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Compressed Nostalgia is a small series that begins with an abstract landscape and continuously applies layers of compression, reshaping the image into a shifting echo of its original form. The visual never settles, drifting further from clarity while still holding traces of where it started. The work reflects a...

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rudxane

10,399 subscribers

10,921 Aufrufe • vor 5 Monaten •via X (Twitter)

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17 Kommentare

Profilbild von rudxane
rudxanevor 5 Monaten

Minting will open at 8pm CEST on

Profilbild von Stephen / Imperfect Line
Stephen / Imperfect Linevor 5 Monaten

damn these are cool! wanted one!

Profilbild von ygg
yggvor 5 Monaten

epic how many projects can one person ship lfgggg

Profilbild von rudxane
rudxanevor 5 Monaten

apparently you can just do things!

Profilbild von alejandro cartagena
alejandro cartagenavor 5 Monaten

This is spectacular work! Congrats

Profilbild von rudxane
rudxanevor 5 Monaten

🕺 thanks!

Profilbild von tarp cigarette
tarp cigarettevor 5 Monaten

nice one

Profilbild von Figure31
Figure31vor 5 Monaten

Lovely. It's somehow soothing.

Profilbild von Mannay 🌹
Mannay 🌹vor 5 Monaten

Banger drop mate, finally something to click on the TL 🤌

Profilbild von Anna / ArtMonochrome2
Anna / ArtMonochrome2vor 5 Monaten

Will there be another series soon?

Profilbild von rudxane
rudxanevor 5 Monaten

No plans atm, but if things align at some point in the short future; who knows. Enjoyed this format of small and self-released, so could be :)

Profilbild von Chepertom
Chepertomvor 4 Monaten

Awesome series Rudxane! made me think about this work that's one of my favorite music when it comes to nostalgia

Profilbild von rudxane
rudxanevor 4 Monaten

thank you! can def feel the vibes in the music, thanks for sharing

Profilbild von Maning
Maningvor 5 Monaten

Oh! Too late, but glad they went to good hands, congrats!

Profilbild von rudxane
rudxanevor 5 Monaten

Win it all back on the auction 🕺

Profilbild von Maning
Maningvor 5 Monaten

yep, had so much luck with the auction!

Profilbild von Unruly Unroll
Unruly Unrollvor 5 Monaten

🤩

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David Gilmour Plays “Wish You Were Here” Like a Man Who Has Lived Long Enough to Understand It There is a point in David Gilmour’s unplugged performance of “Wish You Were Here” when the song stops feeling like a piece of rock history and starts feeling strangely personal. The melody is familiar enough to belong to everyone now, but Gilmour plays it with none of the distance that usually comes with a classic being performed decades after its release. There is no attempt to recreate the scale of Pink Floyd or to turn the song into a grand retrospective. He simply sits with the guitar and lets the music occupy the room. That simplicity changes the way the song lands. When “Wish You Were Here” was released in 1975, its sense of absence was closely connected to Syd Barrett and to the growing distance between the person he had been and the band that had moved on without him. The song was written in a very specific moment, but its emotional reach turned out to be much wider. Almost anyone can hear something of their own life in the idea of looking at someone or something that is no longer within reach. The original recording even builds that feeling of distance into its opening. Gilmour’s guitar appears to come through the sound of a radio before the fuller acoustic guitar enters, creating the impression that the music is arriving from somewhere else. In the unplugged performance, that barrier is largely removed. The guitar is no longer coming through a radio or surrounded by the elaborate atmosphere of a Pink Floyd production. It is right there, close and unprotected, which makes the words feel less like part of a famous recording and more like something being remembered in real time. Gilmour’s restraint is important here. He does not need to prove that he can still play the song. The phrasing does the work. Notes are allowed to hang in the air, while the small pauses between them give the melody room to breathe. His voice carries the effects of time rather than trying to hide them, and that may be the most affecting part of the performance. The song has aged because the person singing it has aged, and the years between the original recording and this performance are suddenly part of what we hear. That gives “Wish You Were Here” another meaning. The song is still about absence, but absence changes as we grow older. It can mean a friend who disappeared from your life, a place that no longer exists, a relationship that could not survive, or simply a version of yourself that you can remember but never return to. Gilmour does not have to explain any of that. His age, his voice and the stripped-down arrangement allow the listener to bring those memories into the song. Perhaps that is why this performance feels more moving than a faithful recreation of the original ever could. Gilmour is not trying to take the listener back to 1975. He is showing what happens when a song survives for decades and gathers new meaning along the way. The melody remains almost exactly where we left it, but the person hearing it is no longer the same. And that may be the quiet power of “Wish You Were Here”: the song has stayed still long enough for all of us to change around it.

