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💗 Cuckold Dream - Part I 🍓 it's here for you.. 📢 🔥Enjoy..💦 Have fun & Remember💋 💗An SDF Studio Production📽 Shalina Devine Films Only3X Shalina Devine Candee Licious FrancisX

23,193 次观看 • 6 个月前 •via X (Twitter)

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🦙: hello everyone, I’m Ginny Natnicha. My fans/support are right over there! First of all, I want to thank the Kom Chad Luek Awards for giving me this opportunity. I have to say that the Kom Chad Luek Awards was actually the very first awards ceremony I ever attended in my life, which was just last year. I can still remember last year, going down the escalator with Jayna. We both had our hands placed over our hearts because we were so incredibly nervous. We started completely from zero. So to me, within the span of just one year, winning this award feels like it happened so fast. I also remember back then, there were some fans who came out to cheer us on. They told me, 'Next year, we’ll be here to clap for you when you go up to accept an award.' And now... I really am up here accepting an award! I feel like if my fans opened up a fortune-telling business, they’d be incredibly accurate! But anyway, I'm rambling, I’m just so nervous! The point is, this award doesn’t belong to me alone. I want to thank everyone working behind the scenes. Thank you to the team behind the Poisonous Love series, who made it possible for everyone to discover me. You all worked so, so hard. Thank you to the entire team at North Star, who have supported me for over a year now. Thank you to my family, my friends, and my parents who always give me encouragement whenever I feel discouraged. Thank you to our kind seniors, Mama, P’Tuk, and P’Tik, for giving me this chance. If you hadn't given me this opportunity, I wouldn't be standing here today. Thank you for making a little girl's dream come true. And thank you to my partner as well, Jayna, for staying by my side through this whole past year. Love you, Auan (Chubby). Lastly, I want to thank all the Alkeys and Pacas who kept voting for me. Just like Jayna said earlier, you guys voted day and night. Thank you so much. I really didn't think I would win on such a massive stage. To end this, I want to say: No matter what dreams you all have, please don't give up on them. Because even if every effort doesn't always lead to success, I truly believe that every success is the result of effort. Thank you so much💗💗 GINNY JAYNA AT 22ND KCL2026 #GinJayx22ndKCLAwards2026

พิ้งค์กี้(Pinky)

37,022 次观看 • 3 个月前

#REI #레이 Ending Ment for Tokyo Dome 🩵 🐥 tokyo dome really went by in the blink of an eye. looking back to when i was saying, “we’re going to tokyo dome for the first time!”, i feel like i’ve grown at least a little since then, and after the two days we recently spent at kyocera dome, the fact that we get to come back to tokyo dome for a second time, it really feels like a dream, doesn’t it..? 💭 🐥 i truly believe that the reason we were able to make this dream come true is because of DIVE's presence and support. thank you so much! 🙇‍♀️ 🐥 ever since my debut, from the moment i met all of you, i’ve always tried to be honest in front of DIVE while carrying out my activities. but... how should i put this? even when i had to take a little break, DIVE always told me, “we’ll be waiting for you,” didn’t you? 🐥 i still think about those moments from time to time, and because DIVE told me, “rei-chan, we’re waiting for you,” i’m able to stand here now, happily performing on stage with the five members, and today too, i feel like we were able to spend another wonderful time together with DIVE ☺️ 🐥 DIVE, did all of you have fun too? 🤿 we did!!! 🐥 i'm glad to hear that! thank you so much for choosing to support us and for making us a part of your lives 🫂 🐥 we’ll work even harder this year, and we want to become an even more wonderful group that can perform in even bigger venues in the future ( ๑ ˃̵ᴗ˂̵)و ♡ 🐥 you’ll continue to support us, right? thank you so much, and DIVE, i love you~ 🥹💗

썬기니

20,215 次观看 • 2 个月前

Jared Leto on how he prepared for his role in 'Requiem For A Dream' (2000) & the movie being a reaction to the "conventional Hollywood crap": "Interviewer: Did you find 'Requiem For A Dream' (2000) enriching? Leto: Very enriching. It's the hardest thing I'd done. I lost 25lbs for the role and I had an accent that I spoke in 24 hours a day. It wasn't like I could go home and get rid of it. I was in a constant state of hunger like my character. I was miserable. It was a painful, dark place, but it was rewarding. I don't know if you've ever fasted, but there were a couple of moments towards the end where I had hallucinations. I'd look up at the sky, and I'd get a feeling of complete serenity. Interviewer: Did you meet any drug addicts for the role? Leto: Yeah, I spent some time on the streets in New York. That was crazy. Interviewer: Did you try drugs, for the role? Leto: I didn't become a junkie to play one. I think drugs is a symptom of the problem. To me the issue is humanity, which has an obsession through the times with escapism. We want to get out of ourselves. That's why we party, we get drunk, we go on roller-coasters, we go on the Internet, we watch TV, we go to movies. This is the antithesis. This film to me is a reaction to the conventional Hollywood crap that we get fed, which sometimes is fun. I enjoy popcorn movies too. I'm not saying I'm never gonna make one, but I think it's important for films like this to be made. I'm happy to be a part of a film that takes a stand, and isn't afraid to spit in your face." (Jared Leto's interview with James Mottram, BBC, 2001) P.S: On this day, 26 years ago, Darren Aronofsky's 'Requiem For A Dream' (2000) premiered at the Cannes Film Festival, France.

DepressedBergman

19,805 次观看 • 3 个月前

Christian Kane talks bar fights, stunts & singing with Jensen Ackles (Supernatural 15-07 Last Call) #SPNToronto #SpnTor #Torcon "...and then Jay and I have been friends for, I mean, we were kids stealing a beer from an Emmy party, I think. We were both like in our young twenties, man. So it's just a lot of fun to be here with all my friends and stuff like that. So I appreciate you guys for letting me be here...." Q: "I was just hoping that you would tell us about how you got asked to be on the show and just your entire shooting experience when you got to go." "Jensen gave me a call. He gave me a call and said, 'Hey, you wanna come in and do this?' And I said (I have to be really careful because I'm so fortunate 'cause I got to work with my friends). But I said, 'How's the money?' He goes, 'It’s shit.' And I said, 'Do I die?' He goes, 'Yep.' I go, 'Do you kill me?' He goes, 'Yep.' He goes, 'First of all, it's me and you. It's a bar fight. You used to fight for my dad, and we get to sing Hank Williams Junior.' And I said, 'Where do I sign?' We showed up, and Jensen's always so professional. We went and had lunch... Those guys work hard. They work really, really hard. I mean, as Elliot Spencer — I did all my own shit. I choreographed the fights... I dare you to slow something down and see if it's a picture of me because you can't find it. It's a little bit different 'cause I'm expendable. Jensen's not. David Boreanaz is not. Sometimes people stand in for him, you know, they have to, 'cause they can't afford to get hurt. You just physically can't — financially or physically afford for those guys to get hurt. Jensen never left the set. We did all our own stuff — that fight was us. If he's coming up here after me... it was very painful. But he never left the set, and I was really proud of both of us. When you see us in there, that's us doing this stuff. He threw me around, we were throwing punches. He never left the set, and that made me feel really comfortable because that's where I felt most comfortable doing stuff, and I trusted him 'cause he's good at what he does. And so it was a very, very fun time for me. Me and Boreanaz used to joke around on Angel saying, 'What did we do? For five seasons we went to work and tried to kill our best friend.' And when you're an actor and you get to go to work and try to kill one of your best friends, it's a good day." Q: "So my question is similar... it's about the song when you and Jensen get up to sing. So was that always the song you were gonna sing, like right from the beginning when Jensen pitched it?" "Well, it was in the script, and I said, 'I don't know how they're gonna pay for this.' And then I remembered it's Supernatural — they got more money than, you know... So I was like, 'Alright.' The coolest thing about your question is that we got to go in on our day off, me and Jensen, and we got to record it. I didn't know at the time, but Jensen told me we got to record it at Brian Adams' personal studio... That was kind of a cool thing. And I hadn't sang in a while, and I remember the compliment from Jensen — as I went to the booth and walked out, he goes, 'You still got it.' I felt pretty good about myself."

