangelo Chen? Nod-Krai BGM #Genshin - #原神 Requested by awandhaway Plays around Piramida during night time.

Daily Genshin Impact Music

14,573 просмотров • 5 месяцев назад

Composer and Arranger: Arcangelo Chen? Natlan Battle BGM #Genshin - #原神 Sacred City of Tollan's regular battle theme.
4:18

Composer and Arranger: Arcangelo Chen? Natlan Battle BGM #Genshin - #原神 Sacred City of Tollan's regular battle theme.

Daily Genshin Impact Music

21,692 просмотров • 1 год назад

Composer: Yijun Jiang, Arcangelo Chen, Yu-Peng Chen, Peijia You // Arranger: Yijun Jiang #原神 - #Genshin Requested Music that plays in version 3.3 trailer. Features "Remembrance of Akitsu", the Tatarasuna leitmotif and Faruzan's theme.
2:09

Composer: Yijun Jiang, Arcangelo Chen, Yu-Peng Chen, Peijia You // Arranger: Yijun Jiang #原神 - #Genshin Requested Music that plays in version 3.3 trailer. Features "Remembrance of Akitsu", the Tatarasuna leitmotif and Faruzan's theme.

Daily Genshin Impact Music

23,642 просмотров • 9 месяцев назад

Composer and Arranger: Arcangelo Chen Natlan BGM #原神 - #Genshin Somber arrangement of Little One's theme that plays in the heart of the Sacred Mountain.
2:24

Composer and Arranger: Arcangelo Chen Natlan BGM #原神 - #Genshin Somber arrangement of Little One's theme that plays in the heart of the Sacred Mountain.

Daily Genshin Impact Music

48,221 просмотров • 1 год назад

Composer and Arranger: Arcangelo Chen "La preuve d'une demoiselle, ou le bal de la numerologie" from Nod-Krai #Genshin - #原神 Requested Pulonia vs Rerir's theme. Enjoy the release of Outside It Is Growing Dark everybody! Cutscene tracks have been included in the album once again.
2:06

Composer and Arranger: Arcangelo Chen "La preuve d'une demoiselle, ou le bal de la numerologie" from Nod-Krai #Genshin - #原神 Requested Pulonia vs Rerir's theme. Enjoy the release of Outside It Is Growing Dark everybody! Cutscene tracks have been included in the album once again.

Daily Genshin Impact Music

45,471 просмотров • 9 месяцев назад

Composer and Arranger: Arcangelo Chen Mondstadt Battle BGM #原神 - #Genshin "The Game Before the Gate" boss theme on its second phase with male and female vocals included. Features the Hexenzirkel leitmotif.
2:52

Composer and Arranger: Arcangelo Chen Mondstadt Battle BGM #原神 - #Genshin "The Game Before the Gate" boss theme on its second phase with male and female vocals included. Features the Hexenzirkel leitmotif.

Daily Genshin Impact Music

41,392 просмотров • 1 год назад

Composer and Arranger: Deer Suo "Do tagte ez" from Nod-Krai #Genshin - #原神 Requested by lastsurpise Plays in Rerir's backstory cutscene. Prominently features his theme
4:10

Composer and Arranger: Deer Suo "Do tagte ez" from Nod-Krai #Genshin - #原神 Requested by lastsurpise Plays in Rerir's backstory cutscene. Prominently features his theme

Daily Genshin Impact Music

11,896 просмотров • 4 месяцев назад

Composer and Arranger: Arcangelo Chen "The Hour Before the Dawn" from Simulanka & "Rippling Reveries" from Natlan #Genshin - #原神 A track that used to play in the Broken Sea along with its newer piano rendition that plays throughout the Easybreezy Resort.
3:59

Composer and Arranger: Arcangelo Chen "The Hour Before the Dawn" from Simulanka & "Rippling Reveries" from Natlan #Genshin - #原神 A track that used to play in the Broken Sea along with its newer piano rendition that plays throughout the Easybreezy Resort.

Daily Genshin Impact Music

16,105 просмотров • 10 месяцев назад

Composer: Yuxi Wang, Yang Lee // Arranger: Yuxi Wang "Branches They Bore Homeward" from Nod-Krai #Genshin - #原神 Plays in the "Columbina's Rebirth" cutscene. Features Dottore's theme, Photon of Fluctuation, "Straight Through the Snowtide" and her theme.
3:16

Composer: Yuxi Wang, Yang Lee // Arranger: Yuxi Wang "Branches They Bore Homeward" from Nod-Krai #Genshin - #原神 Plays in the "Columbina's Rebirth" cutscene. Features Dottore's theme, Photon of Fluctuation, "Straight Through the Snowtide" and her theme.

