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Conceptually Thinking Basketball Conceptually Thinking an Impactful Career Through Shooting and Leadership Taylor McCabe Iowa Women's Basketball Taylor McCabe (Iowa | Big Ten | 5’9” Guard | No. 2) This is a salute. Taylor McCabe’s season may be cut short, but her imprint on Iowa women’s basketball is already...

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Derrick Beechum

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24,722 görüntüleme • 5 ay önce •via X (Twitter)

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Territorial Leakage: The Structural Cost of Losing In-State Elite Talent OWU: Institutional Intelligence Brief Conceptually Thinking Basketball Does Iowa Iowa Women's Basketball know it has a problem? That question is not emotional. It is structural. Katie Muller Phenom Basketball Dowling Catholic GBB Katie Muller is not simply an interesting prospect. She is structurally important. She represents a leverage point inside a broader pattern that now spans multiple recruiting cycles. When a flagship program consistently loses its most decorated in-state prospects, the issue is no longer anecdotal. It becomes architectural. Institutional basketball intelligence begins with a basic principle: sustainable programs dominate their geography first. The state is the primary ecosystem. The region is the defensive perimeter. National expansion is built on top of territorial density. When elite in-state players leave, the signal transmitted to younger prospects is measurable: validation exists elsewhere. The résumé trail is public. The 2026 class featured McDonald’s All-American Jenica Lewis and nationally ranked Averie Lower, slotted No. 55 in the country. The 2025 cycle included Top-15 ranked Divine Bourrage and No. 43 ranked Libby Fandel, the reigning Miss Iowa Basketball. The 2023 class produced McDonald’s All-American Sahara Williams and elite post Audi Crooks, another Miss Iowa Basketball whose production translated immediately at the collegiate level. These are not fringe prospects. These are nationally validated, award-bearing players with institutional signal value. McDonald’s All-American status is national confirmation. Miss Iowa Basketball is in-state dominance. Top-15 and Top-50 rankings represent market consensus. When that tier exits repeatedly, the cumulative effect is recruiting gravity erosion. Elite in-state prospects function as identity anchors. Their commitments define aspiration pathways for younger classes. Club circuits adjust exposure networks. Competing Power programs use those exits as proof that Iowa’s top talent is accessible. If the pattern continues unchecked, it becomes self-reinforcing. That is the unsustainable element. A recruitment profile built on external acquisition while exporting internally developed, nationally decorated talent introduces volatility. It weakens territorial authority. It increases dependency on national battles that carry higher friction and lower predictability. Meanwhile, regional competitors fortify themselves with Iowa-developed equity. Programs that win consistently at the highest level follow a predictable order of operations: dominate your state, fortify your region, expand nationally from strength. Inversion of that sequence creates cyclical instability. Katie Muller now sits at an inflection point. Her recruitment is not just about fit, role, or projection. It is a referendum on ecosystem control. Retaining a prospect of her caliber signals correction. Losing another elite in-state profile compounds perception. The central thesis remains unavoidable: territorial leakage is cumulative. The more decorated talent that exits — Lewis, Lower, Bourrage, Fandel, Williams, Crooks — the more the structural question sharpens. Does Iowa recognize the pattern? And more importantly, does it intend to correct it? Recruiting is not about collecting names. It is about controlling geography. Ecosystems begin at home. #OWUEvalDay #ConceptuallyThinking #BuiltDifferent #PlayerTrustNetwork #ScoutingTruths [Jeremy Brooks ] [NXTPRO Hoops Girls] [Jr. All-Star Girls Basketball] [] [Premier Recruiting Service girls basketball [World Exposure Report Women’s Basketball] [Blake Derrick] [Winston Kelly] [Sidney A. Johnson, Ph.D.] [Chuck Thompson] [OWU: Talent Projection ][Prep Girls Hoops Iowa ] [Iowa Jr. All-Star GBB ] Iowa High School Girls Basketball 2025-26 Iowa Print Sports Writers Association
1:02

Territorial Leakage: The Structural Cost of Losing In-State Elite Talent OWU: Institutional Intelligence Brief Conceptually Thinking Basketball Does Iowa Iowa Women's Basketball know it has a problem? That question is not emotional. It is structural. Katie Muller Phenom Basketball Dowling Catholic GBB Katie Muller is not simply an interesting prospect. She is structurally important. She represents a leverage point inside a broader pattern that now spans multiple recruiting cycles. When a flagship program consistently loses its most decorated in-state prospects, the issue is no longer anecdotal. It becomes architectural. Institutional basketball intelligence begins with a basic principle: sustainable programs dominate their geography first. The state is the primary ecosystem. The region is the defensive perimeter. National expansion is built on top of territorial density. When elite in-state players leave, the signal transmitted to younger prospects is measurable: validation exists elsewhere. The résumé trail is public. The 2026 class featured McDonald’s All-American Jenica Lewis and nationally ranked Averie Lower, slotted No. 55 in the country. The 2025 cycle included Top-15 ranked Divine Bourrage and No. 43 ranked Libby Fandel, the reigning Miss Iowa Basketball. The 2023 class produced McDonald’s All-American Sahara Williams and elite post Audi Crooks, another Miss Iowa Basketball whose production translated immediately at the collegiate level. These are not fringe prospects. These are nationally validated, award-bearing players with institutional signal value. McDonald’s All-American status is national confirmation. Miss Iowa Basketball is in-state dominance. Top-15 and Top-50 rankings represent market consensus. When that tier exits repeatedly, the cumulative effect is recruiting gravity erosion. Elite in-state prospects function as identity anchors. Their commitments define aspiration pathways for younger classes. Club circuits adjust exposure networks. Competing Power programs use those exits as proof that Iowa’s top talent is accessible. If the pattern continues unchecked, it becomes self-reinforcing. That is the unsustainable element. A recruitment profile built on external acquisition while exporting internally developed, nationally decorated talent introduces volatility. It weakens territorial authority. It increases dependency on national battles that carry higher friction and lower predictability. Meanwhile, regional competitors fortify themselves with Iowa-developed equity. Programs that win consistently at the highest level follow a predictable order of operations: dominate your state, fortify your region, expand nationally from strength. Inversion of that sequence creates cyclical instability. Katie Muller now sits at an inflection point. Her recruitment is not just about fit, role, or projection. It is a referendum on ecosystem control. Retaining a prospect of her caliber signals correction. Losing another elite in-state profile compounds perception. The central thesis remains unavoidable: territorial leakage is cumulative. The more decorated talent that exits — Lewis, Lower, Bourrage, Fandel, Williams, Crooks — the more the structural question sharpens. Does Iowa recognize the pattern? And more importantly, does it intend to correct it? Recruiting is not about collecting names. It is about controlling geography. Ecosystems begin at home. #OWUEvalDay #ConceptuallyThinking #BuiltDifferent #PlayerTrustNetwork #ScoutingTruths [Jeremy Brooks ] [NXTPRO Hoops Girls] [Jr. All-Star Girls Basketball] [] [Premier Recruiting Service girls basketball [World Exposure Report Women’s Basketball] [Blake Derrick] [Winston Kelly] [Sidney A. Johnson, Ph.D.] [Chuck Thompson] [OWU: Talent Projection ][Prep Girls Hoops Iowa ] [Iowa Jr. All-Star GBB ] Iowa High School Girls Basketball 2025-26 Iowa Print Sports Writers Association

Derrick Beechum

15,431 görüntüleme • 4 ay önce

CONCEPTUALLY THINKING BASKETBALL: PHS Girls Basketball All Iowa Attack Girls Addison Bjorn 5⭐️ TOP-10 ADDISON BJORN (2026) - PARK HILL SOUTH HS (MISSOURI) 6’2” Shooting Guard/Wing | All Iowa Attack EYBL Elite Five-Star Two-Way Wing with Systematic Defensive Excellence Addison Bjorn’s recruitment represents the convergence of elite physical tools and systematic basketball preparation. Her top-10 national ranking isn’t inflated recruiting hype—it’s validated through production against EYBL competition and backed by defensive event creation that translates directly to collegiate winning. What separates Bjorn from measurement-based prospects is her 5.9 combined stocks per game, signaling anticipation and competitive engagement that predicts long-term success better than any combine metric. PRODUCTION ANALYSIS: Volume Scoring with Defensive Impact Bjorn’s 22.1 points per game demonstrates scoring capability, but smart programs focus on the efficiency behind the volume. The 11.5 rebounds from the wing position indicates relentless pursuit and positioning discipline. Her 3.4 assists reveal court awareness beyond her primary scoring role. The critical indicators: 3.4 steals and 2.5 blocks per game create a defensive event creation rate that places her in elite company nationally. DEFENSIVE DISRUPTION: Elite Event Creation and Versatility This defensive versatility allows coaching staffs to deploy her across multiple positions and defensive schemes. She can guard primary ball handlers on the perimeter while providing weakside rim protection. Programs building switch-heavy defensive systems value this positional flexibility as force multipliers for defensive efficiency. RECRUITMENT MARKET ANALYSIS: Blue Blood Validation Her finalist list—Iowa, UConn, Notre Dame, North Carolina, Duke, Texas, Kansas—represents systematic validation from elite program infrastructure. These coaching staffs don’t chase recruiting rankings. They identify prospects whose skill sets translate to their defensive systems and offensive philosophies. COMPETITIVE INFRASTRUCTURE: All Iowa Attack EYBL Development Bjorn’s production within this competitive environment validates her ability to compete at the highest levels. The program’s EYBL standing ensures exposure to diverse defensive schemes and top-tier athletic profiles. PHYSICAL PROJECTION: Collegiate-Ready Frame with Continued Development At 6’2”, Bjorn possesses ideal wing size for modern basketball systems. Her length allows her to contest shots without leaving her feet while her frame suggests continued strength development through collegiate training programs. The rebounding and shot-blocking production indicate she already uses her physical tools effectively rather than relying on unrealized potential. SYSTEM FIT EVALUATION: Versatile Across Multiple Philosophies Bjorn’s skill set translates across tempo-based and half-court systems. Her defensive versatility allows deployment in switch-everything schemes or traditional defensive structures. Offensively, she functions as a primary scoring option or complementary wing depending on program needs. THE Derrick Beechum VERDICT Addison Bjorn represents legitimate five-star value backed by systematic preparation and competitive validation. Her top-10 national ranking isn’t recruiting service inflation—it’s earned through elite defensive production and versatile offensive capability. The finalist list reflects smart program evaluation of her translatable skills rather than hype-based recruitment. @ARCSportsPerf Ryan Deppen Grind House Basketball #OWUEvalDay #ConceptuallyThinking [Jeremy Brooks ] [NXTPRO Hoops Girls] [Jr. All-Star Girls Basketball] [] [Premier Recruiting Service girls basketball [World Exposure Report Women’s Basketball] [Blake Derrick] [Winston Kelly] [Sidney A. Johnson, Ph.D.] [Chuck Thompson] [OWU: Talent Projection ] [Prep Girls Hoops Missouri ] [Iowa Jr. All-Star GBB ] 🎥Courtside Films
0:22

