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Dagknight technical progress As would be mentioned in a still unshared post by Michael Sutton, the dagknight effort is split into v0 devnet, v1 testnet and v2 mainnet candidate. I’ve been testing the current v0-based implementation in a small devnet with the help of some testers who run nodes...

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coderofstuff

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52,857 görüntüleme • 3 ay önce •via X (Twitter)

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An update for everyone who is not in our Discord... Obviously we are still early in development, and our team has been working hard to release updates for everyone to see. We have a peak at the terrain, which is this picture is based of the North Dakota drift prairie, Great care, time and effort was put into the terrain to create smooth rolling hills, the road network in this region will be challenging, just as it is in real life. From Will The current state of the TIV2 model, which will include a lot more in depth details, From Jlkillen03 The stages of damage to a Blender made house, From Kunahic And how texturing will be used for assets like the interiors! From BSP
0:17

An update for everyone who is not in our Discord... Obviously we are still early in development, and our team has been working hard to release updates for everyone to see. We have a peak at the terrain, which is this picture is based of the North Dakota drift prairie, Great care, time and effort was put into the terrain to create smooth rolling hills, the road network in this region will be challenging, just as it is in real life. From Will The current state of the TIV2 model, which will include a lot more in depth details, From Jlkillen03 The stages of damage to a Blender made house, From Kunahic And how texturing will be used for assets like the interiors! From BSP

Severity

18,883 görüntüleme • 3 ay önce

When officiating the line of scrimmage, general philosophy is not to be overly technical and split hairs over very minor infractions (such as a receiver's hand slightly breaking the LOS). However, when an infraction is so egregious and obvious, a flag has to be thrown. Kadarius Toney is blatantly lined up offside and in the neutral zone. You rarely see an offsides penalty on the offense, but that is not because this play in #BUFvsKC isn't a foul. It is because a receiver rarely lines up offsides.
0:10

When officiating the line of scrimmage, general philosophy is not to be overly technical and split hairs over very minor infractions (such as a receiver's hand slightly breaking the LOS). However, when an infraction is so egregious and obvious, a flag has to be thrown. Kadarius Toney is blatantly lined up offside and in the neutral zone. You rarely see an offsides penalty on the offense, but that is not because this play in #BUFvsKC isn't a foul. It is because a receiver rarely lines up offsides.

Gene Steratore

7,244,451 görüntüleme • 2 yıl önce

another mini update with examples of octra state inference speed - it has grown even more with the latest updates the circle version is performing well and is already acquiring some kind of interface, the future plans are clear - expanding capabilities, adding ml-tools and deploying more complex mechanisms (this is an early version, but significant progress has already been made) the devnet version is written entirely in Applied circles will allow the creation of multiple, fully private and verifiable models, they can be assigned tasks, combined into rooms and given different access rights, the so called agents will come to life in the state and will be able to work directly with the network (this is useful for debugging and deep tuning) this direction definitely has potential and we will continue to work on it
0:16

another mini update with examples of octra state inference speed - it has grown even more with the latest updates the circle version is performing well and is already acquiring some kind of interface, the future plans are clear - expanding capabilities, adding ml-tools and deploying more complex mechanisms (this is an early version, but significant progress has already been made) the devnet version is written entirely in Applied circles will allow the creation of multiple, fully private and verifiable models, they can be assigned tasks, combined into rooms and given different access rights, the so called agents will come to life in the state and will be able to work directly with the network (this is useful for debugging and deep tuning) this direction definitely has potential and we will continue to work on it

λ

23,050 görüntüleme • 1 ay önce

What a day! 🤯 Algorand was mentioned 32 times by Google in its whitepaper on quantum risks, highlighting its leading work in PQC! Not sure everyone realizes how BIG this is, massive credibility for $ALGO and huge recognition for the team! 👏 Algorand has been one of the few blockchains/DLTs taking the quantum threat seriously for years, as it's not a question of if but when. Post-quantum implementation takes time and resources, it needs to be anticipated! The past few months have been incredible for $ALGO on that front, as it became one of the first major chains to execute a post-quantum transaction on mainnet using NIST-selected Falcon signatures! Not to mention the great news from a few days ago, with Chris Peikert officially joining Algorand Foundation from AT after the merge! So exciting, as Chris is literally one of the world's leading experts in post-quantum cryptography! What a chance for Algorand to have him and some of the best experts in PQC on its team! SO BULLISH 🔥🔥
0:15

What a day! 🤯 Algorand was mentioned 32 times by Google in its whitepaper on quantum risks, highlighting its leading work in PQC! Not sure everyone realizes how BIG this is, massive credibility for $ALGO and huge recognition for the team! 👏 Algorand has been one of the few blockchains/DLTs taking the quantum threat seriously for years, as it's not a question of if but when. Post-quantum implementation takes time and resources, it needs to be anticipated! The past few months have been incredible for $ALGO on that front, as it became one of the first major chains to execute a post-quantum transaction on mainnet using NIST-selected Falcon signatures! Not to mention the great news from a few days ago, with Chris Peikert officially joining Algorand Foundation from AT after the merge! So exciting, as Chris is literally one of the world's leading experts in post-quantum cryptography! What a chance for Algorand to have him and some of the best experts in PQC on its team! SO BULLISH 🔥🔥

Ⱥlex | france.algo 🇫🇷

25,144 görüntüleme • 2 ay önce

I built a directory of beaches in manus in just two prompts it's ridiculous, BUT here's why *you* are more important than ever: it still relies on crawling the web and on other sites to provide the data. for an MVP of a directory, or pseo site, or saas etc that's fine. it's never been easier to whip up that idea in minutes but if you want long term success you need to be the source and not the fork - and that only comes from doing stuff ai can't replicate (yet) all of the data from this site was crawled from elsewhere. is it accurate? how often is it updated? what if those sources change? when it becomes so easy to do things like build a directory or vibe code a saas, doing the hard things is more important than ever i have another app in this niche that has around 10,000 monthly active users it's been going for years and years at this point on autopilot i did it by painstakingly parsing time series of sea temperature data from the us government with a bot that runs 4x a day - no ai 😭 (currently has 63.4m rows of data) this site is the source for manus and other tools and is very accurate. I've had many opportunities to sell the data into bigger companies and none of that would be possible taking the easy route anyway: tldr manus is amazing but humans working on the hard problems with ai as a copilot is still the way you win
0:10