Jensen Ackles Newsroom

11,447 次观看 • 1 个月前

(timestamp: 35:00) #quackity: i need to tell you something. there are people who, actually, there are people who don't realize it, but this has happened. there are people who sometimes see that no creators are online on the qsmp during the afternoon and their first instinct is to say “it's over... it's over! there's nothing left! there's nothing left!” friends... the qsmp has only been around for 3 months, and since the beginning of the qsmp you've seen how many afternoons i've logged in and there was nobody online. so don't worry. right now a lot of creators are traveling, there are creators taking breaks. i always see it on twitter. i always see the community take something this small 🤏, let's say. this is the line. something happens here and they take it all the way over here. or something happens here and they take it all the way over there! so friends, in english this is called doom posting. doom posting is when you exaggerate everything and make things seem way worse than they are. boom!! well... and with good things... well, doom posting isn't really about good things... anyway! remember that the qsmp is a temporary project. enjoy it! focus on enjoying it while it's here, friends. enjoy the project! have fun! if nobody is online today, there will be people tomorrow! and if there's nobody the next day either, then friends, just enjoy it. because that's what the server is about. then there are people who say "the server is all lore now! nobody plays like they used to anymore!" friends, just because the creator you're watching is doing a lot of lore right now doesn't mean every creator is doing lore. if your favorite creator is focused on lore, there are creators who aren't! that's what i'm talking about. focus on enjoying yourselves, friends. focus on having fun! that's what the server is about. don't fight! have a good time, have an amazing time, and let's keep going, friends. let's keep going with everything we've got!

astri

19,830 次观看 • 2 个月前

"With 'It's a Mad, Mad, Mad, Mad World' (1963) we didn't realize our silly dream of making the best-ever comedy, but we put together some good laughs, and if a comedy does that, it has done enough." --- Stanley Kramer Full Excerpt: "When the picture came out, the critics were stunned. After all those serious, humorless films, how could I have dared to make a picture like this? When they got over their surprise, they were fairly generous in their assessments, though none of them suggested it was the best comedy ever made. The two most common charges against the picture were that it had so many characters one couldn't identify fully with any one of them, and that it had just too much of everything. I had known that, of course, but I had made the calculated assumption that, in a comedy, too much was better than too little. The criticism apparently had no effect on the moviegoing public or the Academy voters. The picture made money from the start, and audiences everywhere laughed their way through it. It took me six months after the movie's release to come back to earth, to reality and perspective. Throughout the production, I was operating in an atmosphere that was rare for me, and I eagerly became a part of it —part of the fun, the laughs, the sideshows. So we didn't realize our silly dream of making the best-ever comedy, but we put together some good laughs, and if a comedy does that, it has done enough." ('A Mad, Mad, Mad, Mad World', Stanley Kramer, 1997)

DepressedBergman

28,721 次观看 • 9 个月前

Jonathan Demme on what attracted him to make 'The Silence of the Lambs' (1991): "Interviewer: You said you liked films with themes and psychological complexities. Is this what attracted you to 'Silence of the Lambs' (1991)? Demme: I saw the story of a woman in it. That was what appealed to me more than anything else. The idea of doing a violent picture, per se didn't hold any particular appeal for me- especially violence with women as the subjects. Certainly, that is the background of the film, but the film itself is very much the heroic struggle on the part of Clarice Starling to try to save a life, and that gripped me right away. We tried hard to swing the story very much from Clarice's point of view in order to force the audience into an even stronger identification with her than might ordinarily be the case. My cameraman, Tak Fujimoto, and I recognized that point-of-view shots are used in films often, but usually either for a particular point of emphasis, or for an extraordinary visual gag. What we decided to do here was to capitalize on the ability- of subjective camera to, once again, force identification with the character. We decided to use it, not just for a particular emphasis, but to bring that kind of emphasis to everything Clarice saw: operating on the premise that every scene she's in is a scene of great importance, let's show exactly what she sees in every single scene. Aside from the 1940s film 'The Lady in the Lake' (1947), we probably made the most use of point-of-view, in recent years anyway. We wondered if audiences might find it distracting, but we decided to commit to it anyway, because the potential was there to up the emotional ante quite a bit. The funny thing is, it's an easy shot to set up because all you have to do is watch what Jodie Foster does in the rehearsal and what she looks at; the cameraman watches that, and then it's his turn to duplicate what she saw. It's the easiest shot to dream up because you don't actually dream it up. You just copy what the actress is doing. When you get to the editing stage, theoretically certain kinds of shots need to precede a point-of-view shot for it to flow seamlessly into the montage- usually a shot of whoever's point-of-view it is, looking very, very close to the camera so it's not at all jarring when we turn around and see what they're seeing. It's quite easy to edit in as long as you have good close-ups of whoever it is whose point-of-view you're seeing." (Jonathan Demme's interview with Saskia Baron, the BBC's Late Show, 1991)

DepressedBergman

21,191 次观看 • 7 个月前

🎉#Katafam, OUR CLOSED BETA IS LIVE! 🥳 After endless days and nights of tireless work, we are excited to announce that the closed beta version of our exciting game has finally been released!🔥 Are you excited? Then share this with your friends, comment below and hit the ♥️ To take part in the closed beta, you need to hold ONE of these things: - Hold 500K $KATA tokens, or - Hold a Takeru Genesis Collection NFT, or - Hold one of the below combinations for the GameZone Sword or Bluezilla Axe NFT's: 1x Immortal 1x Legendary 3x Mystical 4x Rare 5x Common ➡️Mint your weapons here: Again: It's a closed beta! 📢Download it here now: 🥷 Draw your swords, prepare your spells and be a part of this incredible adventure! ⚔️ #Betarelease #NFT #GameFi #GetReadyToPlay #ExcitingAnnouncement #Closedbeta #play2earn #p2e #gamefi Here are the steps: 1. Create an account on our launcher. 2. Connect your Metamask to check if you hold tokens/NFTs. 3. Download and open the Katana Inu Game Folder from your Files then open the client. 4. Create a new account in the client again (We will soon make it possible to use one registration only). 5. Enjoy the game 🥷🔥 🎮Please note that this multiplayer game is currently in a closed beta phase and available globally. If you're seeking someone to play with, please join our Discord Channel to find someone to play with you, either 1on1 or 3on3! ⚔️Discord: Support: Feel free to reach out to our moderators or send us an email if you need any assistance, have any questions, or encounter any bugs.