CONCEPTUALLY THINKING BASKETBALL: PHS Girls Basketball All Iowa Attack Girls Addison Bjorn 5⭐️ TOP-10 ADDISON BJORN (2026) - PARK HILL SOUTH HS (MISSOURI) 6’2” Shooting Guard/Wing | All Iowa Attack EYBL Elite Five-Star Two-Way Wing with Systematic Defensive Excellence Addison Bjorn’s recruitment represents the convergence of elite physical tools and systematic basketball preparation. Her top-10 national ranking isn’t inflated recruiting hype—it’s validated through production against EYBL competition and backed by defensive event creation that translates directly to collegiate winning. What separates Bjorn from measurement-based prospects is her 5.9 combined stocks per game, signaling anticipation and competitive engagement that predicts long-term success better than any combine metric. PRODUCTION ANALYSIS: Volume Scoring with Defensive Impact Bjorn’s 22.1 points per game demonstrates scoring capability, but smart programs focus on the efficiency behind the volume. The 11.5 rebounds from the wing position indicates relentless pursuit and positioning discipline. Her 3.4 assists reveal court awareness beyond her primary scoring role. The critical indicators: 3.4 steals and 2.5 blocks per game create a defensive event creation rate that places her in elite company nationally. DEFENSIVE DISRUPTION: Elite Event Creation and Versatility This defensive versatility allows coaching staffs to deploy her across multiple positions and defensive schemes. She can guard primary ball handlers on the perimeter while providing weakside rim protection. Programs building switch-heavy defensive systems value this positional flexibility as force multipliers for defensive efficiency. RECRUITMENT MARKET ANALYSIS: Blue Blood Validation Her finalist list—Iowa, UConn, Notre Dame, North Carolina, Duke, Texas, Kansas—represents systematic validation from elite program infrastructure. These coaching staffs don’t chase recruiting rankings. They identify prospects whose skill sets translate to their defensive systems and offensive philosophies. COMPETITIVE INFRASTRUCTURE: All Iowa Attack EYBL Development Bjorn’s production within this competitive environment validates her ability to compete at the highest levels. The program’s EYBL standing ensures exposure to diverse defensive schemes and top-tier athletic profiles. PHYSICAL PROJECTION: Collegiate-Ready Frame with Continued Development At 6’2”, Bjorn possesses ideal wing size for modern basketball systems. Her length allows her to contest shots without leaving her feet while her frame suggests continued strength development through collegiate training programs. The rebounding and shot-blocking production indicate she already uses her physical tools effectively rather than relying on unrealized potential. SYSTEM FIT EVALUATION: Versatile Across Multiple Philosophies Bjorn’s skill set translates across tempo-based and half-court systems. Her defensive versatility allows deployment in switch-everything schemes or traditional defensive structures. Offensively, she functions as a primary scoring option or complementary wing depending on program needs. THE Derrick Beechum VERDICT Addison Bjorn represents legitimate five-star value backed by systematic preparation and competitive validation. Her top-10 national ranking isn’t recruiting service inflation—it’s earned through elite defensive production and versatile offensive capability. The finalist list reflects smart program evaluation of her translatable skills rather than hype-based recruitment. @ARCSportsPerf Ryan Deppen Grind House Basketball #OWUEvalDay #ConceptuallyThinking [Jeremy Brooks ] [NXTPRO Hoops Girls] [Jr. All-Star Girls Basketball] [] [Premier Recruiting Service girls basketball [World Exposure Report Women’s Basketball] [Blake Derrick] [Winston Kelly] [Sidney A. Johnson, Ph.D.] [Chuck Thompson] [OWU: Talent Projection ] [Prep Girls Hoops Missouri ] [Iowa Jr. All-Star GBB ] 🎥Courtside Films

Derrick Beechum

36,826 görüntüleme • 9 ay önce

I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı
0:12

I genuinely cannot understand how someone can watch this story and still stand there, looking at two women, and somehow decide that the wrong one is the victim. On one side, you have a girl (Yıldız) who has been mistreated her entire life. Since the moment she was born, she was treated like a sacrifice for a conflict she was never even part of and later we find out that this conflict never even existed. Her right to study was taken from her. She was pushed into a marriage at a very young age just imagine being six, seven, eight years old, living in fear of being tied to someone you don’t even know. She was treated like a servant in her own home, by the very people she thought were her family. And just when she gets close to the happiness she dreamed of, the man she was engaged to shows up with another wife. She gets mistreated by that wife, by his family, and even (unintentionally) by him, because he was trying to run away from his own feelings, and that only caused her more heartbreak. The whole world was literally against her. She fought through all of that, only to find out in the end that everything she suffered for was based on something that wasn’t even real. Her entire life was built on a lie. That she isn’t even part of that family that she has literally no one in this world. Now on the other side… You have a girl (Melek) who, yes, was taken from her biological mother but she was raised by loving parents. She had everything anyone could wish for: education, freedom, a happy childhood, a healthy environment. She lived her life, fell in love, went out, made choices and no one questioned her, no one controlled her. And then what did she do? She found out that her man was engaged to another woman before marrying her (and even saw him marry her) and instead of holding on to her dignity, she chose to stay, to fight for a man who lied to her, to hold onto a marriage he tried to end multiple times. She used her unborn child to keep him tied to her. She lied constantly, and her excuse was that she was “protecting her marriage” a marriage that was already broken from the moment Serhat removed that ring at the airport in episode one. She tried to hand Yıldız (a woman who had already suffered enough) over to dangerous people. Then she found out the truth about her own birth (that her father ra*ped her mother.)And still no empathy. No moment of humanity toward her own mother. All she cared about was herself. And even though none of this had anything to do with Yıldız, she still found a way to blame it on her. Instead of holding her father accountable, she went and made a deal with him to get rid of Yıldız. She literally made a deal with the devil just to hurt Yıldız one more time. And after all of that… you want me to feel sorry for her? You want me to call her a victim? I honestly cannot believe we are living on the same planet with people who see this and still say, “she’s the victim.” Not morally. Not logically. Not emotionally. There is no world where this makes sense. It’s like watching someone clearly cause harm, and still calling them the victim and actually BELIEVING it. #HalefKöklerinÇağrısı

Maurora🫦

10,530 görüntüleme • 3 ay önce

🚨 BREAKING NEWS 🚨 Her Name was Virginia Giuffre. ☠️ and Now She is DEAD. But her death is not the end of a tragedy; it is the beginning of a revelation that cannot be silenced, buried, or redacted. Because her life, her testimony, and her murder are part of a pattern that spans continents, generations, and empires. She was one of the very few to survive the machinery of ritualized child rape, not because she was lucky, but because she remembered and in this world, remembrance is the most dangerous thing of all. She remembered the men who used her, the hands that drugged her, the rooms that swallowed her innocence, and the names that no court would allow her to speak. She remembered the faces of power not as icons… but as violators. She saw presidents, princes, scientists, bankers, religious leaders, and intelligence agents not as symbols of order, but as predators in suits. She was one of the only ones who made it out alive… and dared to speak without a script. And now, she is gone. Not by suicide. Not by accident. But by orchestration. And her final words confirm it. “I am making it publicly known that in no way, shape or form am I suicidal. Do not let this go away. Too many evil people want to see me quieted.” That was her death pre-confession. A direct indictment of the system she knew would kill her. She gave the world one last lifeline to truth. And still, the silence deafens. The media buried it. The governments ignored it. And the people turned away… because to look into the eyes of her truth is to confront a world so broken, so backwards, and so drenched in hidden blood that denial feels safer than courage. But that era ends now. Because this story… her story; is not unique. It is the keystone of everything that’s been hidden. Virginia Giuffre was not trafficked by a random billionaire. She was trafficked by a networked empire designed to control the direction of the world through the systematic destruction of children. Her abusers were not just powerful… they were protected. Epstein and Maxwell were not lone wolves. They were the face of a global blackmail syndicate that operated through Mossad, CIA, and MI6… with diplomatic immunity, state funding, and access to every high value target on Earth. Children were not just abused… they were filmed. They were catalogued. Their trauma was encrypted into dossiers used to compromise, blackmail, and ultimately own the decisions of presidents, prime ministers, military chiefs, judges, entertainers, CEOs, and spiritual leaders. It was a system. A living organism. Designed to extract power by destroying purity. Epstein’s island was not a playground. It was a ritual site. Cameras in every room. Soundproof bunkers. Flight logs full of world leaders and household names. A sacrificial architecture masked as luxury. And behind it… binders of footage, lists of fetishes, psychological profiles, and AI-enhanced metadata to ensure that every participant could be broken on command. Maxwell wasn’t his assistant. She was a high level handler trained in psychological warfare and ritual abuse. Her father… Robert Maxwell;was Mossad. Epstein’s wealth? Synthetic. His ties to intelligence? Deep. His files? Still sealed. And the reason they remain sealed is simple… they prove that every nation, every system, every elite tier of global control is built on the trauma of children who were never meant to live long enough to speak. Virginia did. And so she died. Continued in Comments Below👇
3:35

🚨 BREAKING NEWS 🚨 Her Name was Virginia Giuffre. ☠️ and Now She is DEAD. But her death is not the end of a tragedy; it is the beginning of a revelation that cannot be silenced, buried, or redacted. Because her life, her testimony, and her murder are part of a pattern that spans continents, generations, and empires. She was one of the very few to survive the machinery of ritualized child rape, not because she was lucky, but because she remembered and in this world, remembrance is the most dangerous thing of all. She remembered the men who used her, the hands that drugged her, the rooms that swallowed her innocence, and the names that no court would allow her to speak. She remembered the faces of power not as icons… but as violators. She saw presidents, princes, scientists, bankers, religious leaders, and intelligence agents not as symbols of order, but as predators in suits. She was one of the only ones who made it out alive… and dared to speak without a script. And now, she is gone. Not by suicide. Not by accident. But by orchestration. And her final words confirm it. “I am making it publicly known that in no way, shape or form am I suicidal. Do not let this go away. Too many evil people want to see me quieted.” That was her death pre-confession. A direct indictment of the system she knew would kill her. She gave the world one last lifeline to truth. And still, the silence deafens. The media buried it. The governments ignored it. And the people turned away… because to look into the eyes of her truth is to confront a world so broken, so backwards, and so drenched in hidden blood that denial feels safer than courage. But that era ends now. Because this story… her story; is not unique. It is the keystone of everything that’s been hidden. Virginia Giuffre was not trafficked by a random billionaire. She was trafficked by a networked empire designed to control the direction of the world through the systematic destruction of children. Her abusers were not just powerful… they were protected. Epstein and Maxwell were not lone wolves. They were the face of a global blackmail syndicate that operated through Mossad, CIA, and MI6… with diplomatic immunity, state funding, and access to every high value target on Earth. Children were not just abused… they were filmed. They were catalogued. Their trauma was encrypted into dossiers used to compromise, blackmail, and ultimately own the decisions of presidents, prime ministers, military chiefs, judges, entertainers, CEOs, and spiritual leaders. It was a system. A living organism. Designed to extract power by destroying purity. Epstein’s island was not a playground. It was a ritual site. Cameras in every room. Soundproof bunkers. Flight logs full of world leaders and household names. A sacrificial architecture masked as luxury. And behind it… binders of footage, lists of fetishes, psychological profiles, and AI-enhanced metadata to ensure that every participant could be broken on command. Maxwell wasn’t his assistant. She was a high level handler trained in psychological warfare and ritual abuse. Her father… Robert Maxwell;was Mossad. Epstein’s wealth? Synthetic. His ties to intelligence? Deep. His files? Still sealed. And the reason they remain sealed is simple… they prove that every nation, every system, every elite tier of global control is built on the trauma of children who were never meant to live long enough to speak. Virginia did. And so she died. Continued in Comments Below👇