I built a directory of beaches in manus in just two prompts it's ridiculous, BUT here's why *you* are more important than ever: it still relies on crawling the web and on other sites to provide the data. for an MVP of a directory, or pseo site, or saas etc that's fine. it's never been easier to whip up that idea in minutes but if you want long term success you need to be the source and not the fork - and that only comes from doing stuff ai can't replicate (yet) all of the data from this site was crawled from elsewhere. is it accurate? how often is it updated? what if those sources change? when it becomes so easy to do things like build a directory or vibe code a saas, doing the hard things is more important than ever i have another app in this niche that has around 10,000 monthly active users it's been going for years and years at this point on autopilot i did it by painstakingly parsing time series of sea temperature data from the us government with a bot that runs 4x a day - no ai 😭 (currently has 63.4m rows of data) this site is the source for manus and other tools and is very accurate. I've had many opportunities to sell the data into bigger companies and none of that would be possible taking the easy route anyway: tldr manus is amazing but humans working on the hard problems with ai as a copilot is still the way you win

Ian Nuttall

13,959 görüntüleme • 1 yıl önce

🚨 It’s Time! The DevNet is LIVE! 🚨 After a long night of hard work, the DevNet is fully deployed and operational. And here’s the best part: you’ll explore it today! 💡 What Awaits You: Real-time execution on pairs like BTC/USDT, ETH/BTC, SOL/USDT, and more. Millisecond precision uncovering and executing only the most profitable trades. A fully optimized system, now ready for you to experience firsthand. Get Ready: Today, you’ll see the QuantumTrading bot in action. Dive into the pairs, witness the precision, and be part of the future of trading. Turn your notifications ON—this is a moment you don’t want to miss! The wait is over, and today, you step into the Quantum Era.
0:14

🚨 It’s Time! The DevNet is LIVE! 🚨 After a long night of hard work, the DevNet is fully deployed and operational. And here’s the best part: you’ll explore it today! 💡 What Awaits You: Real-time execution on pairs like BTC/USDT, ETH/BTC, SOL/USDT, and more. Millisecond precision uncovering and executing only the most profitable trades. A fully optimized system, now ready for you to experience firsthand. Get Ready: Today, you’ll see the QuantumTrading bot in action. Dive into the pairs, witness the precision, and be part of the future of trading. Turn your notifications ON—this is a moment you don’t want to miss! The wait is over, and today, you step into the Quantum Era.

Quantum Trade

156,104 görüntüleme • 1 yıl önce

With our season being over my contract with Team Vitality 🐝 has ended It has been a rocky journey and through each challenge it has been a test of who we are and what we’re made of. I can personally say that the work ethic of the team cannot be put to question and everyone was willing to go over and above to get us to where we wanted to be. It can feel like all the work had no reward, but I truly believe that the work is an investment for a lifetime and not just a season. To the fans, we know it is disappointing and we really dreamed of that fairy tale story in Paris. For now the players, coaches and staff appreciate the support that has been given and even I could feel the warmth of the well wishes and welcomes I received when I joined the org. I will appreciate the memories of everyone here that will last me a lifetime. I’m very grateful to have been here and to have been part of the vitality story💛 🖤🐝
0:04

With our season being over my contract with Team Vitality 🐝 has ended It has been a rocky journey and through each challenge it has been a test of who we are and what we’re made of. I can personally say that the work ethic of the team cannot be put to question and everyone was willing to go over and above to get us to where we wanted to be. It can feel like all the work had no reward, but I truly believe that the work is an investment for a lifetime and not just a season. To the fans, we know it is disappointing and we really dreamed of that fairy tale story in Paris. For now the players, coaches and staff appreciate the support that has been given and even I could feel the warmth of the well wishes and welcomes I received when I joined the org. I will appreciate the memories of everyone here that will last me a lifetime. I’m very grateful to have been here and to have been part of the vitality story💛 🖤🐝

Edgar Chekera

11,859 görüntüleme • 10 ay önce

I decided to share part of a prompt you can use to research any protocol in seconds using INFINIT Intelligence by INFINIT. As an example, I used Silo Labs, where I currently farm most of my stablecoin yields. 🔖 Bookmark this + read until the end for a bonus. Just replace [PROTOCOL NAME] with any protocol you want to research. Prompt: "Conduct thorough research on [PROTOCOL NAME] and answer the following questions: - What is the project building? - What problem does it solve, and for whom? - What makes it different from others? - What blockchain is it built on? - Is there a token? What’s its purpose? - How does the protocol work technically? - How does it make money or sustain itself? - What’s the staking model, emissions, burns, and treasury? - Who are the founders, and is the team public and credible? - Who funded it? Who holds most tokens? - Are users, TVL, and volume growing? - How strong is the ecosystem around it? - Who are the main competitors, and how does it compare? - Is the protocol audited? Any past hacks? - What are the best ways to use the protocol (strategies)? - What’s coming next? Key milestones or launches? - What are the biggest risks? - How strong is the community and social traction?" Bonus: Quote this post with a reason why you like INFINIT, and I’ll DM you the full version of the prompt within the next 24 hours.
0:14

I decided to share part of a prompt you can use to research any protocol in seconds using INFINIT Intelligence by INFINIT. As an example, I used Silo Labs, where I currently farm most of my stablecoin yields. 🔖 Bookmark this + read until the end for a bonus. Just replace [PROTOCOL NAME] with any protocol you want to research. Prompt: "Conduct thorough research on [PROTOCOL NAME] and answer the following questions: - What is the project building? - What problem does it solve, and for whom? - What makes it different from others? - What blockchain is it built on? - Is there a token? What’s its purpose? - How does the protocol work technically? - How does it make money or sustain itself? - What’s the staking model, emissions, burns, and treasury? - Who are the founders, and is the team public and credible? - Who funded it? Who holds most tokens? - Are users, TVL, and volume growing? - How strong is the ecosystem around it? - Who are the main competitors, and how does it compare? - Is the protocol audited? Any past hacks? - What are the best ways to use the protocol (strategies)? - What’s coming next? Key milestones or launches? - What are the biggest risks? - How strong is the community and social traction?" Bonus: Quote this post with a reason why you like INFINIT, and I’ll DM you the full version of the prompt within the next 24 hours.

