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Created a 30-second AAA gameplay concept with Seedance 2.5 0n Runway Prompt 👇🏻

14,832,601 次观看 • 3 天前 •via X (Twitter)

40 条评论

Spooky Rat ⚔︎ 的头像
Spooky Rat ⚔︎2 天前

@runwayml Looks like shit. Thats not gameplay, thats a video.

⌜Retrofuture Dirty⌟ 的头像
⌜Retrofuture Dirty⌟2 天前

@runwayml You didnt create anything.

Audrius Kliukas 的头像
Audrius Kliukas2 天前

@runwayml It's just scuffed Temu version of Uncharted.

Uriel 的头像
Uriel2 天前

@runwayml There is nothing AAA about that.

J_C_A 的头像
J_C_A2 天前

@runwayml

pres 的头像
pres2 天前

@runwayml A video not actually gameplay is it

GreateCreate 的头像
GreateCreate2 天前

@runwayml But it’s a video using runway not a game

AhabBota 的头像
AhabBota2 天前

@runwayml Not created - prompted. Not gameplay - garbage clip with garbage slop.

Nyoks 的头像
Nyoks2 天前

@runwayml "Gameplay" "Concept" "AAA" yeah right...

Amira Zairi 的头像
Amira Zairi3 天前

Third-person fantasy action-adventure RPG with exploration, traversal, environmental puzzles, cinematic combat, supernatural abilities, and seamless transitions between gameplay and scripted events. **Environment:** An enormous ancient city partially submerged beneath a turquoise ocean, with monumental stone temples rising from the water, collapsed bridges connecting ruined towers, enormous statues covered in coral, waterfalls pouring from fractured aqueducts, tropical vegetation growing through abandoned plazas, schools of fish swimming through flooded streets, and mysterious golden machinery hidden beneath the civilization's ruins. The gameplay begins above water among sunlit ruins before descending into a massive submerged temple where an ancient guardian awakens. **Visual style:** Photorealistic Unreal Engine 5 fantasy gameplay, premium AAA action-adventure presentation, highly detailed ancient architecture, realistic water simulation, cinematic global illumination, volumetric underwater lighting, physically accurate materials, lush vegetation, detailed character animation, realistic cloth and hair physics, environmental particles, dynamic shadows, sophisticated VFX, smooth 60fps movement, restrained motion blur, and seamless cinematic transitions without losing the feeling of actual playable gameplay. **Player character:** A young explorer wearing weathered lightweight adventuring clothes, leather climbing equipment, protective bracers, boots, a small backpack, and an ancient golden device attached to the left forearm. The device allows the player to manipulate forgotten mechanisms and briefly control water currents, while a short curved sword remains attached to the character's back for close-range combat. **Gameplay camera:** Maintain a responsive over-the-shoulder third-person perspective during traversal and combat, allowing the camera to dynamically widen during large environmental reveals, move closer during narrow traversal sections, orbit slightly during combat encounters, and transition into brief cinematic framing during major scripted moments before smoothly returning control to the player. **Gameplay UI:** Maintain a minimal fixed interface with player health and stamina in the upper-left corner, a circular compass and objective marker in the upper-right corner, contextual interaction prompts near interactable objects, and ability icons in the lower-right corner. UI elements remain anchored perfectly to the screen throughout camera movement. **Core gameplay progression:** The player traverses collapsing ruins above the ocean, discovers a hidden entrance beneath the water, dives into a submerged temple, activates an ancient mechanism using the golden forearm device, accidentally awakens a colossal stone guardian, escapes through a collapsing underwater chamber, reaches the surface, and transitions directly into a dramatic boss encounter on a ruined platform. **Audio design:** Powerful cinematic game score mixed with environmental audio including ocean waves, distant seabirds, waterfalls, stone movement, climbing impacts, underwater ambience, muffled debris, swimming movement, ancient machinery, magical energy pulses, creature roars, sword sounds, UI feedback, and environmental destruction. **Negative guidance:** No subtitles, no dialogue, no logos, no excessive HUD elements, no first-person perspective, no guns, no modern technology, no gore, no blood, no dismemberment, no broken anatomy, no inconsistent character clothing, no random camera teleportation, no