Noah B. Price

1,067,914 görüntüleme • 1 yıl önce

Freen is… Fuang thinks she’s very detailed by nature. I have to say she’s very very detailed. She’s sensitive and sensitive to her surroundings. That’s a personal trait that impacts one’s acting (she talked about this in the start.) she cares tremendously about people around her. For example, I’m talking to Becky in a corner and Freen is doing makeup in another. But she knows what we’re talking about, takes in the details, and turns to congratulate me. She’s very in the present. She’s in the moment with everything all the time. Therefore her ‘detailed’ reactions/acting that we see, it’s because she absorbes everything around her. And our eyes are the window to our hearts. So this is the case of a personal trait affecting one’s acting. That’s one thing. More importantly, along the way, Freen found a way to enhance / add to that. Did Fuang helped bring her there? Maybe or maybe I don’t dare to claim that. For example, in some scenes she can do them well already, but I helped add in more details. I told her your character didn’t just hear that.. listen carefully, there are this and that details. And when she saw/realized that there were more than what she was initially aware of-like from 70% to 90%-just that, her acting will be even more detailed. Your eyes will show what you see or become aware of. If you ask, that’s all Fuang added on. The rest, she was able to do it on her own. This I was I meant by saying that the job of an acting coach is to pull out each actor’s skill. Because she could already it. It’s just that at that very moment, there wasn’t anyone to help her pull out more of her talent/maximize it. Something like that.
2:30

Freen is… Fuang thinks she’s very detailed by nature. I have to say she’s very very detailed. She’s sensitive and sensitive to her surroundings. That’s a personal trait that impacts one’s acting (she talked about this in the start.) she cares tremendously about people around her. For example, I’m talking to Becky in a corner and Freen is doing makeup in another. But she knows what we’re talking about, takes in the details, and turns to congratulate me. She’s very in the present. She’s in the moment with everything all the time. Therefore her ‘detailed’ reactions/acting that we see, it’s because she absorbes everything around her. And our eyes are the window to our hearts. So this is the case of a personal trait affecting one’s acting. That’s one thing. More importantly, along the way, Freen found a way to enhance / add to that. Did Fuang helped bring her there? Maybe or maybe I don’t dare to claim that. For example, in some scenes she can do them well already, but I helped add in more details. I told her your character didn’t just hear that.. listen carefully, there are this and that details. And when she saw/realized that there were more than what she was initially aware of-like from 70% to 90%-just that, her acting will be even more detailed. Your eyes will show what you see or become aware of. If you ask, that’s all Fuang added on. The rest, she was able to do it on her own. This I was I meant by saying that the job of an acting coach is to pull out each actor’s skill. Because she could already it. It’s just that at that very moment, there wasn’t anyone to help her pull out more of her talent/maximize it. Something like that.

panpan

54,785 görüntüleme • 8 ay önce

Here’s my analysis of why MEGHAN MARKLE LIES with such ease and how the Oprah interview exposed it. There are lies that come from panic. There are lies that come from confusion. Then there are lies that come from entitlement. The kind that slip out smoothly, confidently, without a flicker of worry, because the person saying them believes consequences are for other people. That is exactly what Meghan Markle displayed in the Oprah interview when she claimed she and Harry were married “three days before” their wedding, with the Archbishop of Canterbury. She didn’t frame it as a private vow or a romantic moment. She framed it as an actual marriage. And she did it on global television with a smile, like she was sharing a charming secret. But it wasn’t charming. It wasn’t harmless. And it certainly wasn’t true. It was a lie told with ease because she expected everyone else to absorb it without questioning it. The Lie Was Designed to Sound Like a Fairytale, Not a Fact This is how Meghan operates. She doesn’t just lie, she packages the lie. She wraps it in sentiment and sweetness so the audience reacts emotionally instead of logically. She didn’t say “We exchanged vows privately.” That would be plausible, normal, and not legally loaded. She said “We got married.” That choice of words matters. It changes everything. It turns a private moment into a legal and religious claim. It drags an institution into her story. And it creates pressure on other people to defend themselves. That is the real point. Meghan’s lies are never just personal. They are strategic. This Was Not a “Little Mistake” Because It Had Real Consequences Anyone trying to defend her will call it a misunderstanding. But a misunderstanding does not involve naming the Archbishop of Canterbury and implying a secret marriage happened before a globally televised wedding. Her statement instantly created two outcomes. 1) It cornered the Archbishop into cleaning up her mess By claiming he “married” them days earlier, Meghan effectively placed him in a position where silence would look like confirmation and denial would look like embarrassment. So he had to respond. That is the cruelty in it. It’s not just that she lied. It’s that she lied in a way that forced a senior religious figure to publicly correct her. She put a man of office into the role of damage control, because she wanted a romantic headline. That is not a “slip.” That is reckless and selfish. 2) It undermined the legitimacy of the official wedding Their actual wedding was not private. It was not hidden. It was a historical public event. So why tell the world the “real” marriage happened earlier? Because it reframes the real wedding into something performative, staged, and secondary. It whispers to the audience: That wasn’t for us, that was for them. It’s the same pattern every time. If the institution celebrates her, she uses it. If the institution limits her, she devalues it. Why She Lies With Ease: Because Her Lies Are Tools, Not Errors Meghan does not lie like someone afraid of being caught. She lies like someone who believes truth is flexible.
0:24

Here’s my analysis of why MEGHAN MARKLE LIES with such ease and how the Oprah interview exposed it. There are lies that come from panic. There are lies that come from confusion. Then there are lies that come from entitlement. The kind that slip out smoothly, confidently, without a flicker of worry, because the person saying them believes consequences are for other people. That is exactly what Meghan Markle displayed in the Oprah interview when she claimed she and Harry were married “three days before” their wedding, with the Archbishop of Canterbury. She didn’t frame it as a private vow or a romantic moment. She framed it as an actual marriage. And she did it on global television with a smile, like she was sharing a charming secret. But it wasn’t charming. It wasn’t harmless. And it certainly wasn’t true. It was a lie told with ease because she expected everyone else to absorb it without questioning it. The Lie Was Designed to Sound Like a Fairytale, Not a Fact This is how Meghan operates. She doesn’t just lie, she packages the lie. She wraps it in sentiment and sweetness so the audience reacts emotionally instead of logically. She didn’t say “We exchanged vows privately.” That would be plausible, normal, and not legally loaded. She said “We got married.” That choice of words matters. It changes everything. It turns a private moment into a legal and religious claim. It drags an institution into her story. And it creates pressure on other people to defend themselves. That is the real point. Meghan’s lies are never just personal. They are strategic. This Was Not a “Little Mistake” Because It Had Real Consequences Anyone trying to defend her will call it a misunderstanding. But a misunderstanding does not involve naming the Archbishop of Canterbury and implying a secret marriage happened before a globally televised wedding. Her statement instantly created two outcomes. 1) It cornered the Archbishop into cleaning up her mess By claiming he “married” them days earlier, Meghan effectively placed him in a position where silence would look like confirmation and denial would look like embarrassment. So he had to respond. That is the cruelty in it. It’s not just that she lied. It’s that she lied in a way that forced a senior religious figure to publicly correct her. She put a man of office into the role of damage control, because she wanted a romantic headline. That is not a “slip.” That is reckless and selfish. 2) It undermined the legitimacy of the official wedding Their actual wedding was not private. It was not hidden. It was a historical public event. So why tell the world the “real” marriage happened earlier? Because it reframes the real wedding into something performative, staged, and secondary. It whispers to the audience: That wasn’t for us, that was for them. It’s the same pattern every time. If the institution celebrates her, she uses it. If the institution limits her, she devalues it. Why She Lies With Ease: Because Her Lies Are Tools, Not Errors Meghan does not lie like someone afraid of being caught. She lies like someone who believes truth is flexible.

Queen Esther

110,252 görüntüleme • 5 ay önce

Most guys do not realize how dirty, naughty, and sexual women are. The average woman is way dirtier than the average man. I don’t think I’ve ever met a woman who wasn’t turned on by public sex, for example. Very few men are as into it as women are. As a guy, when you’re about to get it on with a girl in public, she’s there moaning, telling you to “put it in”; meanwhile you are looking around to check if anyone else is nearby while positioning her in this uncomfortable public position in the dirt, in the cold, and telling her “all right, hold on, I’m working on it, let me just get it up here, give me a second, sheesh!” If you read a woman’s romance novel, there is so much ink spilled on teasing, build up, this sex act, that sex act, the other sex act, that it’s basically unreadable if you are a guy. As a guy, you just wanna get your hot dog in her hot dog bun. But women want to do all KINDS of stuff. There’s a million things sexually these girls want to do. So why aren’t girls jumping at the chance to go to bed with every guy they meet? ✅ She needs to TRUST a guy first. Trust that she is safe with him. Trust that he will not judge her. Trust that it won’t affect her reputation. Many men aren’t good at building trust. Trust is KEY. ✅ She needs some degree of attraction to the guy. Not NEARLY as much as most guys think. She does NOT need to be wild with desire for you to sleep with you. It is even possible to sleep with women who really are not attracted to you at all, but who are just bored (and horny) and you did the moves right. (Or, bonus round, you just offered her an experience she has always fantasized about, so even if you are not her dream guy, she nevertheless says fine, let’s do it.) ✅ She needs to be aroused. You know the whole “women’s arousal is like a dimmer” thing… it’s accurate. You need to ramp her arousal up with touch, teasing, flirtation, innuendo, sex talk, etc. ✅ She needs to be ALONE with you. If she trusts you enough, you can get her alone with you. Once she’s alone with you, if there is trust there, and there’s arousal, and maybe a bit of attraction, you will get her clothes off. Yes… even if she is a ‘good’ girl. ‘Good’ girls did not manage to pass down their genes by hating sex (they are just a bit more selective about the men they have it with, is all. They need more TRUST!). Also: don’t be UNNERVED by female sexuality. Every girl has a tigress inside her waiting for the right guy to unleash it… a guy who makes her trust him, arouses her, gets her alone with him, and maybe creates some attraction with her. Women’s romance novels are ALL about this. Women’s romances in real life are as well. In fact, in real life, women often settle for far less ideal situations: men they don’t completely trust, aren’t that attracted to, are only partway aroused by, who get them alone somewhere. The better a job you can do approaching her sexual “Platonic ideal”, the more reliably you can bring out that sexual tigress lurking inside of EVERY woman (even the ‘good’ girls).
1:05