Keno

15,876 görüntüleme • 11 ay önce

The quietness of Japanese commuters on their way to work is deeply ingrained in the cultural norms and etiquette surrounding public transportation. This silence is a manifestation of the collective effort to maintain harmony and minimize disruptions in crowded spaces, such as trains during rush hour. It reflects the respect for others' personal space and the understanding that one's actions can impact those around them.
0:13

The quietness of Japanese commuters on their way to work is deeply ingrained in the cultural norms and etiquette surrounding public transportation. This silence is a manifestation of the collective effort to maintain harmony and minimize disruptions in crowded spaces, such as trains during rush hour. It reflects the respect for others' personal space and the understanding that one's actions can impact those around them.

Kala

490,277 görüntüleme • 4 ay önce

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron
0:12

The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

alejandro cartagena

98,261 görüntüleme • 2 yıl önce

Has been a while since I've given an update so here's a breakdown of where Sappy is at right now and what we're focusing on going into this year. Pre-amble: With altcoins & NFTs the market is definitely not the same as it was before. I think this is obvious to everyone but I've noticed there are still japanese soldiers that are convinced old tricks and mechanics work. They don't. Liquidity is thin; people want to bid assets that feel like "real companies" not vacuous memecoins. There's still room for memecoins, social currencies, and "utility tokens" (I would say without these functions, tokens are hard to justify versus equities). I'm not part of the camp that thinks there will never be hyperspeculation in crypto again, because there will be; we all love ponzis and PvPing each other onchain. Just not with solved games -- people need something new and fresh. So the overarching plan is to continue building for users, sustainable revenues that aren't tied to directly to crypto, and doubling down on the areas that we've already found PMF / Brand Market Fit. Then leaning into crypto during cyclical periods where liquidity is sloshing around at an accelerated rate. Where we've found early PMF / what we're leaning into: Roblox: we're going to continue to go hard and accelerate here. It's our main objective to ship more seal/brainrot focused games across most genres to cast as wide of a net as we can for the brand, and to also iterate and see what works and stays sticky. Our initial incursion into Roblox was very successful peaking at 2M+ MAU and still sustaining a large portion of that player base... for all of its success, that was a relatively amateur first attempt; we've been setting up better AI pipelines for Roblox development that makes it reasonable to ship many more games and 10x those player counts in totality. It's my belief that Roblox is the sandbox whose audience will be the most valuable on the internet once they are grown up. That intense feeling you get when you see a TikTok referencing an old game you enjoyed on the PS2 or the Gamecube, or when you see a Pokemon card is the exact same feeling the youth of today will get when reminiscing on the things they enjoyed engaging with when they were younger. Fortnite and Roblox are functional equivalents to the old school consoles and exactly where that is taking place. Which is why as much as I care about scaling revenues through Roblox, the long term brand equity gained purely through being popular on the platform is totally invaluable. It also can heavily convert to merchandise sales today if all touchpoints for the brand are dialed in (which is why brands get overcharged so much by Roblox dev shops for the same ROI that only cost us a few thousand $). We have the playbook, it's just about iterating new concepts and then aggressively scaling. Brand Expansion & Merchandising: I've started to create a content pipeline that is easily repeatable, cost efficient (costs next to nothing through either AI or smart reusable concepts), while still being very tasteful and meeting our quality standards for the brand. We are mostly focusing here on reaching people where they're at through nostalgic/emotional content, or just being visually stimulating through carefully curated aesthetics. Content that isn't superficial and touches people in a memorable way. I've attached some examples to the post so you can see what I mean rather than just read it. I don't think it's long until larger brands start doing this at scale, but it's always good to be ahead of the curve and most importantly winning on taste -- knowing what will resonate with people and what won't has always been our edge. The purpose for these accounts is not only to rack up attention but also to begin converting those into sales of both of physicals (plushies & gacha collectibles) and digital avenues like our games, and any other apps we produce. Because they're offshoot accounts it's also a lot easier to be aggressive/experimental with said conversion strategies. Sappy Studio: I'm wrapping everything like Omnia, and everything else into this category because they're all tangentially related. Beginning with Omnia, our current focus is gearing up for Season 0 which involves players competing in the ranked ladder for a prize pool that has rewards through Monad Momentum as well as a player-funded prize pool. This season will be fairly simple with us mostly logging retention, deck building habits, as well as qualitatively observing how aggressively players push the combat system. Deeper monetization wont exist yet outside of the player buy-in (to be eligible for P2E rewards). Beyond that our overarching principle this year is to focus heavily on risk-to-earn mechanics where a portion of that excess value is circular i.e. revenues flow back to prize pools or other parts of the economy, treating the game almost like a protocol where the objective is to amass TVL or player liquidity. Social is also a big focus, and that means implementing the Open World hub which from an infrastructure perspective has already been built out and tested by all of you previously. Right now we are scaffolding the environment in 3D and working through how that hub should look and feel, so players are excited to hang out & idle together while they're queuing. For sappydotlol, what I'm about to say is still early days from a design perspective so a lot can change, but I'm pushing the site in the direction of being a virtual game console. An intersection between Nintendo & Myspace where users can play, trade, and socially interact in a way that's deeply personalised; a breathe of fresh air from the hostility of the current internet. If you go back to my thesis on Roblox above and the game console references, you can kind of see how this will all sequentially tie together. In essence, the strategy is to acquire a critical mass of players through traditional platforms like Roblox, and use that attention and trust to provide an onboarding funnel for web2 users into our own sandbox filled with a mixture of our own browser-based experiences as well as an aggregation of others. The aim is to make the platform a breath of fresh air & bunker from the enshittified platforms like TikTok/IG/X where users are actually served in ways that delight rather than agitate, and where self-expression is incentivised. Closing: As always everything here is subject to change but I've never felt more conviction in our direction until now; I know exactly what we need to do and how, with everything aligning with our team's strengths. Very excited and grinding through things to the point where I'm getting headaches and can't sleep from being hyperfocused for long periods of time lol. There probably has never been a better time to join the ecosystem from a price to fuck around and find out perspective.
1:00