excessive motion blur, no low-detail environments, no cartoon graphics, no turn-based combat. **[00:00-00:04] THE SUNKEN CITY:** Begin directly in third-person gameplay with the camera positioned behind the explorer sprinting along the top of a massive ruined aqueduct suspended above brilliant turquoise water while the distant sunken city stretches toward the horizon beneath them. As sections of ancient stone begin collapsing behind the character, the player accelerates, jumps across a widening gap, catches the opposite ledge with both hands, pulls upward, and continues running while waterfalls cascade between enormous temple structures in the distance. The camera briefly widens during the jump to reveal gigantic submerged statues visible beneath the transparent ocean before smoothly returning behind the player. SFX: running footsteps, stone cracking, rushing waterfalls, ocean waves, climbing impacts, adventurous score building. **[00:04-00:08] COLLAPSING BRIDGE:** The player reaches a fractured stone bridge just as the entire structure begins collapsing toward the ocean, forcing the explorer into a high-speed traversal sequence where they sprint across falling sections, leap onto a tilted pillar, wall-run briefly across a carved temple surface, then launch toward a hanging rope attached to an abandoned wooden crane. The character catches the rope and swings across a massive gap while chunks of architecture crash into the ocean beneath them, producing enormous splashes as the gameplay camera follows the arc of the swing before rotating naturally toward the landing platform. SFX: stone collapse, rope tension, rushing wind, ocean impacts, traversal chimes. **[00:08-00:11] INTO THE WATER:** The explorer lands beside an ancient circular doorway carved into the cliff but discovers that its entrance continues beneath the ocean. A contextual **DIVE** prompt appears briefly as the player runs forward and leaps from the platform, transitioning seamlessly from an airborne third-person camera into underwater gameplay as the character plunges beneath the surface. Sunlight refracts through the water above while enormous statues, ruined buildings, coral-covered columns, and schools of fish reveal that an entire section of the civilization remains preserved beneath the waves. The player swims rapidly toward a glowing golden symbol deep inside the submerged temple. **[00:11-00:15] THE ANCIENT MECHANISM:** The camera follows closely behind as the explorer swims through a narrow opening into an enormous underwater chamber containing a dormant circular machine embedded within the temple floor. The player approaches its central pedestal and activates the golden forearm device, causing streams of luminous energy to travel from the character's hand into carved channels across the surrounding architecture. Massive stone rings begin rotating beneath the water, forgotten mechanisms awaken after centuries of silence, and the chamber gradually illuminates with warm golden light while an objective notification confirms the mechanism has been restored. SFX: deep mechanical rotation, underwater energy pulse, stone grinding, distant resonant hum. **[00:15-00:18] SOMETHING WAKES:** As the player turns away from the mechanism, the camera subtly rotates toward what initially appears to be an enormous carved statue embedded in the far wall, but two gigantic golden eyes suddenly illuminate beneath layers of coral and sediment. The entire chamber trembles as the colossal stone guardian tears one arm free from the architecture, sending clouds of debris through the water while its enormous fingers crush surrounding columns. The player immediately regains movement control and begins swimming toward the exit as the guardian's health bar slowly appears across the top of the screen. SFX: deep creature roar distorted underwater, cracking stone, falling debris, boss encounter tone. **[00:18-00:22] UNDERWATER ESCAPE:** Transition into high-speed underwater gameplay as the explorer swims through a collapsing temple corridor while the guardian pursues from behind, smashing through walls rather than fitting through the original passages. The player dodges falling columns, squeezes through a narrow opening, uses the golden forearm device to create a powerful directional water current, then allows the current to launch the character rapidly through the final corridor while enormous stone hands narrowly miss grabbing their