Katana Inu

57,934 次观看 • 3 年前

[eng trans] Gunil's 11-Minute Concert Ment at Summer Xcape 2026 🐹 hello, it's gunil. so, did something happen yesterday? firstly, i'd just like to share a few thoughts about how i felt during today's show. i'm always the type to talk for a long time, so i'm trying to be careful because i'm worried some of you might fall asleep. but if you want to sleep, that's okay. you have the freedom. 🐹 anyway, the thing i felt while performing today was that... honestly, i think yesterday we were all still a little shy around each other. i know some of you were here yesterday too. because of that, i was honestly really worried about today. ah, but still, we only had two days to begin with, so since this is the second and final day, we really have to enjoy ourselves and have fun without any regrets. i wanted Xdizzto have fun, and i wanted villains to have fun too. but i kept thinking, will that really work out? i was really worried about it a lot. 🐹 but the moment today's first performance started, you all welcomed us with such loud cheers that i think those worries just disappeared. and honestly, today, even when we made our silly jokes, you reacted so well. you cheered like this even when jooyeon was just tuning his guitar. ah, i'm really, truly grateful for that. so, in conclusion, i had a great time today. 🐹 i think it's almost been five years since our debut now, right? five calendar years, right? anyway, some time has passed, and while we've stood on countless stages during that time, i think yesterday and today, Xcape 2026, will remain one of those performances that i'll remember for a very long time. 🐹 today's concert was really fun. but when i think to myself whether that means it was a perfect performance... personally, i don't think so. while i was playing the drums and listening through my in-ear monitor, there were parts i felt like were lacking. and the more i perform, the more ideas i have about areas we can improve so we can make our concerts even more enjoyable. i've noticed a lot of those things myself, and found parts i wanted to improve. so yes, although today's concert was really fun, i won't let us become satisfied with just this. i want us to continue creating performances that are even more fun and have better quality. that's something i really wanted to tell all of you. 🐹 did you all have fun? you all traveled such a long way to get here. for a lot of people, yeongjongdo is actually pretty far away. so the fact that you came all the way here just to see xdiz, is really an act of love. thank you once again, from the bottom of my heart, for loving us so much and coming all this way to support us. i'm not crying. my nose isn't stuffed either. can you hear my sniffling? when i talk quietly, I don't think you can hear me. 🐹 anyway, along time ago, i made a promise to you all, didn't i? i said that xdiz would always be the kind of team that keeps simmering bone broth. [see reply for the context of his "real bone broth" ment] of course, if you eat bone broth every single day, eventually you might start doubting and think "is this really bone broth?" because you get so used to it. but i really cross my heart on this. i'll bet everything on this. without lying, i'll always give my absolute best. i think that's only natural. isn't it wrong to not give your best? 🐹 anyway, i hope you'll continue to believe in us. i hope you keep trusting xdiz. we'll also keep working hard so we can live up to that trust. i believe that precious relationships, as they get deeper, will have more crises/problems. because, well, think about your precious friends. or maybe a neighborhood friend you're close with. or a classmate you were incredibly close to. haven't there been incidents where suddenly that relationship becomes strained because of a crisis? but i believe that a crisis can become an opportunity. so even if there are any of you who may have doubted us, i want to use that as an opportunity to keep proving ourselves to you. 🐹 i hope you know that we're never the kind of people, or the kind of team, that would carelessly take you for granted or treat your love half-heartedly. and i'm so grateful that there are far more people who don't think that way. we really love you all so much. we'll keep talking together after every show, giving each other feedback among ourselves, adressing the areas we fell short on today, and working hard to show you performances that are even more fun and with higher quality. 🐹 oh, right. earlier, when i talked about that promise while mentioning the bone broth, there was something else i said back then too. do you remember me saying the bigger this group gets, as more and more new villains join us, i mentioned that i was afraid some of you may leave so i said i wanted to protect all of you no matter what. nobody actually says things like "what will you protect? protect yourself first." but i think you all understand what i feel. 🐹 honestly, every single one of you is genuinely precious to me. whether there's just one villain or 200,000 villains, you're all still villains. but as our fandom keeps growing, it naturally starts feeling like one huge group. so because of that, i think we might stop feeling like we're seen as an individual person anymore. once again, what i want to tell you here is that every single piece of love that each of you sends us is incredibly precious. really. every single one of you. everyone here, from zone 1 all the way to zone 7000 is so incredibly precious to us. 🐹 when one person comes together... ah no, not just one person. when one person, then another person come together, sometimes they become ten thousand people. that's how it goes, doesn't it? 🐹 anyway, you all know the song "one candle", right? oh, i'm sorry. this is really the last one... actually, you all know i'm a tmi talker. you know, a too much talker. so for a while, i've been telling myself, "ah, i need to restrain myself" and holding back but it's been a while, so, i'll loosen up my mouth a bit more. 🐹 i really love the song "one candle" it talks about how when one candle joins another, then another, and so on, they become one really great light. you are every single one of those lights. when you're standing alone, in a way, you might sometimes feel insignificant. but truly, every one of you is not insignificant. not at all. 🐹 we will become xdiz that grows by constantly reflecting on ourselves, growing through self-reflection, and will never lose our humility so we can become a team that doesn't feel insignificant even if there's just one of us, and even if there were only one of you, we'd still give everything we have until the very end. we would be really grateful if you'll keep believing in us until the very end. and i'll keep believing in our villains until the very end too. thank you. 🐹 also, wasn't this concert amazing? the drums came down from the sky. the instruments came down too. so many incredible things prepared for this show, but this concert couldn't have happened through our efforts alone. there are so many staff members working behind the scenes, and honestly, i think they worked even harder than we did. please give our staff a huge round of applause. and finally, villains, please give yourselves a round of applause too.

ten 🪐

30,206 次观看 • 2 个月前

On the invasion in Cueta: THEY ALWAYS TELL YOU Today this film that has lived in my head for over 30 years comes to life in front of my eyes. 'The March' is a 1990 film shaped after 'Camp of the Saints' - A group of several thousand Africans migrate westward across northern Africa and sail across the Strait of Gibraltar to Europe. Their message is: "We are poor because you are rich." Why do I remember it? I was a child when I saw it. But some of the images were haunting in a way I cannot describe. For over 30 years - THIRTY YEARS - I have thought of this scene...the migrants slowly moving into quaint British towns, peering through windows at unsuspecting families, invading homes, demanding what those fat, rich Westerners have. When I tell you not a week goes by where I haven't thought of it, I mean it. Not. One. Week. Watching those Muslim men pouring into Cueta brought it to mind, although I had no idea what it was called. The magic of modern AI led me back to it and I have chills watching this again. Listen to the tv host as he says, "It's a publicly stated attempt to come into our streets, our homes, and shame us into helping them. Or, as they say...WATCH US DIE." They always tell you what their intentions are. They always tell you what they're going to do. And look at the studio audience in this film. Completely white. Is there anywhere in the UK you can see that anymore? From 1990 to today...that's how long it took to bring the magic of the movies to life. But it's here now. Yes, they always tell you. In 1990 I would have been 15 years old. 15yo me was hardly conservative. Still, this scene in particular stuck with me and has been locked away in my brain since that moment. Frankly, it's almost a relief to spill it out onto the page finally. I think this flag planted in 15yo me because that little girl was way more intuitive then I've ever given her credit for. 15yo me knew there was something ominous in the presentation, and she filed it away for a time when she wasn't completely submerged in a socialist household. 15yo me saw something dastardly, a warning. I couldn't articulate that at the time. I probably even felt an affinity for the migrants at the time. And yet, this scene has never left me. Today, I understand. Today I finally see. This was a projection...an announcement. 36 years... These globalists are patient. They don't mind moving slowly. They've been executing the reality of this film for that long, and now they have arrived. A full scale invasion, much like the premise of this film. They always tell you. We need to recognize the long game, and understand that the incremental changes are not to be ignored. They are part of the plan. It may be too late for Spain, for Europe. They did not heed the warnings given by the globalist elites themselves. They are overwhelmed and disarmed. America: I believe the Lord tattooed my heart with that movie and this scene for this very day - for me to tell you - THIS IS US. WE ARE NEXT. The invasion is coming and it will look exactly as they planned and exactly as they told us. We have already experienced a bit of this during Biden, but that was a fraction of what is to come. Heed these warnings. It is time to close ranks and protect what is ours. They have already announced themselves. We can no longer be so foolish as to believe they didn't really mean it. They always tell you.