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(Fan) One Punch Man

239,457 Aufrufe • vor 10 Monaten

#ลีน่าหมิว #LenaMiu 🦋: I feel it’s an episode that should be watched the most. 🧸: it shows the cuteness of Parn and Pheem, where they fell in love, the start of the sparks, and the start of the feeling of ‘hey, I really like this woman’ and ‘hey, you really like this woman’. 🦋: and the important thing is that you get to see the trauma for both of the characters from their personal lives. Like why do both of the characters think this way and what’s the trauma. There’s a backstory to the characters, which will give it more weight/depth in the later episodes. 🦋: we’re very happy that everyone/fans want to come and watch us in the first ep. We also wanted everyone to come and watch with us on the big screen. 🧸: yes, we’re very happy to see the fans. The last time was our first time, so we were nervous (excited nervous) and it was a bit scary. But since this one is now our second series together, I feel like it’s going to be more fun because we now know what it’s like to watch it with the fans – it’s like being at a boxing match and cheering. And for this series, P’Lena also said that it’s going to feel more like we’re cheering at a boxing match than the last series. 🦋: to be real with you, it’s gonna make you shy/blush because the scenes in the series are like…give you goosebumps and especially having to watch it on the big screen, it makes the viewers feel it more. It really hits different. 🧸: just with this small screen, we’re screaming our heads off in the room, and just imagine how many inches the screen is that we’re going to watch it on!
1:18

#ลีน่าหมิว #LenaMiu 🦋: I feel it’s an episode that should be watched the most. 🧸: it shows the cuteness of Parn and Pheem, where they fell in love, the start of the sparks, and the start of the feeling of ‘hey, I really like this woman’ and ‘hey, you really like this woman’. 🦋: and the important thing is that you get to see the trauma for both of the characters from their personal lives. Like why do both of the characters think this way and what’s the trauma. There’s a backstory to the characters, which will give it more weight/depth in the later episodes. 🦋: we’re very happy that everyone/fans want to come and watch us in the first ep. We also wanted everyone to come and watch with us on the big screen. 🧸: yes, we’re very happy to see the fans. The last time was our first time, so we were nervous (excited nervous) and it was a bit scary. But since this one is now our second series together, I feel like it’s going to be more fun because we now know what it’s like to watch it with the fans – it’s like being at a boxing match and cheering. And for this series, P’Lena also said that it’s going to feel more like we’re cheering at a boxing match than the last series. 🦋: to be real with you, it’s gonna make you shy/blush because the scenes in the series are like…give you goosebumps and especially having to watch it on the big screen, it makes the viewers feel it more. It really hits different. 🧸: just with this small screen, we’re screaming our heads off in the room, and just imagine how many inches the screen is that we’re going to watch it on!

ᵖˡˢShez.

40,651 Aufrufe • vor 21 Tagen

You can now watch any AI paper instead of reading it There's a new site called arXivisual that turns ANY arXiv paper into a fully animated breakdown for free. Just add "isual" to the link becomes Paste it and an agent pipeline breaks the paper into sections, finds the concepts worth animating, writes Manim code for each one, and narrates it with voice You scroll, the narration plays, and each animation sits right next to the paragraph it explains Tried it on the original Transformers paper. Attention finally made sense to me in a way 10 blog posts never did, and it's open source. Four college kids built it at a hackathon Here's what I'd do if I were you: 1. Pick the one paper you've been avoiding 2. Change the link and paste it in 3. Scroll through it on your phone with headphones in 4. Ask your AI to explain the one section you still don't get You'll learn more in 20 minutes than a whole weekend of pretending to read PDFs This is how you read research in 2026
0:34

You can now watch any AI paper instead of reading it There's a new site called arXivisual that turns ANY arXiv paper into a fully animated breakdown for free. Just add "isual" to the link becomes Paste it and an agent pipeline breaks the paper into sections, finds the concepts worth animating, writes Manim code for each one, and narrates it with voice You scroll, the narration plays, and each animation sits right next to the paragraph it explains Tried it on the original Transformers paper. Attention finally made sense to me in a way 10 blog posts never did, and it's open source. Four college kids built it at a hackathon Here's what I'd do if I were you: 1. Pick the one paper you've been avoiding 2. Change the link and paste it in 3. Scroll through it on your phone with headphones in 4. Ask your AI to explain the one section you still don't get You'll learn more in 20 minutes than a whole weekend of pretending to read PDFs This is how you read research in 2026