legs. The camera shakes with each guardian impact while maintaining clear visibility of the player's escape route and objective marker. SFX: rushing water, muffled impacts, collapsing architecture, ability activation, guardian roar. **[00:22-00:25] BREAKING THE SURFACE:** The player shoots upward through a vertical flooded shaft as sunlight becomes increasingly visible overhead, then bursts dramatically through the ocean surface beside a ruined circular arena surrounded by towering statues. Without interrupting gameplay, the explorer grabs the platform edge, pulls themselves onto the stone, rolls forward, draws the curved sword from their back, and turns toward the water while catching their breath. Behind them, the ocean surface becomes strangely still for half a second before an enormous shadow begins rising beneath it. SFX: water eruption, heavy breathing, sword draw, music briefly dropping into tense silence. **[00:25-00:28] BOSS FIGHT:** The colossal guardian erupts from the ocean and slams both enormous stone hands onto the arena, sending water and fragments of ancient masonry across the platform while its upper body towers above the player. The camera automatically widens into full boss-combat framing as the guardian swings one massive arm horizontally across the arena, forcing the player to sprint, execute a perfectly timed dodge roll beneath the attack, then immediately counter by activating the golden forearm device and firing a concentrated energy pulse into a glowing weak point exposed along the guardian's wrist. The boss health bar loses its first small section as golden fractures spread through the stone armor. SFX: enormous impact, dodge whoosh, magical pulse, stone fracture, boss music reaching full intensity. **[00:28-00:30] YOUR TURN:** The guardian pulls its damaged arm backward and releases a deafening roar while additional golden weak points begin illuminating across its enormous body, clearly signaling the beginning of the full boss encounter. The explorer rises from the dodge, tightens their grip on the curved sword, and begins sprinting directly toward the guardian as the gameplay camera settles perfectly behind the character and multiple combat ability icons illuminate in the lower-right corner. End during active player movement rather than a cinematic pose, making the sequence feel like genuine gameplay continuing beyond the clip. SFX: guardian roar, running footsteps, sword resonance, UI ability chimes, powerful final orchestral rise. The entire video must feel like **real playable AAA third-person gameplay rather than a movie trailer**, with the player character continuously responding to environmental obstacles, contextual prompts, traversal mechanics, abilities, objectives, and enemy attacks while the camera behaves like a sophisticated dynamic gameplay camera. Maintain a clear gameplay progression from high-speed traversal above the ocean into underwater exploration, environmental interaction, accidental guardian awakening, underwater escape, surface recovery, and the beginning of a major boss encounter, allowing multiple game mechanics to be demonstrated naturally within the same 30-second sequence. Keep transitions completely seamless between traversal, swimming, puzzle interaction, escape, and combat without fades, disconnected montage shots, or unexplained location changes. The geography should remain understandable, with the above-water ruins visibly connected to the submerged temple and the final arena positioned directly above the underwater complex. The guardian should feel genuinely colossal compared with the player, with its body constructed from ancient carved stone, coral, golden mechanical structures, and centuries of marine growth. Its movements should feel extremely heavy, with believable inertia, delayed stone movement, environmental displacement, water interaction, and powerful impacts rather than fast human-like movements. Maintain the same explorer, clothing, sword, golden forearm device, architecture, visual language, UI design, lighting logic, and ancient civilization aesthetic throughout the entire sequence. The UI must remain fixed to the screen and should respond logically to gameplay events without obstructing important action. No gore, no subtitles, no dialogue, no first-person perspective, no cinematic black bars, and no transition that removes the feeling that the viewer is watching someone actively playing the game.