Kira

18,928 次观看 • 1 个月前

Sora 2 has the capabilities to make an entire anime episode with time and effort. This is a turning point for generative AI models and it is terrifying to think what is next to come. The difference between Sora and Sora 2 is absolutely staggering. Yes, this looks cool. I put the time into it to make it as close to art as possible. This was not simple to make and not just prompting and throwing it in some editor. Every frame is generated of another scene and even the reference image for characters I used to start this project were AI generated. This was all created with 10 second clips pulled apart and chunked out into the final product. Regardless of the imagery you see, I did not directly use any artist's art for this video. This 10-minute video was generated over the course of a week from more than 700 text prompts. It was built on technology trained by scraping the uncredited, uncompensated contributions of countless human artists and animators. The creation of this single video consumed an enormous amount of energy and water, equivalent to powering a home for days and requiring hundreds of liters of fresh water for cooling. But that is nothing. In the 10 minutes you spend watching this, the global network of AI video generators will create over 6,250 more short videos. The combined energy required for that 10 minutes of global creation is enough to power an average household for nearly 2 years. - It's a double-edged sword. While AI uses immense amount of energy has clear immoral issues with scalping the hard work of artists, this also provides those a medium who have potentially spent their life attempting to draw out the ideas in their head and failing to grasp it. My sister is an artist, I grew up always attempting to draw but never could get the image in my head on paper, I've spent the better part of over 20 years to teach myself through watching videos and practice, however I don't have steady hands and frankly have just been unable to make any vision come to life. Which brings me to the conflict here. This would have been a dream of mine to be able to get frames created and flesh out the story in my head. To make this video professionally, it would be an absurd amount of money. A small studio by itself would be over a million dollars just to start up. To hire a studio would be most likely over ~200k. I would love to make this story I have in my head through legit and traditional means, I would love to start a Kickstarter to get funding and hire artists, voice actors, and a production team. However I know that would most likely be an impossible reach that would further fuel the hate. Regardless, I understand the worry this causes. The fear this produces. However, we can't just ignore where AI is currently at and just tell people not to use it or even worse threaten people who use it. People will always use the shiny new toy in front of them, so the real question is how do we either make it work for us and work along side it, or how do we ACTUALLY implement a method to protect art rather than tell people to not use it. Respect your artists. Review their ToS and don't upload their hard work to a model without permission.