Most guys do not realize how dirty, naughty, and sexual women are. The average woman is way dirtier than the average man. I don’t think I’ve ever met a woman who wasn’t turned on by public sex, for example. Very few men are as into it as women are. As a guy, when you’re about to get it on with a girl in public, she’s there moaning, telling you to “put it in”; meanwhile you are looking around to check if anyone else is nearby while positioning her in this uncomfortable public position in the dirt, in the cold, and telling her “all right, hold on, I’m working on it, let me just get it up here, give me a second, sheesh!” If you read a woman’s romance novel, there is so much ink spilled on teasing, build up, this sex act, that sex act, the other sex act, that it’s basically unreadable if you are a guy. As a guy, you just wanna get your hot dog in her hot dog bun. But women want to do all KINDS of stuff. There’s a million things sexually these girls want to do. So why aren’t girls jumping at the chance to go to bed with every guy they meet? ✅ She needs to TRUST a guy first. Trust that she is safe with him. Trust that he will not judge her. Trust that it won’t affect her reputation. Many men aren’t good at building trust. Trust is KEY. ✅ She needs some degree of attraction to the guy. Not NEARLY as much as most guys think. She does NOT need to be wild with desire for you to sleep with you. It is even possible to sleep with women who really are not attracted to you at all, but who are just bored (and horny) and you did the moves right. (Or, bonus round, you just offered her an experience she has always fantasized about, so even if you are not her dream guy, she nevertheless says fine, let’s do it.) ✅ She needs to be aroused. You know the whole “women’s arousal is like a dimmer” thing… it’s accurate. You need to ramp her arousal up with touch, teasing, flirtation, innuendo, sex talk, etc. ✅ She needs to be ALONE with you. If she trusts you enough, you can get her alone with you. Once she’s alone with you, if there is trust there, and there’s arousal, and maybe a bit of attraction, you will get her clothes off. Yes… even if she is a ‘good’ girl. ‘Good’ girls did not manage to pass down their genes by hating sex (they are just a bit more selective about the men they have it with, is all. They need more TRUST!). Also: don’t be UNNERVED by female sexuality. Every girl has a tigress inside her waiting for the right guy to unleash it… a guy who makes her trust him, arouses her, gets her alone with him, and maybe creates some attraction with her. Women’s romance novels are ALL about this. Women’s romances in real life are as well. In fact, in real life, women often settle for far less ideal situations: men they don’t completely trust, aren’t that attracted to, are only partway aroused by, who get them alone somewhere. The better a job you can do approaching her sexual “Platonic ideal”, the more reliably you can bring out that sexual tigress lurking inside of EVERY woman (even the ‘good’ girls).

Girls Chase 🏃‍♀️💨

34,136 görüntüleme • 7 ay önce

Tonight I met former hostage Moran Stella Yanai. Moran wants this story to be told and shared... She was taken by 13 TERRORlSTS from the Nova Festival. She endured 54 days of torture and captivity. "How did you get through every second, every minute, every day?" I asked. "Faith and purpose," she said. "I spent my time getting through moments." Moran gave herself purpose. She made it her mission to look out for the two women in captivity with her. Most of the "fire" in the room was directed at her. She'd have a gun held to her head one moment. Play cards with the captor the next. She made it her mission to gather information from Hamas. Everything she did in captivity was strategic. Moran made it her mission to keep her mind, her spirit, her imagination. From time to time, she'd hear a blip on Israeli radio. She found signs and symbols in those seconds. She lost 50% of her hearing. Came back covered in lice, sores, and filled with infections. Broken bones. "The physical problems are nothing. It's all mental." She says she lives with a feeling that it's possible to be taken hostage again. Because it happened before. But the thing Moran said most is, "I won." She did. And she continues to win every day. "I'm a better person now." And that question I asked Moran at the start? That's the same question I ask every Holocaust survivor. I didn't tell her that. But within the first sentence of answering, she used the word Holocaust in referring to her experience. I've hugged many Holocaust survivors. It always gives me such an indescribable feeling of comfort and resilience. And when I hugged Moran goodbye, I got that same feeling again.🎗️
4:44

Tonight I met former hostage Moran Stella Yanai. Moran wants this story to be told and shared... She was taken by 13 TERRORlSTS from the Nova Festival. She endured 54 days of torture and captivity. "How did you get through every second, every minute, every day?" I asked. "Faith and purpose," she said. "I spent my time getting through moments." Moran gave herself purpose. She made it her mission to look out for the two women in captivity with her. Most of the "fire" in the room was directed at her. She'd have a gun held to her head one moment. Play cards with the captor the next. She made it her mission to gather information from Hamas. Everything she did in captivity was strategic. Moran made it her mission to keep her mind, her spirit, her imagination. From time to time, she'd hear a blip on Israeli radio. She found signs and symbols in those seconds. She lost 50% of her hearing. Came back covered in lice, sores, and filled with infections. Broken bones. "The physical problems are nothing. It's all mental." She says she lives with a feeling that it's possible to be taken hostage again. Because it happened before. But the thing Moran said most is, "I won." She did. And she continues to win every day. "I'm a better person now." And that question I asked Moran at the start? That's the same question I ask every Holocaust survivor. I didn't tell her that. But within the first sentence of answering, she used the word Holocaust in referring to her experience. I've hugged many Holocaust survivors. It always gives me such an indescribable feeling of comfort and resilience. And when I hugged Moran goodbye, I got that same feeling again.🎗️

dahlia kurtz ✡︎ דליה קורץ

64,974 görüntüleme • 1 yıl önce

After October 7 and until today, many Israelis volunteer in hospitals to help take care of the wounded. These two beautiful souls, which sadly I don't have their names, did something that for some of you may seem meaningless. But for a girl who was critically wounded and survived, it meant the world. This is their story - WAR DIARY : "We went to the hospital for Noam, a sweet 19-year-old soldier who was serving in the Gaza Division when terrorists broke into the base and threw grenades into a Migunit (bomb shelter) in which she was hiding . Not only that, they also came back and while she was lying covered with blood, shot her again to verify she was dead. Luckily for her, the bullets went in and out the other side and thank God Noam is with us. Following the impact of the grenade, the gunshots, the blood and soot, her hair became a whirlwind that caused a big knot. Noam who was lying like this for days, was really ashamed of how she looked. She told us that she preferred her hair over her leg. Everyone laughed, but I completely understood what she meant. Her body was healing and now she needed her femininity back, so she could feel normal again. After 7 hours we managed to overcome the knot, wash and comb her hair. It brought a smile back to her face. Now Noam, you can concentrate on your rehabilitation. Stunning one, feel good, you are the strongest in the world !" Not all angels have wings. #October7Massacre
0:55

After October 7 and until today, many Israelis volunteer in hospitals to help take care of the wounded. These two beautiful souls, which sadly I don't have their names, did something that for some of you may seem meaningless. But for a girl who was critically wounded and survived, it meant the world. This is their story - WAR DIARY : "We went to the hospital for Noam, a sweet 19-year-old soldier who was serving in the Gaza Division when terrorists broke into the base and threw grenades into a Migunit (bomb shelter) in which she was hiding . Not only that, they also came back and while she was lying covered with blood, shot her again to verify she was dead. Luckily for her, the bullets went in and out the other side and thank God Noam is with us. Following the impact of the grenade, the gunshots, the blood and soot, her hair became a whirlwind that caused a big knot. Noam who was lying like this for days, was really ashamed of how she looked. She told us that she preferred her hair over her leg. Everyone laughed, but I completely understood what she meant. Her body was healing and now she needed her femininity back, so she could feel normal again. After 7 hours we managed to overcome the knot, wash and comb her hair. It brought a smile back to her face. Now Noam, you can concentrate on your rehabilitation. Stunning one, feel good, you are the strongest in the world !" Not all angels have wings. #October7Massacre

The Voice Of Truth 🙌

35,960 görüntüleme • 8 ay önce

Taiwanese Media discusses about #ZhaoLusi's recent medical emergency TV Host Xu ShengMei: At the very first moment that I heard about Zhao Lusi's news, I didn't dare to believe it since she's still very young. She's only 26 years old and she's considered the youngest amongst all the Liuliang Actresses. She has many works and isn't only well known in the Mainland. I'm quite certain many Taiwanese wouldn't be unfamiliar with her at all since a lot of her dramas have aired on our Taiwan TV. She was filming a Romance Drama (Almost Lover) at that point in time and was almost done wrapping up, until she was suddenly rushed to the hospital. Do you know how rare is it, among Mainland News, for Artistes to be rushed to the hospital and for there to be pictures captured? I was shocked too when I saw it the first time. I was wondering if it was real? Or if it was just over exhaustion. She hadn't rested for 40 days since she celebrated her birthday, until this medical situation happened. They were saying she had no rest at all. But some of you might not know that, in the Mainland, their entertainment industry is quite different from ours. The liuliang actors and actresses have their own filming vans. The filming vans will enter the production site and in the vans, there are beds, sofas and even bathrooms. They'll have to continue filming and will enjoy such benefits. But for one to still not be able to withstand all of these under such great conditions, how pressurising it must have been? She was sent to the hospital and thus we saw these photos, including those that show her not being able to breathe. I heard that, she even had to withstand being intubated with oxygen for a period of time too, and that the drama team didn't release her until she became paralysed. It was only until she could not walk that they sent her to the hospital. So can you see how cruel it is of them? After she was sent to the hospital, everybody was wondering if she would be better after she rested but no, her loss of speech was as a result of the dissociative conversion disorder. We're not psychiatrists so we only could guess that it was as a result of the stress on her and her physical health condition...
6:49

Taiwanese Media discusses about #ZhaoLusi's recent medical emergency TV Host Xu ShengMei: At the very first moment that I heard about Zhao Lusi's news, I didn't dare to believe it since she's still very young. She's only 26 years old and she's considered the youngest amongst all the Liuliang Actresses. She has many works and isn't only well known in the Mainland. I'm quite certain many Taiwanese wouldn't be unfamiliar with her at all since a lot of her dramas have aired on our Taiwan TV. She was filming a Romance Drama (Almost Lover) at that point in time and was almost done wrapping up, until she was suddenly rushed to the hospital. Do you know how rare is it, among Mainland News, for Artistes to be rushed to the hospital and for there to be pictures captured? I was shocked too when I saw it the first time. I was wondering if it was real? Or if it was just over exhaustion. She hadn't rested for 40 days since she celebrated her birthday, until this medical situation happened. They were saying she had no rest at all. But some of you might not know that, in the Mainland, their entertainment industry is quite different from ours. The liuliang actors and actresses have their own filming vans. The filming vans will enter the production site and in the vans, there are beds, sofas and even bathrooms. They'll have to continue filming and will enjoy such benefits. But for one to still not be able to withstand all of these under such great conditions, how pressurising it must have been? She was sent to the hospital and thus we saw these photos, including those that show her not being able to breathe. I heard that, she even had to withstand being intubated with oxygen for a period of time too, and that the drama team didn't release her until she became paralysed. It was only until she could not walk that they sent her to the hospital. So can you see how cruel it is of them? After she was sent to the hospital, everybody was wondering if she would be better after she rested but no, her loss of speech was as a result of the dissociative conversion disorder. We're not psychiatrists so we only could guess that it was as a result of the stress on her and her physical health condition...

