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Created this lil color generator over the weekend. There are so many algorithms to choose from for generating beautiful color palettes. Also, You can get the output as CSS, JSON, or Tailwind tokens. Check it out with sound on :)

182,325 次观看 • 1 年前 •via X (Twitter)

12 条评论

vijay verma 的头像
vijay verma1 年前

Check here figma plugin will come soon...

Mobile Scanner 的头像
Mobile Scanner1 年前

Scan any documents, convert images into text, PDF files, etc. 👍

vijay verma 的头像
vijay verma1 年前

I wrote this color generator logic for my plugin But, I thought what about make small app for web and just create frontend so do the same :)

Anton Gridz 的头像
Anton Gridz1 年前

Great work, Vijay! I’ll try using it in my next side project instead of the base Tailwind library. The sound really enhances the experience of interacting with the application.

vijay verma 的头像
vijay verma1 年前

Thank you Anton 🙌

Johnny Logo 🏴󠁧󠁢󠁷󠁬󠁳󠁿🇬🇧🇨🇱🐺 的头像
Johnny Logo 🏴󠁧󠁢󠁷󠁬󠁳󠁿🇬🇧🇨🇱🐺1 年前

This is really amazing and useful, already can see me using this right now!

Gustav Ekerot 的头像
Gustav Ekerot1 年前

Super useful and looks great! love the sliders and buttons, you even got the sounds effect 🤩

vijay verma 的头像
vijay verma1 年前

Hey, Thank you Gustav. Just weekend fun project :)

Magnus Helander 的头像
Magnus Helander1 年前

Great app, thank you! Learning about monochromatic colors, how they harmonize, it's hard. Came across Terminus, very skilled use of colors, thank you for sharing

vijay verma 的头像
vijay verma1 年前

Thanks for the link. I’ll check this out

soham (open to work) 的头像
soham (open to work)1 年前

I've been planning to build this for so damn long. thank you so much for actually doing it!

vijay verma 的头像
vijay verma1 年前

Cheers 🙌

相关视频

Eric Rohmer on the use of Colour in "La Collectionneuse" (1967) and "Claire's Knee" (1970): "I didn't use color as a dramatic element, as some filmmakers have done. For me it's something inherent in the film as a whole. I think that in 'La Collectionneuse' (1967) color above all heightens the sense of reality and increases the immediacy of the settings. In this film color acts in an indirect way; it's not direct and there aren't any color effects, as there are for example in Bergman's most recent film, his second one in color, where the color is very deliberately worked out and he gets his effects mainly by the way he uses red. I've never tried for dramatic effects of this kind, but. for example, the sense of time-evening, morning, and so on-can be rendered in a much more precise way through color. Color can also give a stronger sense of warmth, of heat, for when the film is in black-and-white you get less of a feeling of the different moments of the day, and there is less of what you might call a tactile impression about it. In 'Claire's Knee' (1970), I think it works in the same way: the presence of the lake and the mountains is stronger in color than in black-and-white. It's a film I couldn't imagine in black-and-white. The color green seems to me essential in that film, I couldn't imagine it without the green in it. And the blue too-the cold color as a whole. This film mould have no value for me in black-and-white. It's a very difficult thing to explain. It's more a feeling I have that can't be reasoned out logically." (Eric Rohmer's interview with Graham Petrie, Film Quarterly, 1971)

DepressedBergman

61,555 次观看 • 1 年前