LUͦʷCͦk

18,417 次观看 • 10 个月前

how I’m building fractl for a $10M exit in 6 months, so I can produce my dream musical 🎤🎬 I don't know how 🤷🏼‍♀️ That's what the show is about ha. Figuring it out, in real time. Wish me luck lol fractl's new docu-series ‘‘The Crypto Hustle’ launches feb 26. Final-fucking-ly. thank you Superteam Canada & Solana for the funding and for making Episode 1 possible 🥰 For those of you who are new here, hiiii 🙋🏼‍♀️ my name is Rime Salmi, I'm an artist who accidentally built the biggest investor network in web3. And now we're producing a 12 episode documentary about how I'm working my way back to being an artist, with funding. the origin story. when I crashed with the last crypto cycle, back to zero (plus tax) at my grown age, I had to ask myself what the hell I was gonna do with my life. I always just wanted be an artist. With agency. So i worked and paid for everything, studio, music videos, started a record label, all that to keep my artistic freedom, for my entire career. Had some success, lots of failed experiments, lots of tears, and lots of fun. After I lost everything to the terra luna crash (mistakes were made 🥲), I had to figure out how I would fund the dream next. I needed a break from the emotional roller coaster of trading crypto, so I went back to school for the grant money (thank you government of Canada). I relocated to madrid for a change, and started making tiktoks. Skits that I thought were funny. Skits that i thought were risky but honest and necessary. I’ve always loved saying out loud what others are ashamed to even think 🤓 if you follow me on ig or tt you know ha I was having a blast. Creating all day. Some tiktoks took off. Ones that felt very personal. I felt seen. I was at my happiest, filming, editing, singing and pretending to listen in class, for the grant money. Then it hit me. That's what i want. I wanna be telling stories. I dont wanna be just a singer, just a songwriter, just an actress waiting for auditions to come my way. I wanna do it all, tell more stories, write and produce them. so…A musical? But I hate musicals 😭 why do they start singing in the middle of a conversation?!? whyyyyy A musical for people who don't like musicals??!!! 🥹 That’s it!! A MUSICAL FOR PEOPLE WHO DONT LIKE MUSICALS 🤩 DONE. So from the lowest of my finances, in the middle of career confusion, with a bruised ego from failing so miserably at my first crypto cycle, I found something great to get excited about for the rest of my life. I needed to validate the feasibility… because I know I’m a dreamer who gets shit done, but I’m very much a idealist. so I asked my good friend of mine and the producer of my first 2 albums Benny Adam (now a rising star, this is me clout chasing) for advice. I asked him: ‘is this too much? For me to wanna produce a whole as* Netflix series, music and all?? He’s the most talented, ambitious yet realistic guy I know. And I knew he would tell it to me like it is, but kindly. Because he’s also a nice human 🫶🏽 ‘So?? Is it too big of a project??’ He paused… I looked at him, hopeful 🥹 ‘Ya. It’s a reeeally big project 😕’, he said. Fuck. and then he paused, again. Just tell me, I thought. Tell me aaaall the reasons this is a bad idea… 😞 beat. ‘But if anyone can do it, it’s you’ cue inspiring battle field music Reeeallyyyyy? 🥹 I teared up. I’m tearing up now writing this. Because at that low point in my life, that’s what I needed. Just one person who really knew me, to remind me, despite my circumstances, of who I am and what I’m capable of. That I’m crazy, yes, but in a good way 👉🏽👈🏽 Shokran Benny. I don’t think you know how much that meant to me (I’m gonna tell him again because he’s on episode 4 of the Crypto Hustle ha) Ok. So. Musical it is. When I ran out of back-to-school government money, and needed to be an adult again, I reintegrated the crypto space, with a purpose. I called my friend and mentor Armando Pantoja and asked him what he thought I should go for in terms of job (I needed a break from entrepreneurship). He said ‘I’ve seen you at conferences, you’re really good with people, you know marketing, and you actually understand crypto. He said go to conferences, you’ll figure it out. Just show up’ I did. I showed up to eth denver 2022 and I started the first iteration of what became fractl as an influencer marketing agency, because I saw a good skill-market fit and because I couldn't find a job lol but I hated it. I dont wanna manage influencers, I don't wanna manage artists. I’m an artist, I would never manage me, that's crazy 😂 One thing led to the other I became a fractional CMO. An opinionated one 🤓 I found myself always trying to lead founders towards personal storytelling… suggesting they put themselves out there more. I really believed that it would help them build trust in a space that so desperately needs it. Then, I started hosting our investor events (to get leads for the agency), and saw the struggle of founders building and fundraising at the same time and the original idea for this show started to form. We need bolder marketing in this space. What if we followed these founders around the world at all these conferences and followed their journey, building a company, raising, launching a token, failing. In these ruthless markets, with the drama of personal sacrifices… I could see it so clearly 😃 So I started pitching it. THE BEST MARKETING CAMPAIGN EVER GUYS!! WHO'S IN?? No one. I couldn't convince a single founder of the vision.🥲 Maybe I wasn’t qualified enough in their eyes to carry out such a big vision, following multiple founders on a 6 month production around the world. They were probably right lol But I’m also a little crazy. And really really stubborn. That's something right?? A few months later, inspiration still strong, I told pablo erminy who's worked on multiple Netflix shows about it and he said: ‘why dont you just tell YOUR story? You have a great story, people will wanna watch you build in public to fund your artist dream. As a first reality tv production, one story is more than enough to handle.’ Wise man. Maybe i did underestimate how complex a multi-lead, international, real-time, film production would be 😬 Done. because I know great advice when I hear it. PIVOT! 🛋️ So that’s how ’The Crypto Hustle’ was born. This journey I was trying to sell to other founders, I would do it for myself. show not tell. Now the funding. I tried selling the project to sponsors on and off for over a year, between the normal fractl operations, hiring, training, firing, messing up, learning. And only ended up spreading myself so thin, that I neglected the core business. Company became a mess (for others reasons too, that I will come up on the show, hint: boys) Bottom line is, we lost more money than we made, trying to sell a show. I should've known. Film fundraising is a producer’s full time job lol Fast forward 1 year, 2 pilots and a near bankruptcy later, I’m now launching Episode 1 from Korea and just wrapping episode 2 from Hong Kong. No funding. (except for Episode 1, thank you again Superteam Canada 🥰) Fuck it. Might not be the big production I had envisioned, but all the core principles and the emotions, and team talent is there.. An MVP. Now. because waiting for things to align would just delay this indefinitely. And because I have more conviction than ever. not only in authentic storytelling as the best marketing, but also because my soul needs this. I need creativity to keep going. If i stay too long in business mode without publishing art, stories, songs, dances, funny skits, I find no reason to wake up in the morning. Not to be dramatic, but I really only wanna be an artist 😂 Also, the timing IS ideal. because in my mess, I got lucky 🥰 I found a production team that felt right instantly. Love at first meeting. not only are they aligned with the docu-series concept, but with the end vision too. The cultural impact I wanna have with the musical. vegetable Badr, Momo, @JuicySocialAgency, you're my favorite part of 2026 🫶🏽 So here we are. About to launch episode 1. Documenting the process of building fractl for a $10M exit in 6 MONTHS, so i can produce my dream musical 🥰 It’s about to be epic. Or a massive failure, in public. can girl with the pink hair make this happen? 👀 let the adventure begin 💚☺️ full episodes will be on my youtube channel. go subscribe ok?