Has been a while since I've given an update so here's a breakdown of where Sappy is at right now and what we're focusing on going into this year. Pre-amble: With altcoins & NFTs the market is definitely not the same as it was before. I think this is obvious to everyone but I've noticed there are still japanese soldiers that are convinced old tricks and mechanics work. They don't. Liquidity is thin; people want to bid assets that feel like "real companies" not vacuous memecoins. There's still room for memecoins, social currencies, and "utility tokens" (I would say without these functions, tokens are hard to justify versus equities). I'm not part of the camp that thinks there will never be hyperspeculation in crypto again, because there will be; we all love ponzis and PvPing each other onchain. Just not with solved games -- people need something new and fresh. So the overarching plan is to continue building for users, sustainable revenues that aren't tied to directly to crypto, and doubling down on the areas that we've already found PMF / Brand Market Fit. Then leaning into crypto during cyclical periods where liquidity is sloshing around at an accelerated rate. Where we've found early PMF / what we're leaning into: Roblox: we're going to continue to go hard and accelerate here. It's our main objective to ship more seal/brainrot focused games across most genres to cast as wide of a net as we can for the brand, and to also iterate and see what works and stays sticky. Our initial incursion into Roblox was very successful peaking at 2M+ MAU and still sustaining a large portion of that player base... for all of its success, that was a relatively amateur first attempt; we've been setting up better AI pipelines for Roblox development that makes it reasonable to ship many more games and 10x those player counts in totality. It's my belief that Roblox is the sandbox whose audience will be the most valuable on the internet once they are grown up. That intense feeling you get when you see a TikTok referencing an old game you enjoyed on the PS2 or the Gamecube, or when you see a Pokemon card is the exact same feeling the youth of today will get when reminiscing on the things they enjoyed engaging with when they were younger. Fortnite and Roblox are functional equivalents to the old school consoles and exactly where that is taking place. Which is why as much as I care about scaling revenues through Roblox, the long term brand equity gained purely through being popular on the platform is totally invaluable. It also can heavily convert to merchandise sales today if all touchpoints for the brand are dialed in (which is why brands get overcharged so much by Roblox dev shops for the same ROI that only cost us a few thousand $). We have the playbook, it's just about iterating new concepts and then aggressively scaling. Brand Expansion & Merchandising: I've started to create a content pipeline that is easily repeatable, cost efficient (costs next to nothing through either AI or smart reusable concepts), while still being very tasteful and meeting our quality standards for the brand. We are mostly focusing here on reaching people where they're at through nostalgic/emotional content, or just being visually stimulating through carefully curated aesthetics. Content that isn't superficial and touches people in a memorable way. I've attached some examples to the post so you can see what I mean rather than just read it. I don't think it's long until larger brands start doing this at scale, but it's always good to be ahead of the curve and most importantly winning on taste -- knowing what will resonate with people and what won't has always been our edge. The purpose for these accounts is not only to rack up attention but also to begin converting those into sales of both of physicals (plushies & gacha collectibles) and digital avenues like our games, and any other apps we produce. Because they're offshoot accounts it's also a lot easier to be aggressive/experimental with said conversion strategies. Sappy Studio: I'm wrapping everything like Omnia, and everything else into this category because they're all tangentially related. Beginning with Omnia, our current focus is gearing up for Season 0 which involves players competing in the ranked ladder for a prize pool that has rewards through Monad Momentum as well as a player-funded prize pool. This season will be fairly simple with us mostly logging retention, deck building habits, as well as qualitatively observing how aggressively players push the combat system. Deeper monetization wont exist yet outside of the player buy-in (to be eligible for P2E rewards). Beyond that our overarching principle this year is to focus heavily on risk-to-earn mechanics where a portion of that excess value is circular i.e. revenues flow back to prize pools or other parts of the economy, treating the game almost like a protocol where the objective is to amass TVL or player liquidity. Social is also a big focus, and that means implementing the Open World hub which from an infrastructure perspective has already been built out and tested by all of you previously. Right now we are scaffolding the environment in 3D and working through how that hub should look and feel, so players are excited to hang out & idle together while they're queuing. For sappydotlol, what I'm about to say is still early days from a design perspective so a lot can change, but I'm pushing the site in the direction of being a virtual game console. An intersection between Nintendo & Myspace where users can play, trade, and socially interact in a way that's deeply personalised; a breathe of fresh air from the hostility of the current internet. If you go back to my thesis on Roblox above and the game console references, you can kind of see how this will all sequentially tie together. In essence, the strategy is to acquire a critical mass of players through traditional platforms like Roblox, and use that attention and trust to provide an onboarding funnel for web2 users into our own sandbox filled with a mixture of our own browser-based experiences as well as an aggregation of others. The aim is to make the platform a breath of fresh air & bunker from the enshittified platforms like TikTok/IG/X where users are actually served in ways that delight rather than agitate, and where self-expression is incentivised. Closing: As always everything here is subject to change but I've never felt more conviction in our direction until now; I know exactly what we need to do and how, with everything aligning with our team's strengths. Very excited and grinding through things to the point where I'm getting headaches and can't sleep from being hyperfocused for long periods of time lol. There probably has never been a better time to join the ecosystem from a price to fuck around and find out perspective.

wab.eth

17,908 görüntüleme • 5 ay önce

Today a group of Muslims prayed next to the Ministry of Defence, facing the Iraq and Afghanistan memorial. As I have said before, choosing to pray in this way in public is a political act. It is a social statement and, yes, it is an act of domination. Anybody who understands Islamism understands that the domination of public spaces is part of the modus operandi. It is done so Islamists can show who is in charge - and to show other Muslims and the wider public that the authorities will bend to their will. There is quite obviously no need to pray here. The decision to do so is symbolic and pointed. It is not welcome. We have freedom of religion in this country, which is why there are mosques. But we are not a Muslim country and this is not welcome. It should be stopped.
0:10

Today a group of Muslims prayed next to the Ministry of Defence, facing the Iraq and Afghanistan memorial. As I have said before, choosing to pray in this way in public is a political act. It is a social statement and, yes, it is an act of domination. Anybody who understands Islamism understands that the domination of public spaces is part of the modus operandi. It is done so Islamists can show who is in charge - and to show other Muslims and the wider public that the authorities will bend to their will. There is quite obviously no need to pray here. The decision to do so is symbolic and pointed. It is not welcome. We have freedom of religion in this country, which is why there are mosques. But we are not a Muslim country and this is not welcome. It should be stopped.