Datara ❤️‍🩹 的头像
Datara ❤️‍🩹2 天前

@runwayml Suddenly walks underwater and swim again. Giant vanishes to reapear as a different giant. That shit sucks and isn't even gameplay.

Vini 的头像
Vini3 天前

@runwayml Thirty seconds of gameplay concept, ambitious brief.

Amira Zairi 的头像
Amira Zairi3 天前

@runwayml Delighted that you liked it, thanks

Gryfounet 的头像
Gryfounet2 天前

@runwayml Can you release the build then? Since it's gameplay, it means it's playable, so you have a build to share, right?

Derrick Samuel 的头像
Derrick Samuel2 天前

@runwayml That’s a video. Not gameplay

J 的头像
J2 天前

@runwayml I'm positive people who make these just don't play games

Alex 🤟🏻🗿 的头像
Alex 🤟🏻🗿2 天前

@runwayml Not a gameplay, not a concept

Le Poulpe de l'Espace 的头像
Le Poulpe de l'Espace2 天前

@runwayml It's not a videogame. It's juste a (bad) video.

Farhan 的头像
Farhan3 天前

@runwayml this is a much better Seedance test than another cinematic montage. gameplay exposes consistency way faster

Amira Zairi 的头像
Amira Zairi3 天前

@runwayml Exactly, gameplay makes it really hard for a model to hide its mistakes 😅

anj 的头像
anj3 天前

@runwayml this look’s like a temple run upgrade

gecko2k 的头像
gecko2k2 天前

@runwayml this is NOT how games work r u insane LMFAO

OfTsukuyomi 的头像
OfTsukuyomi2 天前

@runwayml

Lightning 的头像
Lightning2 天前

@runwayml Holy shit, this is crap

Muhammad Ayan 的头像
Muhammad Ayan3 天前

@runwayml remind me of tempel run game

Amira Zairi 的头像
Amira Zairi3 天前

@runwayml Glad you enjoyed it, thanks

𝕵𝖔𝖑𝖑𝖞 𝕽𝖔𝖌𝖊𝖗 的头像
𝕵𝖔𝖑𝖑𝖞 𝕽𝖔𝖌𝖊𝖗2 天前

@runwayml Why create a video with video-game-style graphics when it’s just a video with no actual gameplay so not subject to the graphical limitations of video games? You could have achieved the exact same thing with a realistic, cinematic look That just goes to show how pointless it is

FrenchFrog 的头像
FrenchFrog2 天前

@runwayml This looks awful

snieklokje 的头像
snieklokje2 天前

@runwayml Seems about right; it has "it plays itself" thing from AAA, it has the "holds your hand" thing from AAA and it has the meaninglessness of AAA... so perfect concept for an industry that's morally and creatively bankrupt... just like AI trailers are.

Skye Walker 的头像
Skye Walker2 天前

@runwayml Looks like shit.

Darren 的头像
Darren2 天前

@runwayml You created a 3D video of temple run,congrats.

Marg' 的头像
Marg'2 天前

@runwayml Une copie moche, sans ame et moins bien animée que Uncharted en somme ?

atrain 的头像
atrain2 天前

@runwayml This looks like shit. Delete your account in shame.

Common Dante 🇵🇸 的头像
Common Dante 🇵🇸2 天前

@runwayml Looks like shit

Dheepan Ratnam 的头像
Dheepan Ratnam3 天前

@runwayml That gameplay footage looks genuinely next level

Amira Zairi 的头像
Amira Zairi3 天前

@runwayml Glad it resonated with you, thanks

Kai 的头像
Kai2 天前

@runwayml Swimming one second, then stands to press button, then runs while underwater then starts to swim again. Im so confused 😂

Charles Horwood 的头像
Charles Horwood2 天前

@runwayml Now actually make it into a game, stop bullshitting with this fake ass game concept shit, if your not going to take shit seriously and your all about low effort outputs, then basically what you are doing is pointless and worthless 👍

Anissa 的头像
Anissa3 天前

@runwayml This looks so real

Amira Zairi 的头像
Amira Zairi3 天前

@runwayml Happy to hear that, thanks

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