🌸 Rime Salmi 🌸

10,429 次观看 • 6 个月前

(1/2) Last night's Aidan Kearney meltdown over his falling out with Karen Read on an X Space is the peak of catharsis and real-time online toxicity: It starts with the the bombshell claim about Aidan recorded Karen Read, moves to Karen's newly-released texts about being "done" with Aidan after "someone" sent a recording of that conversation to David Yannetti and Alan Jackson, then spirals into ad hominems, and ends with Kearney storming off to counter-publish. The flood of primary source documents posted on online overnight, thus, acts as the host's (Chris) victory lap over Kearney. FULL TRANSCRIPT; *(Cleaned for grammar/spelling, punctuated for flow, and line-broken for readability. Some errors are expected.)* **Aidan:** Am I on? **Host/Other:** You're on. **Aidan:** So who are you? Who is this? **Chris:** Don't worry about it. It doesn't matter who I am. **Aidan:** Well, it does. You're some fucking kangaroo court motherfucker talking about her. What the fuck do you know about anything? **Chris:** Well, I don't know exactly what you've been doing. **Aidan:** So what are your sources? What are your sources? What are your sources you're talking about? Huh? You don't know your sources? What do you talk about? No, your sources. Shut up. Let's see 'em. Let's see your sources. **Lily:** Hang on, Aidan. I'm the host. I'm Lily. **Aidan:** Yes, Lily. Hi, Lily. How are you? **Lily:** I'm good. I'm just going to wait. I know you may not know it, Chris, but you know me. And so I just wanted to say hi. **Aidan:** Yeah, I know, but this Koala motherfucker is up here making shit up, running his mouth nonsense. Let's see the receipts. I mean, what were you talking to Karen Read about? What are you talking about? Who the fuck are you? **Chris:** I'm asking you flat out: Did you or did you not record her phone calls between yourself and Karen? **Aidan:** I did not. I did not. **Chris:** Okay, so Karen is lying? **Aidan:** You talked to Karen Read? Karen isn't talking to anyone in the media, but she's talking to this call-the-motherfucker. That's what you're telling me right now. **Chris:** Like I said, If you want to go down this hill, stand ten toes down." **Aidan:** I'm calling you out because you're making shit up. **Chris:** Who? I'm not making anything up. I'm not making anything up. I'm not making anything up. **Aidan:** So let's see it. Let's see the fucking evidence. Let's see your communications with Karen Read where she says that. Let's see it. **Lily:** Hang on. Chris, you're going to have to provide the receipts. **Chris:** I'm going to tell you, the guy who's doing this—you know, he's going to put them out. **Chris:** Do you really want to prove it? You want to prove it to me? I've got all the mistakes that come out. I can't. Literally. Yeah. Yeah. Sure. What's that? Let's see it. Let's see it. Produce it. Tweet it out right now. **Aidan:** So I'm denying it—like, hardcore, 100%. I'm the guy you have to deny it to. I don't, because you've become a bit of a fuck-up. It's about as fucking legitimate as Lindsey trying to be a rake. Let's fucking see it, motherfucker. You got it, right? 'Cause I—accusations—I always bring fucking receipts. Where's your receipt, bitch? **Aidan:** You got 'em? **Chris:** I've got 'em now. I think you want me to be saying—to be honest—hang a room on the fucker with no receipt. **Aidan:** You got 'em? Yes or no? **Chris:** I've got a receipt. Where's your fuck? **Chris:** You just need, bro—you just need to like chill, because you're gonna have a lot of fucking neck on your face, because I don't really care. **Chris:** I said to the people who bought this story: If I end up having egg on my face, I'll put everyone's name in it, and I'm given—I have a... Just shut your fucking mouth for one fucking minute. **Aidan:** Right. Let's see it. **Chris:** I've just messaged the person. **Aidan:** Joe Flipp, you want to talk about a fucking psychopath? That motherfucker is—just, Joe Flipp. Really want to fucking go there?" 'Cause it's Joe. You can just say it's Nick from Philadelphia, isn't it? Yeah, I know all about Nick from Philadelphia. If you fucking want to go there and the fucking hell—that psychopath—what Olivia Lambo went through. You just don't want to come out. Does he want to talk about all that? Does he want to launch? **Chris:** Okay? You know what? How was your lunch with Meredith the other week. Fuck it. I don't care. How was your lunch with Meredith? How's your lunch with Meredith? **Aidan:**What the fuck? **Chris:** Chat, what, what am I talking about? How is your lunch with Meredith here? We got—you know what you want to do? You want to carry on and be a fuck with me here? I like you—always up. **Chris:** How was your lunch with Meredith a couple weeks ago, and what did you play for her? What the fuck are you talking about? Yeah, what the fuck am I talking about? You know exactly what I'm talking about. And I'm trying to do this respectfully, but you come in hot like you always do. So now I'm just gonna fucking do it. How was your lunch with Meredith the other week? **Aidan:** I didn't have one with Meredith. Yeah, bullshit. Okay, so that's it. So someone else is lying now. **Chris:** So you're gonna call Meredith a liar? Why? Meredith's a liar? **Aidan:** Are you talking to Meredith? **Chris:**I'm not talking to Meredith. **Aidan:** What are you talking about? **Chris:** Okay, well, so you have great Meredith in an Oscar. If you said that to Meredith, you just spread rumors. That's what you do—you don't spread any rumors. I want to laugh tonight about this. **Erika Walsh:** I warned you, Chris, about this last night. **Aidan:** You got no—Joe Flipp—fucking feeding you nonsense. That slimy psychopath, fucking nut job who called in Olivia's entire family to harass them—to the point where she had the fucking... Nothing to do with Olivia. And Joe's Flipp— **Chris:* this is to do with you. Stop deflecting, that motherfucker. **Aidan:** I'm telling you this—he's the one telling you this. **Chris:** I've been told by three different people. Three different people. There's people in this chat who know about this. There's people in chat—they won't stand up and say anything, but I know the people who know about this. **Aidan:** Bring all these lame cons up one by one so I can slam 'em down one by one, because none of you motherfuckers got a receipt to back up any of this shit. None of you do. Bring it. By adding them. **Chris:** Stand by. Stand by. Stand by. **Joe Flipperhead:** You have the text, bro. You know I saw the screenshot. **Aidan:** So we gonna talk about what you did to Olivia Lambo? We have a lot of things, dude. **Joe:** You're deflecting. When you... **Aidan:** You want to go there? Mark Bedderow? Oh, of being in on a fucking conspiracy against you? To tell us—if when we told you Olivia Lambo... You made us fucking get on a FaceTime with her because you thought she was dead. You thought you were being catfished by her, fucking... I was, and so we agreed to do a Zoom call with her. And when I called you and I told you Olivia Lambo is real—I just saw her face. What did you do? You accused me and Mark Bedderow of lying to you, of being in on it, because you are a fucking psychopathic motherfucker. And I didn't put it there because I don't want to fuck... **Joe:** Yeah, you did put it out there, though. If you want to get into the Olivia thing, that's fine, and I'll go down that road. But you're calling me a psychopath You fucking recorded Karen Read's fucking calls and sent them to people. **Chris:** I'm just gonna keep muting him because he's yelling. You can say it. **Aidan:** Is this Lily's space or yours? **Joe:** I have the text, dude. I'll put it on one of our... Your—She told me she's fucking done with you, dude. **Aidan:** All right. I'm going on my own right now. I'm calling out fucking Joe Flipp-ed life. If I get muted one more fucking time. I'm gonna do a whole fucking... Thank you. I'm publishing all your fucking texts—the whole world can see what a fucking sadistic psychopath you are. You controlling predator piece of shit. You fucking go there. **Chris:** This is completely the actions of a normal innocent person. **Aidan:* You're a pyscho freak. **Joe:** Yeah, says the guy that recorded Karen. **Aidan:** Oh, yeah, let's hear it. See the fucking recording. Can I hear it? **Joe:** I got the text saying you recorded. But the text says there's a recording, so where's the fucking recording? *Aidan:** Hey, let's hear Joe. Why? I just got asked if I'm—what would you say if I'm a massage in this? Like, go— **Joe:** Why does Liv still text me to this day? **Aidan:** You text her. Oh, you want to see the receipts, dude? I've seen the receipts—all of them. Okay, I got all the receipts. **Joe:** You got the August ones, the September ones where she misses me and hates how things ended? You got those? Fuck, I see 'em. Publish 'em. I will do it. I don't plan—I talk about you. Go for it. **Chris:** You're doing everything back. **Joe:** When I told you how she wouldn't FaceTime me for three months, how she puts up month-old pictures if you wouldn't fucking... **Aidan:** Yeah, you know why? You know why she wouldn't do that? She's just not into you. Ever have you do this with every girl you fucking talk to? **Joe:**You said to me, after reading the text from her sister— **Chris:** Says the guy who is swining on a 19-year old. **Joe:** You said Aidan, that she said to you, "she's love with you," bro. That's what you said. She's in love with you. That's what you said. Yeah, when her sister—and then he can get you caught by somebody. Let's just get back to you. Deflection from Aidan, who doesn't want to be on the line. **Joe:** As you wish—she wouldn't FaceTime me. She wouldn't meet up with me, and she lied to me constantly. Yeah, why would she meet up? **Aidan:** Maybe she's just not that into you. Ever think about that? Maybe she's just not that into you. Maybe you saw the text. I know, I know—it's hard for you to accept that the girl just doesn't want you. You have to accept the person doesn't want nothing to do with you, isn't it? I did, and you got clingy and possessive. And so she fucking stopped talking to you, so you called her mother and you talked—you don't even know because you're psychotic, bro. I'm fucking... you. *Joe:** You're just deflecting, bro. This is fucking pathetic. I'm not your one. She's talking about this. **Aidan:** I got no fucking thing—you—you are a fucking psychopath. **Joe:** You're first of all—she doesn't want you to fucking be talking about this because why? **Aidan:** You're the one fucking airing it out now, motherfucker. **Chris:** You're the one airing it because you got caught recording Karen. **Aidan:** So let's hear the recording. Let's play the recording. You got a recording of me, right? **Joe:** I know you did it, dude. **Aidan:** What? **Joe:** I know you recorded. Are you lying? Karen Read's a liar? All right, am I...? **Aidan:** You are the fucking coward. Where's the recording? What recording you talking about? You're—you're— **Joe:** You're accusing Karen Read of lying about this? **Aidan:** Yes. **Joe:** You're really—are you really serious? How many fucking—serious? **Aidan:** Let's hear the fucking recording. **Lily** Chris or Joe? Please play it. Did it? You didn't have... for people. Can you please provide a receipt? Just like I think it's fair. **Joe:** Aidan has it. **Aidan:: I thought you had it. I thought you had it. Let's hear it. Let's hear the recording. **Joe:** All right, you sent me the text that I sent. You haven't... **Aidan:** Yeah, let's—so let's hear the actual recording. Does it exist, though? **Joe:** So Karen is lying. **Aidan:: Karen Read would never lie (sarcastic tone). Oh, yeah. **Chris:** True color. *Joe:** So yeah, let me just run this: You recorded it. You recorded the conversation. You showed it to people, and then the very next day she randomly accused you of fucking doing it. That's what happened. That's what your story is, right? **Aidan:** There's no fucking recording. **Joe:** There is, dude. Where is it? **Aidan:** So let