Nick Timothy MP

1,473,507 görüntüleme • 10 gün önce

So a lot has been said about Hearts players being assaulted without any evidence to back it up. Edited footage of the attached video, shows a Celtic fan pushing a Hearts player - I can't distinguish who but others will be able to - however, the edited footage does not tell the full story or context suiting the agendas of those posting it up. The attached video shows the full interaction between the Hearts player and Celtic fan - and here is my take on it along with references to Scots Law after speaking to an acquaintance within the field. The Celtic fan, like others on the pitch, can be charged with Breach of the Peace for simply entering the field of play and the Celtic fan in question will almost certainly face such a charge. However, here is where it gets sticky. He is not breaking the law by simply goading or laughing at the Hearts player and videoing it. Under Scots Law, if someone knocks your phone out of your hand and then proceeds to stamp on it repeatedly - as the Hearts player did - then they can be charged with criminal damage (vandalism under the Criminal Law (Consolidation) (Scotland) Act 1995). Under section 52 of the Criminal Law (Consolidation) (Scotland) Act 1995, vandalism is committed when someone “wilfully or recklessly” destroys or damages property belonging to another “without reasonable excuse.” A mobile phone clearly falls within “property belonging to another,” and repeatedly stamping on it generally satisfies the “without reasonable excuse” and “wilful or reckless” requirements. It doesn’t matter if the incident happens on public/private property or in this case on a football pitch. The person who stomps on the phone is still potentially facing a charge for vandalism, even if the Celtic fan seen here is committing a breach of the peace by entering the field of play. The breach of the peace charge would be dealt with separately, it doesn’t erase the Hearts player's criminal responsibility for trying to destroy the fan's property. The Celtic fan is then seen pushing the footballer away in order to stop them from destroying their phone/property and attempts to recover it before stewards pounce on him, that push may amount to lawful self-defence or defence of property if it's proportionate and immediate, which in this case seems to be the case. Under Scots law, force is allowed if there’s an imminent threat, that the force is necessary, and it’s not excessive. A brief, measured push to create distance or break contact is usually treated as reasonable, not criminal assault. The Hearts player fell into this category when he initially swatted the phone out of the fan's hand and so too did the fan by pushing the Hearts player away in an attempt to retrieve his property. But as soon as the Hearts player started stamping on the phone that is deemed excessive force. Legally, the fan's breach of the peace [invasion of the pitch and goading] doesn’t give the Hearts player a licence to destroy the fan's property; and the fan's efforts to protect his own property can be deemed lawful, as long as the force used is proportionate and immediate. And yet, given the nature of the pitch invasion and the media coverage of it - the Hearts player could ultimately dodge any charge not because he is not guilty of committing a crime, but because the COPFS apply the 'public interest' test - even if evidence exists, they may conclude that prosecution is not in the public interest because of factors such as: 1. The relatively low value of the phone vs wider consequences (a star player, media circus, club reputation) 2. The player’s status and the likely impact on the sport or club 3. Whether alternative measures (internal club sanctions, fines, apologies, civil settlement) are seen as “sufficient.” Prosecutors are not obliged to prosecute every technically guilty act. As for the fan, as mentioned earlier, his entry onto the pitch is deemed a Breach of the Peace and he would be charged, fined, and issued with a football banning order - with Celtic also potentially banning him for x number of years. Ps/ Much of this was told to me verbatim and I have put it into my own words as much as I can. I am not an expert in Scots Law, I do not profess to be, the above is as told to me by someone in Criminal Law. #celticfc #spfl
0:15

So a lot has been said about Hearts players being assaulted without any evidence to back it up. Edited footage of the attached video, shows a Celtic fan pushing a Hearts player - I can't distinguish who but others will be able to - however, the edited footage does not tell the full story or context suiting the agendas of those posting it up. The attached video shows the full interaction between the Hearts player and Celtic fan - and here is my take on it along with references to Scots Law after speaking to an acquaintance within the field. The Celtic fan, like others on the pitch, can be charged with Breach of the Peace for simply entering the field of play and the Celtic fan in question will almost certainly face such a charge. However, here is where it gets sticky. He is not breaking the law by simply goading or laughing at the Hearts player and videoing it. Under Scots Law, if someone knocks your phone out of your hand and then proceeds to stamp on it repeatedly - as the Hearts player did - then they can be charged with criminal damage (vandalism under the Criminal Law (Consolidation) (Scotland) Act 1995). Under section 52 of the Criminal Law (Consolidation) (Scotland) Act 1995, vandalism is committed when someone “wilfully or recklessly” destroys or damages property belonging to another “without reasonable excuse.” A mobile phone clearly falls within “property belonging to another,” and repeatedly stamping on it generally satisfies the “without reasonable excuse” and “wilful or reckless” requirements. It doesn’t matter if the incident happens on public/private property or in this case on a football pitch. The person who stomps on the phone is still potentially facing a charge for vandalism, even if the Celtic fan seen here is committing a breach of the peace by entering the field of play. The breach of the peace charge would be dealt with separately, it doesn’t erase the Hearts player's criminal responsibility for trying to destroy the fan's property. The Celtic fan is then seen pushing the footballer away in order to stop them from destroying their phone/property and attempts to recover it before stewards pounce on him, that push may amount to lawful self-defence or defence of property if it's proportionate and immediate, which in this case seems to be the case. Under Scots law, force is allowed if there’s an imminent threat, that the force is necessary, and it’s not excessive. A brief, measured push to create distance or break contact is usually treated as reasonable, not criminal assault. The Hearts player fell into this category when he initially swatted the phone out of the fan's hand and so too did the fan by pushing the Hearts player away in an attempt to retrieve his property. But as soon as the Hearts player started stamping on the phone that is deemed excessive force. Legally, the fan's breach of the peace [invasion of the pitch and goading] doesn’t give the Hearts player a licence to destroy the fan's property; and the fan's efforts to protect his own property can be deemed lawful, as long as the force used is proportionate and immediate. And yet, given the nature of the pitch invasion and the media coverage of it - the Hearts player could ultimately dodge any charge not because he is not guilty of committing a crime, but because the COPFS apply the 'public interest' test - even if evidence exists, they may conclude that prosecution is not in the public interest because of factors such as: 1. The relatively low value of the phone vs wider consequences (a star player, media circus, club reputation) 2. The player’s status and the likely impact on the sport or club 3. Whether alternative measures (internal club sanctions, fines, apologies, civil settlement) are seen as “sufficient.” Prosecutors are not obliged to prosecute every technically guilty act. As for the fan, as mentioned earlier, his entry onto the pitch is deemed a Breach of the Peace and he would be charged, fined, and issued with a football banning order - with Celtic also potentially banning him for x number of years. Ps/ Much of this was told to me verbatim and I have put it into my own words as much as I can. I am not an expert in Scots Law, I do not profess to be, the above is as told to me by someone in Criminal Law. #celticfc #spfl