jov ☀️

67,245 görüntüleme • 1 yıl önce

#Kwibuka32 Mimi TESTIMONY ———————————————— Her name is Mimi. She survived the 1994 Genocide against the Tutsi in Rwanda because of the courage and humanity of a man named Ndahigwa. During those dark days, Mimi was found as an infant, still breastfeeding from her mother—who had been brutally killed and lay among piles of bodies at Saint Famille, on the primary school football field. It was a heartbreaking and unimaginable scene, one that no child should ever be part of. Yet, from that tragedy, a life was saved. Ndahigwa, who was not himself targeted during the genocide and worked with the Red Cross, chose compassion over fear. In a time when many turned away, he stepped forward. He rescued Mimi and raised her as his own, caring for her from infancy through adulthood. He gave her not only a chance to live, but a chance to grow, to be loved, and to belong. He stood by her side through the years, supporting her until she eventually got married. However, her marriage did not last, as her husband constantly pressured and mistreated her, questioning her about a family she never had the chance to know. Today, Mimi is alive, but she lives with a deep and painful absence—she does not know her biological family, nor does she have any known relatives. She carries unanswered questions about her identity and her roots. With hope in her heart, she is reaching out to anyone who might recognize her story or have any information about her family, asking for help in reconnecting with her origins. At the same time, Mimi is a mother, doing her best to raise her children under difficult circumstances. She is struggling financially and humbly asks for support from anyone who is able to help, no matter how small the contribution. Her story is one of survival, loss, love, and resilience. And today, she is not only searching for her past—but also fighting to build a better future for her children.
8:41

#Kwibuka32 Mimi TESTIMONY ———————————————— Her name is Mimi. She survived the 1994 Genocide against the Tutsi in Rwanda because of the courage and humanity of a man named Ndahigwa. During those dark days, Mimi was found as an infant, still breastfeeding from her mother—who had been brutally killed and lay among piles of bodies at Saint Famille, on the primary school football field. It was a heartbreaking and unimaginable scene, one that no child should ever be part of. Yet, from that tragedy, a life was saved. Ndahigwa, who was not himself targeted during the genocide and worked with the Red Cross, chose compassion over fear. In a time when many turned away, he stepped forward. He rescued Mimi and raised her as his own, caring for her from infancy through adulthood. He gave her not only a chance to live, but a chance to grow, to be loved, and to belong. He stood by her side through the years, supporting her until she eventually got married. However, her marriage did not last, as her husband constantly pressured and mistreated her, questioning her about a family she never had the chance to know. Today, Mimi is alive, but she lives with a deep and painful absence—she does not know her biological family, nor does she have any known relatives. She carries unanswered questions about her identity and her roots. With hope in her heart, she is reaching out to anyone who might recognize her story or have any information about her family, asking for help in reconnecting with her origins. At the same time, Mimi is a mother, doing her best to raise her children under difficult circumstances. She is struggling financially and humbly asks for support from anyone who is able to help, no matter how small the contribution. Her story is one of survival, loss, love, and resilience. And today, she is not only searching for her past—but also fighting to build a better future for her children.

Sniper

13,395 görüntüleme • 3 ay önce

Caller: "Okay. So, I've been with my wife for, we've been together since we were 14, for 14 years. I'm 32, I met her when I was 19, we had a child at 20. And, um, I've always just kind of been a butthead to her, to be honest. Every now and then I would demean her or make little comments, and I would say it started to really get bad about six weeks ago. Um, we were doing some work in the yard, and I really just blew up on her over the stupidest little thing. And then about a week later, we're just constantly arguing and dividing from each other. And then about a week or two later, she told me that she thought she was falling out of love with me. And it just really crushed me. I never would have thought that those words could come out of her mouth, and she told me that the way I treat her is, I'm not treating her the right way. And I completely owned it. I mean, I said everything you said is absolutely correct. You know, and I said, 'I don't want my son, our son growing up thinking that this is how you're supposed to treat women.' And, I mean, since that day, I have treated her like an angel. I mean, I've done everything and just constantly telling her I love her, giving her hugs, kisses. Um, but that was a Saturday night, and then Monday night she ended up telling me that she was, um, in communication with a guy she met on TikTok. And she told me she broke it off with him, and I asked her, What was the subjects about?' And she said it was just somebody to talk to about what I'm going through, my mental, you know, health. And she said it was never anything flirtatious or anything like that. She said it was just a stranger that I could talk to, but she said, 'I broke it off with him, and I'm gonna focus on us. And I said, 'I'm all in with you, let's rebuild this.' And we went about two weeks and it was just absolute honeymoon phase. I mean, we were just, never it was great. And then I went through her phone two weeks after that and found that she was on Snapchat with the guy. And I confronted her about it, and she said, 'Okay, well, I didn't think you were really gonna change, and I wanted to keep this friendship with the guy.' And she said, 'I'll break it off with him.' And I'm like, 'Okay, I guess I'll give you a second chance. I'm kind of heartbroken again that you would keep this from me. And then about a week and a half later, which was just yesterday, I went through the call logs on which, I feel bad because I'm constantly digging at all this, but every time I dig, I find something. And I confronted her yesterday that she's been talking to this guy for 30, 40, 50 minutes a day, um, the last week and a half, after she told me a third time that she was breaking it off with him. And I'm just super confused. I don't really know how to handle this. Now she's saying that she's all done talking to him, and I'm like, 'Well, how do I trust you now? You've been lying to me for the past three weeks about this.' So, that's really all I got." John Delony: "So for 14 years... you belittled your wife. She got the clear message she was beneath you. You're the smart one, you're the fast one, you're the quick one. You are the provider, you're the all this stuff." Caller: "Mhm. I always thought she was beneath me." John Delony: "Yeah, you did. And she's got that message for, for a decade and a half.
3:33

Caller: "Okay. So, I've been with my wife for, we've been together since we were 14, for 14 years. I'm 32, I met her when I was 19, we had a child at 20. And, um, I've always just kind of been a butthead to her, to be honest. Every now and then I would demean her or make little comments, and I would say it started to really get bad about six weeks ago. Um, we were doing some work in the yard, and I really just blew up on her over the stupidest little thing. And then about a week later, we're just constantly arguing and dividing from each other. And then about a week or two later, she told me that she thought she was falling out of love with me. And it just really crushed me. I never would have thought that those words could come out of her mouth, and she told me that the way I treat her is, I'm not treating her the right way. And I completely owned it. I mean, I said everything you said is absolutely correct. You know, and I said, 'I don't want my son, our son growing up thinking that this is how you're supposed to treat women.' And, I mean, since that day, I have treated her like an angel. I mean, I've done everything and just constantly telling her I love her, giving her hugs, kisses. Um, but that was a Saturday night, and then Monday night she ended up telling me that she was, um, in communication with a guy she met on TikTok. And she told me she broke it off with him, and I asked her, What was the subjects about?' And she said it was just somebody to talk to about what I'm going through, my mental, you know, health. And she said it was never anything flirtatious or anything like that. She said it was just a stranger that I could talk to, but she said, 'I broke it off with him, and I'm gonna focus on us. And I said, 'I'm all in with you, let's rebuild this.' And we went about two weeks and it was just absolute honeymoon phase. I mean, we were just, never it was great. And then I went through her phone two weeks after that and found that she was on Snapchat with the guy. And I confronted her about it, and she said, 'Okay, well, I didn't think you were really gonna change, and I wanted to keep this friendship with the guy.' And she said, 'I'll break it off with him.' And I'm like, 'Okay, I guess I'll give you a second chance. I'm kind of heartbroken again that you would keep this from me. And then about a week and a half later, which was just yesterday, I went through the call logs on which, I feel bad because I'm constantly digging at all this, but every time I dig, I find something. And I confronted her yesterday that she's been talking to this guy for 30, 40, 50 minutes a day, um, the last week and a half, after she told me a third time that she was breaking it off with him. And I'm just super confused. I don't really know how to handle this. Now she's saying that she's all done talking to him, and I'm like, 'Well, how do I trust you now? You've been lying to me for the past three weeks about this.' So, that's really all I got." John Delony: "So for 14 years... you belittled your wife. She got the clear message she was beneath you. You're the smart one, you're the fast one, you're the quick one. You are the provider, you're the all this stuff." Caller: "Mhm. I always thought she was beneath me." John Delony: "Yeah, you did. And she's got that message for, for a decade and a half.

Hecto Crypto | NetLink ⛓

146,895 görüntüleme • 9 gün önce

Carrie Fisher said something in an interview that perfectly captures how creative instinct works. She was asked whether reinventing herself as a writer was a conscious decision. Her answer: "I don't think I've made many conscious decisions. I make most of my decisions in my sleep." She didn't sit down one day and declare herself a writer. It was a slow evolution, pulled forward by what she actually loved consuming. "I wrote fiction, which is what I read. And now I write screenplays, which is what I watch." That's a principle worth sitting with. She was simply doing the thing she already did for pleasure. The writing path itself began almost accidentally. After an interview in Esquire, she was approached to write a non-fiction book. That fell apart. She couldn't even remember the format she was supposed to write in. "Essays or something," she said. "See, you can't even think of the name for it. That's why I couldn't do it." So she did what made sense to her and wrote fiction instead. The screenwriting came the same way. But what most people don't know is that Fisher was doing script work decades before it became widely known. She learned punchup by necessity, not by design. On the set of Star Wars, she and Harrison Ford were handed dialogue that simply could not be spoken aloud. She described telling George Lucas: "You can type this, but you cannot say it. It'll take a couple of minutes for the nava computer to calculate the coordinates." She said it took 20 takes. Out of self-defence, she started reworking lines. Ford did the same. That habit eventually turned into a career doing punchup for major Hollywood films, helping writers fix dialogue that looked good on the page but died in the room. And then there was the work she wrote for her mother, Debbie Reynolds. Two television pilots, neither of which ever aired. Her reason for wanting to work with her mother is one of the more honest things ever said about family dynamics in Hollywood. "The main thing I want to do is work with my mom so that we don't have to have those Christmas dinners anymore. Just have a job with her and you can order her around." It didn't go the way she planned. Her grandmother showed up and bossed both of them around and, as Fisher put it, "got all the money."
4:04

Carrie Fisher said something in an interview that perfectly captures how creative instinct works. She was asked whether reinventing herself as a writer was a conscious decision. Her answer: "I don't think I've made many conscious decisions. I make most of my decisions in my sleep." She didn't sit down one day and declare herself a writer. It was a slow evolution, pulled forward by what she actually loved consuming. "I wrote fiction, which is what I read. And now I write screenplays, which is what I watch." That's a principle worth sitting with. She was simply doing the thing she already did for pleasure. The writing path itself began almost accidentally. After an interview in Esquire, she was approached to write a non-fiction book. That fell apart. She couldn't even remember the format she was supposed to write in. "Essays or something," she said. "See, you can't even think of the name for it. That's why I couldn't do it." So she did what made sense to her and wrote fiction instead. The screenwriting came the same way. But what most people don't know is that Fisher was doing script work decades before it became widely known. She learned punchup by necessity, not by design. On the set of Star Wars, she and Harrison Ford were handed dialogue that simply could not be spoken aloud. She described telling George Lucas: "You can type this, but you cannot say it. It'll take a couple of minutes for the nava computer to calculate the coordinates." She said it took 20 takes. Out of self-defence, she started reworking lines. Ford did the same. That habit eventually turned into a career doing punchup for major Hollywood films, helping writers fix dialogue that looked good on the page but died in the room. And then there was the work she wrote for her mother, Debbie Reynolds. Two television pilots, neither of which ever aired. Her reason for wanting to work with her mother is one of the more honest things ever said about family dynamics in Hollywood. "The main thing I want to do is work with my mom so that we don't have to have those Christmas dinners anymore. Just have a job with her and you can order her around." It didn't go the way she planned. Her grandmother showed up and bossed both of them around and, as Fisher put it, "got all the money."