me hear it. Play it. **Joe:** I don't fucking have it. **Aidan:** Oh, you don't know if there's a recording, do you? Thank you. Because you're full of shit. I know—I just fucking caught you. That's what you just said. Those—bring it up here. I talked to somebody—bring her up here. Bring Karen Read up here, bro. You talked to her? Bring her on up here. **Joe:** I spoke to somebody that you played the recording for. Okay, oh—you know, just—I just say I've already said it, so just say it. Okay, I said I wanted to not say her name, but you know who—you played it for. **Aidan:** I haven't played it for anyone just— there's no recording. **Joe:** Stop fucking lying. Let's hear it from the point. *Aidan:** Let's hear it. Let's hear it. **Joe:** Aidan, this is fucking crazy, dude. **Aidan:** I'm not the one that fucking caught it—got blocked by Olivia's mother, and fucking brother... **Joe** Here we go. This is deflecting, and dude—that's admitting how fucking guilty you are right here. **Aidan:** Let's hear a fucking recording. You said you got a fucking recording, right? **Joe:** Nobody said that. We said—oh, Karen Read doesn't want to talk to you anymore because you recorded her calls, set them to people, and it got back to her. **Chris:** I got a question for you, Aidan, I didn't know—so sure. When you went on your little pity party and then you— **Joe:** The worst part is you lied to everybody acting on it. You had no idea what was wrong and why she she fucking set you straight—trying to get sympathy. That, my friend, is fucking psychotic. **Aidan:** Okay, okay, sure thing. Yeah, you said I sent the recording out. Where's the recording? *Joe:** Dude? It's not—I'm not obligated to fucking get the recording. **Aidan:** Oh, yeah, you wouldn't want to back it up, right? **Joe:** You're so—you're going to go on record that Karen is lying? Say it. You're caling Karen Read a liar about this. **Aidan:** There is no fucking recording. **Joe:** You're lying, dude. It's fucking crazy. This is what's here. It—play the note. You played it for somebody. You got it. I don't got it. **Aidan:** Let's hear you play it. You're the one that says there's a fucking record. **Chris:** I mean, that's—you have a history of recording people. **Lily:** Wait, we have—well, I feel like we have a responsibility as me as a host to Chris and... You're both—you're actually both not providing a receipt, and I'm—Aidan is actually asking for a receipt. I have to—for the recording. **Joe and Chris** He has—asking for the recording. **Lily:** You guys—she has which he sent to—we know I said. So who has it? One of the receipts. I know you're not gonna have— **Aidan:: you don't have the recording because— **Lily:** Just fucking say it. Karen doesn't want the recording out there. **Aidan:** What recording? There's no recording. **Joe:** Never even asked her for it, to be honest with you. **Aidan:** And so you wait—yeah, you never asked. Thank you—you never asked. **Joe:** Karen is fucking so done with you, bro. She sent—she told me about this completely unsolicited. **Lily:**That's beside the point, and I'm not the first—(Joe) Karen's done with him, ..but what the fuck—just post the fucking receipt for him. **Chris:** You can't come on here saying he has it, Lily. He's seen the same thing you've seen. He's even seen the same thing that I showed you. **Lily:** I know. You don't come on here and say I've got this, and then Aidan demands a receipt—you deserve. Okay... **Joe:** He's deflecting, asking for a recording he knows about the text. **Lily:** Yeah, I know, Joe. I get what you're saying, and I respect every—like what you're saying, but he's denying it. **Joe:** Fine, I'll post the fuck—I'll post them right now. I really don't give a fuck. **Lily:** Thank you. And that's immense—he can—he can then riff like whatever he can. I can't—I'm so like nervous. I've got dry mouth because... Then Aidan can like look at those, and he at least has—you know exactly what's been spoken about. He's just denying it. I can't say that, and I get it, but he is asking for the receipt, which is fair. And **Joe:** I'll even add the text message when he came on here initially. He said it was all alive, right? He said he sent me—fucking text message on Monday morning. **Lily:** I see it. We've established that now. We established that Aidan's denying it, so just post the receipt that you have, and then he can actually reflect on that and—and do you see what I mean? He's not gonna turn around now and say actually it is true. But if you've got the receipt, he can then say, "I will—this is x, y and z there." I just think it's fair—like... **Aidan:** Now, yeah, what he has is a screenshot that he claims is from Karen Read. It was— **Joe:** You're saying it's not from Karen Read. **Aidan:** I don't—there's no fucking name on the top. **Joe:** Yeah, I have it. Do you want me to read? **Aidan:** Okay, so there was an allegation? I'm reading. **Joe:** Do I have a text from you saying I was sent the same thing the morning after the verdict? Did you not say that to me? **Aidan:** Yes, you sent me the same thing the morning after the verdict. **Joe:** Okay, so then she sent it to me too. **Aidan:** Yeah, she knows—she said to me the morning after the Wilbur—she after the morning after the show, she said that she was sent a 30-minute fucking tape. Where's the fuck? What tape? Okay, she's not fucking accusing me. I have no—there's no fucking tape. There's no tape. She thinks I recorded her because I fucking told people about the conversation. That's it. **Joe:** You're telling me you didn't? **Aidan:: And I'm telling you I fucking didn't. You're wrong. **Joe:** 100% You're lying, dude. **Aidan:** Okay, so prove it. Let's see it. You got evidence, right? You like evidence? You got Any? **Joe**: I mean—I—a screenshot of—how many people did you send it to? **Aidan:** Zero, because there's no recording. **Joe:** There is. **Aidan:** Let's hear it. Play it. Let's play it. Let's go. **Joe:** Let's hold on. Let's hold on. Can I go real quick? So you come in here calling it—you were making fun of Chris because he's an Australian motherfucker. He doesn't have nothing, right? You said there was no text, no proof. And then now we're transitioning to the recording because I don't have the recording. Okay, so you think Karen Read is just fucking lying about this? How would she know? How would she know what about the recording? **Aidan:** There is no recording. **Joe:** You're telling me you didn't show it to anybody? Is that really what you're gonna tell people? **Aidan:**There's no recording to share with anyone. Okay, okay. Well, I mean, you got evidence, right? To back this up. **Joe:** Yeah, right. **Aidan:: You got something, right? Yeah, yeah. Did you been right? I mean, you have that, right? You have that right because you wouldn't say something—because if you know I had it, right? **Joe:** I have—why Karen Read won't speak to you. **Aidan:** You have a screenshot of a conversation with Karen Read. You don't have an actual fucking audio, though. **Joe:** I have—in Karen Read's words. Why do you think she would lie about this? **Aidan:** Do I think she would lie about having a recording? **Joe:** She wouldn't lie about this. Explain that one—about having a recording. **Aidan:** Yes, I know she's lying about that. **Joe:** Why, though? **Aidan:** I don't know why Karen is acting the way she is. It's unfortunate. Yeah, and honestly, I'm not the one—you're a fucking airing it all out right now. That's odd that Karen would green-light you coming on here and fucking doing this. That's kind of odd. Because I love you—notice, but like—kind of yeah, we raised 1.1 million fucking dollars for a little... Here I know—here, I'm here. I'm here. There's still a— **Chris;** there's no because you—still a fucking snake. Yeah, I know. He records people's phone calls. **Aidan:: Let's hear the tape. Let's hear the tape. You're the one making—you guys got nothing. Nothing. Nothing. I just sent the fucking text out. Just say—there you go, buddy. **Aidan:** Okay, so Karen Read is green-lighting this sort of drama? That's what you're saying? **Joe:** I asked her. I said—you asked her? She said yes, go ahead. I said, do you want your side out there? She said, 'sure. You're gonna read it? Sure. I told many people my side. This is my last straw. I would never and have never betrayed him. Meanwhile, he has put me in harm's way in a huge way multiple times.' **Aidan:** I put her—fucking words, okay? Not mine. Yep. Okay. I put Karen Read in harm's way? I went to jail for Karen Read. I don't know if you're familiar. **Chris:** You didn't go to jail for Karen Read, you fuck. **Aidan:** Oh, really? Then what am I on bail for? What is—the full—what's the full? **Chris:** You went to jail for Karen Read? You went to jail because of Lindsey. You went to jail because you're a fucking dick. **Aidan:** Why was I on bail? I think you're a fuck—while you're on bail. I'm saying because—why would I care? Maybe someone in the night— **Chris:** hey, you're full of shit. You're a fucking hell. **Aidan:** What the fuck was I on bail for? **Joe** Because they may know that—if you didn't record it, why are you being so hush-hush about it with everybody? Why would he just tell the people what she was saying since she's lying? What do you mean hush-hush about it? **Aidan** You think I won't talk about what she texted me? But you were hinting at it because I don't want to hear the fucking drama, but apparently she does because she's—you fucking do this because you're recording. Thank you. You're telling me no recording of any fucking phone calls? What's the—what's the fight? So you weren't mocking her the past however long—every time you went on the show saying you owe everything to Karen, all that shit? How is that little white lie? **Aidan:** I owe everything to Karen? What? Why is that little sub-story? You went on two weeks—how is that mocking her? That wasn't in the recording. What recording? There's no fucking recording. **Joe:** I heard it was a 10-minute recording. Does that make sense? **Aidan:** No recording, bro. Let's hear it. You heard it. Let's hear it. **Joe:** Dude, I'm not putting that part out here. **Aidan:** She's talking about her shit. What she's texting you right now—obviously. Who egging this on, isn't she? **Joe:** Who? Okay? Okay, who? Keep playing dumb. Hey—who? **Aidan:** Mm-hmm? Believe it or not—you guys got nothing, right? **Chris;** We got good—from the horse's mouth, mate. I mean, it's not over the horse. Yeah, that's enough for me. I don't need... **Aidan:** Karen's not talking to anyone in the media. **Joe:** If you read the text message, I just reached out to her as a friend—just to reach out and say hope you're doing well. She went into this whole thing about you. **Aidan:** So you reached out—let me get this right—you reached out to her just to say hope you're doing well, and the first thing she did was complain about me? **Joe:** Yes, okay. That says it all. There we go. Where is she? Tired of me? Maybe she's fucking tired of you telling the people bullshit. **Aidan:** What—what—what—what—what bullshit have I told people? That you have no idea why she won't fucking come on your whatever it is. **Aidan:** What do you mean I have no idea why? **Joe:** That's what you've been saying—you don't know what's going on, like you feel a bit sorry for—like the thing with the fucking Howie Carr, dude. That was ridiculous. **Aidan:** What was ridiculous? You're the entire way you handled—I didn't say a word about that. **Chris:** Yes, you did. You deleted the receipt, but let's see—where did I complain about her appearance on Howie Carr? You made a lot of all quiet. Oh, this fuck it. Oh... **Joe:** Wait, but you think we're fucking dumb? Do people are fucking dumb? So where did I—after you deleted it, and then you made a post about deleting it. **Aidan:** What did I say about it? I don't remember. **Chris:** But you don't remember? Yeah, you deleted it, bro. You deleted it. Yeah, remember? You deleted it. And then you made a post about the deleting of the post. Part 2 coming later.