Andy

39,050 görüntüleme • 1 ay önce

The Bluefin Foundation is thrilled to announce that the genesis of the BLUE token has been completed! Bluefin was founded with a vision to accelerate on-chain trading. To date, the exchange has processed $40 billion in trading volume across spot and derivatives on Sui. The launch of BLUE is an important step toward a decentralized governance model. Bluefin’s strategy is designed to align incentives across users, contributors, and stakeholders, ensuring long-term ecosystem growth and platform integrity. With the support of our core contributors, partners, and investors, we’re excited to put a product into the hands of the community that powers the next generation of on-chain trading. For more information about BLUE, please visit here:
0:19

The Bluefin Foundation is thrilled to announce that the genesis of the BLUE token has been completed! Bluefin was founded with a vision to accelerate on-chain trading. To date, the exchange has processed $40 billion in trading volume across spot and derivatives on Sui. The launch of BLUE is an important step toward a decentralized governance model. Bluefin’s strategy is designed to align incentives across users, contributors, and stakeholders, ensuring long-term ecosystem growth and platform integrity. With the support of our core contributors, partners, and investors, we’re excited to put a product into the hands of the community that powers the next generation of on-chain trading. For more information about BLUE, please visit here:

Bluefin

364,410 görüntüleme • 1 yıl önce

Excited for all of you to see what the Arena team has been working on! ✨ Happy to say that I got to be a part of the VFX work for this update, as well as some little things here and there such as cameras and ceremonies. :D
0:06

Excited for all of you to see what the Arena team has been working on! ✨ Happy to say that I got to be a part of the VFX work for this update, as well as some little things here and there such as cameras and ceremonies. :D

Sirhaian

124,027 görüntüleme • 1 yıl önce

We are already at war. Not with rifles or tanks, but with replacement. This is conquest by other means, through the slow erasure of a people who no longer recognize they are being conquered. That is why I write—to remind my people that we are not living in peace, but in the midst of a war waged without banners. The invasion is not declared with armies but with flights and boats, birthrates and welfare rolls. It is demographic warfare, calculated, continuous, and increasingly irreversible. A people, and a civilization, does not need to be burned to the ground to fall. It only needs to be replaced. Throughout the Western world, we are witnessing not mere immigration but a deliberate population transformation, one that has been rationalized by moral cowardice and enforced by political elites who have long since abandoned the idea that their nations belong to their people. What you mock as conquest is already underway, and unlike the conquests of old, it comes with the full consent of those in power. But I do not write in surrender. I write as a warning, as an act of resistance. My writing is meant to exhort and to enliven, to reawaken what has been buried beneath shame and silence. It is a summons to remember, to reclaim, and to rebuild. We are in an existential struggle, not only for our land, but for our survival, and thus for the future itself. Those who sneer at the loss will one day find there is nothing left to sneer at. A people who forget that they exist will be replaced by those who do not. You may call this natural. So be it. Then let nature return, red in tooth and claw, and let the sons of Europe remember who they are.
0:19

We are already at war. Not with rifles or tanks, but with replacement. This is conquest by other means, through the slow erasure of a people who no longer recognize they are being conquered. That is why I write—to remind my people that we are not living in peace, but in the midst of a war waged without banners. The invasion is not declared with armies but with flights and boats, birthrates and welfare rolls. It is demographic warfare, calculated, continuous, and increasingly irreversible. A people, and a civilization, does not need to be burned to the ground to fall. It only needs to be replaced. Throughout the Western world, we are witnessing not mere immigration but a deliberate population transformation, one that has been rationalized by moral cowardice and enforced by political elites who have long since abandoned the idea that their nations belong to their people. What you mock as conquest is already underway, and unlike the conquests of old, it comes with the full consent of those in power. But I do not write in surrender. I write as a warning, as an act of resistance. My writing is meant to exhort and to enliven, to reawaken what has been buried beneath shame and silence. It is a summons to remember, to reclaim, and to rebuild. We are in an existential struggle, not only for our land, but for our survival, and thus for the future itself. Those who sneer at the loss will one day find there is nothing left to sneer at. A people who forget that they exist will be replaced by those who do not. You may call this natural. So be it. Then let nature return, red in tooth and claw, and let the sons of Europe remember who they are.

Chad Crowley

37,093 görüntüleme • 1 yıl önce

sorry Jake let me explain a bit more about my work in my advertising agency: because we work with big clients, we run a lot of tests, especially with AI why do I use a famous actor for my internal tests? because a well-known face is instantly recognisable and easy to share to clients, you immediately understand the expressions, the acting style, and whether the generation is efficient or not it helps us judge the quality of the tool of course, I know the ethical side is complicated these tests are strictly internal, purely experimental, and never used for commercial purposes. using someone’s likeness without consent is completely forbidden, and I fully respect that i’m just sharing this video as an example of a technical test I generated by mistake, not for any public or commercial use what do you think of it? the tech is powerful, but it needs to be handled responsibly
0:10

sorry Jake let me explain a bit more about my work in my advertising agency: because we work with big clients, we run a lot of tests, especially with AI why do I use a famous actor for my internal tests? because a well-known face is instantly recognisable and easy to share to clients, you immediately understand the expressions, the acting style, and whether the generation is efficient or not it helps us judge the quality of the tool of course, I know the ethical side is complicated these tests are strictly internal, purely experimental, and never used for commercial purposes. using someone’s likeness without consent is completely forbidden, and I fully respect that i’m just sharing this video as an example of a technical test I generated by mistake, not for any public or commercial use what do you think of it? the tech is powerful, but it needs to be handled responsibly

INK

71,124 görüntüleme • 6 ay önce

Why the world needs Grokipedia? ➤ Wikipedia isn’t the neutral source of truth it once was. It’s been taken over by far-left activists and often used as a propaganda tool, not an unbiased encyclopedia. ➤ A lot of AIs today get their info from the internet, but the web is full of unfair views, wrong facts, and tons of junk. ➤ Grokipedia will be an open-source encyclopedia focused solely on TRUTH. ➤ Grokipedia won’t be controlled by any activist or political bias. ➤ It will be open-source and free for all to use, a truly public resource without limits. ➤ xAI’s ultimate mission is to understand the universe, and that requires honest, unfiltered information. Grokipedia is a crucial step toward that goal, because you can’t build a truthful AI on biased information. ➤ The vision is for Grokipedia to become the global standard for knowledge. One day, every person and every AI system could rely on it as a trusted source of truth. ➤ Seeking truth is the greatest mission of all and that’s what Grokipedia stands for. Grokipedia is coming.
0:10

Why the world needs Grokipedia? ➤ Wikipedia isn’t the neutral source of truth it once was. It’s been taken over by far-left activists and often used as a propaganda tool, not an unbiased encyclopedia. ➤ A lot of AIs today get their info from the internet, but the web is full of unfair views, wrong facts, and tons of junk. ➤ Grokipedia will be an open-source encyclopedia focused solely on TRUTH. ➤ Grokipedia won’t be controlled by any activist or political bias. ➤ It will be open-source and free for all to use, a truly public resource without limits. ➤ xAI’s ultimate mission is to understand the universe, and that requires honest, unfiltered information. Grokipedia is a crucial step toward that goal, because you can’t build a truthful AI on biased information. ➤ The vision is for Grokipedia to become the global standard for knowledge. One day, every person and every AI system could rely on it as a trusted source of truth. ➤ Seeking truth is the greatest mission of all and that’s what Grokipedia stands for. Grokipedia is coming.