History Nerd

42,474 görüntüleme • 22 gün önce

Stephen A. Smith has tough words for Kamala Harris as she crawls out of hiding to try to sell her book. “I think her political career is OVER… I think she’s DOOMED.” Smith delivered two minutes of truth bombs. He once supported Harris, but this was a blistering rebuke: He called it disgraceful that Harris now has the audacity to publish a book after showing no leadership during the election, revealing private conversations, and losing the popular vote for the first time since 2004. He then dropped an inconvenient truth: all her support was MANUFACTURED. “She didn’t have as much Democratic support as she would have wanted to begin with. It was all manufactured in the end, once she was the Democratic nominee. It wasn’t about you. It was about people who didn’t want Trump to be president. It wasn’t about you. “And people weren’t enamored with you… because if that’s the case, you would have made it to Iowa in 2020. You would have been able to endure a primary prior to the election, but you BYPASSED all of that. They clearly did it PURPOSEFULLY because they didn’t want her to have to compete for the Democratic nomination.” If there was ever a moment Stephen A. Smith got all his facts straight, this was it. He cooked Kamala Harris for dinner here.
2:24

Stephen A. Smith has tough words for Kamala Harris as she crawls out of hiding to try to sell her book. “I think her political career is OVER… I think she’s DOOMED.” Smith delivered two minutes of truth bombs. He once supported Harris, but this was a blistering rebuke: He called it disgraceful that Harris now has the audacity to publish a book after showing no leadership during the election, revealing private conversations, and losing the popular vote for the first time since 2004. He then dropped an inconvenient truth: all her support was MANUFACTURED. “She didn’t have as much Democratic support as she would have wanted to begin with. It was all manufactured in the end, once she was the Democratic nominee. It wasn’t about you. It was about people who didn’t want Trump to be president. It wasn’t about you. “And people weren’t enamored with you… because if that’s the case, you would have made it to Iowa in 2020. You would have been able to endure a primary prior to the election, but you BYPASSED all of that. They clearly did it PURPOSEFULLY because they didn’t want her to have to compete for the Democratic nomination.” If there was ever a moment Stephen A. Smith got all his facts straight, this was it. He cooked Kamala Harris for dinner here.

Vigilant Fox 🦊

116,781 görüntüleme • 9 ay önce

It surprises me that BAP takes such a categorical position here, one based on the fallacy that a WOMAN could somehow also not be a CALCULATING WHORE. I thought he was Nietzschean. To me this looks like a Schopenhauerian error, the same one Michel Houellebecq often makes in his novels. It is the mistake of many incels and trads as well. It underlies the repulsive Christian TRAD discourse that BAP himself so often attacks. A WOMAN IS AT ALL TIMES A WHORE and at all times playing a role. She does not do this out of free will, but from archetypes that culture teaches her. It is the learned cultural role she performs that enables her to spread her legs, that makes her WANT and NEED to do so. And attached to those roles are different types of men, each neatly performing his own role as well. The Friends With Benefits man, or the man you marry and have children with. Some men are capable of playing several roles, either simultaneously or over time. This is the man's problem, not the woman's. The man in Jini's example feels insulted and castrated because he would rather be the conqueror than the man you marry, yet he never took responsibility for playing the male role that women want for a one night stand. He has it in his head that one role is more honorable than the other. The woman believed she was confiding something BEAUTIFUL to him. After all, it is her ACHIEVEMENT that she plays the role of married woman so well with her husband, fucking him, sucking him off, while occasionally still thinking back to experiences from earlier roles. Out of nostalgia, she shares those memories with her hubbie, her husband, her best friend, for whom she also spreads her legs. Does a man have any idea what psycho-biological-cultural gymnastics a libtard female brain has to perform to make that work in the free West, where rape is taboo and consent and desire occupy the highest place of honor? Jini-Jeanne Hamwi is right here. This woman does not know what she is talking about, and neither does the man. They should therefore not take each other too seriously. They are speaking to each other as symptoms. My own wife and whore explains all of this better than I do in this clip, in which she compares the Liberal Woman to the Victorian Woman and explains how we should TRAIN OUR WOMEN through Nietzschean Artist Metaphysics. I'm urging anyone who takes this fertility cult discourse seriously to study this clip, because it contains important clues about how such a fertility cult would actually have to be built. In the end, it has to be designed with the female mind in mind as well.
3:52

It surprises me that BAP takes such a categorical position here, one based on the fallacy that a WOMAN could somehow also not be a CALCULATING WHORE. I thought he was Nietzschean. To me this looks like a Schopenhauerian error, the same one Michel Houellebecq often makes in his novels. It is the mistake of many incels and trads as well. It underlies the repulsive Christian TRAD discourse that BAP himself so often attacks. A WOMAN IS AT ALL TIMES A WHORE and at all times playing a role. She does not do this out of free will, but from archetypes that culture teaches her. It is the learned cultural role she performs that enables her to spread her legs, that makes her WANT and NEED to do so. And attached to those roles are different types of men, each neatly performing his own role as well. The Friends With Benefits man, or the man you marry and have children with. Some men are capable of playing several roles, either simultaneously or over time. This is the man's problem, not the woman's. The man in Jini's example feels insulted and castrated because he would rather be the conqueror than the man you marry, yet he never took responsibility for playing the male role that women want for a one night stand. He has it in his head that one role is more honorable than the other. The woman believed she was confiding something BEAUTIFUL to him. After all, it is her ACHIEVEMENT that she plays the role of married woman so well with her husband, fucking him, sucking him off, while occasionally still thinking back to experiences from earlier roles. Out of nostalgia, she shares those memories with her hubbie, her husband, her best friend, for whom she also spreads her legs. Does a man have any idea what psycho-biological-cultural gymnastics a libtard female brain has to perform to make that work in the free West, where rape is taboo and consent and desire occupy the highest place of honor? Jini-Jeanne Hamwi is right here. This woman does not know what she is talking about, and neither does the man. They should therefore not take each other too seriously. They are speaking to each other as symptoms. My own wife and whore explains all of this better than I do in this clip, in which she compares the Liberal Woman to the Victorian Woman and explains how we should TRAIN OUR WOMEN through Nietzschean Artist Metaphysics. I'm urging anyone who takes this fertility cult discourse seriously to study this clip, because it contains important clues about how such a fertility cult would actually have to be built. In the end, it has to be designed with the female mind in mind as well.

KIRAC

132,012 görüntüleme • 1 ay önce

The WNBA has completely mismanaged its biggest star in Caitlin Clark and it’s sad to see. Caitlin Clark didn’t do it alone and there are a number of current and former players who helped pave and maintain the way, but Caitlin Clark has been the primary catalyst for the WNBA’s new media rights deal, new CBA, having to move games to bigger arenas, getting private chartered flights and so much more. Yet when she is targeted in ways on the court that aren’t about basketball, it’s brushed aside as “physicality” or “just the way we play in the W”. No. What Alyssa Thomas did to Caitlin Clark was not about basketball. What Alyssa Thomas did to Angel Reese was not about basketball. It was a cheap shot. It was dirty. It was done on purpose. And it’s hurting the WNBA as a whole. What’s also sad is that because of the mismanagement of Caitlin Clark by the WNBA as a whole, the fact that HISTORICALLY INCREDIBLE BASKETBALL IS BEING PLAYED in the WNBA and it’s not being talked about enough. Marina Mabrey tied the WNBA record for most points in a game with 53 points, 6 Rebs, 2 assists and tied the WNBA record by hitting NINE 3’s for the Toronto Tempo 🤯 Rookie Olivia Miles broke Caitlin Clark and Paige Bueckers’ WNBA record for fastest to score 300 points and have 100 assists. Clark and Bueckers did it in 19 games, so Miles did it in 18. Olivia Miles has also lead the Minnesota Lynx, without star player Napheessa Collier, to the best record in the league and #1 in every major offensive statistic. Angel Reese just became the fastest player to get 1k rebounds. There is so much greatness happening in the WNBA, and it’s being ignored because people don’t want to celebrate it when the league won’t even protect its own players from unnecessary targeted behavior. Some people don’t want to celebrate the WNBA when the league won’t protect its most marketable player that is the driving force behind its increased awareness. But I will say the quiet part out loud. The facts today still show that far too many people are making things in the WNBA about race or sexuality and not the results. Drawing a line in the sand and defending any player’s dirty play just because of the color of their skin is wrong. We shouldn’t be denying the truth of what we see and situating or views of the truth along color lines. Caitlin Clark and every WNBA player wants to compete at the highest level. They are tough and the best female basketball players in the World. They don’t want to be involved in identity politics or race wars. They just want to play basketball. Right & wrong has no color. Alyssa Thomas was wrong for what she did. Caitlin Clark is a phenom, the WNBA has been wrong at so many turns with how they have handled her and the WNBA needs to improve its officiating. Olivia Miles was the right pick for Minnesota and is the runaway Rookie of the Year right now. Marina Mabrey was the right move for the Toronto Tempo. Angel Reese was the right move for the Atlanta Dream. Don’t pick sides based on the color of a player’s skin or their sexuality. Let’s just talk basketball. What Alyssa Thomas did wasn’t about basketball, she is rightfully getting crushed for it and got suspended. But everything doesn’t have to be a race war. It shouldn’t be. Via Outta Pocket with RGIII
3:30

