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I’ve heard countless tributes to Charlie Kirk, but this sermon from Pastor Rob McCoy stands out as the ultimate testament to the life Charlie lived and the mission God gave him. “I look at Charlie and his life as modern-day Moses.” I strongly urge everyone to watch this full message: "One man in God constitutes a majority, and that's what Charlie was. He understood that God was the majority and he operated in that context. And he continued forward even though it wasn't popular. You'd be with him at some of these campus events. It'd be Charlie, a handful of us, and a sea of detractors." "He would just continue by the spoken word. He wasn't a violent man. He built turning point on nothing more than the spoken word, logic and reason, logos. And every day he was threatened by those who couldn't contend logically with the spoken word. And he would step forward without any fear because as the apostle Paul said, I have been crucified with Christ." "It's no longer I who live, it's Christ who lives in me. I is ego, self-preservation, Charlie had given his life to the Lord and it was in his hands and he was going to step forward courageously without fear. Because in the absence of courage, truth is an orphan. And Charlie was fearless, just like you are. And he knew every day with those threats that he was in danger, but his life belonged to God." "Like he would say, I'm immortal until God's done with me. And as he would step forward and contend, he would win hearts. And now it's not, Charlie in a sea of detractors. It was Charlie, a handful of us, and a sea of red hats and people professing having come to Christ because of him sharing his faith."

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Denzel Washington’s epic monologue towards the end of Training Day was largely improvised on set. Director Antoine Fuqua was so blown away by his performance, he says he thinks he "forgot to yell cut”. He explains… “That’s Denzel. He was just in his zone. I mean, that was one of those moment...people talk about AI. Those are the moments where you go...it's a great tool. It's gonna be a great tool, I think...but the emotion, and the moment that an actor can bring - you can't predict that. That's something that's just inside of Denzel. And when that came out, I was just like - I hope I got it. I just turned to my operator - who was shaking- I looked over at the guy - I was like, “please tell me you got that.” Because that was the take. That was it. There was no other take - I mean, how do you tell an actor like that, that that wasn't good enough? …He walked over to me, and he just had this look in his eyes. I was like, “you good?” He said, “you good?” I said, “Yeah…” Some of that was in the script, but he flipped it the way he did it. "Putting cases on all you." He kind of added some things in there. And then he just went into a whole other zone with the whole King Kong thing- with Pelican Bay - Denzel started that. That was Denzel. That was him, man. He just kind of lit up, and I think I forgot to yell cut. I was just watching it, because everybody started walking away, and I'm just watching him, and then he lights a cigarette - and he's talking - and I'm just watching him. I think at some point he probably looked at me like, you going to cut? And I'm like, “oh yeah, yeah, cut.” He was still in it. That's the thing with Denzel. He was so Alonso…I'm just watching him for a while because I didn't know what else he was going to do. It was just so magical. And then I think he looked up at me and I was like, “Okay, cut, cut.”

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