Daily Genshin Impact Music

17,236 просмотров • 4 месяцев назад

Composer and Arranger: Yang Lee Nod-Krai Battle Theme: "To Light the Aeon Dark" #原神 - #Genshin Performed by the London Symphony Orchestra. Briefly features the Photon of Fluctuation leitmotif.
3:10

Composer and Arranger: Yang Lee Nod-Krai Battle Theme: "To Light the Aeon Dark" #原神 - #Genshin Performed by the London Symphony Orchestra. Briefly features the Photon of Fluctuation leitmotif.

Daily Genshin Impact Music

59,312 просмотров • 10 месяцев назад

Composer and Orchestrator: Yu-Peng Chen "Never-Ending Performance" from Liyue #Genshin - #原神 Requested by vi Childe's boss theme on it's first phase. Features the Fatui leitmotif. Yu-Peng Chen played the piano and the Tin Whistle.
3:05

Composer and Orchestrator: Yu-Peng Chen "Never-Ending Performance" from Liyue #Genshin - #原神 Requested by vi Childe's boss theme on it's first phase. Features the Fatui leitmotif. Yu-Peng Chen played the piano and the Tin Whistle.

Daily Genshin Impact Music

14,272 просмотров • 7 месяцев назад

Composer and Orchestrator: Yu-Peng Chen "What a Hopeful Voyage" from Golden Apple Archipelago #Genshin - #原神 Used to play while using the Waverider during daytime. Features the main Genshin Impact theme.
2:49

Composer and Orchestrator: Yu-Peng Chen "What a Hopeful Voyage" from Golden Apple Archipelago #Genshin - #原神 Used to play while using the Waverider during daytime. Features the main Genshin Impact theme.

Daily Genshin Impact Music

14,691 просмотров • 1 год назад

Composer: Yu-Peng Chen, Yijun Jiang // Arranger: Yijun Jiang Footprints of the Traveler: The Morn a Thousand Roses Brings #原神 - #Genshin Requested Music that plays in version 3.0 trailer. Features the main Sumeru theme and "Jolts in the Forest".
4:08

Composer: Yu-Peng Chen, Yijun Jiang // Arranger: Yijun Jiang Footprints of the Traveler: The Morn a Thousand Roses Brings #原神 - #Genshin Requested Music that plays in version 3.0 trailer. Features the main Sumeru theme and "Jolts in the Forest".

Daily Genshin Impact Music

28,033 просмотров • 1 год назад

Composer: Yu-Peng Chen, Yijun Jiang // Arranger: Yijun Jiang "Inebration of Raghs-e-Nilou" from Sumeru #Genshin - #原神 Plays during Act V of the Sumeru Archon quest in the "Jnagarbha Day" cutscene. Features the Forbidden Knowledge leitmotif and Nilou's theme.
1:47

Composer: Yu-Peng Chen, Yijun Jiang // Arranger: Yijun Jiang "Inebration of Raghs-e-Nilou" from Sumeru #Genshin - #原神 Plays during Act V of the Sumeru Archon quest in the "Jnagarbha Day" cutscene. Features the Forbidden Knowledge leitmotif and Nilou's theme.

Daily Genshin Impact Music

1,176,191 просмотров • 1 год назад

Composer and Arranger: Yang Lee "Light Shines Through Fingers as a Silver Stream" from Nod-Krai #Genshin - #原神 "Still, she lifts her wings, longing for a place to finally belong."
0:31

Composer and Arranger: Yang Lee "Light Shines Through Fingers as a Silver Stream" from Nod-Krai #Genshin - #原神 "Still, she lifts her wings, longing for a place to finally belong."

Daily Genshin Impact Music

20,731 просмотров • 6 месяцев назад

Composer and Arranger: Yang Lee "Lullaby of the New Moon (I) : Somnias a Luna" from Nod-Krai #genshin - #原神 A lullaby to the moon's little daughter, wishing her gentle dreams as she sleeps beneath its quiet light, even without a warm embrace.
2:07

Composer and Arranger: Yang Lee "Lullaby of the New Moon (I) : Somnias a Luna" from Nod-Krai #genshin - #原神 A lullaby to the moon's little daughter, wishing her gentle dreams as she sleeps beneath its quiet light, even without a warm embrace.