The WNBA has completely mismanaged its biggest star in Caitlin Clark and it’s sad to see. Caitlin Clark didn’t do it alone and there are a number of current and former players who helped pave and maintain the way, but Caitlin Clark has been the primary catalyst for the WNBA’s new media rights deal, new CBA, having to move games to bigger arenas, getting private chartered flights and so much more. Yet when she is targeted in ways on the court that aren’t about basketball, it’s brushed aside as “physicality” or “just the way we play in the W”. No. What Alyssa Thomas did to Caitlin Clark was not about basketball. What Alyssa Thomas did to Angel Reese was not about basketball. It was a cheap shot. It was dirty. It was done on purpose. And it’s hurting the WNBA as a whole. What’s also sad is that because of the mismanagement of Caitlin Clark by the WNBA as a whole, the fact that HISTORICALLY INCREDIBLE BASKETBALL IS BEING PLAYED in the WNBA and it’s not being talked about enough. Marina Mabrey tied the WNBA record for most points in a game with 53 points, 6 Rebs, 2 assists and tied the WNBA record by hitting NINE 3’s for the Toronto Tempo 🤯 Rookie Olivia Miles broke Caitlin Clark and Paige Bueckers’ WNBA record for fastest to score 300 points and have 100 assists. Clark and Bueckers did it in 19 games, so Miles did it in 18. Olivia Miles has also lead the Minnesota Lynx, without star player Napheessa Collier, to the best record in the league and #1 in every major offensive statistic. Angel Reese just became the fastest player to get 1k rebounds. There is so much greatness happening in the WNBA, and it’s being ignored because people don’t want to celebrate it when the league won’t even protect its own players from unnecessary targeted behavior. Some people don’t want to celebrate the WNBA when the league won’t protect its most marketable player that is the driving force behind its increased awareness. But I will say the quiet part out loud. The facts today still show that far too many people are making things in the WNBA about race or sexuality and not the results. Drawing a line in the sand and defending any player’s dirty play just because of the color of their skin is wrong. We shouldn’t be denying the truth of what we see and situating or views of the truth along color lines. Caitlin Clark and every WNBA player wants to compete at the highest level. They are tough and the best female basketball players in the World. They don’t want to be involved in identity politics or race wars. They just want to play basketball. Right & wrong has no color. Alyssa Thomas was wrong for what she did. Caitlin Clark is a phenom, the WNBA has been wrong at so many turns with how they have handled her and the WNBA needs to improve its officiating. Olivia Miles was the right pick for Minnesota and is the runaway Rookie of the Year right now. Marina Mabrey was the right move for the Toronto Tempo. Angel Reese was the right move for the Atlanta Dream. Don’t pick sides based on the color of a player’s skin or their sexuality. Let’s just talk basketball. What Alyssa Thomas did wasn’t about basketball, she is rightfully getting crushed for it and got suspended. But everything doesn’t have to be a race war. It shouldn’t be. Via Outta Pocket with RGIII

Robert Griffin III

526,185 görüntüleme • 19 gün önce

A girl who openly calls herself kind of stupid made $20,000 last month, and her face never appeared on screen once. She wasn't selling talent. She was running a loop with Claude that anyone reading this could start tonight. Here is the entire method. There is nothing else to it. She opened YouTube and searched baby shows. She found one with millions of views. A dancing fruit sensory video, a counting whales cartoon, the kind of thing that plays on a loop in the background of every toddler's life. She opened it, went to the transcript, and copied the whole thing. She pasted that transcript into Claude and asked it to turn the format into a prompt for a similar video. Claude wrote the prompt. She pasted the prompt into an AI video generator. A few minutes later she had a finished cartoon. Bright colors, dancing animals, big letters, cheerful music. Indistinguishable from the one she copied. She posted it. Then she did the exact same thing the next day. And the day after. And every single day for 30 days. She never wrote a script, animated a frame or recorded a single sound. She found something that already worked, fed it to Claude, let an AI rebuild it, and uploaded the result before she went to bed. Nobody knew who she was. No name, no face, no personality, no story. Just a channel quietly posting toddler cartoons every day. And YouTube paid her anyway, because YouTube does not pay you for being interesting. It pays you for watch time, and toddlers watch the same video until the battery dies. By the end of the month the payments were real. $20,000 to a girl who will tell you to your face that she is not smart. That is the part nobody wants to sit with. The barrier was never intelligence. It was never talent. The only thing standing between her and the money was whether she would run a boring 5 minute loop every day for 30 days without quitting. She did. Most people won't. The system didn't filter for smart. It filtered for showing up.
0:24

A girl who openly calls herself kind of stupid made $20,000 last month, and her face never appeared on screen once. She wasn't selling talent. She was running a loop with Claude that anyone reading this could start tonight. Here is the entire method. There is nothing else to it. She opened YouTube and searched baby shows. She found one with millions of views. A dancing fruit sensory video, a counting whales cartoon, the kind of thing that plays on a loop in the background of every toddler's life. She opened it, went to the transcript, and copied the whole thing. She pasted that transcript into Claude and asked it to turn the format into a prompt for a similar video. Claude wrote the prompt. She pasted the prompt into an AI video generator. A few minutes later she had a finished cartoon. Bright colors, dancing animals, big letters, cheerful music. Indistinguishable from the one she copied. She posted it. Then she did the exact same thing the next day. And the day after. And every single day for 30 days. She never wrote a script, animated a frame or recorded a single sound. She found something that already worked, fed it to Claude, let an AI rebuild it, and uploaded the result before she went to bed. Nobody knew who she was. No name, no face, no personality, no story. Just a channel quietly posting toddler cartoons every day. And YouTube paid her anyway, because YouTube does not pay you for being interesting. It pays you for watch time, and toddlers watch the same video until the battery dies. By the end of the month the payments were real. $20,000 to a girl who will tell you to your face that she is not smart. That is the part nobody wants to sit with. The barrier was never intelligence. It was never talent. The only thing standing between her and the money was whether she would run a boring 5 minute loop every day for 30 days without quitting. She did. Most people won't. The system didn't filter for smart. It filtered for showing up.

Marlow

28,524 görüntüleme • 1 ay önce

Meghan Markle infamous curtsy reenactment in the Netflix series was not a quirky anecdote. It was a glaring window into Meghan’s character, & it spectacularly backfired. By turning a simple gesture of respect into an over the top, sarcastic performance, complete with the mocking “Pleasure to meet you, Your Majesty,” she did not merely poke fun at royal protocol. She openly disrespected her husband’s grandmother and the cultural traditions she was marrying into. You do not have to adore the monarchy to show basic decency. Mocking it on a global stage is not empowerment. It is pettiness wrapped in self righteousness. It is contempt. What makes it worse is the attempt to sell this as innocence. She was not a sheltered teenager from another planet. She was a middle aged actress who had dated a prince, lived in the UK, and actively sought proximity to that world. She knew she was joining one of the most scrutinised families on earth. She could have asked. She could have researched. She could have practised quietly. Instead, she weaponised the moment years later. And Harry fares no better in this story. A man raised in palaces mentions curtsying in the car, yet apparently never bothers to explain what actually matters. Then he sits back while his wife mocks the moment on camera. Pretending she thought curtsying was some medieval parody is performative ignorance. That is not naïveté. It is affectation. Harry was complicit in the shade throwing, prioritising their grievance narrative over basic respect for his own family. What Meghan failed to understand is that respecting another culture does not diminish you. It elevates you. Courtesy is not submission. Learning customs is not erasure. When you marry into another family, another country, another culture, the basic adult response is to observe, learn, and show respect. Millions of people move across cultures every day. They learn greetings, gestures, and etiquette not because they are forced to, but because respect is universal. You honour others and in doing so you show character. Meghan chose the opposite. She treated unfamiliarity as something to sneer at, as if curiosity and humility were beneath her. The late Queen would not have cared about a perfect curtsy during their first meeting. She met presidents, dictators, pop stars, and children. She was pragmatic, warm, and famously forgiving of protocol mishaps. A genuine smile and a simple “Nice to meet you” would have been more than enough. Instead, Meghan chose theatrical disdain, reducing a lifetime of duty and service into a punchline for Netflix dollars. It was not funny. It was mean spirited, and it revealed someone who views other people’s customs as beneath her. That exaggerated curtsy was not for the Queen. It was for the audience Meghan always imagines watching her. The moment was not lived. It was stored, packaged, and later monetised. That is the pattern. Nothing is private. Everything is content. Every interaction is reduced to a punchline that flatters her and diminishes others. This moment was never really about a curtsy. It was about attitude. A woman secure in herself does not need to belittle someone else’s traditions to feel superior. She does not turn cultural difference into comedy and later into grievance. She adapts. She listens. She observes. That is how you gain respect without asking for it. If anything, that exaggerated curtsy made her look small, not modern. True confidence does not perform contempt. It practises respect quietly, even when the cameras are off. She did not merely reveal herself. She ruined herself, slowly and publicly, through moments like this. She did not need the press to torpedo her image. Her own words and performances did that for her. Respect is not about agreement. It is about not being gratuitously rude. Meghan’s mockery achieved the opposite. It made her appear insecure, arrogant, and unwilling to bridge any gap.
0:21

Meghan Markle infamous curtsy reenactment in the Netflix series was not a quirky anecdote. It was a glaring window into Meghan’s character, & it spectacularly backfired. By turning a simple gesture of respect into an over the top, sarcastic performance, complete with the mocking “Pleasure to meet you, Your Majesty,” she did not merely poke fun at royal protocol. She openly disrespected her husband’s grandmother and the cultural traditions she was marrying into. You do not have to adore the monarchy to show basic decency. Mocking it on a global stage is not empowerment. It is pettiness wrapped in self righteousness. It is contempt. What makes it worse is the attempt to sell this as innocence. She was not a sheltered teenager from another planet. She was a middle aged actress who had dated a prince, lived in the UK, and actively sought proximity to that world. She knew she was joining one of the most scrutinised families on earth. She could have asked. She could have researched. She could have practised quietly. Instead, she weaponised the moment years later. And Harry fares no better in this story. A man raised in palaces mentions curtsying in the car, yet apparently never bothers to explain what actually matters. Then he sits back while his wife mocks the moment on camera. Pretending she thought curtsying was some medieval parody is performative ignorance. That is not naïveté. It is affectation. Harry was complicit in the shade throwing, prioritising their grievance narrative over basic respect for his own family. What Meghan failed to understand is that respecting another culture does not diminish you. It elevates you. Courtesy is not submission. Learning customs is not erasure. When you marry into another family, another country, another culture, the basic adult response is to observe, learn, and show respect. Millions of people move across cultures every day. They learn greetings, gestures, and etiquette not because they are forced to, but because respect is universal. You honour others and in doing so you show character. Meghan chose the opposite. She treated unfamiliarity as something to sneer at, as if curiosity and humility were beneath her. The late Queen would not have cared about a perfect curtsy during their first meeting. She met presidents, dictators, pop stars, and children. She was pragmatic, warm, and famously forgiving of protocol mishaps. A genuine smile and a simple “Nice to meet you” would have been more than enough. Instead, Meghan chose theatrical disdain, reducing a lifetime of duty and service into a punchline for Netflix dollars. It was not funny. It was mean spirited, and it revealed someone who views other people’s customs as beneath her. That exaggerated curtsy was not for the Queen. It was for the audience Meghan always imagines watching her. The moment was not lived. It was stored, packaged, and later monetised. That is the pattern. Nothing is private. Everything is content. Every interaction is reduced to a punchline that flatters her and diminishes others. This moment was never really about a curtsy. It was about attitude. A woman secure in herself does not need to belittle someone else’s traditions to feel superior. She does not turn cultural difference into comedy and later into grievance. She adapts. She listens. She observes. That is how you gain respect without asking for it. If anything, that exaggerated curtsy made her look small, not modern. True confidence does not perform contempt. It practises respect quietly, even when the cameras are off. She did not merely reveal herself. She ruined herself, slowly and publicly, through moments like this. She did not need the press to torpedo her image. Her own words and performances did that for her. Respect is not about agreement. It is about not being gratuitously rude. Meghan’s mockery achieved the opposite. It made her appear insecure, arrogant, and unwilling to bridge any gap.