Grant Smith Ellis

85,913 次观看 • 11 个月前

‼️🚨🔵PRESSER🔵🚨‼️ 🎙 Enzo Maresca's Full Pre-Barcelona Press Conference – Part 1/2 🔹 Enzo Maresca on Cole Palmer's boot: "Yes, yes. We don't know when but for sure he will be back soon. He is already on the pitch, touching the ball ⚽ and the feeling is good 👍🏽." 🔹 Enzo Maresca on Cole Palmer: "We are here [talking] for tomorrow's game. After that, we will start to think about Arsenal. I don't think so at the moment [that he will be available vs Arsenal]. The last time I spoke with Cole was after the session yesterday to see how he was feeling. But I didn't ask him details about the injury at all." 🤷🏽‍♂️ 🔹 Enzo Maresca: "It's a big week, as you said, but at the end of this week, we have Leeds away, Bournemouth away, Atalanta away 🛫— so it's another big week. Every game is three points 🎯. Barcelona tomorrow and Arsenal on Sunday are important for different reasons but it's important for us to go game by game." 📆 🔹 Enzo Maresca on Fernandez form: "I've always thought he was a great player ⭐. At the beginning, he was struggling to understand the role but he is in an important place for us on the field." 🔵 🔹 Enzo Maresca on his goal against Barcelona in Super Cup final win: "As a player it was an important moment. It was the easiest goal of my life 😅. We were winning 2-0, the penalty was in the 90th minute and there were six extra minutes. Nice feeling, but it's a completely different thing now. They are an unbelievable team 💫 but we will do our best to win the game." 💪🏽⚽ 🔹 Enzo Maresca on the dream of managing Barcelona: "You know me because you are always in my press conferences, whenever you ask me what is happening in the future, I always talk about how I'm happy to be here." 😊🔵 🔹 Enzo Maresca on Yamal/Estevao comparisons: "Estevao is already playing at a high level. He is starting for Brazil 🇧🇷. He is very young and for sure he can do many things better. We are very happy with him. It's nice for people who love football to watch Estevao and Lamine Yamal and Pedri — this is the beauty of football ⚽✨. We are happy Estevao is with us, and hopefully he is going to do well." 🙏🏽💙 🔹 Enzo Maresca on Lewandowski danger: "For sure he is a fantastic player. He has shown all his life that he does the most important thing in football — score goals ⚽🔥. We are going to try and defend as a team, be aggressive, like we always defend. But they have so many players; Lamine Yamal, Fermin, Frenkie de Jong… but we are going to try and win the game." 💪🏽🔵 #CFC | #Chelsea | #UCL | #Interviews 📲 CFC_ChelseaFC via Telegram 📹 Beanymansports via Youtube

Miki Djan

29,456 次观看 • 9 个月前