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Counterpoint:

Coach Dan Casey

185,726 subscribers

408,543 次观看 • 1 年前 •via X (Twitter)

体育新闻政治教育

Anya Rossi• Live Now

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#MHA I'm pretty sure y'all can guess who's in the quotes making excuses for his bullying and abusive behavior not getting addressed by adults. Notice how the majority of my criticism in that post isn't towards Bakugo's arc but instead the teachers. There's no reason his "fans" should be getting offended for Bakugo like I'm undermining his amazing character development or something. Infact him getting a sit down talk back in S2 would've made his progression even more natural and cohesive. Instead it had to happen after a huge fight and only then did All Might finally talk with them...in late S3 At least he acknowledged his own failure as a teacher in that moment for neglecting Bakugo, better than Aizawa who's actually been a teacher for a while lol. Also idk what tf that dumbass quote was talking about "Y'all just pissy because his personality didn't make a full 180 fast" as if that was mentioned anywhere in my post lmao Btw full grown adults who are responsible for the safety of kids allowing one of them to physically assault another unprovoked because it was part of the exam for them to get "along" is not a good counterpoint especially when no one talked to him about it afterwards. "Oh but Deku got him back with a punch" really...we're going down to that level. Don't even get me started on how Mineta is still around

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MiniMax H3 Prompt Share Anime fashion film with dance moves. You can use this for your anime music videos, openings or outros. Just add your character. Also, you can tweak the prompt however you like. Prompt: 15-second experimental anime fashion film. Use @[character reference] for the character’s exact identity, outfit and rendering style. A pristine, uniform lemon-yellow cyclorama with a seamless matte floor. Flat, clean yellow throughout, free of grain, gradients and set dressing. 16:9. No text or logos. The character performs one fast, unconventional dance phrase: ankles weave while the torso stays suspended, a wrist flick ripples through both elbows into a chest pop, knees fold into a low corkscrew pivot, then a heel swivel unwinds the body into an off-balance editorial pose. Continue through asymmetric shoulder rolls, angular arm threading around the face and a sideways glide with the head counter-rotating toward the lens. Every sharp lock immediately releases into another surprising movement. Convincing weight, precise foot contact and expressive follow-through. Electric cyan and hot pink dominate the motion effects. Bold, opaque silhouette afterimages peel away from opposite sides of the body, replay the previous gesture a fraction late and slam back into alignment on each pose. Arm sweeps stretch them into broad curved ribbons; crossing steps weave pink and cyan trails around the ankles; rapid turns fan out overlapping screen-print impressions. At the strongest accents, oversized cyan and pink cutouts of the current pose slide across the foreground, briefly masking the lens. Keep the real character crisp and recognizable, with clean yellow visible between effect bursts. The camera dances in counterpoint: skim backward at ankle height through advancing footwork, whip upward around an outstretched wrist into an extreme face close-up, then use the passing forearm to cut into a rotating overhead view of the low pivot. Dive to a tilted low-angle full-body composition as the character rises. Orbit opposite the sideways glide, exaggerating hands and feet near the wide lens. Accelerate between compositions and brake hard on pose locks. Finish with a sudden forward lean toward the lens while enormous pink and cyan echoes continue leaning farther, sweeping past both sides of the camera. Snap wide: the character lands a final asymmetric pose as the colored echoes collapse precisely into the silhouette. Hard cut to black. 170 BPM broken beat, syncopated accents, fluid animation and razor-fast camera transitions. No slow motion or prolonged holds.

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