Queen Esther

185,593 görüntüleme • 6 ay önce

The Story Of Malaika Agba – The Woman Who Claimed To Be God Almighty in Alaafia Street Mushin Malaika Agba is known as a sheer terror and resides on Alafia Street by Isolo Road Junction in Mushin, Lagos State in south western part of Nigeria where she holds what I will call an absolute control over her followers and worshippers while simultaneously casting a shadow of gloom and doom upon the neighborhood. As at the time I watched her clip then, she had about 800 -1,000 worshippers but as it stands today, I do not know how many worshippers are still under her overpowering influence. Malaika Agba whose real name is Olayinka Oladipupo was based at Oke Moni at Isiwo-Ijebu in Ogun State. She was born in the same house in Mushin where she declared herself to be a God. As a young lady, she got married and had four kids, three of her kids have all di..ed and she is left with only one daughter. Her church has been described to look like the Cherubim and Seraphim. Her own church is named New Jerusalem Church and located around Alaafia Junction in Mushin, Lagos State, Nigeria. Its services are laced with fast-paced songs, members wearing colourful robes all singing the praises of the almighty and all-knowing Malaika Agba. Infact her church congregation where literary worshiping her after she proclaim herself as God. Malaika Agba is still very much alive and is running her church with a strong grip on her followers and worshippers. She is also accused of sleeping with her church members especially the male. She commands them to sleep with her and they always obey her command. She has no doubt in her mind as she makes the shocking claim that she is God and this same statement she made very clear in her interview with Kola Olawuyi. Actually, what really brought Malaika Agba to limelight was a criminal case filed against her. A 21-year-old girl named Bosede Olaniyi had died in Malaika’s home under very questionable circumstances. The girl was adopted by Malaika Agba when she was around 12 years old. Malaika Agba claimed she knew the mother of the child on a mountain where they prayed but did not really know of the father. She adopted the girl in 1997 and the girl was with her until around 2005 when she died all of a sudden and swiftly buried at the Matori Cemetery on the orders of Malaika Agba who said she was in a service when they called her and told her of Bose’s deth. Malaika Agba later confess that she used to do what she called ‘spiritual surgeries’ for her followers to ‘evacuate the dirtiness in their stomachs’. She had initially claimed that Bose ded after complaining of malaria. Following the outcry from the public, the corpse of the late Bose was exhu..med few weeks after her burial and taken to the Military Hospital at Awolowo Road in Ikoyi, Lagos where forensic pathologists said they notice an accumulation of bacteria around her heart and that under her elbow was a gaping hole of an injection. Malaika Agba later stated that it is true that means that she use to inject her followers when it was time for the ‘spiritual surgery’ What she injected them with cannot be ascertained as at the time of filling this report. Malaika Agba was arrested and detained at the Police Criminal Investigation Department (CID) Headquarters in Panti, Lagos State where she made all her confessions. But at that moment, the case died out and she was freed due to her influence and clout. Kola Olawuyi himself said he had to turn down the heat on the matter because if he pressed on with it, she would have been charged with murder and would most likely go to jail or even worse and that he did not want Nigerians to accuse him of being the one to orchestrate the ja.iling or exe.cution of another person. So he let the case d.|e a natural d.e.a.t.h and many people never heard of Malaika Agba again. Kola Olawuyi later dai and his very resourceful investigative journalism platform faded away. But my interest in the case never waned at any point as I always
8:10

The Story Of Malaika Agba – The Woman Who Claimed To Be God Almighty in Alaafia Street Mushin Malaika Agba is known as a sheer terror and resides on Alafia Street by Isolo Road Junction in Mushin, Lagos State in south western part of Nigeria where she holds what I will call an absolute control over her followers and worshippers while simultaneously casting a shadow of gloom and doom upon the neighborhood. As at the time I watched her clip then, she had about 800 -1,000 worshippers but as it stands today, I do not know how many worshippers are still under her overpowering influence. Malaika Agba whose real name is Olayinka Oladipupo was based at Oke Moni at Isiwo-Ijebu in Ogun State. She was born in the same house in Mushin where she declared herself to be a God. As a young lady, she got married and had four kids, three of her kids have all di..ed and she is left with only one daughter. Her church has been described to look like the Cherubim and Seraphim. Her own church is named New Jerusalem Church and located around Alaafia Junction in Mushin, Lagos State, Nigeria. Its services are laced with fast-paced songs, members wearing colourful robes all singing the praises of the almighty and all-knowing Malaika Agba. Infact her church congregation where literary worshiping her after she proclaim herself as God. Malaika Agba is still very much alive and is running her church with a strong grip on her followers and worshippers. She is also accused of sleeping with her church members especially the male. She commands them to sleep with her and they always obey her command. She has no doubt in her mind as she makes the shocking claim that she is God and this same statement she made very clear in her interview with Kola Olawuyi. Actually, what really brought Malaika Agba to limelight was a criminal case filed against her. A 21-year-old girl named Bosede Olaniyi had died in Malaika’s home under very questionable circumstances. The girl was adopted by Malaika Agba when she was around 12 years old. Malaika Agba claimed she knew the mother of the child on a mountain where they prayed but did not really know of the father. She adopted the girl in 1997 and the girl was with her until around 2005 when she died all of a sudden and swiftly buried at the Matori Cemetery on the orders of Malaika Agba who said she was in a service when they called her and told her of Bose’s deth. Malaika Agba later confess that she used to do what she called ‘spiritual surgeries’ for her followers to ‘evacuate the dirtiness in their stomachs’. She had initially claimed that Bose ded after complaining of malaria. Following the outcry from the public, the corpse of the late Bose was exhu..med few weeks after her burial and taken to the Military Hospital at Awolowo Road in Ikoyi, Lagos where forensic pathologists said they notice an accumulation of bacteria around her heart and that under her elbow was a gaping hole of an injection. Malaika Agba later stated that it is true that means that she use to inject her followers when it was time for the ‘spiritual surgery’ What she injected them with cannot be ascertained as at the time of filling this report. Malaika Agba was arrested and detained at the Police Criminal Investigation Department (CID) Headquarters in Panti, Lagos State where she made all her confessions. But at that moment, the case died out and she was freed due to her influence and clout. Kola Olawuyi himself said he had to turn down the heat on the matter because if he pressed on with it, she would have been charged with murder and would most likely go to jail or even worse and that he did not want Nigerians to accuse him of being the one to orchestrate the ja.iling or exe.cution of another person. So he let the case d.|e a natural d.e.a.t.h and many people never heard of Malaika Agba again. Kola Olawuyi later dai and his very resourceful investigative journalism platform faded away. But my interest in the case never waned at any point as I always

36kinniun media👑 🦁 🕊

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They have charged senior citizen Miria Matembe with sectarianism. It fits the pattern exactly. They picked sectarianism against a woman who spent her whole life fighting for every Ugandan woman regardless of tribe, and they picked it because the charge was never the point. The charge is the paperwork. It exists to give Luzira a legal sounding reason to swallow her, so that when you ask why a 72-year-old is in a maximum security prison, somebody can wave a file at you and call it due process. This is how the machine works now. We have watched it do this to Besigye, to Lukwago, to Eddie Mutwe and countless others. Matembe is just the latest name fed through it. She was brought into that courtroom held up by two people, unable to stand on her own. Days ago she sat upright in her own home, clear and strong, telling the truth about this regime out loud. Now she could not walk into a room without being helped, her body showed the signs of torture wherever they have kept her since they took her. Days missing, her family never told where she was. Then she is brought to court like this and a sane magistrate accepts the charges against her and sends her to prison. She begged. She cried in that courtroom, asking the magistrate for bail so she could simply get to a hospital and have a scan, just to know whether something inside her was broken. She said, plainly, that she would not survive a night in prison without help. This is a woman who sat in the Constituent Assembly and fought for the document that courtroom claims to operate under, reduced to pleading for a scan like a stranger begging at a gate. The magistrate looked at her and looked away, then sent her to Luzira anyway. That same constitution allows her bail. It does not protect her now, because the people running this country have decided it does not apply to whoever Muhoozi is angry with this week. So let us not pretend this is a country of laws. A country of laws does not carry a sick 72-year-old into court and remand her to prison in that condition. They abducted Matembe. They tortured her. Then they brought her before a magistrate with a charge sheet already prepared, so the whole thing would look like justice instead of what it actually was. This is the system functioning exactly as it was built to function, and that is precisely the problem. Get her out. Get her to a hospital. Whoever you support, whatever you usually scroll past, this one should reach you, because they are showing us plainly what they are, and they are doing it to one of the best of us while asking us to call it law. 🎥Misheline Mutuzo #FreeMiriaMatembe #FreeAllPoliticalPrisonersInUganda #FreeUganda
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They have charged senior citizen Miria Matembe with sectarianism. It fits the pattern exactly. They picked sectarianism against a woman who spent her whole life fighting for every Ugandan woman regardless of tribe, and they picked it because the charge was never the point. The charge is the paperwork. It exists to give Luzira a legal sounding reason to swallow her, so that when you ask why a 72-year-old is in a maximum security prison, somebody can wave a file at you and call it due process. This is how the machine works now. We have watched it do this to Besigye, to Lukwago, to Eddie Mutwe and countless others. Matembe is just the latest name fed through it. She was brought into that courtroom held up by two people, unable to stand on her own. Days ago she sat upright in her own home, clear and strong, telling the truth about this regime out loud. Now she could not walk into a room without being helped, her body showed the signs of torture wherever they have kept her since they took her. Days missing, her family never told where she was. Then she is brought to court like this and a sane magistrate accepts the charges against her and sends her to prison. She begged. She cried in that courtroom, asking the magistrate for bail so she could simply get to a hospital and have a scan, just to know whether something inside her was broken. She said, plainly, that she would not survive a night in prison without help. This is a woman who sat in the Constituent Assembly and fought for the document that courtroom claims to operate under, reduced to pleading for a scan like a stranger begging at a gate. The magistrate looked at her and looked away, then sent her to Luzira anyway. That same constitution allows her bail. It does not protect her now, because the people running this country have decided it does not apply to whoever Muhoozi is angry with this week. So let us not pretend this is a country of laws. A country of laws does not carry a sick 72-year-old into court and remand her to prison in that condition. They abducted Matembe. They tortured her. Then they brought her before a magistrate with a charge sheet already prepared, so the whole thing would look like justice instead of what it actually was. This is the system functioning exactly as it was built to function, and that is precisely the problem. Get her out. Get her to a hospital. Whoever you support, whatever you usually scroll past, this one should reach you, because they are showing us plainly what they are, and they are doing it to one of the best of us while asking us to call it law. 🎥Misheline Mutuzo #FreeMiriaMatembe #FreeAllPoliticalPrisonersInUganda #FreeUganda

King Melvin

11,747 görüntüleme • 14 gün önce