Hasan Toor

121,712 Aufrufe • vor 13 Tagen

Vintage Editions - a brief history and what’s next. In 2023 I released my first 3 editions on eth. My goal was to create a collection of quality vintage animations, on par with my 1/1 artworks. The reception blew me away, over 4,000 folks registered for two artworks with a total of 175 editions. In 2025 I set a goal to go all in and released 5 more editions throughout the year. Bringing the collection to 340 editions via 8 artworks with a total of 168 holders. Each work in this series can take two weeks and even a month to create as I obsesses on each pixel. I’m very proud of how it turned out. My plan is being consistent and adding to the collection yearly, with enough love and time it will become an epic collection of animated vintage loops. Nothing quite like it in our space. At the beginning of the year I set out to make as much work as I can physically can in 2026. I find that healing. keeping my mind busy while dealing with grief. My notebook is of full of ideas and sketches and once again I’m going all in. Excited to see how this collection shapes up in 2026 along with the new distortions series. This week we kick off this year's Vintage Editions next chapter adding two new pieces and one more via a burn in July. The first piece “Mob Mentality” is a special edition of 7 for select top collectors of mine. Minting tomorrow. The second piece is “Hell of a Time”. A bigger edition that includes a free burn in July. aimed to bring more folks into the series. Minting Wednesday. Full details tomorrow. Thanks for reading! Hope to have you on this journey with me.🖤
0:44

Vintage Editions - a brief history and what’s next. In 2023 I released my first 3 editions on eth. My goal was to create a collection of quality vintage animations, on par with my 1/1 artworks. The reception blew me away, over 4,000 folks registered for two artworks with a total of 175 editions. In 2025 I set a goal to go all in and released 5 more editions throughout the year. Bringing the collection to 340 editions via 8 artworks with a total of 168 holders. Each work in this series can take two weeks and even a month to create as I obsesses on each pixel. I’m very proud of how it turned out. My plan is being consistent and adding to the collection yearly, with enough love and time it will become an epic collection of animated vintage loops. Nothing quite like it in our space. At the beginning of the year I set out to make as much work as I can physically can in 2026. I find that healing. keeping my mind busy while dealing with grief. My notebook is of full of ideas and sketches and once again I’m going all in. Excited to see how this collection shapes up in 2026 along with the new distortions series. This week we kick off this year's Vintage Editions next chapter adding two new pieces and one more via a burn in July. The first piece “Mob Mentality” is a special edition of 7 for select top collectors of mine. Minting tomorrow. The second piece is “Hell of a Time”. A bigger edition that includes a free burn in July. aimed to bring more folks into the series. Minting Wednesday. Full details tomorrow. Thanks for reading! Hope to have you on this journey with me.🖤

Tony Babel

66,394 Aufrufe • vor 3 Monaten

Watch J.R.R. Tolkien’s 1962 interview about The Lord of the Rings. If Tolkien were alive to respond, his answer would likely sound something like this: "I never set out to write a treatise on medieval governance or the practical burdens of kingship. My work is a mythology an exploration of moral truth, not political mechanics. Aragorn is not meant to be a bureaucrat but an archetype: the just king of legend, much like Arthur. Myth is concerned with the heart of a ruler, not the tax policies of his court. The question of governance in the modern sense belongs to another kind of story one that I entirely respect, but did not seek to write. Real history is indeed complicated, but myth speaks to deeper, older truths. Power in my world is already perilous; no one may wield it without cost. Even the wise refuse the Ring, for good intentions alone are never sufficient. In that sense, my work hardly denies the burden of rule it only treats it in a different language. As for the orcs: they are not a people I delight in destroying. Their existence is a tragedy, a corruption of something that was once good. No just king would slaughter the innocent, for even in the darkest creatures there remains a spark of the original creation. Mercy is not weakness; it is the highest form of strength. You ask questions proper to politics. I ask questions proper to myth. Both have their place, but they need not answer each other in the same terms.
6:27

Watch J.R.R. Tolkien’s 1962 interview about The Lord of the Rings. If Tolkien were alive to respond, his answer would likely sound something like this: "I never set out to write a treatise on medieval governance or the practical burdens of kingship. My work is a mythology an exploration of moral truth, not political mechanics. Aragorn is not meant to be a bureaucrat but an archetype: the just king of legend, much like Arthur. Myth is concerned with the heart of a ruler, not the tax policies of his court. The question of governance in the modern sense belongs to another kind of story one that I entirely respect, but did not seek to write. Real history is indeed complicated, but myth speaks to deeper, older truths. Power in my world is already perilous; no one may wield it without cost. Even the wise refuse the Ring, for good intentions alone are never sufficient. In that sense, my work hardly denies the burden of rule it only treats it in a different language. As for the orcs: they are not a people I delight in destroying. Their existence is a tragedy, a corruption of something that was once good. No just king would slaughter the innocent, for even in the darkest creatures there remains a spark of the original creation. Mercy is not weakness; it is the highest form of strength. You ask questions proper to politics. I ask questions proper to myth. Both have their place, but they need not answer each other in the same terms.

LOTR Universe

169,670 Aufrufe • vor 5 Monaten