DogeDesigner

5,198,480 görüntüleme • 8 ay önce

"PRICE IS WHAT YOU PAY. VALUE IS WHAT YOU GET." I keep buying $Kekec and I have a strong conviction. Here's Why: While the market is down, and Kekec is declining with it, there are data points that few are considering. Kekec borned in October and since then has been posting a different and original 30-second video every day, which I find extremely funny. For the past couple of months, they have also been posting daily on Instagram, and the attention on Kekec (which doesn't present itself on social media as a memecoin) is growing, moreover, it's increasing exponentially. The number of followers is increasing by about 500-1000 a day. This is largely due to the fact that they are not just focused on the main account but have several others that post reels and redirect to the main one. In short, an excellent strategy to keep growing more and more. Instagram link: Guess What? Not only are the followers increasing, but the team's workload is also growing. In fact, for a little over a month, they have also started pushing on YouTube, and the data here is promising as well. YouTube link: If we want to make a comparison, we can take Pudgy Penguins as an example, which has shown it can reach millions and millions of users without mentioning that they are a WEB3 company that owns an NFT collection. Or, if we want to be more appropriate by comparing one memecoin to another, we could take PONKE. Thanks to the use of social media and the quality of their content, they managed to achieve incredible numbers, which then translated into an increase in the coin's price. Kekec came before PONKE, but that doesn't necessarily mean it's better than PONKE. I believe PONKE is unbeatable in terms of content, but I want to make you reflect on an important point. PONKE came after KEKEC, and after PONKE's success, many coins have emerged trying to imitate it. One of KEKEC's strengths, in my opinion, is precisely the fact that it leverages social media without being a copy-paste. Instead, it is a unique meme derived from a 90's film, and it uses a unique form of content. In short, KEKEC > KEKEC and no one else. I want to conclude by suggesting you follow them on Instagram and evaluate not only the exponential growth of their followers day by day but also observe how the views of each reel increase accordingly. Pay special attention to the comments. Many of the people commenting have no idea what it is, and you can see from the comments how Kekec generates particular emotions in people—strange but still emotions. Personally, I believe that when something is unique and even very strange, it needs time to be adopted. However, once it happens, it usually explodes and spreads like never before. A few days ago, a Kekec video was posted by a very popular meme page. They probably don't know what Kekec is about but thought the video could spark interest among their followers. How many other pages will do the same? Lastly, but not least, I want to point out how Kekec maintains a good market cap despite everything that has happened in the crypto world since October 2023. As far as I know and have personally observed, everything is extremely organic. There is no cabal behind it, and the quality is not reflected in a single jpeg but in work that has been ongoing daily for months. Every day they work harder, and the quality of their videos grows as well. I have no affiliations with the team, but I believe that Kekec truly deserves more in this world where we push celebrity or cabal-backed coins to hundreds of millions in market cap. I keep buying because the numbers suggest so. Don't just evaluate the chart (price), evaluate the data (value). BÂLKÂN DWÂRF
0:15

"PRICE IS WHAT YOU PAY. VALUE IS WHAT YOU GET." I keep buying $Kekec and I have a strong conviction. Here's Why: While the market is down, and Kekec is declining with it, there are data points that few are considering. Kekec borned in October and since then has been posting a different and original 30-second video every day, which I find extremely funny. For the past couple of months, they have also been posting daily on Instagram, and the attention on Kekec (which doesn't present itself on social media as a memecoin) is growing, moreover, it's increasing exponentially. The number of followers is increasing by about 500-1000 a day. This is largely due to the fact that they are not just focused on the main account but have several others that post reels and redirect to the main one. In short, an excellent strategy to keep growing more and more. Instagram link: Guess What? Not only are the followers increasing, but the team's workload is also growing. In fact, for a little over a month, they have also started pushing on YouTube, and the data here is promising as well. YouTube link: If we want to make a comparison, we can take Pudgy Penguins as an example, which has shown it can reach millions and millions of users without mentioning that they are a WEB3 company that owns an NFT collection. Or, if we want to be more appropriate by comparing one memecoin to another, we could take PONKE. Thanks to the use of social media and the quality of their content, they managed to achieve incredible numbers, which then translated into an increase in the coin's price. Kekec came before PONKE, but that doesn't necessarily mean it's better than PONKE. I believe PONKE is unbeatable in terms of content, but I want to make you reflect on an important point. PONKE came after KEKEC, and after PONKE's success, many coins have emerged trying to imitate it. One of KEKEC's strengths, in my opinion, is precisely the fact that it leverages social media without being a copy-paste. Instead, it is a unique meme derived from a 90's film, and it uses a unique form of content. In short, KEKEC > KEKEC and no one else. I want to conclude by suggesting you follow them on Instagram and evaluate not only the exponential growth of their followers day by day but also observe how the views of each reel increase accordingly. Pay special attention to the comments. Many of the people commenting have no idea what it is, and you can see from the comments how Kekec generates particular emotions in people—strange but still emotions. Personally, I believe that when something is unique and even very strange, it needs time to be adopted. However, once it happens, it usually explodes and spreads like never before. A few days ago, a Kekec video was posted by a very popular meme page. They probably don't know what Kekec is about but thought the video could spark interest among their followers. How many other pages will do the same? Lastly, but not least, I want to point out how Kekec maintains a good market cap despite everything that has happened in the crypto world since October 2023. As far as I know and have personally observed, everything is extremely organic. There is no cabal behind it, and the quality is not reflected in a single jpeg but in work that has been ongoing daily for months. Every day they work harder, and the quality of their videos grows as well. I have no affiliations with the team, but I believe that Kekec truly deserves more in this world where we push celebrity or cabal-backed coins to hundreds of millions in market cap. I keep buying because the numbers suggest so. Don't just evaluate the chart (price), evaluate the data (value). BÂLKÂN DWÂRF