Daily Genshin Impact Music

12,189 просмотров • 1 месяц назад

This piece is the first movement (Molto Allegro) of Symphony No. 40 in G minor, K. 550, composed by the musical genius Wolfgang Amadeus Mozart. It is widely regarded as one of the supreme masterpieces of the Western Classical era. The Most Profound and Significant Musical Element: From the perspective of traditional cultural conservatism, the most precious aspect of this work does not reside in any single note or melodic phrase. Rather, it lies in the perfectly balanced contrast and dialogue between human aspiration and Divine order, embodied through the Sonata-Allegro form itself. The opening principal theme (from 00:02) emerges immediately in the violins, driven by a swift and urgent rhythm infused with a subtle melancholy and inner unrest, characteristic of the key of G minor. Traditional critics have often likened this passage to the voice of the human soul, laden with emotion, uncertainty, and the trials of earthly existence. The transition to the second theme begins at approximately 00:50. Here, the music undergoes a striking transformation, becoming brighter, more graceful, and serenely luminous. This change evokes the sensation of redemption—a benevolent light from a higher realm illuminating a troubled spirit and bringing it solace. Why Has This Symphony Endured as One of the Most Beloved Works in the Classical Repertoire? Its enduring appeal stems from the fact that it embodies many of the fundamental virtues traditionally associated with divinely inspired art. The Harmony of Emotion and Reason: Music of the Classical period does not permit personal emotion to overwhelm structure. Although Mozart's work conveys sorrow and introspection, it remains governed by rigorous principles of harmonic balance, rhythmic order, and exemplary symmetry of form. For traditional thinkers, such ideal order reflects the very laws of the cosmos established by Divine Providence, wherein true beauty must be inseparable from discipline, proportion, and noble restraint. The Concept of Genius as a Vessel of Divine Inspiration: Within the Western traditional understanding, Mozart did not "create" music in the modern sense of individualistic self-expression or rebellion. Rather, he was regarded as a gifted child blessed by God—indeed, Amadeus itself signifies "beloved of God." Mozart himself remarked on several occasions that entire compositions seemed to present themselves fully formed within his mind, requiring only that he commit them to paper. The extraordinary purity and apparent perfection of his music have therefore often been viewed as evidence of a soul uniquely attuned to a higher spiritual order. Transcendence Through Suffering: Symphony No. 40 was composed during a period marked by considerable financial hardship and personal loss in Mozart's life. Yet his music never descends into self-pity, despair, or bitterness. Instead, it continually seeks a path towards light and resolution. This ability to rise above adversity while preserving dignity, nobility, and spiritual elevation is a quality that traditional cultural elites have long admired and revered. In Summary: Traditional Western audiences cherish this symphony because they perceive within it an exemplary path for human life: regardless of the hardships and uncertainties encountered in the mortal world, those who remain faithful to moral principles, noble standards, and a higher order of being will never lose their connection to the Divine source from which true beauty, harmony, and protection ultimately flow.
2:52

This piece is the first movement (Molto Allegro) of Symphony No. 40 in G minor, K. 550, composed by the musical genius Wolfgang Amadeus Mozart. It is widely regarded as one of the supreme masterpieces of the Western Classical era. The Most Profound and Significant Musical Element: From the perspective of traditional cultural conservatism, the most precious aspect of this work does not reside in any single note or melodic phrase. Rather, it lies in the perfectly balanced contrast and dialogue between human aspiration and Divine order, embodied through the Sonata-Allegro form itself. The opening principal theme (from 00:02) emerges immediately in the violins, driven by a swift and urgent rhythm infused with a subtle melancholy and inner unrest, characteristic of the key of G minor. Traditional critics have often likened this passage to the voice of the human soul, laden with emotion, uncertainty, and the trials of earthly existence. The transition to the second theme begins at approximately 00:50. Here, the music undergoes a striking transformation, becoming brighter, more graceful, and serenely luminous. This change evokes the sensation of redemption—a benevolent light from a higher realm illuminating a troubled spirit and bringing it solace. Why Has This Symphony Endured as One of the Most Beloved Works in the Classical Repertoire? Its enduring appeal stems from the fact that it embodies many of the fundamental virtues traditionally associated with divinely inspired art. The Harmony of Emotion and Reason: Music of the Classical period does not permit personal emotion to overwhelm structure. Although Mozart's work conveys sorrow and introspection, it remains governed by rigorous principles of harmonic balance, rhythmic order, and exemplary symmetry of form. For traditional thinkers, such ideal order reflects the very laws of the cosmos established by Divine Providence, wherein true beauty must be inseparable from discipline, proportion, and noble restraint. The Concept of Genius as a Vessel of Divine Inspiration: Within the Western traditional understanding, Mozart did not "create" music in the modern sense of individualistic self-expression or rebellion. Rather, he was regarded as a gifted child blessed by God—indeed, Amadeus itself signifies "beloved of God." Mozart himself remarked on several occasions that entire compositions seemed to present themselves fully formed within his mind, requiring only that he commit them to paper. The extraordinary purity and apparent perfection of his music have therefore often been viewed as evidence of a soul uniquely attuned to a higher spiritual order. Transcendence Through Suffering: Symphony No. 40 was composed during a period marked by considerable financial hardship and personal loss in Mozart's life. Yet his music never descends into self-pity, despair, or bitterness. Instead, it continually seeks a path towards light and resolution. This ability to rise above adversity while preserving dignity, nobility, and spiritual elevation is a quality that traditional cultural elites have long admired and revered. In Summary: Traditional Western audiences cherish this symphony because they perceive within it an exemplary path for human life: regardless of the hardships and uncertainties encountered in the mortal world, those who remain faithful to moral principles, noble standards, and a higher order of being will never lose their connection to the Divine source from which true beauty, harmony, and protection ultimately flow.

𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀

13,217 просмотров • 22 дней назад