m0ment0

133,188 görüntüleme • 2 yıl önce

Madain Saleh, also known as Al-Hijr, is a pre-Islamic archaeological site located in the northwest of Saudi Arabia. It is one of the most important archaeological sites in the Middle East and was designated as a UNESCO World Heritage site in 2008. Madain Saleh is a place of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Madain Saleh was the second city of the Nabataean kingdom, which was established in 2nd Century BC. The Nabataeans were an Arab tribe who were known for their expertise in carving tombs and buildings out of rock. They were also skilled in agriculture, trade, and commerce. The Nabataean kingdom was centered in Petra, which is located in modern-day Jordan. Madain Saleh served as a strategic outpost for Nabataeans, and it was an important stop on the trade routes that connected the Arabian Peninsula with the Mediterranean world. Archaeological site of Madain Saleh covers an area of 13 square kilometers. It is located in a remote desert region, and it is surrounded by rocky mountains and valleys. The site contains around 130 tombs, which were carved out of the sandstone cliffs. The tombs are adorned with intricate carvings and inscriptions, which provide insights into the culture and religion of the Nabataeans. The most famous tomb at Madain Saleh is the Qasr Al-Farid, which means "the lonely castle." This tomb is located on a hilltop and is surrounded by a large courtyard. It is the largest tomb at the site, and it is considered to be one of the finest examples of Nabataean architecture. The tomb was never completed, and it is believed that it was abandoned after the death of the Nabataean king who commissioned it. Another important tomb at Madain Saleh is the Tomb of Lihyan son of Kuza. This tomb is located in the southern part of the site and is carved into a rock cliff. It features a large entrance hall, a central chamber, and a series of smaller rooms. The tomb is decorated with intricate carvings and inscriptions, which provide insights into the religious beliefs of Nabataeans. Madain Saleh is not just a site of tombs; it also contains a number of other important structures. These include the Al-Khuraymat and Al-Sabika temples, which were used for religious ceremonies and rituals. The site also contains a number of houses, wells, and cisterns, which provide insights into the daily lives of the Nabataeans. Madain Saleh was abandoned in the 3rd Century AD, after decline of the Nabataean kingdom. The site was rediscovered in the 19th Century by the Swiss traveler Johann Ludwig Burckhardt. Since then, it has been studied by archaeologists from all over the world. The site is now managed by the Saudi Commission for Tourism and National Heritage, which has carried out extensive restoration and preservation work. Madain Saleh is not just a site of historical and cultural significance; it is also a place of great natural beauty. The site is surrounded by rugged mountains and valleys, and it is home to a diverse range of flora and fauna. Visitors to the site can enjoy hiking and camping, as well as exploring the ancient ruins. Madain Saleh is a site of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Ancient ruins at Madain Saleh provide a glimpse into the engineering and architectural skills of the Nabataeans, as well as their religious beliefs and cultural practices. However, as the site becomes an increasingly popular tourist destination, there are concerns about its preservation and the impact of tourism on the local environment. It is important that the Saudi government and local communities work together to ensure that the site is protected and that tourism is managed in a sustainable way. 🎥© Paris Verra #archaeohistories
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Madain Saleh, also known as Al-Hijr, is a pre-Islamic archaeological site located in the northwest of Saudi Arabia. It is one of the most important archaeological sites in the Middle East and was designated as a UNESCO World Heritage site in 2008. Madain Saleh is a place of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Madain Saleh was the second city of the Nabataean kingdom, which was established in 2nd Century BC. The Nabataeans were an Arab tribe who were known for their expertise in carving tombs and buildings out of rock. They were also skilled in agriculture, trade, and commerce. The Nabataean kingdom was centered in Petra, which is located in modern-day Jordan. Madain Saleh served as a strategic outpost for Nabataeans, and it was an important stop on the trade routes that connected the Arabian Peninsula with the Mediterranean world. Archaeological site of Madain Saleh covers an area of 13 square kilometers. It is located in a remote desert region, and it is surrounded by rocky mountains and valleys. The site contains around 130 tombs, which were carved out of the sandstone cliffs. The tombs are adorned with intricate carvings and inscriptions, which provide insights into the culture and religion of the Nabataeans. The most famous tomb at Madain Saleh is the Qasr Al-Farid, which means "the lonely castle." This tomb is located on a hilltop and is surrounded by a large courtyard. It is the largest tomb at the site, and it is considered to be one of the finest examples of Nabataean architecture. The tomb was never completed, and it is believed that it was abandoned after the death of the Nabataean king who commissioned it. Another important tomb at Madain Saleh is the Tomb of Lihyan son of Kuza. This tomb is located in the southern part of the site and is carved into a rock cliff. It features a large entrance hall, a central chamber, and a series of smaller rooms. The tomb is decorated with intricate carvings and inscriptions, which provide insights into the religious beliefs of Nabataeans. Madain Saleh is not just a site of tombs; it also contains a number of other important structures. These include the Al-Khuraymat and Al-Sabika temples, which were used for religious ceremonies and rituals. The site also contains a number of houses, wells, and cisterns, which provide insights into the daily lives of the Nabataeans. Madain Saleh was abandoned in the 3rd Century AD, after decline of the Nabataean kingdom. The site was rediscovered in the 19th Century by the Swiss traveler Johann Ludwig Burckhardt. Since then, it has been studied by archaeologists from all over the world. The site is now managed by the Saudi Commission for Tourism and National Heritage, which has carried out extensive restoration and preservation work. Madain Saleh is not just a site of historical and cultural significance; it is also a place of great natural beauty. The site is surrounded by rugged mountains and valleys, and it is home to a diverse range of flora and fauna. Visitors to the site can enjoy hiking and camping, as well as exploring the ancient ruins. Madain Saleh is a site of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Ancient ruins at Madain Saleh provide a glimpse into the engineering and architectural skills of the Nabataeans, as well as their religious beliefs and cultural practices. However, as the site becomes an increasingly popular tourist destination, there are concerns about its preservation and the impact of tourism on the local environment. It is important that the Saudi government and local communities work together to ensure that the site is protected and that tourism is managed in a sustainable way. 🎥© Paris Verra #archaeohistories

Archaeo - Histories

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